Black Moon
Enta Da Stage


5.0
classic

Review

by Mr. Lean Mug USER (112 Reviews)
June 17th, 2006 | 36 replies


Release Date: 1993 | Tracklist


In the late 1980s, hip-hop had burgeoned into a new conceptual genre of music, as controversial as any other. This was due most in part to the accomplishments of the artists hailing from the U.S.’s West Coast. Groups such as NWA were the launching point for many MCs, DJs, and producers to make names for themselves in this golden age of rap music. By the early 90s, many members of influential hip-hop groups had gone solo, unleashing themselves on the world like a hurricane, and catapulting their hip-hop sub-genre known “gangsta rap" to the top of the musical charts, essentially making it the most profitable area of the music business to this day. However, as much as prominent West Coast acts were doing to reinvent the way we view music in a socialistic sense, thus, counterparts were obviously soon to spawn. Said counterparts would first appear in what could be considered the direct contrast to the West Coast: America’s East Coast. By the mid-90s, albums such as Illmatic by Nas, Ready to Die by The Notorious B.I.G., and the like, were ruling the airwaves, and were showcasing their artist’s subtle (yet effective) differences from their peers across the country. As important as all of these albums were, there was one that started it all. It’s an album that hasn’t stood the test of time as well, yet is no less a monumental achievement, and worthy to join the annals of “essential hip-hop." This album is called Enta Da Stage and it was the debut of gangsta rap trio Black Moon.

Black Moon consists of MCs 5ft Excellerator [sic] and Buckshot (then known as Buckshot Shorty), as well as DJ Evil Dee (also of Da Beatminerz). The three came together in the early 90s, and immediately set to work on creating a new brand of hip-hop. The result is Enta Da Stage, which could easily be the single spark for igniting the hardcore rap tendencies of East Coast hip-hop artists. The album sported a pair of Billboard Top 100 hits; the songs “Who Got Da Props" and “I Got Cha Opin." For the next several years, some of the most pivotal gangsta rap albums to be released would draw heavy influence from Enta Da Stage. Many of these albums would be the breakthrough reasons for their respective artists, selling multi-millions of copies, and turning a style of music into a way of life. However, Enta Da Stage, for all of its recognitions, hardly achieved the mainstream success of its following peers. The album has, to date, sold a mere 350,000 copies in the U.S. While this is still marginally impressive success, it’s paltry when compared to other albums of the same age and era that are nearing diamond (10,000,000 copies sold) status in sales. And so, Enta Da Stage has become somewhat shrouded in obscurity, being regarded as an underground hip-hop classic. While it’s true that this record is an underground hip-hop classic, it’s also a hip-hop in general classic, simple as.

Enta Da Stage features a grimy, guttural Brooklyn (NY) style of vocals and lyrics, which proved to be very inspiring to mid-90s Northern East Coast hip-hop artists. MCs 5ft and Buckshot compliment each other perfectly, delivering a healthy mix of ambition, attitude, and power. Enta Da Stage is decidedly more laidback than its West Coast correlatives. The same could be said about the Eastern gangsta rap that it influenced. Beats are slower, lyrics are hookier (and oftentimes more emotive, and less rancorous), and there’s a feeling of total control. Black Moon have simply commanding presence, an almost God-like rapping complex. 5ft and Buckshot’s delivery is spot-on for this type of mood: it’s relaxed, calm, slow, and extremely distinctive. Enta Da Stage exudes a sense of serenity, and quiet strength, which make up the juxtaposition of the album. The music holds up to the vocal quality as well. DJ Evil Dee proves to be a wonderful composer, employing everything from straight-up electronic soundscapes, to simple beatbox samplings, and even jazz and soul influenced tunes. This only accentuates the tranquility of Enta Da Stage. The instrumentation flows with perfect synergy with the overlaying vocal work of 5ft and Buckshot. This is exactly the kind of feeling of slow and steady, rhythm and flow that proves that all gangsta rap doesn’t necessarily need to sound violent, to get its message across.

Such a message can only be conveyed by way of the lyrics sheet. The wordplay on Enta Da Stage is phenomenal. Don’t let the album and song titles deceive you: they’re merely for aesthetic purposes. Black Moon prove to be fathomlessly deep lyricists, writing some of the most poetic words to find their way into a hip-hop album. 5ft and Buckshot’s superb vocal styles are the perfect mate for the brilliant lyrics found on Enta Da Stage. You could easily sum up the entire album based on the strength of just a few lines from “Sh*t Iz Real:"

Check how I kick it, when I was wicked, around the way/Hold my Tec, cuz my niggaz pump by day/Drugs and thieves hit the eve of the night/Niggaz who fake real, come on a real flight /Six feet deep in the creep/Mic technique got a nigga locked down for a week/Word is bond, sh*t is on like this/Gotta move, cuz I'm on a nigga hit list/You know the kid with the rock from up the block/Hit him up with the glock now his pops on my rooftop/Ridiculous to think you're hittin me/You're not hittin me you're gettin me upset with the threat/But I'm a little nigga from the heart of Buck town/My stomping ground is Brooklyn bound/ F*ck what you heard, it's about what you hit/And if that's your girl, then your bitch ain't sh*t/F*ckin all my niggaz cuz they know Black Moon/Sh*t iz real yo, pass that boom

To think, that song with that much power, and sheer prescience begins with a relaxing little saxophone piece. Songs such as “Act Like U Want It," “Black Smif-N-Wessun," “I Gotcha Opin," and “Who Got The Props" feature the darker, more straightforward aspects of Black Moon’s music. These are the songs that don’t hide anything: they blatantly are what they are, and that’s all they need to be. “Powerful Impak!," the album’s opener, is a fine example of the more eclectic moments of Enta Da Stage. It features a more dexterous, multilayered texture of music and vocals, that’s both ballsy and conservative at the same time. “How Many Emcees (Must Get Dissed)" proves that Black Moon can have something of an ego. Even this song proves that they can keep their personal aspirations in check, whilst contributing to the betterment of the group as a whole. “How Many Emcees" is a fantastic piece of exuberant forward-thinking, and it’s all over some nondescript “beef" that hip-hop seems to revolve around in many cases. Other songs, most notably “Slave," “Nigguz Talk Sh*t," and the title track, make up the lifeblood of the album. They are the glue that binds everything together in a coherent fashion, while maintaining style and substance. Enta Da Stage ends with “U Da Man" which features get appearances from Smith-N-Wessun, Big Dru Ha, and Havoc of Mobb Deep. This all-star cast of “Bucktown" rappers ends Enta Da Stage on a very strong note. As if it could be any other way for such a classic.

While Enta Da Stage might not be as prominently featured as Illmatic, or as commercially successful as Ready To Die, it is by no means anything less than a hip-hop classic. I honestly can’t find anything wrong with this album (which is a very rare thing). While I’m sure this record isn’t perfect, I’d say it’s pretty damn close to it. Enta Da Stage may always have a place in the annals of hip-hop history, and its legacy will forever endure. Buy this now. It deserves to be heard, and cherished by the masses.



Recent reviews by this author
Freddie Gibbs and The World's Freshest The Tonite ShowDe La Soul Smell The DA.I.S.Y.
Fucked Up Year of the DragonRome Fortune Beautiful Pimp II
Maxo Kream QuiccstrikesSelf Defense Family Try Me
user ratings (102)
Chart.
4.1
excellent

Comments:Add a Comment 
Zebra
Moderator
June 17th 2006


2647 Comments


I'm also pleased, excellent work on the review. I'll definitely check this out, if you say this is nearly up to par with Illmatic then it's gotta be good.

Brain Dead
June 17th 2006


1150 Comments


Hep Kat, you're really helping out the hip-hop section of this site. Great job, as always.

Brain Dead
June 17th 2006


1150 Comments


Yeah, I'm working on some more hip-hop reviews. I have some Ludacris, Jay-Z, and 50 Cent in the works right now. I've got my eye on The Massacre.

"Freshly Baked"
June 17th 2006


583 Comments


You are my hero, I thought I was the only person who knew of this album here.

YOU ROCK!!!!!!!

Great review!!!

(i'd give it a 4.5, but I need to listen to it again, it's been a bit)

Laafe
June 17th 2006


347 Comments


nice review. ill check this out.

stompybeardo
June 17th 2006


746 Comments


great review, im gonna have to get a hold of this

LF96
June 17th 2006


97 Comments

Album Rating: 5.0 | Sound Off

Yes, good work, keep it up, this site needs more hiphop-albums.
This album is indeed one of the best albums to have come out of New York in the mid-90s (which was the golden-age of (NY-)hiphop in general, so that says a lot). If you like this you should definitely also check out Smif-'n-Wessons 'Da Shinin', it's equally great, maybe even better.
Enta Da Stage is by the way supposed to be read as Into the Stage, and not Enter the Stage, I thought that was an interesting little fact.

Rams
June 17th 2006


31 Comments


I can't find this album but I've wanted it. Good review.

Hatshepsut
June 17th 2006


1997 Comments


Awesome review again. Go Hip-Hop.

Robert Crumb
Emeritus
June 18th 2006


165 Comments


Nice pick for a review. I don't have this one, been passively looking but never see it in any local stores.

blackmilk
June 24th 2007


584 Comments


Black Moon prove to be fathomlessly deep lyricists, writing some of the most poetic words to find their way into a hip-hop album.


How can someone write this and pretend that it's true.

Big Baby Jesus
October 18th 2007


549 Comments

Album Rating: 4.0

they aren't amazing lyricists. They basically say what most other rappers at the time were, but they execute flawless.

Ragez
October 15th 2009


150 Comments

Album Rating: 4.0

Buckshot got considerably worse over his career, and most of the acclaim for any of his new material is laughable. This is pretty good, but Big Baby Jesus is right.

qwe3
November 30th 2010


21369 Comments

Album Rating: 4.0

loving this. surprised how good buckshot is here

HalfManHalfAmazing
November 30th 2010


613 Comments

Album Rating: 5.0

I Gotcha Open is orgasmic

EaglesBecomeVultures
November 30th 2010


5269 Comments

Album Rating: 4.0

Ragez - you're not a fan of the Buck & 9th Wonder joints?

Digging: Dean Blunt - Black Metal

Hocmat
April 28th 2011


648 Comments

Album Rating: 4.0

Forgot about this album, it's great. I Got Cha Opin is definitely the standout track. A lot of gems on
this though.

somberlain
April 28th 2011


2121 Comments


extremely overlooked album
can't remember the last time I heard it
need to give this another spin, great from what I remember

MUNGOLOID
April 28th 2011


4350 Comments

Album Rating: 4.5

pretty hard shit.

astrel
January 12th 2012


2614 Comments


Just got this, excited to check it out.



You have to be logged in to post a comment. Login | Create a Profile





FAQ // STAFF & CONTRIBUTORS // SITE FORUM // CONTACT US

Bands: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z


Site Copyright 2005-2014 Sputnikmusic.com
All Album Reviews Displayed With Permission of Authors | Privacy Policy