A true pioneer in the world of ambient material intertwining with trip-hop, Luke Vibert (among other aliases) was most important with his progressive approaches within the name of Wagon Christ. Under his own name it isn't necessarily progressive as he once was. The beats are extremely groove oriented and synth-laden. "ComfyCozy" and "Clikilik" show his strength within the music he produces, but others such as "Breakbeat Metal Music" and "God" unequivocally show his natural weakness with poor, boring, and useless repetitious samples that are supposed to drive the song. This effect doesn't work at all as it was desired to be leaving a good time of the album in limbo. Some tracks are essentially addictive immediately such as precarious "Rotting Flesh Bags", which uses a simple drum break, eerie keyboard harmonies and noises with a hand-clappin' good time. Chicago, Detroit, Redruth is a step forward from Lover's Acid even if its marginally worth noting...
