Soundtrack
The Royal Tenenbaums


4.0
excellent

Review

by Eric USER (161 Reviews)
March 14th, 2011 | 41 replies | 6,334 views


Release Date: 2001 | Tracklist

Review Summary: Why would a reviewer make the point of saying someone's *not* a genius? Do you especially think I'm *not* a genius? You didn't even have to think about it, did you?

When watching the best of Wes Anderson’s work (The Royal Tenenbaums, The Darjeeling Limited, Rushmore), there’s an undeniable sense of surrealism, a distinct feeling that what you’re watching couldn’t possibly take place in this reality. Anderson achieves this by catering to every detail of the film - the setting, the names, perhaps most notably, the wardrobe - making his portrayal idealist, over-the-top, cartoonish even. This aspect is most notable in The Royal Tenenbaums, a film following the breakdown and reformation of an eccentric, well-to-do, New York family. Scene after scene there’s a sense of dramatic overload, where Anderson is piling detail upon detail (from his trademark Zippo lighters and Aviators to his tradition of placing distinct or custom labels and brands in nearly every shot) and this is complemented by the soundtrack, one that could not have been more fitting. Coupled with the utter strength of the single tracks themselves, the emotionalism and distinctness of the soundtrack as a whole, with its wide variety, perfectly complements the eccentricities of The Royal Tenenbaums.

Because such weighty moments and individual shots are sprinkled throughout the movie that dictate its flow so handily, the power of the movie as a whole is curbed. Still, Anderson’s ability to create sublimity within the time frame of a minute of two (even if it dilutes the movie wholly) is astounding. Always, it seems, Anderson uses music to perfection to add that last, critical piece to his pictures. Take, for instance, the way “These Days” adds emphasis to what could have been just another piece of the puzzle - Ritchie and Margot’s first meeting in the movie as adults. The frame slows down, yellow rays flood the screen obscuring Ritchie donned with Aviators, arms crossing; and soon enough, Nico and her deep, hollow voice enters, “I’ve been out walking... I don’t do too much talking, these days...” As a line of perfectly choreographed pilots exits from the glass sliding doors from behind Ritchie, the moment becomes one of incredible serenity. It displays the soundtrack’s immaculately arranged songs, paired with equally poignant cinematic moments.

The other key music/instance blending that Anderson treats the viewer and listener to comes later in The Royal Tenenbaums, and exists as the polar opposite of the sunshine-filled previously mentioned one. With quick transitions, and Elliott’s temperamental whispering, Ritchie Tenenbaum haphazardly shaves his head and promptly saws gashes down his arms with the same razor blade, an attempt to kill himself, in what is the iconic scene in the film-- iconic mostly due to the power of “Needle in the Hay” and its scarily-affecting complementing ability. Everything else seems minor in comparison, but only due to the sheer power of this clip (followed fittingly by Anderson’s black humor in the exchange between the brothers-- “I wrote a suicide note”... “Well what did it say, is it dark?” “Of course it’s dark it’s a suicide note.” “Well Can I read it?” “No.” “Well can you at least summarize it for us?”). Still, the more subtle inclusions of “Judy is a Punk” (The Ramones) and “Police and Thieves” (The Clash) suit Anderson’s over-the-top style well. Interspersed between the more known tracks are composer’s Mark Mothersbaugh’s interludes, equally appropriate and subdued in the mix, which highlights many well-known cuts.

Without The Royal Tenenbaum’s, Motherbaugh’s rich soundtrack would be fairly hollow, unimportant. Coupled with its companion piece though, and the teamwork of Motherbaugh and Wes Anderson reveal a stunning array of cut-and-scene-coupling that results in a rich ensemble of mulit-medium art. Truly, this is what soundtracks are for, right? To strengthen and build upon the screenplay and acting. If there is a detriment, it’s that not every moment could be a highlight, as they were limited by plot or other realistic barriers. Notice how there’s no mention of Bob Dylan’s “Wigwam,” or Nick Drake’s “Fly”? While they are deservedly noteworthy tracks, they aren’t necessarily paramount in the film’s context. With this soundtrack’s uncanny originality and consistency, along with two of the most transcendent soundtrack/scene pairing instances I can think of in “These Days” and “Needle In The Hay,” the film’s score is near flawless. It’s hard to not to mention every affecting moment displayed here, simply because they each have their own oodles of charm (but I can at least mention the Mutato Muzika Orchestra’s rendition of “Hey Jude” as Mordecai is granted freedom… chills run down my spine every time I see it). It’s difficult to imagine the originally planned Elliott Smith cover of “Hey Jude” bogging down the score, but it’s difficult to picture the soundtrack as it exists now any other way. Like symbiotic organisms, The Royal Tenenbaum’s movie and the soundtrack rely and feed off of each other, and both entities are all the better for it.



Recent reviews by this author
Mogwai Rave TapesTau Tau Eyelids
Ghost Ship Golden GirlsCrosses EP
Warren Franklin Your Heart Belongs To The MidwestFrightened Rabbit A Frightened Rabbit EP
user ratings (8)
Chart.
4.3
superb

Comments:Add a Comment 
SeaAnemone
March 14th 2011


20284 Comments


obviously, I recommend the movie,
and while it won't be as good without context, you can see my two favorite scenes here:

"These Days"
http://www.youtube.com/watch?v=bl6FbeoXeHQ

"Needle In The Hay"
http://www.youtube.com/watch?v=9pyBB7y8fDU

I know how cheesy it sounds but I can't watch the movie without getting chills in either instance.

Accusations of hipster-ness commence, please.

Digging: Natural Snow Buildings - The Night Country

Deviant.
Staff Reviewer
March 14th 2011


31153 Comments


Tracklist plz

Digging: Banks - Goddess

SeaAnemone
March 14th 2011


20284 Comments


it's not working for me : / do you mind please?...

Tracklisting
"111 Archer Avenue" by Mark Mothersbaugh
"These Days" by Nico
"String Quartet in F major (Second Movement)" by Maurice Ravel, played by the Ysaÿe Quartet
"Me and Julio Down By The Schoolyard" by Paul Simon
"Sonata for Cello and Piano in F Minor" by George Enescu - performed by The Mutato Muzika Orchestra
"Wigwam" by Bob Dylan
"Look At That Old Grizzly Bear" by Mark Mothersbaugh
"Look At Me" by John Lennon
"Lullaby" by Emitt Rhodes
"Mothersbaugh's Canon" by Mark Mothersbaugh
"Police & Thieves" by The Clash
"Scrapping and Yelling" by Mark Mothersbaugh
"Judy Is A Punk" by The Ramones
"Pagoda's Theme" by Mark Mothersbaugh
"Needle In The Hay" by Elliott Smith
"Fly" by Nick Drake
"I Always Wanted To Be A Tenenbaum" by Mark Mothersbaugh
"Christmas Time Is Here" by Vince Guaraldi Trio
"Stephanie Says" by The Velvet Underground
"Rachel Evans Tenenbaum (1965-2000)" by Mark Mothersbaugh
"Sparkplug Minuet" by Mark Mothersbaugh
"The Fairest Of The Seasons" by Nico
"Hey Jude" by The Mutato Muzika Orchestra

Xenophanes
Emeritus
March 14th 2011


10593 Comments


This is a ridiculously great movie.

couldwinarabbit
March 14th 2011


6996 Comments


eric that link it broken...get your shit together.

But the line-up looks kick ass and I feel like I should watch this movie. Oh and the review is good too

Romulus
March 14th 2011


8434 Comments


you hipster!

SeaAnemone
March 14th 2011


20284 Comments


wrote this in an airport on very limited sleep so be nice when criticizing if it's disjointed

and yeah this movie rules I'm pretty sure it was made specifically for me... you'd like it miles

couldwinarabbit
March 14th 2011


6996 Comments


lol, I probably would, that track list is beyond hip.

Deviant.
Staff Reviewer
March 14th 2011


31153 Comments


Done

Static
March 14th 2011


1995 Comments


typical eric review

movie is so bomb

way better than anything else he's done

Digging: georgerolandallen - swagbob

SeaAnemone
March 14th 2011


20284 Comments


thanks dev you're the best

and yeah this is probably the most typical seaanemone thing ever

Mordecai.
March 14th 2011


8278 Comments


mordecai.

iFghtffyrdmns
March 14th 2011


7047 Comments


another fantastic review from Sputnik's most handsome user, well done.

always see this movie on TV but never end up watching more than two scenes....always seems to get in the way of Jeopardy and the only way I'd ever miss that is if the Buffalo Bills were playing in the superbowl on another channel....which we all know too damn well is never, ever, ever going to happen :/

oh one thing:
"within the time frame of a minute of two"
think you might have meant minute OR two. still a great read, cheers.

Monsterpoptart
March 14th 2011


193 Comments

Album Rating: 4.0

Seriously my favorite movie ever. Razorblade+Needle in the Hay=favorite use of music in a movie ever. Fantastic review like always.

Digging: The Smith Street Band - No One Gets Lost Anymore

mallen-
March 14th 2011


1235 Comments


cool review eric

These Days rules (as you know since you recommended it to me)

SeaAnemone
March 14th 2011


20284 Comments


you all know what is up, yes, this is how it is.

theacademy
Staff Reviewer
March 14th 2011


28504 Comments


rushmores ost > trt's ost

Acanthus
March 15th 2011


9542 Comments


That is one impressive track listing, not to mention the review that accompanies it.

Digging: Falls of Rauros - The Light That Dwells in Rotten Wood

Voivod
Staff Reviewer
March 15th 2011


6082 Comments


the film is sick, hands down.

The Darjeeling Limited is also superb.

Digging: The Sabbathian - Ritual Rites

couldwinarabbit
March 15th 2011


6996 Comments


holy fucking shit this is a great movie



You have to be logged in to post a comment. Login | Create a Profile





FAQ // STAFF & CONTRIBUTORS // SITE FORUM // CONTACT US

Bands: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z


Site Copyright 2005-2014 Sputnikmusic.com
All Album Reviews Displayed With Permission of Authors | Privacy Policy