ASAP Rocky
Long. Live. A$AP


3.0
good

Review

by Benjamino Jackanory USER (56 Reviews)
April 8th, 2013 | 8 replies


Release Date: 01/15/2013 | Tracklist

Review Summary: Rocky's rapping ability is sealed here as a promising talent. Unfortunately, this potential would feel more at home on a tighter, fresher, more focused release.

A$AP Rocky’s particular brand of hip-hop will be familiar to anyone who has listened to any music in the genre released in the last five years. Popular artists such as B.O.B and Wiz Khalifa spring to mind as stylistically similar rap artists, but Rocky is probably the purest distillation of all the prominent motifs featured in modern hip-hop. After going solo from A$AP Mob, Rocky joined forces with Kendrick Lamar as an opening act for Drake, and shortly after began performing his own solo shows, steadily becoming more prolific thanks to guest appearances on more popular artist’s material, such as on Rihanna’s ‘Cockiness (Love It)’ from her Talk That Talk Album. Rocky also had a hand in the production of his debut release, albeit with assistance from a number of other producers. Really, it’s not particularly trailblazing or even particularly inventive music, but anyone who has even a fleeting interest in hip-hop music would do well to listen to this album, as it serves as a refreshing change for popular music. In an age when the majority of rap artists working in the mainstream charts feel lite in comparison to the seedy underbelly of underground hip-hop, it’s pleasant that some of the grittier sensibilities have been carried over into the charts, and this is especially noticeable on Long Live A$AP.

One of the more noticeable aspects of Long Live A$AP is the musicality; rather than employing the typical hip-hop style of processed beats and samples, the album utilises a more club-friendly vibe, with booming bass, sleek synths and old skool hip-hop rhythms, in a manner very reminiscent of artists such as Run DMC and Grandmaster Flash. Despite this, the similarities start and end there, as Long Live A$AP only features these musical traits as a backdrop for Rocky’s rhymes. The club feel of the music affords the lyrical content some kitsch value, but doesn’t feel progressive or even interesting. In the same manner that trance and bassline music feels at home in a club environment, but listening to it through headphones can feel monotonous, I struggle to work out what target demographic Rocky was striving to reach when this album was going through the final phases of mixing. Hip-hop fans may find that they enjoy the juxtaposition of simplistic, bassy, anthemic tunes and Rocky’s lyricism, but it definitely appears to be narrowing the album’s appeal somewhat, as conversely, it’s difficult to imagine anything from this album being considered a club classic. From a critical standpoint, though, the combination is serviceable and – dare I say it - quite enjoyable. The production is solid and the bass booms admirably, but replacing hooks and melody with the thrum of low, ambient tunes is a little misguided.

The highlight of the album is undoubtedly Rocky’s delivery, which fluctuates impressively between tongue-twistingly spry and quirkily unhurried. A particular instance on single track ‘***in’ Problems’ features a neat break at the end of a line, but not before the end of the verse music, after which Rocky immediately continues his rhymes. It creates the illusion of the song being freestyled, and although this is clearly not true, this novel way of creating a rapport with the listener works memorably well. The lyrical content touches all the usual hip-hop bases of women, recreational drug use, guns, and general gangsta activities, but these themes are balanced out with a surprising emotional touch on certain songs, even when the subject matter itself isn’t particularly sympathetic. A$AP even uses the old soundbite of a shotgun being cocked and fired. Unless it’s fleeting, post-N.W.A rappers/rap outfits cannot carry off this kind of tough-guy nonsense convincingly anymore. It’s puerile and since it has been done countless times before, it has little to no effect. Elsewhere on the album, a few collaborations show a different side to Rocky’s music; ‘Wild For The Night’ , which features Skrillex on mixing duties (as Rocky makes unequivocally clear, the popular dubstep producer is his nigga), and 'I Come Apart’, featuring Florence And The Machine’s Florence Welch. Both tracks feel a little crowbarred in and blend in with the other tracks somewhat, but they work thanks to the efforts of the respective collaborators. Welch’s low but soothing voices serves as an enjoyable antithesis to Rocky’s aggressive rhyming, and, shock horror, Skrillex actually does something of use too. The electronica/ dubstep/ hip-hop clash is a little jarring, but the first half of the song ensures that it stays in the listener’s head, thanks to a horribly catchy glitching tune and a distorted, slowed-down voice during the chorus.

A$AP Rocky’s debut doesn’t do everything right. In fact, in musical terms, it struggles with basic principles, opting for an old-fashioned club approach that functions smoothly but doesn’t stray or experiment with this tried and tested formula. It’s entertaining and there are some effortlessly cool flows to be found here and there, but a more focused, grounded hip-hop approach would have given Long Live A$AP a wider appeal and a more streamlined sound. As a first step, it’s a little shaky, but there’s no doubting the young rapper’s potential, and if he continues to build upwards from this LP, then his future is going to be a bright one. Dare I say it? Long Live A$AP.



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Comments:Add a Comment 
PumpBoffBag
April 8th 2013


327 Comments

Album Rating: 3.0

dammit, I meant to wait till my other review was off the front page, but I spilt tea over my keyboard and accidently posted it. Sorry guys

FourthReich
April 8th 2013


17707 Comments

Album Rating: 3.5

"The highlight of the album is undoubtedly Rocky’s delivery"
great review but really?? my favourite song off here is lvl by far and I certainly don't enjoy it because of rocky's delivery, it's the beat! I mean his delivery meshes well with the beats in many cases but I find it hard to believe anyone truly listens to asap rocky for his delivery. though again awesome review pos'd.

DropdeadWHA
April 8th 2013


635 Comments

Album Rating: 3.0

Good review, agree with Reich about the flow part though haha. He doesn't have much of a flow, lyrically he's a bit hit and miss too.

PumpBoffBag
April 8th 2013


327 Comments

Album Rating: 3.0

I thought that comment might divide opinion. I've pretty much said as much as I can in the review, but personally I find his style of rap very engaging, if not particularly groundbreaking. When contrasted with the actual music, I find the rap to be the bigger selling point. This would have probably been between a 2 and a 2.5 for me, but Rocky gives it that extra boost to a 3. Ah well, opinions, opinions. Thanks for the positive comments as well, always appreciated

Hopelust
April 8th 2013


1075 Comments


This guy's videos are fucking bad ass.

FromDaHood
Contributing Reviewer
April 8th 2013


9034 Comments

Album Rating: 4.0

I guess I've got beef with some of the things you said.

You say that the beats aren't typical, but you say that the beats are "club friendly," which just screams typical to me. You also mention that none of the tracks will be a club classic, but Wild for the Night and Fuckin Problems are both like textbook definition club anthems. I feel like that whole paragraph kinda contradicts itself.
You mention this is his debut, it's his major-label debut. And he put out solo material before his A$AP Mob shit.
The song with Florence isn't on the album. And you got the name wrong, it's "I Come Apart."
Not a bad review, it's just some parts just seem kinda wrong to me.

PumpBoffBag
April 8th 2013


327 Comments

Album Rating: 3.0

When I said 'not typical' I was referring to the fact the beats aren't typical for a hip-hop record, not that the beats themselves aren't typical. I felt that even though a certain number of the tracks conform to the values of club music, like the ones you mentioned, I also think that they're not the kind of songs I can see being regarded as popular big club tunes. I'm not debating the actual sound the tracks have is that of a club song, only its appeal. If they are, then that's just my lack of knowledge about the club scene these days.
I know I referred to this as his debut, that's my bad, I should've been more specific; I meant debut full-length.
My bad regarding the inclusion of the Florence song in the review as well, I didn't realize it isn't on the record. Fix'd the detail about the song title as well.
thanks for the feedback, I'll make sure I'm clearer regarding such details in my future reviews.

CoolNewGuy
April 12th 2013


140 Comments


YEAH I LIKE TO FUCKI GOT A FUCKIN PROBLEM I LOVE FUCKIN BAD BITCHES



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