| Hath Of Rot And Ruin | 4.5 |
| Hot damn. This is what the fuck metal needed after last year's out there additions from Rolo Tomassi and The Armed. This is a more traditional vein of DM fused with modern flourishes that comes together in a super smooth, wholly engaging package. The vocals are monstrous, the riffs are varied and absolutely crush, and the whole thing has an air of metal being pushed into new directions. |
| Volumes Different Animals | 1.5 |
| Devin Townsend Empath | 5.0 |
| I said it was gonna be the greatest god damn album ever and would ya listen to that, it is the greatest god damn album ever. |
| La Dispute Somewhere at the Bottom... (10th Anniversary) | 2.0 |
| 10 years on and the album's still a landmark in the whiny post hardcore genre, but holy fuck are we not going to address how awful this remaster is? It sounds like something I'd have submitted in audio 101 to illustrate that I understand the difference between highs, mids, and lows... everything is so stark, contrasting, and compartmentalized... and not in a way that lends itself to the atmosphere of the album at all. The guitars are distant and the vocals sit right in the front and on top of the muddy mess that is the rest of the band. What a disappointment. |
| Suicide Silence The Black Crown | 2.5 |
| Suicide Silence No Time to Bleed | 3.0 |
| Suicide Silence The Cleansing | 3.5 |
| Suicide Silence You Can't Stop Me | 2.5 |
| Suicide Silence Suicide Silence | 1.0 |
| Eminem Kamikaze | 3.5 |
| Skeletonwitch Devouring Radiant Light | 4.0 |
| Skeletonwitch opens up and lets their brand of thrash breathe a little (a lot) with extended song structures and proggy directions that take their sound to new directions. A refreshing listen in a discography that was growing stagnant. |
| Hopesfall Arbiter | 5.0 |
| Hopesfall really just came out of a decade plus long hiatus and quietly dropped AOTY on us like it's nothing. Arbiter sees Hopesfall firing on all cylinders, melding Magnetic North sized massive hooks with The Satellite Years-esque spacey atmosphere and heaviness. The nods to their past albums are supplemented by meaningful growth in every sense of the word, the guitars ebb, flow, swell, and skyrocket into the stratosphere while Jay Forrest gives his most commanding vocal performance to date. The closest contemporary I can think of is Gates- Bloom & Breathe, an incredible album in its own right that Arbiter takes the formula of to dizzying new heights. Welcome the fuck back. |
| Sectioned Annihilated | 4.0 |
| If you go see this band and do spin kicks I really hope that you get the shit kicked out of you. Tbh mentioning this unholy offspring of botch and dillinger with full of hell esque noise freakouts in the same sentence as that drivel is disrespectful. Album's stupid heavy and way above poser shit like Nails (I love Nails) and Harm's Way (Fuck Harm's Way) |
| The Armed Only Love | 5.0 |
| Frank Turner Be More Kind | 4.5 |
| Sleep The Sciences | 4.5 |
| I'm super stoked to have studio cuts of Antacticans and Sonic Titan, and Giza Butler may be the best thing they've ever written. The Botanist has some weird post metal and even vaguely shoegazey vibes to it and I love it as a closer. Opener is fucking awesome, I read someone say its the sound of the Sleep engine roaring back to life after almost two decades. Perfect descriptor and perfect intro to the absolute banger that is Marijuanaut's Theme and really, the album as a whole. |
| Eels The Deconstruction | 3.5 |
| Underoath Erase Me | 3.5 |
| Can't hate the album for what it's not. I'd be lying if I said I wasn't disappointed the album didn't continue down the DTGL/LITSOS/Disambiguation path, but given Spencer's activity in Sleepwave during their time off, it really isn't too surprising when you think about it. That and this album is pretty obviously not a cash grab, anyone who thinks otherwise clearly hasn't seen the turnout for them touring on 12 year old albums for the last two years. rThat all being said, as far as this vein of "metalcore goes radio rock" a la Bring Me The Horizon, Of Mice & Men, etc, Erase Me blows these previous bands' efforts out of the water. As much as I loathed Rapture and Wake Me upon first listen, I woke up in the coming days with the choruses gnawing at the back of my mind and over time the album has grown into a master-class in how to soften rough edges, throw in a massive chorus, and push more accessible themes to the forefront while still retaining interesting song structure and lyrical integrity. rSure, I wish Spencer would've let loose with some lows here and there, and leaving Loneliness off the tracklisting of the actual album is a travesty, but all in all I'm happy to have a new underOATH album in 2018, and I have no doubt they will still put on one of the most intense live shows I'll see this year. r |
| Jack White Boarding House Reach | 3.5 |
| It's really fucking weird and out there, even by Jack White's weird ass standards. There's a foray into old school hip hop filtered through the weirdness of early 90s indie artists. Despite my initial utter confusion, once the song clicked as some unholy crock pot of Beck, Zappa, and the Beastie Boys it became clear that as a listener, I just had to roll with the album as it went. Experiments in genres and sound are thrown at the wall haphazardly, and while not all of them work and it makes the album hard to follow as a whole, I think a sense of cohesion and context is something that the album will develop after some time to sink in. Plus it's got that unmistakable JW sound rooted in old rock and blues, and the album isn't above rocking out White Stripes style every now and again in between the madness. Self indulgent is the best phrase that comes to mind, but luckily with this guy it's bound to be an entertaining ride, even if some of the ideas are a bit of a (boarding house) reach. |
| Rolo Tomassi Time Will Die And Love Will Bury It | 4.5 |
| American Nightmare American Nightmare | 2.0 |
| toothless and flaccid. just listen to background music twice instead. |
| Harm's Way (USA-IL) Posthuman | 2.0 |
| I can see the windmill kicks and snapbacks, I can smell the misplaced rage. Lets open this fuckin pit up. |
| The Atlas Moth Coma Noir | 4.0 |
| Cloakroom Further Out | 3.0 |
| Boris Dronevil | 4.0 |
| Boris Vein (Hardcore Version) | 3.5 |
| Justin Timberlake Man of the Woods | 3.5 |
| Seven Sisters Of Sleep Ezekiel's Hags | 4.5 |
| This album sees SSoS settle into their peak of creativity with an absolutely monolithic slab of disgustingly heavy sludge. Death metal influences enable the band pick up the tempo at times to contrast the swamp-wading sludge that makes up the meat of the album, and it makes for an enthralling listen. If being hit over the head with riffs and some of the nastiest vocals in the genre sounds appealing, that is.. More essential bludgeoning sludgeoenings and worship of the highest and most almighty, the riff. |
| Seven Sisters Of Sleep Opium Morals | 4.0 |
| This is right on par with Ezekial's Hags, which (barely) edges this out. There's more than plenty of that dirty, creeping, crawling, Nola sludge that bands like Thou and Eyehategod have made their bread and butter over the years. The death metal and d-beat influences make for some unexpected twists in what can sometimes be a predictable sound. At the end of the day its not the most original thing, but it more than makes up for it with a slew of bludgeoning sludgeoenings and extremely potent and properly reverant worship of the almighty riff throughout its runtime. |
| AJJ Live At Trunk Space 08/25/05 | 5.0 |
| Paramore After Laughter | 4.0 |
| Cloudkicker Woum | 2.5 |
| Sorxe Matter & Void | 4.5 |
| Matter & Void is an incredibly refreshing outing that merges heavy, psychedelic, doomy riffs with gorgeous climaxes and crescendos with finesse. This is the fusion of stoner, doom, and post rock that I never knew I wanted, and the band nails the sound, creating something that stands out among the saturated post metal genre. Easily a contender for those AOTY lists, don't let Sorxe fly under your radar for 2017. |
| King Gizzard and The Lizard Wizard Polygondwanaland | 4.0 |
| King Gizz and the Lizz Wizz write their most cohesive album of the year so far, and distribute it in possibly the coolest manner ever. Also, getting bent out of shape because someone troll rates an album is pretty lulzy. |
| Boris Live At Third Man Records | 4.5 |
| Glassjaw Material Control | 4.5 |
| Holy shit... Material Control finally surfaces and it's unlike pretty much anything else released this year... or ever, except maybe their own back catalogue, but even that is unjustly pigeonholing it. Weird, groovy, heavy, and impeccably mixed and mastered, Glassjaw deliver their long awaited third full length, taking the form of the unholy fusion of their entire body of work. This album meshes the seductive groove of Coloring Book, the vitriolic heaviness of Our Color Green and EYEWTKAS, and it's all punctuated with a healthy dash of the proggy, out-there songwriting that made Worship and Tribute a stone cold classic. Material Control stands as a completely worthy addition to the Glassjaw canon, and serves as a shining example of how to come back from a long studio silence with a massive bang. |
| Godspeed You! Black Emperor John Peel Sessions | 4.0 |
| Godspeed You! Black Emperor Luciferian Towers | 3.0 |
| Hail the Sun Secret Wars | 2.0 |
| Toothgrinder Phantom Amour | 2.0 |
| Holy shit this is a letdown after Nocturnal Masquerade was so good and fresh. I don't know what made them think that bringing clean singing and rapping to the forefront was a good idea, but can we go back to the bludgeoning riffs and hardcore freak-outs now? |
| The National Sleep Well Beast | 4.0 |
| Electric Wizard Wizard Bloody Wizard | 4.0 |
| I dunno what y'all are smoking, but it's obviously not good enough because this is the best Wiz album in years. As a band that perfected the creeping, crawling, doomy sludge on not one, but two albums in the past, instead of trying to retread the same ground as they did on Time to Die, WBW sees the band looking back in time to vintage rock n roll and metal as a primary influence. The grooves are numerous and bludgeoning, and the whole affair is a sadistic love letter to an era of metal long gone where drugs, beer, tits, the occult, and the weird reign supreme. rThe cover art is fucking sick, too. |
| Veil of Maya False Idol | 2.0 |
| This would've ripped back when I was in high school. Anyone giving this above a 2 needs to stop lying to themselves about this band being any good since [id] |
| Cryptopsy None So Vile | 5.0 |
| Mingle Harde Mongol Horde | 4.0 |
| Frank Turner Take to the Road | 4.5 |
| Frank Turner Last Minutes and Lost Evenings | 4.5 |
| Frank Turner Ten for Ten | 3.0 |
| Frank Turner The Third Three Years | 4.0 |
| Frank Turner The Second Three Years | 4.0 |
| Frank Turner The First Three Years | 4.5 |
| Frank Turner Campfire Punkrock | 3.0 |
| Frank Turner Rock & Roll | 3.5 |
| Frank Turner Losing Days | 3.0 |
| Frank Turner Polaroid Picture | 3.0 |
| Frank Turner Mittens | 3.0 |
| Frank Turner Positive Songs For Negative People (Acoustic) | 4.0 |
| Frank Turner Sleep Is For The Week | 3.5 |
| Frank Turner Love, Ire & Song | 5.0 |
| Frank Turner Poetry of the Deed | 3.0 |
| Frank Turner England Keep My Bones | 4.5 |
| Frank Turner Tape Deck Heart | 4.0 |
| Frank Turner Positive Songs for Negative People | 3.5 |
| Godspeed You! Black Emperor F♯ A♯ ∞ [Vinyl] | 4.5 |
| Godspeed You! Black Emperor 'Asunder, Sweet and Other Distress' | 3.5 |
| Godspeed You! Black Emperor 'Allelujah! Don't Bend! Ascend! | 4.0 |
| Godspeed You! Black Emperor Yanqui U.X.O. | 3.0 |
| Godspeed You! Black Emperor Lift Your Skinny Fists Like Antennas to Heaven | 4.0 |
| Godspeed You! Black Emperor F♯ A♯ ∞ | 4.5 |
| Godspeed You! Black Emperor Slow Riot For New Zero Kanada | 5.0 |
| Enter Shikari Take to the Skies | 4.5 |
| Enter Shikari Common Dreads | 4.5 |
| Enter Shikari A Flash Flood of Colour | 2.0 |
| Enter Shikari The Mindsweep | 4.0 |
| Enter Shikari The Spark | 3.5 |
| The Contortionist Clairvoyant | 4.0 |
| Marilyn Manson Antichrist Superstar | 3.5 |
| Marilyn Manson Mechanical Animals | 3.5 |
| Marilyn Manson Holy Wood | 4.0 |
| Marilyn Manson The Golden Age of Grotesque | 3.5 |
| Marilyn Manson The Pale Emperor | 3.5 |
| Marilyn Manson Born Villain | 3.0 |
| Marilyn Manson The High End of Low | 2.0 |
| Marilyn Manson Lest We Forget | 4.0 |
| Marilyn Manson Eat Me, Drink Me | 4.0 |
| Angelo Badalamenti Twin Peaks: Music from the Limited Event Series | 4.0 |
| Amenra Mass VI | 4.0 |
| Touche Amore ...To the Beat of a Dead Horse | 4.0 |
| Touche Amore Parting The Sea Between Brightness And Me | 4.0 |
| Touche Amore Is Survived By | 3.0 |
| Touche Amore Stage Four | 5.0 |
| Turnover Turnover | 2.5 |
| Turnover Blue Dream | 4.0 |
| Turnover Humblest Pleasures | 3.5 |
| Turnover Magnolia | 3.0 |
| Turnover Peripheral Vision | 5.0 |
| Turnover Good Nature | 4.0 |
| It doesn't live up to the dizzying heights of Peripheral Vision, but then again that doesn't seem to be their goal here. The album breezes by much more nonchalantly and without a sense of urgency than that of any Turnover albums before. The dream pop influences have been brought to the forefront and the post rock and emo crescendos toned down, and while the notable lack of cathartic climaxes is certainly missed, after the perfection of PV I'm pretty glad they didn't try to top that sound. Instead what we have here is a natural progression into a much more easy-going Turnover than we've yet to see, and it's still pretty damn lovely. |
| Cloakroom Time Well | 4.0 |
| Brand New Science Fiction | 5.0 |
| Wage War Deadweight | 2.0 |
| Canadian Softball Awkward and Depressed | 4.5 |
| Way better than this has any right to be. I thought Beating a Dead Horse may have been a fluke, and despite it's successes, it was already an old joke about genres well past their prime. Awkward & Depressed shows that Jarrod Alonge can keep current with the trends in today's scene and lampoons the genres offered here with a startling amount of talent. Shots are fired at every genre from over-enunciated emo pop akin to Modern Baseball and The Front Bottoms to pseudo-intellectual spoken word drivel a la Being As An Ocean, with a few stops to mock incomprehensible math-rock noodling and the all too common switch that punk bands make into "Fisher Price's My First Shoegaze Album" territory. The main difference being that these songs are all super solidly written from a compositional standpoint, usually better than the source material it is aping, and are filled to the brim with witty lyrics. The jokes aren't limited to music, as Alonge pokes at the mentality of hipsters, the blatant racism masquerading as southern pride those in the south love to tout, and throws in a bevy of nostalgic throwbacks to myspace and post-hardcore bands of yesteryear in another fantastic medley towards the back end of the album. Joke albums are typically stupid to me and I tend to write them off as unnecessary. This is the rare exception where I can guarantee that you'll get some enjoyment out of this if you're even remotely familiar with its source material. |
| Boris Performing "Flood" | 4.5 |
| Boris Akuma no Uta | 4.0 |
| Boris Boris At Last -Feedbacker- | 4.0 |
| Boris Pink | 4.0 |
| Boris Smile | 3.0 |
| Boris New Album | 3.5 |
| Boris Heavy Rocks (2011) | 3.5 |
| Boris Attention Please | 3.0 |
| Boris Asia | 3.0 |
| Boris Warpath | 3.0 |
| Boris Urban Dance | 3.0 |
| Boris Absolutego | 4.0 |
| Boris Dear | 4.5 |
| City of Caterpillar Driving Spain Up A Wall | 4.0 |
| Lorde Melodrama | 4.5 |
| An absolutely stellar pop excursion that has taken its rightful place as the summer album of 2017. Lorde explores new and familiar territory in equal measure, blazing a trail through the hallmarks of contemporary pop while carving out a few niches her own in the process with subtle experiments and deviations from the sterile and sleek sound she presented on "Pure Heroine." Dynamic and lovingly crafted, Melodrama sees Lorde come into her own as a songwriter and raises the bar to ridiculous heights in the process. Pop has had its share of winning moments in the last few years from Carly Rae Jepsen turning out to be an amazing songwriter, bands like Arcade Fire and Paramore making their last steps in their evolutions towards being all out pop bands, and now, Melodrama. |
| '68 Two Parts Viper | 4.5 |
| letlive. Fake History | 4.0 |
| letlive. The Blackest Beautiful | 3.0 |
| letlive. If I'm the Devil... | 2.5 |
| Glassjaw Our Color Green (The Singles) | 4.0 |
| Scale the Summit Monument | 3.5 |
| Scale the Summit Carving Desert Canyons | 4.5 |
| Scale the Summit The Migration | 4.0 |
| Scale the Summit The Collective | 4.5 |
| Scale the Summit In a World of Fear | 2.5 |
This is.. Definitely scale the summit but it just comes off so... Soulless. I have a hard enough time listening to
these guys after the shit Letchford pulled, but it would be so much easier if it didnt look like the rest of the band
that quit were the ones keeping his songwriting in check. The guest spots are scattershot and make for an
uneven listen, and the added layer of keyboards doesn?t add nearly as much as it should. I think this band has
definitely run their course. And their first three albums are among my favorite instrumental releases ever. Such a
shame that the magic seems to be gone.
This doesn’t get any better with repeat listens, the best thing here is Neon Tombs and the best part of the song is
it’s name. |
| Do Make Say Think Stubborn Persistent Illusions | 4.5 |
| David Bowie Let's Dance | 3.5 |
| Boris Amplifier Worship | 4.0 |
| Boris Flood | 4.5 |
| Boris Heavy Rocks | 5.0 |
| Boris Präparat | 3.5 |
| Boris Noise | 4.0 |
| David Bowie Station to Station | 4.0 |
| David Bowie Young Americans | 4.0 |
| David Bowie "Heroes" | 4.5 |
| David Bowie Lodger | 3.5 |
| David Bowie Never Let Me Down | 2.5 |
| David Bowie Diamond Dogs | 3.5 |
| David Bowie Aladdin Sane | 4.0 |
| Full of Hell Split | 3.0 |
| Oathbreaker Maelstrom | 3.0 |
| Oathbreaker Eros|Anteros | 3.0 |
| Oathbreaker Rheia | 4.0 |
| Title Fight Hyperview | 3.0 |
| Balance and Composure Separation | 3.5 |
| Cursive The Difference Between Houses and Homes | 3.0 |
| Cursive Burst and Bloom | 4.5 |
| Cursive Such Blinding Stars for Starving Eyes | 3.0 |
| Cursive The Storms of Early Summer | 3.0 |
| Cursive I Am Gemini | 3.0 |
| Cursive Mama, I'm Swollen | 3.0 |
| Cursive Happy Hollow | 3.0 |
| Cursive Domestica | 4.0 |
| Cursive The Ugly Organ | 5.0 |
| Saosin Saosin EP | 3.0 |
| Saosin Come Close | 3.5 |
| Saosin The Grey | 3.5 |
| Saosin Translating the Name | 4.5 |
| Saosin Saosin | 4.0 |
| Saosin In Search Of Solid Ground | 2.0 |
| Saosin Along the Shadow | 4.0 |
| Scary Kids Scaring Kids The City Sleeps In Flames | 4.0 |
| Scary Kids Scaring Kids Scary Kids Scaring Kids | 3.5 |
| Senses Fail Let It Enfold You (Deluxe Edition) | 4.0 |
| Senses Fail Still Searching (Deluxe Edition) | 3.5 |
| Senses Fail Follow Your Bliss: The Best of Senses Fail | 4.5 |
| Senses Fail From the Depths of Dreams | 3.5 |
| Senses Fail In Your Absence | 2.5 |
| Senses Fail Let It Enfold You | 4.0 |
| Senses Fail Still Searching | 3.5 |
| Senses Fail Life Is Not a Waiting Room | 2.5 |
| Senses Fail The Fire | 2.5 |
| Senses Fail Renacer | 3.5 |
| Senses Fail Pull the Thorns from Your Heart | 4.0 |
| Silverstein 18 Candles: The Early Years | 3.0 |
| Silverstein Short Songs | 3.0 |
| Silverstein This is How the Wind Shifts: Addendum | 4.5 |
| Silverstein Decade: Live at the El Mocambo | 3.5 |
| Silverstein Transitions | 3.5 |
| Silverstein When Broken Is Easily Fixed | 3.0 |
| Silverstein Discovering the Waterfront | 4.0 |
| Silverstein Arrivals and Departures | 2.5 |
| Silverstein A Shipwreck in the Sand | 3.5 |
| Silverstein Rescue | 3.5 |
| Silverstein This Is How the Wind Shifts | 4.5 |
| Silverstein I Am Alive In Everything I Touch | 4.0 |
| The Used Imaginary Enemy | 1.5 |
| The Used The Ocean Of The Sky | 2.0 |
| The Used The Used | 3.0 |
| The Used In Love and Death | 3.5 |
| The Used Lies for the Liars | 3.0 |
| My Chemical Romance May Death Never Stop You | 4.5 |
| My Chemical Romance The Black Parade/Living with Ghosts | 1.5 |
| My Chemical Romance Conventional Weapons | 4.0 |
| My Chemical Romance The Black Parade Is Dead! | 4.0 |
| My Chemical Romance Life on the Murder Scene | 4.5 |
| My Chemical Romance I Brought You My Bullets, You Brought Me Your Love | 4.0 |
| My Chemical Romance Three Cheers for Sweet Revenge | 4.5 |
| My Chemical Romance The Black Parade | 5.0 |
| My Chemical Romance Danger Days: The True Lives of the Fabulous Killjoys | 2.0 |
| Green Day International Superhits | 4.5 |
| Green Day Shenanigans | 3.5 |
| Green Day Uno... Dos... Tré! | 2.0 |
| Green Day Bullet In A Bible | 3.5 |
| Green Day Oh Love | 1.0 |
| Green Day Dookie | 4.5 |
| Green Day Insomniac | 3.0 |
| Green Day Warning | 3.0 |
| Green Day Nimrod | 3.5 |
| Green Day Revolution Radio | 2.5 |
| Green Day iTRE! | 1.5 |
| Green Day iDOS! | 1.0 |
| Green Day 21st Century Breakdown | 1.5 |
| Green Day ¡UNO! | 2.0 |
| Green Day American Idiot | 5.0 |
| Immolation Close to a World Below | 4.0 |
| Suffocation Despise the Sun | 3.0 |
| Suffocation Pinnacle of Bedlam | 3.0 |
| Suffocation Blood Oath | 4.0 |
| Suffocation Pierced from Within | 4.5 |
| Thursday Kill the House Lights | 4.5 |
| Thursday Five Stories Falling | 3.5 |
| Thursday Waiting | 3.0 |
| Thursday Full Collapse | 4.0 |
| Thursday War All the Time | 3.5 |
| Thursday A City By the Light Divided | 3.5 |
| Thursday Common Existence | 3.0 |
| Thursday No Devolucion | 3.5 |
| Thrice The Artist in the Ambulance | 3.5 |
| Thrice The Illusion of Safety | 3.5 |
| Thrice Vheissu | 4.5 |
| Thrice Beggars | 3.5 |
| Thrice Major/Minor | 3.0 |
| Thrice To Be Everywhere Is to Be Nowhere | 3.5 |
| Modest Mouse Building Nothing Out of Something | 4.5 |
| Modest Mouse Baron von Bullshit Rides Again | 3.0 |
| Modest Mouse Interstate 8 | 3.5 |
| Modest Mouse ナイト・オン・ザ・サン (Night on the Sun) | 4.0 |
| Modest Mouse No One's First, and You're Next | 3.0 |
| Modest Mouse The Lonesome Crowded West | 3.5 |
| Modest Mouse This Is a Long Drive for Someone with Nothing to Think About | 4.0 |
| Modest Mouse The Moon & Antarctica | 5.0 |
| Modest Mouse Good News for People Who Love Bad News | 3.5 |
| Modest Mouse We Were Dead Before the Ship Even Sank | 3.0 |
| Modest Mouse Strangers to Ourselves | 3.5 |
| Brand New Fight Off Your Demons (The Demos) | 4.0 |
| Brand New Your Favorite Weapon (Deluxe Edition) | 3.5 |
| Brand New Leaked Demos 2006 | 4.0 |
| Brand New 3 Demos, Reworked | 4.0 |
| Brand New Daisy | 4.0 |
| Brand New The Devil and God Are Raging Inside Me | 5.0 |
| Brand New Deja Entendu | 4.5 |
| Brand New Your Favorite Weapon | 3.5 |
| As Cities Burn Hell or High Water | 3.5 |
| As Cities Burn Come Now Sleep | 4.0 |
| As Cities Burn Son, I Loved You at Your Darkest | 3.5 |
| Underoath 777 (DVD) | 4.0 |
| Underoath Survive Kaleidoscope | 3.0 |
| Underoath Live At Koko | 3.0 |
| Underoath Cries of the Past | 3.0 |
| Underoath The Changing of Times | 3.5 |
| Underoath They're Only Chasing Safety | 4.0 |
| Underoath Define the Great Line | 5.0 |
| Underoath Lost in the Sound of Separation | 3.5 |
| Underoath Ø (Disambiguation) | 3.5 |
| Norma Jean Bless the Martyr and Kiss the Child | 3.0 |
| Norma Jean Redeemer | 4.5 |
| Norma Jean O' God, the Aftermath | 2.5 |
| Norma Jean The Anti Mother | 2.0 |
| Norma Jean Meridional | 3.0 |
| Norma Jean Wrongdoers | 4.0 |
| Norma Jean Polar Similar | 4.0 |
| Maylene and the Sons of Disaster IV | 2.5 |
| Maylene and the Sons of Disaster III | 3.0 |
| Maylene and the Sons of Disaster II | 4.0 |
| Maylene and the Sons of Disaster Maylene and the Sons of Disaster | 4.0 |
| Every Time I Die Salem | 3.5 |
| Every Time I Die Hot Damn! | 3.5 |
| Every Time I Die Gutter Phenomenon | 3.0 |
| Every Time I Die The Big Dirty | 4.0 |
| Every Time I Die New Junk Aesthetic | 3.5 |
| Every Time I Die Ex Lives | 4.5 |
| Every Time I Die From Parts Unknown | 4.5 |
| Every Time I Die Low Teens | 4.0 |
| He Is Legend It Hates You | 2.5 |
| He Is Legend Suck Out the Poison | 3.5 |
| He Is Legend I Am Hollywood | 4.0 |
| He Is Legend Heavy Fruit | 3.0 |
| Frank Zappa Bongo Fury | 4.5 |
| Frank Zappa Apostrophe | 4.5 |
| Tom Waits Orphans: Brawlers, Bawlers and Bastards | 4.0 |
| Tom Waits Closing Time | 4.0 |
| Tom Waits Blue Valentine | 4.5 |
| Tom Waits Rain Dogs | 4.5 |
| Tom Waits Bone Machine | 4.0 |
| Tom Waits Bad As Me | 3.5 |
| Trophy Scars Sand in the Sea | 3.5 |
| Trophy Scars Goodnight Alchemy | 4.0 |
| Trophy Scars Darkness, Oh Hell | 4.5 |
| Trophy Scars Never Born, Never Dead | 4.5 |
| Trophy Scars Darts to the Sea | 3.0 |
| Trophy Scars Alphabet Alphabets | 4.0 |
| Trophy Scars Bad Luck | 4.0 |
| Trophy Scars Hospital Music for the Aesthetics of Language | 5.0 |
| Trophy Scars Holy Vacants | 5.0 |
| David Bowie The Rise and Fall of Ziggy Stardust and the Spiders From Mars | 4.5 |
| David Bowie The Man Who Sold the World | 4.5 |
| David Bowie Low | 5.0 |
| David Bowie Space Oddity | 3.5 |
| David Bowie Scary Monsters (and Super Creeps) | 4.0 |
| David Bowie Outside | 3.0 |
| David Bowie Earthling | 3.0 |
| David Bowie Hours | 3.0 |
| David Bowie Reality | 3.0 |
| David Bowie Heathen | 4.0 |
| David Bowie The Next Day | 3.5 |
| David Bowie Blackstar | 5.0 |
| Muse Black Holes & Revelations | 3.5 |
| Muse The Resistance | 3.0 |
| Radiohead Pablo Honey | 3.5 |
| Radiohead The Bends | 3.5 |
| Radiohead OK Computer | 4.5 |
| Radiohead Kid A | 4.0 |
| Radiohead Amnesiac | 3.0 |
| Radiohead Hail to the Thief | 3.0 |
| Radiohead In Rainbows | 4.0 |
| Radiohead The King of Limbs | 2.5 |
| Radiohead A Moon Shaped Pool | 3.5 |
| Nothing пошлость | 3.5 |
| Nothing Downward Years to Come | 4.0 |
| Nothing Guilty of Everything | 4.5 |
| Nothing Tired of Tomorrow | 4.5 |
| Team Sleep Team Sleep | 4.0 |
| Deftones Adrenaline | 3.5 |
| Deftones Around the Fur | 5.0 |
| Deftones White Pony | 4.5 |
| Deftones Deftones | 3.0 |
| Deftones Saturday Night Wrist | 3.0 |
| Deftones Diamond Eyes | 4.5 |
| Deftones Koi No Yokan | 3.0 |
| Deftones Gore | 3.0 |
| Glassjaw Worship and Tribute | 3.5 |
| The Mars Volta Scab Dates | 3.5 |
| The Mars Volta Amputechture | 3.0 |
| The Mars Volta The Bedlam in Goliath | 3.5 |
| The Mars Volta Octahedron | 3.0 |
| The Mars Volta Noctourniquet | 3.5 |
| The Mars Volta Frances the Mute | 5.0 |
| The Mars Volta De-Loused in the Comatorium | 5.0 |
| At the Drive-In Relationship of Command | 4.0 |
| Bathory Blood Fire Death | 4.0 |
| Burzum Det Som Engang Var | 4.0 |
| Burzum Hvis Lyset Tar Oss | 4.0 |
| Leviathan Scar Sighted | 4.0 |
| Wolves in the Throne Room Diadem of 12 Stars | 4.0 |
| Wolves in the Throne Room Two Hunters | 4.0 |
| Altar of Plagues Teethed Glory and Injury | 4.0 |
| Deafheaven Demo | 3.0 |
| Deafheaven Roads to Judah | 4.0 |
| Deafheaven Sunbather | 4.5 |
| Deafheaven New Bermuda | 3.5 |
| So Hideous Laurestine Orchestral | 3.5 |
| So Hideous Last Poem/First Light | 3.0 |
| So Hideous Laurestine | 4.0 |
| Ghost Bath Moonlover | 2.5 |
| Ghost Bath Starmourner | 1.5 |
| Aside from all the negative press, I never really had an opinion on Ghost Bath... They were just sort of "there." But good lord, this album is an overlong haphazard mess. There are actually moments on this that made me laugh out loud, the shoehorned in happy leads never work how they should, and the production is bafflingly bad. Way to make a name for yourselves for all the wrong reasons, Ghost Bath. Album truly is bad/10, but they get a .5 boost for the admittedly sweet album art. |
| Full of Hell and Merzbow Sister Fawn | 2.5 |
| Full of Hell and Merzbow Full of Hell and Merzbow | 4.0 |
| Nails Unsilent Death | 3.5 |
| Nails Abandon All Life | 4.0 |
| Nails You Will Never Be One of Us | 3.5 |
| Full of Hell Live At Roadburn 2016 | 4.0 |
| Full of Hell The Inevitable Fear of Existence | 3.0 |
| Full of Hell Amber Mote In The Black Vault | 3.5 |
| Full of Hell Roots Of Earth Are Consuming My Home | 3.5 |
| Full of Hell Rudiments of Mutilation | 3.0 |
| Full of Hell Trumpeting Ecstasy | 4.5 |
| This album is the most vile piece of unadulterated misanthropic shit Ive ever had the displeasure of hatefucking my ear brains into submission. And I fucking love it. The Cosmic Vein may be the nastiest thing the band has ever written. |
