2Pac
Loyal To The Game


1.5
very poor

Review

by Brain Dead USER (30 Reviews)
June 14th, 2006 | 18 replies


Release Date: 2004 | Tracklist


Tupac Shakur is the best rapper to have ever picked up a mic. There is really no one else who can even come close to him. In terms of flow and rhyming originality, Tupac (or 2pac) is definitely on top of the pile.

2pac was shot to death in 1996. This album was released in 2004. That's a long time after his death, and this was the tenth postmortem album that was released under his name. You can only dig so far back in someone's recordings, even if it is the legendary 2pac. What you get on this album is the dregs. These rhymes are unoriginal and poor. All of the songs on here are either about sex or the "Thug Life." His flow seems to have been accelerated a bit on this album, it is not the same flow that 2pac had when he was alive. Also, it is very awkward to hear the age difference in 2pac. These rhymes were recorded during different periods of his life, and you can tell when the "young" 2pac is rapping versus the "older" 2pac. For example, 2pac sounds very young in "Ghetto Gospel," but then sounds much older on "Thug 4 Life."

While 2pac sounds awkward lyrically, it is even worse in terms of beat. Eminem was the producer for this album, and his production style does not fit 2pac one bit. Eminem has always been known for having a bouncy, cartoonish style when he raps. As we saw on The Eminem Show, Em's beats are nothing special. They were rather poppy and bouncy. 2pac has always been a rather serious rapper. When Eminem's cartoonish beats and 2pac's dark rhymes mix, the results are not pretty. For proof, look no further than "Who Do You Love?" Now, we all know 2pac's flow has never been overly fast. It is rather slow, but undeniably powerful. Eminem's beat in this song is rather fast moving, which results in a speeding up of 2pac's flow. The lyrics are very serious, talking about the "Thug Life," but Eminem's flow is bouncy, and does not carry the same air of seriousness that Pac's rhymes demand. The result is a train wreck. The song is a terrible combination of two things that should never have been mixed.

When you get this far back in someone's library of tapes, you are going to come up with more than a few holes. Eminem attempted to plug these holes with numerous guest appearances. Only six of the eighteen songs on this album are solo 2pac, the other twelve have guest appearances. These guests are one of the few redeeming factors of this album. Some of the numerous guest appearances are by the respected rappers Eminem, 50 Cent, and Jadakiss. But for every well known rapper on here, there are just as many ones that came out of the depths of obscurity just for this album, such as E.D.I., Ron Isley, Kastro, and Young Noble. While the well known rappers deliver some very good rhymes, these lesser known rappers do not do the same. Their rhymes are just as bland and unoriginal as 2pac‘s. Kastro's rhymes are nearly incomprehensible, with lines such as "Old heads say live your life like such, your sure to catch her witcha one day boy," from the song Black Cotton. These obscure rappers seem to make slight deviations on 2pac's themes from his verse, and just regurgitate what he has already said. But Eminem, 50 Cent, and Jadakiss all perform rather admirably. One of the highlights on this album is Jadakiss's verse in N.I.G.G.A. Eminem of course raps circles around 2pac here, as is shown in the album opener Soldier Like Me.

It just gets worse. The actual songs on here are nearly unmemorable. They all blend together in a sea of mediocrity. After listening to the album, it is tough to remember one 2pac rhyme or one distinctive beat. The songs all follow the same formula of one or two Pac verses about the "Thug Life," a mediocre hook separating the verses, then one verse by a guest. Sometimes they add one more guest verse or one more Pac verse, but they are all about the same subject. There are only two songs that really stand out on this album, and they are Loyal To The Game and Crooked N*gga Too. Crooked N*gga Too doesn't stand out from the crowd in terms of lyrical originality, you can probably tell that from the title. What's different about this song is the speed of Pac's rhymes. He raps the fastest he has on this album on this song. He actually does rather well with this fast rapping style. His individual rhymes are the usual, but for the first and only time on the album, the beat is good. It's fast paced and foreboding, just like 2pac's lyrics.

Loyal To The Game is the highlight of the album in my opinion. While 2pac's rhymes are no better than usual, 50 Cent and Lloyd Bank carry this song. The chorus is nice and catchy, rapped by 50 Cent. 50's and Lloyd's verses are both very good, improving on the raw out line that 2pac's rhymes created. Despite the good guest appearances, the beat is nothing spectacular. It's slow and plodding, which is at least different than the jumpy beats on the rest of the album.

This album is closed out by four remix tracks. More than anything else, this is what raises the album from a 1 to a 1.5. These beats are crazy good, and they mesh perfectly with Pac's lyrics, unlike Eminem's. Scott Storch probably creates the best remix, of the song Po N*gga Blues. This is actually the only version of the song on the album, so it may not technically be a "remix." The tracklisting on the back of the CD does list it as a remix though. You may recognize Scott Storch, as he is one of the most respected producers in hip-hop. He is the one who produced Chamillionaire's hit song, Turn It Up. While he doesn't quite deliver that good of a performance on this song, it is still at least adequate. Probably the best beat on the album. The Hennessey remix is good, but the Loyal To The Game and Crooked N*gga Too remixes are both much slower than the originals. While this may have been an attempt to cater to Pac's flow, it doesn't work well in those two tracks. The originals are better in both cases.

Overall, this is a really poor showing by the rap king, 2pac. This album was never meant to be released, it is a dark stain on Pac's reputation. The guest appearances and guest producers carry this album, not 2pac himself. His lyrical ideas are tired, and his flows are out of whack. There are almost no redeeming qualities on this album. I would recommend leaving this on the shelf. If you must, there are two or three songs that are okay.

Recommended
Loyal To The Game
Crooked N*gga Too
Po N*gga Blues (Remix)



Recent reviews by this author
Disturbed The SicknessNeurosis Through Silver in Blood
Shadows Fall Threads of LifeMachine Head The Blackening
DMX Flesh Of My Flesh, Blood Of My BloodStone Sour Stone Sour
user ratings (94)
Chart.
2.5
average

Comments:Add a Comment 
"Freshly Baked"
June 14th 2006


583 Comments


Thank you.

The second 2pac died, Suge Night began the 10 Years of raping 2pac's corpse with album after album, LET THE MAN REST IN PEACE, MAKE MONEY OFF OF SOMEONE LIVING.

I liked your review, and even though i'm sure this album sucked, you did a good job on being Unbiased.

Fine Job.


Brain Dead
June 14th 2006


1150 Comments

Album Rating: 1.0

Thanks for the vote. I personally thought I came off a bit too biased, but I guess not.

Laafe
June 14th 2006


347 Comments


nice review. i agree, this is a stain on Pac's rep

Iluvatar
Staff Reviewer
June 14th 2006


16089 Comments

Album Rating: 2.0

I agree with this entire review. Except for the first sentence (and all related articles contained within).

Big Fat Toady
June 14th 2006


2 Comments


Nice job. I think all of Pac's postmortem albums have sucked, but this is the worst.

Iluvatar
Staff Reviewer
June 14th 2006


16089 Comments

Album Rating: 2.0

What I love Tupac people my best friend is Tupac.

Boddah
April 22nd 2007


129 Comments


You said his name too much.

michaelbchnn
September 22nd 2008


41 Comments

Album Rating: 2.0

A little biased.

kingsoby1
Emeritus
September 22nd 2008


4950 Comments


Uh... Welcome to a reviewing website?

lhester
December 10th 2008


1 Comments


thanks im agree

CrazyFool84
March 8th 2009


1080 Comments

Album Rating: 2.0

I actually have a soft spot for a few of these songs, despite the cheese and necessity for Pac's estate to stop release material in his name.

I'm pretty sure the Outlawz (E.D.I., Kastro, etc) are on here just cause they rolled with 2Pac, sort of a lame throwback to his haydayThis Message Edited On 03.08.09

scyther
March 8th 2009


1606 Comments


He did record it all though, might as well just get it out there. He's certainly not gonna do it.

Hollow
April 4th 2009


263 Comments

Album Rating: 3.0

Not anything Pac himself would have put out, it has a couple of ok songs but there are some guest rappers that Pac probably would have never done songs with, overall ain't too bad.

KINGkong2011
January 5th 2010


2 Comments

Album Rating: 3.0

there were 3 or 4 good songs on here

heyadam
October 21st 2010


1715 Comments


Ghetto Gospel is amazing, the rest are very meh....

Digging: Aaron West and The Roaring Twenties - We Don't Have Each Other

TheIllmatics
February 18th 2011


140 Comments


that first sentences was pretty damn biased. many people have better flow than pac (biggie, eminem, nas) and there's also tons of people who have just as original rhymes (pac uses the most simple rhymes ever).

BigHans
March 3rd 2011


26454 Comments

Album Rating: 2.0

This is by far the worst posthumous 2Pac effort.

snoopdogg6969
October 17th 2012


419 Comments


Hit em with a little ghetto gospel



You have to be logged in to post a comment. Login | Create a Profile





FAQ // STAFF & CONTRIBUTORS // SITE FORUM // CONTACT US

Bands: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z


Site Copyright 2005-2014 Sputnikmusic.com
All Album Reviews Displayed With Permission of Authors | Privacy Policy