Lacuna Coil
Delirium


4.0
excellent

Review

by Joanna van Schaik USER (175 Reviews)
July 5th, 2016 | 12 replies


Release Date: 2016 | Tracklist

Review Summary: Lacuna Coil go back to metal.

It's been a long time since people really paid attention to Lacuna Coil. I wonder if anyone still remembers the days when "Our Truth" was a hit on the radio, which must have been ten years ago. At that time they had just changed from their original gothic/doom metal incarnation to something closer to a more mainstream metal sound, although they have always sounded different from their colleagues in the genre (the other bands tended to focus on orchestras more, but Lacuna Coil has always been more interested in electronic, doom and eighties elements). The truth is, somewhere along the road they got lost in the mire between all the other nu-metal bands fading, as that sound has become less popular and given way to other forms of metal on the rise. Lacuna Coil were still pumping out material - two songs an album that you could like, the rest you would discard like old Pokemon cards in a box.

And somehow, you could still be distracted by these little earworms such as "Spellbound" and "Kill the Light". Most metalheads would think of it as their guilty pleasure, most pop-lovers are still too abashed by the fact Lacuna Coil likes to distort their guitars, and everyone else was turned off by Andrea Ferro singing. On this release, Lacuna Coil have basically fixed all of those problems by doing a couple of things: 1) they added fresh and new musical influences to their mix, notably the angular djent-type riffs favoured by Meshuggah, giving the album a more metal feel, as well as more guitar solos 2) Andrea has stopped trying to sing for the most part and has gone back to growling, which does Lacuna Coil's music a world of good (the man just can't really sing) and 3) they've also incorporated more sounds akin to those of the first two albums. They've basically gotten rid of most of the nu-metal elements (which only worked for a few songs per album) and given us a mix of elements we can all get behind.

This leads to a much better result for the band overall. The songwriting is still monotonous in places, as the band doesn't play with dynamics much throughout the album, but the actual melodies written and the much heavier atmosphere draw you in. There's a sense of purpose here and cuts such as "The House of Shame" and "Ghost in the Mist" stand at the top of the Lacuna Coil catalogue. It's their best material in years and years, after plodding along. This mixture seems to suit them a lot better. Perhaps it's the fact that some band members have left, perhaps they just needed a good prodding - they seem to have found the spark here.

There are still a few flaws with Lacuna Coil's material - the lyrics are still nonsense, and Andrea singing still is something that should simply not be present (it does crop up here and there). However, I don't think the lyrics will ever be Lacuna Coil's selling point, what matters is the vocal delivery - and in Scabbia they have a frontwoman who is more than capable of delivering. She seems to go a lot more into her high range as well, diversifying her vocal approach - another welcome bonus. The addition of guest musicians to cover for Marco Coti Zelati's inability (or unwillingness) to do guitar solos also works a treat, because it provides another alley that you can go into here that Lacuna Coil don't normally explore.

The bottom line is that Lacuna Coil seem to finally be inspired to produce more than one or two acceptable songs per album and try a new approach which has paid dividends for them. The newer, more energetic material should go over well live (heavier songs tend to work better in a live context when it comes to Lacuna Coil). Finally we have a reason to regard Lacuna Coil as a really relevant band again - something anyone would hardly have said six years ago, but here it is.

Choice Cut: "The House of Shame"



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Comments:Add a Comment 
Altmer
July 5th 2016


5700 Comments

Album Rating: 4.0

I'm back. Or I just wrote a review because I wanted to. Either way.

Tunaboy45
July 5th 2016


15521 Comments


Great review, this band just never clicked with me.

EvoHavok
July 5th 2016


7181 Comments

Album Rating: 3.5

Nice read. Album's great.

Digging: Ningen-Isu - Ijigen Kara no Hoko

ConcubinaryCode
July 5th 2016


4033 Comments


Way better review than the other two. I might check this out but this band has basically lost any interest I had in them. Their early records are still good though. from what I remember anyway.

Tunaboy45
July 6th 2016


15521 Comments


This is a band I enjoyed a long time ago but I haven't really listened to the much in recent years. Feel like I should check this out.

thetruedemonlord
July 7th 2016


87 Comments


One of worst bands ever. Your taste is shite and you have not heard Darkthrone

HinkHall
July 7th 2016


153 Comments

Album Rating: 3.0

DEEEELIIIIIIIIIIIIIIIIIIIIIIIIRIUM

Altmer
July 8th 2016


5700 Comments

Album Rating: 4.0

Actually, I have heard Darkthrone...

XfingTheSullen
November 8th 2016


4062 Comments

Album Rating: 3.5

holy shit, they've already got a new album out? This totally flew past my radar. they've been a guilty pleasure of mine, plus I like making fun of Andrea's inability to sing, so I might be checking it out.

Storm In A Teacup
March 26th 2017


22082 Comments

Album Rating: 3.5

One of the five band t-shirts I'll still wear

teamster
March 26th 2017


1898 Comments


Album is a bit monotonous. But yet I still listen.

Digging: Coldrain - FATELESS

XfingTheSullen
May 9th 2017


4062 Comments

Album Rating: 3.5

Well the decision to start doing screams in such a large capacity was definitely bull's eye for Lacuna Coil. The melodies are cool too, there is a bit more variety than it was the standard recently and the song structures are a bit more ambitious. Probably the best one since Comalies.



That said, it is indeed a bit monotonous. A bigger problem is how derivative it is. Looks like the longer Lacuna Coil write music, the less they can keep from repeating themselves. Some melodies are ripped straight off their earlier material.



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