Symphony X - V: The New Mythology Suite Review

Symphony X V: The New Mythology Suite

full review

Tracklist:
1. Prelude
2. Evolution (The Grand Design)
3. Fallen
4. Transcendence
5. Communion and the Oracle
6. The Bird-Serpent War/Cataclysm
7. On the Breath of Poseidon (Segue)
8. Egypt
9. The Death of Balance/Lacrymosa
10. Absence of Light
11. A Fool's Paradise
12. Rediscovery (Segue)
13. Rediscovery, Pt. 2: The New Mythology

Ranking: #11 for 2000

user rating

4.2
excellent

Chart.

other reviews

Skishua71 (2)
Symphony X experiment with a very power metal release that will leave all but fans of the genre runn...

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On 22 Lists

4.5
superb

Shattered_Future USER (50 Reviews)

2006-06-19 | 39 comments | 1,679 views

6 of 7 thought this review was well written

Picture this. You’re in a band who has basically revolutionized the prog metal scene once again. You have a long lasting record deal, you’re in a band with tons of absolutely stunning instrumentalists, and all of the records you have released, people snap up almost immediately. What do you do next?

If you were Symphony X, it would be only natural to one up yourself.

Following their album Twilight In Olympus, the New Jerseyans set out once again to record an album. TIO wasn’t a huge success for different reasons. Many thought the songwriting was somewhat bland, others blamed the lack of drummer Jason Rullo on the album for it’s mediocrity, and so forth. However, I think the reason many people denounced the album was because it was the followup to The Divine Wings Of Tragedy.

Now, don’t get me wrong, TIO is a decent album. It’s got some great lead parts, vocals, whatnot. But DWOT completely blows it out of the water. Many people consider it the band’s best effort ever. Everything about the album is absolutely stunning, every track a masterpiece.

So now we come to this stage in Symphony X’s career. Enter The New Mythology Suite.

Symphony X - V: The New Mythology Suite

Released - October 10, 2000 on Metal Blade Records

Members:
Russell Allen - Vocals
Michael Romeo - Guitars
Michael LePond - Bass
Michael Pinnella - Keyboards
Jason Rullo - Drums

Would Symphony X be able to top The Divine Wings Of Tragedy? Would they create a new album that would go down as their best, and set a new standard for prog metallers to come?

I say yes.

Well, partly. Let’s see why.

If V is not the best album the band has done, it is certainly the best album since DWOT. There’s no difference in writing on here than on any other of their albums. All of the elements that make Symphony X great are still intact: face melting lead parts, crushing riffs, odd time signatures, the unique blend of prog, power and neoclassical metal that they perfected, you’ll find all of them here. But for some reason, this release shines head and shoulders above TIO in writing ability. The band really hit a good chord on here, and came together as a whole.

I’m sure you know all about the two main members of the band. Michael Romeo, of course, is a god among guitarists, and is revered as one of metal’s best guitarists. And Allen is a superb vocalist, possessing a great range, and power incarnate.

However, Pinella, LePond, and Rullo don’t get as much time as they should in the spotlight. All of the members, save LePond, were with the band from the beginning, and are no slouches at their instruments. Pinella crafts beautiful melodies with his keyboard, and has some solos that rival Romeo’s in complexity and technicality. LePond is a force to be reckoned with, following Romeo’s furious riffs note for note, and occasionally breaking off into some form of unison tapping part. And Rullo shows his versatility as a drummer by cycling through a variety of styles, from straight up double pedal pounding to prog esque patterns and everything in between.

Many criticize Symphony X from sticking to a set formula when they write their songs, which has some shred of truth to it. After 4 albums, riffs tend to sound quite similar. Yet you won’t notice much as the album goes through its courses, simply because there is so much goodness to be had here. You’ve all heard riffs like the one in Evolution before. Reminds me a bit of Of Sins And Shadows. Yet throughout the course of the song, the little similarities will be thrown out the window because the song is just so DAMN GOOD. Or take Communion and the Oracle. The opening riff is almost ripped off note for note from The Accolade, yet it still manages to bring something new to the table.

This album also has a continuous feel to it. Every song flows into the other, and there are even some short instrumentals to bridge the gap between certain songs. It really helps to build the epic feel of the album.

Recommended Tracks:

Evolution (The Grand Design) - Following a short intro, the single from the album wastes no time in getting you straight into the music. Remember that Of Sins And Shadows riff I was talking about? First thing that happens to the song. However, even though the intro will remind you a bit of others, the rest of the song is fresh and entertaining. And the chorus. Man, the chorus is probably the best damn moment on the album. Russell turns on the emotion here, and crafts something beautiful, yet still containing plenty of power.

Fallen - Nice odd time signature in this one, as well as a bass/guitar tapping riff that appears out of nowhere and leaves just as quickly. Pretty standard song by Symphony X fare, but the leads are rather good.

Egypt - Holy crap, this song sounds exactly like an American hardcore band! How many of you that read that honestly almost had a heart attack? Come now, don’t be shy. Anyways, this song has a (suprise!) very Egyptian feel to it. Weren’t expecting that, were you? This song is a bit more ballady and slower than the others, yet it’s still spectacular. Again, the chorus reigns supreme, with Allen busting out a terrific performance on here. Pinella also has some quite interesting piano lines on this one. Opeth fans, you might find something to love in the acoustic riffage in this song...it’s very reminiscent of Damnation era stuff.

Rediscovery, Pt. 2: The New Mythology - A long song title should only be fitting for the longest song on the album. Reigning in at 12 minutes long, it’s a beast. While still not as beastly or epic as the title track of DWOT, or even the title track of the album to come, The Odyssey, there’s still much to love on here. A superb effort on all fronts.

Overall - There’s tons of debate whether this album is better than DWOT or not. If you didn’t gather that, you are a complete moron who needs to go back to first grade and relearn how to read. Anyways, whatever your opinion may be, there’s no denying this is one of the best. I remember not being to drawn to this when I first got it, but after putting it on a few months later after I had gotten more into Symphony X, it was like finding a fresh pie in your freezer after you had forgotten about it. It’s that damn good.

Final Rating - 9.5/10

A rather odd thing I just found out when doing this review: 3 people in the group are named Michael. There must be a LOT of interbreeding in Jersey...

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