The Angels of Light
How I Loved You


4.0
excellent

Review

by Grayson Hale USER (31 Reviews)
March 24th, 2013 | 6 replies


Release Date: 2001 | Tracklist

Review Summary: "Goodbye Jane"

Michael Gira is a man who revels in misery. After his uncompromisingly brutal work with Swans in the 1980s (which remains some of the heaviest music ever recorded), Gira turned to more subdued forms of anguish and depression in the following decade. Proving that he didn’t necessarily have to be loud to get his point across, Swans became rooted in dark, psychedelic folk rock for a few albums before exploring the worlds of drone, post-rock and ambient music on their 1996 opus Soundtracks for the Blind. That album would signal the end of Swans until their surprising reunion in 2010, and it was during this period that Michael Gira began a new project known as The Angels of Light.

The Angels of Light took a far more song-based approach than Swans, focusing on melody and harmony rather than cacophonous noise and jarring rhythms. Dabbling in folk and country music, their 1999 debut album New Mother only hinted at what was to come a couple of years later. Whereas New Mother featured a massive 17 songs, How I Loved You almost equals its colossal 70-odd minute runtime in only 10 tracks. The reason for this lies in the latter’s ability to allow the songs to grow and sprawl over Gira’s barren soundscapes. Opener “Evangeline” almost effortlessly combines country with post-rock, a weird combination to say the least, but it works perfectly. The song builds slowly, subtly going from a simple acoustic guitar riff into an emotional climax with the full band, and the line “I can feel it now” being repeated as the music dies down. It’s a wonderful start to the album and this continues into “Untitled Love Song,” replete with female vocals and beautiful melodies.

“My True Body,” however, bears more in common with Swans due to the dark subject matter and occasionally shouted vocals. “New City in the Future” is another sinister-sounding track that erupts towards the end of its 12 minutes with Gira screaming “You were mine” like a madman. This forms the centrepiece of the album and unfortunately sets in motion the few mediocre numbers that follow, with “New York Girls” being the chief culprit. It’s not a bad song by any means, but it doesn’t really go anywhere to justify its length. Thankfully the best is saved for last with “Two Women,” perhaps the most brilliant song in the whole Angels of Light discography. Like the opener, it’s a sprawling epic that builds towards a magnificent climax. This time around, though, the real beauty is contained within the final minute as the music begins to fade away and Gira mutters the words “I can’t live without you... goodbye Jane.” That moment alone makes the whole album worth getting through, even though there are some typically oppressive and even frightening moments to withstand.

How I Loved You marked the end of an era for The Angels of Light, as the next few releases slowly began to realise the sound that would lead to the eventual reformation of Swans. Nevertheless, this album remains the pinnacle of the band’s work and it would take Michael Gira another 11 years before his potential was this fully realised again.



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user ratings (63)
Chart.
4.1
excellent

Comments:Add a Comment 
YankeeDudel
March 24th 2013


9313 Comments


oh niceeee. i was just talkin bout this band. how did this not have a review. good job pos for u

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MrElmo
March 24th 2013


1955 Comments


Only heard one 10 minute track from this band, an amazing one yet didn't go any further

SAPoodle
April 7th 2013


491 Comments

Album Rating: 4.0

Yeah this is hard to listen to all the way through, especially that mid-section, but getting to Two Women pretty much makes it all worth it.

Veldin
May 5th 2014


1364 Comments

Album Rating: 4.0

Insanely amazing album. Needs moar love.

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BigPleb
May 20th 2014


37232 Comments


sounds cool

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Butkuiss
September 23rd 2014


4222 Comments

Album Rating: 4.0

Two Women is one of the most haunting songs ever written.



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