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Skinny Puppy

Skinny Puppy is an influential post-industrial band, formed in 1982 by core members cEvin Key (Kevin Crompton) and NivekOgre (ohGr) (Kevin Ogilvie) in Vancouver, British Columbia, Canada.

Inspired by the groundbreaking music of Chrome, Kraftwerk, Cabaret Voltaire, Throbbing Gristle, Portion Control, TheLegendary Pink Dots, and others, Skinny Puppy experimented with electronic recording techniques and methods. the bandcomposed multi-layered music generally using keyboards, synthesizers, found sounds, drum machines, live percussion, tapesplices, samplers, and conventional rock ...read more

Skinny Puppy is an influential post-industrial band, formed in 1982 by core members cEvin Key (Kevin Crompton) and NivekOgre (ohGr) (Kevin Ogilvie) in Vancouver, British Columbia, Canada.

Inspired by the groundbreaking music of Chrome, Kraftwerk, Cabaret Voltaire, Throbbing Gristle, Portion Control, TheLegendary Pink Dots, and others, Skinny Puppy experimented with electronic recording techniques and methods. the bandcomposed multi-layered music generally using keyboards, synthesizers, found sounds, drum machines, live percussion, tapesplices, samplers, and conventional rock music instruments. Whereas many contemporary remixes and re-edits of songswere created in order to make a song more suitable for dancing or different radio formats, Skinny Puppy approachedremixing and re-editing as an artistic process of reinterpreting compositions, often using remixes to push their sound intostyles of ambient, dub and techno. Skinny Puppy’s often informal, improvisational approach to musical composition isindicated by use of the term brap, coined by them and defined as a verb meaning “to get together, hook up electronicinstruments, get high, and record”.

Skinny Puppy’s first two proper releases, Bites and Remission, fall somewhere between the found-sound chaos of earlyCabaret Voltaire and the abrasive, futuristic synthpop of the Units or Crash Course in Science. While the intense synthprogramming, abstract rhythms, and surreal samples—all Puppy trademarks—are present here, the albums owe as much tonew wave as to industrial.

A subsequent EP, Chainsaw, featured a remix of Bites’s “Assimilate” that earned the band some attention from club DJs.1986’s Mind: The Perpetual Intercourse earned Skinny Puppy greater attention, as “Dig It” and “Stairs and Flowers” becamealternative club and college radio hits; the video for the former was played occasionally on MTV. The album is arguably lessclub-friendly than its predecessors, as the band continues to refine a claustrophobic, almost surreal sound that buries rhythmand melody. The follow-up, Cleanse, Fold, and Manipulate treads similar territory.

VIVIsectVI was a breakthrough for the band, with “Testure” becoming their biggest club hit to date, and the album itself wasreceived warmly by college radio. The title of the album was a pun intended to associate vivisection with Satanism (ie. the“666 sect”). The album shows SP integrating more political and social themes: “Testure” is an animal rights song; “VX GasAttack” concerns the use of chemical weapons; “State Aid” promotes sexual abstinence to stop the spread of AIDS/HIV.

Ogre had become very interested in Ministry and Al Jougensen’s side projects, and he persuaded the rest of the band toallow Jourgensen to produce Rabies. While “Worlock” (a track Jourgensen didn’t produce) remains an industrial club classic,the album was received coolly, as many thought Jourgensen’s heavy metal guitar-based signatures did not compliment SP’smore complex, intricate sonic sculptures. The band briefly disbanded afterward.

They reformed and returned to their electronic roots with Too Dark Park, a hallucinogenic album that owes as much topsychedelia as industrial music. Two years later, “Last Rights” covered similar territory, culminating in the epic soundsculpture “Download.” Although their sound had moved away from industrial dance, these albums expanded the band’saudience, and provided the template for many industrial bands of the 1990s.

Following “Last Rights”, the band, poised for a major breakthrough in the wake of Nine Inch Nails’ commercial success, lefttheir longtime label Nettwerk for American Recordings. Their highly anticipated followup was unfortunately marred bypersonal tragedy - the death of dwayne goettel - and the band’s inability to agree on a direction for the record. Numerousproducers, including Martyn Atkins (PigFace/Invisible Records founder) and Roli Mosimann (Swans), came and went withoutsuccess; finally the band regrouped with longtime collaborator Dave “Rave” Ogilvie to finish “The Process”. The bandexpanded their range, working with gothic pop and heavy metal, alongside their familiar electronic textures. While seeminglyrushed to completion following Goettel’s death (it sounds half-finished in parts), it is an interesting change for the group.Unfortunately American Recordings, tired of waiting for the record, did little to promote it. Skinny Puppy broke up afterward.

With interests in filmmaking, they made a number of music videos, each attempting to further the theme and concept of thecomposition at hand. Most of these videos received little air play by major music video networks such as MTV (USA) andMuchMusic (Canada) and some were outright banned. For example the video for “Worlock” was universally banned because itis a “non stop gore fest” of clips from various horror movies. Because none of these clips were authorized for usage in thevideo it has never been commercially available.

Their concerts have been marked by their bizarre and bloody conceptual performance art, which for every concert wasplanned with the intention of challenging the notions of all who observed. Their music had some acceptance in dance clubsbecause of its danceable beats, but had little play on commercial radio. Skinny Puppy had little commercial success outsideof Canada, but their influence on industrial music is immense.

The band began with the intention of doing something “raw” and “real.” Ogre’s vocals, one of Skinny Puppy’s mostrecognizable features, are typically roughly growled snarls of half-sentences and fragmented stream of consciousness.Lyrical themes included animal rights, politics, religion, horror, drug abuse, disease, and environmental degradation; thesethemes were often lyrically and conceptually intertwined. Other core aspects of the Skinny Puppy sound include the mixtureof heavy sampling and experimental noise with softer musical styles sometimes approaching synthpop.

post-punk politics are a recurring theme utilised by Skinny Puppy. Some say the meaning of their name is that their musicand lyrics give a view of the world from the eyes of a starving animal. They have long had an interest in animal rights; this ismost obvious in their song Testure, which is about vivisection and other animal testing being scientific fraud. During many oftheir concerts Ogre would take the role of “scientist” and experiment on a stuffed animal. In 1988 they were arrested fortheir mocked-up vivisections, and found it ironic to be arrested for a parody of what was happening for real across the streetfrom their concert. During their TGWOTR tour, criticism of the Bush regime was a recurring theme, particularly during theirperformance of VX Gas Attack, a song about atrocities perpetrated by Saddam Hussein, originally released while he was stillconsidered an ally of the United States.

The last two studio albums are points of contention for old school Puppy fans. During the recording of The Process, the bandbroke up. Even more tragically, Dwayne Rudolph Goettel died, from an apparent heroin overdose at his parent’s home, soonafterwards. Some people say that cEvin, Nivek, and Dwayne didn’t connect as well on this album as they had earlier becausetheir respective musical interests were diverging at the time, others claim it was the heroin.

Some years after The Process, Key & Ogre reunited and recorded The Greater Wrong of the Right. It is somewhat of a returnto the old Skinny Puppy, and yet it is quite clear that both cEvin and Nivek continued to evolve durring their time apart.

There have been a number of Skinny Puppy side projects, both before, and after the breakup in 1995. The Tear Garden is acollaboration between cEvin and Edward Ka-Spel of The Legendary Pink Dots. Other noteable side projects include Download,PlatEAU, and ohGr. « hide

Similar Bands: Ministry, ohGr, Nine Inch Nails, Front Line Assembly, Einsturzende Neubauten

LPs
Weapon
05/28/2013

3.6
58 Votes
hanDover
2011

3.2
58 Votes
Mythmaker
2007

3.3
97 Votes
The Greater Wrong of the Right
2004

3.5
113 Votes
The Process
1996

3.7
90 Votes
Last Rights
1992

4.2
138 Votes
Too Dark Park
1990

4.3
213 Votes
Rabies
1989

3.7
91 Votes
VIVIsectVI
1988

4.2
133 Votes
Cleanse Fold and Manipulate
1987

3.8
66 Votes
Mind: The Perpetual Intercourse
1986

3.8
72 Votes
Bites
1985

3.8
75 Votes
Remission
1984

3.6
70 Votes
EPs
Puppy Gristle
2002

2.9
8 Votes
Inquisition
1992

3.8
3 Votes
Spasmolytic
1991

4.3
5 Votes
Tormentor
1990

4
4 Votes
Worlock
1989

4.3
6 Votes
Tin Omen
1989

3.1
4 Votes
Back & Forth
1984

3.6
10 Votes
Live Albums
Bootlegged, Broke and In Solvent Seas
06/12/2012

4
6 Votes
Doomsday: Back and Forth Series 5: Live in Dresden
2001

4.2
14 Votes
Ain't It Dead Yet?
1991

4.2
9 Votes
Compilations
The Singles Collect
1999

4
26 Votes
B-Sides Collection
1999

3.7
3 Votes
Skinned
1998

3.5
3 Votes
Remix Dystemper
1998

3.1
8 Votes
Brap
1996

3.4
4 Votes
Back & Forth Series 2
1992

3.1
5 Votes
12 Inch Anthology
1990

3.8
14 Votes

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