Janelle Monae
The Electric Lady


4.6
superb

Review

by Greg Fisher STAFF
September 9th, 2013 | 398 replies | 35,086 views


Release Date: 09/10/2013 | Tracklist

Review Summary: The visionary pop star follows the trajectory of her genre-hopping previous endeavors with more driving ambition and artistic creativity to boot.

The mainstream obsessed with record sales is growing deficient in real passion these days. Janelle Monáe, who's lately complained about the poor quality of recent r&b records in numerous interviews, certainly knows how to fix that problem. The futuristic Metropolis saga featuring the singer's alter-ego android Cindi Mayweather has been her labor of love from the get-go, dating back to early demo recordings and culminating in critically acclaimed The ArchAndroid three years ago. No wonder that the concept story, originally planned as a four-installment affair, has expanded to seven segments. The Electric Lady comprises the fourth and fifth suites, following the trajectory of the genre-hopping previous output with more driving ambition and artistic creativity to boot.

This time around Monáe has found inspiration through painting, which lends her perpetually altering style a cinematic scope. The songs are more expansive, unraveling in a far more detailed manner, which showcases the grandeur of this sci-fi saga even better. Yet, instead of alienating with its complex concept and long running time, the album never ceases to be cohesive and highly accessible whether it's the party-ready cosmic funk of the former suite or the stripped-down introspection that propels the latter. It's an expertly conceived amalgam of pop, soul, r&b and funk that inspires deep reverence for tradition, ranging from horn sections and weeping soul strings to nimble guitar stabs, sleazy slide guitar solos and funky bass lines. The singer and her Wondaland team have an uncanny knack for reshaping these elements into a decidedly modern whole that centers around memorable melodies. Even though the flow of the record sometimes gets disrupted by disposable radio DJ interludes, the songwriting on display is so refined that makes the listener discard any minor flaws.

The Electric Lady kicks off with a lush spaghetti western intro that gives way to a thrilling duo with Prince, "Givin' Em What They Love." Following on, “Q.U.E.E.N” is where the record's leading theme of empowerment crystalizes with such lines as “you can take my wings, but I'm still goin' fly” and “categorize me, I defy every label” defiantly rapped by Monáe in the track's ravishing climax. The feminist undertones permeate the title track that establishes Electric Lady as an inspirational figure for the whole contemporary r&b movement. Another recurring notion is the struggle for acceptance, bridging a gap between people of different race, religion or sexual orientation. Like in every fine sci-fi concept, Monáe's lyrics are rife with metaphors and parallels to the actual world. In this respect, they additionally reflect the artist's unabashedly optimistic outlook. The hook-laden “Dance Apocalyptic” seethes with positivity despite tragic circumstances, whereas “Victory” hits the mark with the genuinely relatable chorus line “to be victorious you must find glory in the little things.”

Although Suite IV may be more dynamic and immediate, Suite V unfolds its tremendous appeal in time. Heroic females remain in the album's scope of interest, though. “Ghetto Woman” is a heartwarming ode to the singer's mother set against the bouncy funk backdrop. Elsewhere, “Sally Ride” revolves around the US' first female astronaut, making good use of the ominous space-rock arrangement and wondrous transitions that hint at a grandiose finale that never comes. The superb soul ballad “Can't Live Without Your Love” enchants with its tenderness and lack of pretense, while “Dorothy Dandridge Eyes” performed with the gifted jazz musician Esperanza Spalding is a lithe bossa nova tune that only enhances the record's boundless eclecticism.

Feeling completely at ease in both robust and subdued repertoire, Monáe strikes as a remarkably versatile singer as well. With such famed collaborators as Prince and Erykah Badu, any artist of less magnitude would play second fiddle, solely relying on other performers' skills. Instead, Monáe remains in the limelight through the entire record. No matter how respected or experienced the guests are, she seems to treat them as her peers. That alone signifies how outstanding a singer she is. But The Electric Lady is also a dazzling artistic statement, a fiendishly clever endeavor that oozes enough feminine charm, wit and charisma to endow dozens of regular pop starlets with.




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user ratings (283)
Chart.
3.9
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other reviews of this album
Tony Li (4.5)
A smooth blend of neon lights, radiant brass, and of course, electricity. Drink it up....

Jacob Royal STAFF (4.3)
She's on fire....

BrianE (4)
The R&B/pop diva aims for an even bigger smash hit on her sophomore album....


Comments:Add a Comment 
Omaha
Staff Reviewer
September 8th 2013



9977 Comments

Album Rating: 4.3 | Sound Off

"The booty don't lie." -Greg Fisher, 2013

Digging: Deniro Farrar - Rebirth

Cygnatti
September 8th 2013



21349 Comments

Album Rating: 3.5 | Sound Off

AOTY

Digging: The Avalanches - Since I Left You

Wadlez
September 8th 2013



3808 Comments


Hubard-NO

Brostep
Staff Reviewer
September 8th 2013



3334 Comments


really want to listen to this, have it dl'ed and ready to go

tommygun
September 8th 2013



23536 Comments


cyg are you taking the piss

Digging: Obliteration - Black Death Horizon

Lucid
Contributing Reviewer
September 8th 2013



7018 Comments

Album Rating: 3.5

The mainstream obsessed with record sales is growing deficient in real passion these days.

come on greg could you open with a more trite statement

Digging: Braid - No Coast

Iluvatar
Staff Reviewer
September 8th 2013



16081 Comments


i dnt care how clever it may or not be take out the booty dont lie

Cygnatti
September 8th 2013



21349 Comments

Album Rating: 3.5 | Sound Off

Tommy, I don't know what that even means.

scissorlocked
September 8th 2013



3508 Comments


great piece man

I'm expecting this to be pretty enjoyable

Digging: John Roberts - Ausio

tommygun
September 8th 2013



23536 Comments


it means is that a legit 5

Cygnatti
September 8th 2013



21349 Comments

Album Rating: 3.5 | Sound Off

No. Her last album was for me, but so far this isn't close. But that doesn't mean it doesn't rule hard still!

Negator
September 8th 2013



311 Comments


dope. jimi would be happy

tommygun
September 8th 2013



23536 Comments


swee yeah just whenever i see a cyg 5 it's like whoa

cinaedus
September 8th 2013



26297 Comments


too bad most of his 5's aren't even 5's

Digging: Anberlin - Lowborn

Cygnatti
September 8th 2013



21349 Comments

Album Rating: 3.5 | Sound Off

Yeah, since the advent of 20/20 experience, I like to 5.0 new hyped up albums that I dig. :]

tommygun
September 8th 2013



23536 Comments


yo lakes remember that time you said you were gonna stay posi

what ever happened to that

Cygnatti
September 8th 2013



21349 Comments

Album Rating: 3.5 | Sound Off

Lakes we've discussed this before. You're really one to talk, mah nig.

cinaedus
September 8th 2013



26297 Comments


nuh uh

ILJ
September 8th 2013



6615 Comments

Album Rating: 4.0 | Sound Off

awww yeah, love that 4.6

Digging: Mastodon - Once More 'Round the Sun

Aids
Contributing Reviewer
September 9th 2013



23798 Comments

Album Rating: 3.5

ehh this review was a very boring read in my opinion. The record deserves more than that.



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