Review Summary: A solid offering by the classic band.
Blue Oyster Cult has nothing left to prove. The band, that released a string of excellent albums in the 1970s and 80s, has already left its imprint in the popular culture. Unfortunately, it is mostly known for 2-3 songs (
(Don’t Fear) The Reaper,
Burnin’ for You,
Godzilla), but it is not going to be news that they have a much wider selection of quality tracks. The period of extensive studio activity has ended for them following the release of
Imaginos. Afterwards the band barely produced any new material, mainly existing on their classic output. So it was a surprise when in 1998, ten years later, Blue Oyster Cult released a full-fledged studio album
Heaven Forbid. The critics received it rather warmly and it probably enjoyed some popularity, because in 3 years their last (at least, at the moment) LP is put out, titled
Curse of the Hidden Mirror.
For people familiar with the band’s repertoire the new record is going to be like a long-awaited return to familiar grounds. Obviously, it’s not going to surprise anyone, since the line-up includes three musicians, who practically never left, and there is no doubt that Eric Bloom, Buck Dharma and Allen Larnier know what a Blue Oyster Cult album should sound like. So all the major components are preserved with utmost professionalism on
Curse of the Hidden Mirror. The band still avoids clear labels, shifting between hard rock and heavy metal, with occasional stop on the pop-rock territory. The songs still maintain the signature quirkiness and eccentricity of topics: there are both creepy or mystical cuts, as well as those performed in a more ironic or grounded way. As on
Heaven Forbid some assistance with lyrics was provided by the cyberpunk author John Shirley, again carrying on the tradition of working together with science fiction writers and songwriters, which started in the early days of the band.
The songs included on the album leave mainly positive impression. Of notable interest are four songs sung by Buck Dharma: the opening track
Dance on Stilts with its start-stop riff; perky and somewhat philosophical
Pocket; fast-paced pop-rock gem
Here Comes That Feeling Again with a surprising twist; and the mystical
Stone of Love. Remarkably Mr. Roeser has not lost and wonderfully preserved his voice (as well as his sweet guitar skills), so it is sheer pleasure to listen to his tracks. Unfortunately, the songs performed by Eric Bloom are of hit and miss variety. The reason for this is twofold. Firstly (and it would seem mainly) is that the voice of Mr. Bloom is partially gone, so his yapping and grating manner of singing requires some getting used to. Though it should be noted, some of the cuts effective build on his more limited vocals adding necessary rawness and aggressiveness. A good example is apocalyptic
The Old Gods Return or sinister
One Step Ahead of the Devil. He manages himself pretty well on
Showtime (which was actually written during the sessions for the 1980’s
Cultosaurus Erectus), as well as
Good to Feel Hungry. The second shortcoming is related to the songs themselves, specifically choruses. They are often built around repetition of several words or based on the track title with some variations, leading to a sense of certain monotony. This is represented in the above mentioned
The Old Gods Return and
One Step Ahead of the Devil or
Eye of the Hurricane.
Nevertheless, despite some missteps it should be acknowledged that the veteran act released a strong effort, which, unfortunately, was passed over by the buying public. Due to unsuccessful level of sales the label terminated the contact with Blue Oyster Cult, leaving
Curse of the Hidden Mirror without promotion, so it quickly fell off the radar, which is unfortunate. However, it can be assumed that those few who purchased the record were satisfied with the solid album that can stand among their classic releases.
