Hindsights
Cold Walls/Cloudy Eyes


2.5
average

Review

by facetheslayer666 USER (32 Reviews)
March 7th, 2015 | 3 replies


Release Date: 2015 | Tracklist

Review Summary: "I looked at you, and everything inside me echoed..."

Hindsights released their first record, an EP, in 2013: 'The Thoughts That Weigh Me Down.' Receiving very good reviews but mostly unrecognized by pop-culture, this EP was quite possibly the best of the genre that year. One of the few issues I cited in that album was its adamance to appeal to pop-culture -- they did this by composing generic hooks and simple ballad lyrics. This might shoot a band into mainstream acceptance, but they will, perhaps, be aware that they could've done much better. Appeal is a very important part of music; the scene which enjoys your music may define it. Some artists, however, feel this pressure all too audibly. Hindsights, regrettably, only furthered this concept in their much-anticipated full-length LP, 'Cold Walls / Cloudy Eyes.'

With a hazy, distorted atmosphere, the music seems to plod on, pop track after pop track, boring me quite near the morbid depression of the lyricist. At the time I heard the opening track, "Everything Inside Me Echoed" (which, incidentally, is the most memorable track on the LP), I recognized the lack of passion and emotion that was extremely present on the album's predecessor. Also, the song repeats itself to the point of utter ennui. "Cold Walls" displays this same concept, bearing more derivative qualities, such as the repeated riffs and uncaptivating vocal melodies. As one could hear after only two songs, Hindsights are no longer a punk group. The urge to make popular the underground tunes of the UK carried on two years later, causing high amounts of disappointment for me.

'Cold Walls / Cloudy Eyes', like its precursor, seem to revolve around the depressional agony of the band. This idea, however, appears much more hazy on this LP. Also, it bleeds into the actual musical content. Unlike this, song "Fluoxetine" on the EP sounds rather upbeat; the only depressing realm of those songs are the lyrics (making for a very refreshing sound), which were much more autumnal on 'The Thoughts That Weigh Me Down.' For example, song “See You Soon” has rather sad lyrics, but the song acquires this same emotion, making it rather boring -- the depression of the track affects the music. The same drum beat used on this track is used on most of the other tracks -- every song sounds quite the same. Some of the few tracks that actually induced enjoyment on my part were “Out of My Skull” and “Colour Blind”, which, unfortunately, also sound the same as each other.

This LP, though it doesn’t really have any purely enjoyable or catchy songs, grew to be much more mature than ‘TTTWMD.’ The musicians sound as if they have been practicing to perfection; there was clearly a lot of effort put into ‘Cold Walls / Cloudy Eyes’ as far as musical skill goes. The singers’ voices sound much more distinct and developed, mostly audible on “Out of My Skull” and closing track “Sore.”

Listening to this album, I feel as if it is my job to do so. I feel no compulsions to listen to it for pleasure. Hindsights, their “eyes clouded” by their pressure to have an audience have fell short of my absolute acceptance because they are now composing repetitive, unoriginal songs. In summation, the thought of Hindsights continuing to be this radio-friendly boy-band weighed me down. 2.5/5



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Comments:Add a Comment 
murdereyes
June 27th 2015


7 Comments

Album Rating: 3.0

I agree with you to a certain degree. I saw this band live the other night and they are a great live act, but a lot of the songs fail to stick out on this album. I like the first three songs then I tend to fade out and the album just becomes background music.

Soupy
March 26th 2018


46 Comments

Album Rating: 4.5

This album was great, if you dug it's predecessor I'm not sure why you'd be so disinterested in this one. Hindsights ever attempting to or successfully pulling off being a radio-friendly boy-band is a bizarre take that I haven't seen before. They were a small emo band that played the pub/DIY circuit and never once seriously threatened to receive any serious press or radio attention. They got on a few tours with some decent bands like Creeper and Milk Teeth, but those bands were barely playing 250 cap venues themselves at that point. It's not like they were even getting festival slots either, the only festival I ever remember them appearing at was a 1-dayer type event put on by Ricky Bates at Joiners. The whole review seems to focus around the simplistic notion that a band becoming less heavy and aggressive when the members grow older means they're instantly sell-outs looking to make pop-music, which is a ridiculous assumption especially given the creative success that similar American bands within their genre have had - Seahaven, Balance & Composure, Turnover, Title Fight etc all did this around the period that Hindsights did. It's perfectly possible to maintain your artistic integrity whilst becoming less heavy and the idea that Hindsights were putting out music to appeal to the masses on this record is absolutely laughable, compare this to the type of stuff that the likes of Young Guns, Mallory Knox, Lower Than Atlantis, Blitz Kids and You Me At Six have put out in the last 3 years - there's no reasonable comparison at all.

Soupy
April 6th 2018


46 Comments

Album Rating: 4.5

https://www.youtube.com/watch?v=k7WVsyHlzfc



Look at these scruffy lads playing in a basement above a Mexican restaurant to 50 people. Fucking sellouts.



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