Animal Collective
Danse Manatee


4.0
excellent

Review

by Claudio USER (7 Reviews)
August 4th, 2010 | 167 replies | 15,060 views


Release Date: 2001 | Tracklist

Review Summary: The manatee is a shy animal that stands its ground when approached and may lash out with headache-inducing bleeps when provoked. But it's got an awesome personality.

6 of 6 thought this review was well written

Animal Collective are seriously talented musicians. They are no joke. They have a mature grasp of the medium of sound when it comes to creating art. They are one of the greatest and most innovative bands of the 21st century. They have received a fair amount of recognition for their work; however, a few of their earlier experiments have gone astoundingly unnoticed, some even dismissed entirely for being too experimental for their own good. When Animal Collective say they are proud of creating Danse Manatee, they are not joking. This album is notoriously the least favorite of many Animal Collective fans. Indeed it is the most inaccessible, but in many ways it is in fact a progression from the poppier Spirit They're Gone, Spirit They've Vanished. It takes sharp, patient ears to realize this.

Have you ever encountered an album that you did not "get" on the first listen? It sounded like crap and you had no idea what others were smoking when they hailed it as a masterpiece. But then, after three or four or five listens, you had that listen where everything clicked. Danse Manatee is like that; but instead of persisting because others had told me it was a great album, I had persisted because Animal Collective were my favorite band and had never disappointed me with any of their other releases.

Danse Manatee is not a very friendly album. High-pitched bleeps akin to the less harsh drone sections of Prurient's Arrowhead pervade every minute of it. The vocals and instruments are submerged in thick noise effects. Mind you, Geologist is going for nothing organic here; he means to create a dream land where music can sound equally gorgeous and transcendent if the anemone doesn't sting you. Thus, the manatee stings sharply anyone who expects his danse to sound accessible or in any way like reality. The stings, although predominantly in high-pitched bleeps, come in many different variations. "Penguin Penguin" stings with frantic noise explosions. "The Living Toys" and "Ahhh Good Country" work by scaring away any pop expectations with lengthy drones. Are these stings meant to be enjoyable? That's like asking if hardcore punk or drone is meant to be enjoyable.

Danse Manatee has a mysterious charm both similar to other Animal Collective albums and very uniquely its own. Hinted through its style of vocals and drumming, it evokes an ominous tribal sort of enchantment only successfully paralleled in the live jams Hollinndagain and Animal Crack Box. It manages, however, to form its own environment: a mystical, ambient one made uncannily of abrasive, inhuman sounds. Despite the strange electronic material it's crafted with, it is a compelling adventure which has the power to drop jaws and stir up goosebumps upon further listening.

"Essplode" and "In the Singing Box" pleasantly showcase the band's pop talents, but whereas pop was flaunted unabashedly all over Spirit, it hides subtly in Danse Manatee. Consider "Meet the Light Child", a sprawling lullaby written in an entirely unconventional structure. A chirping bleep glides to the free-floating tune of Avey's vocals, and Panda's formless drumming swells and disperses. Four minutes in it dies into a near-silent meditation, and soon later a gentle music box harmonizes climactically. These graceful details are the kind often ignored upon first listening to any album.

The shorter tracks showcase the haunting tribal mood of Danse Manatee while incorporating less high-pitched electronics. "Another White Singer" sounds like a ritual, ripe with handclaps and ghostly incantations. "Bad Crumbs" sounds gloomier, contrasting Avey's soft melody ("I've gone and lost a day . . .") with ominous incomprehensible groans. "Throwin' the Round Ball" is simultaneously cutesy and eerie, sounding equally like a nursery rhyme and a satanic prayer.

"The Living Toys" and "Ahhh Good Country" are psychedelic drone expeditions into the stranger aspects of the album. High-pitched electronic drones shift from soft wails to loud vibrations while Avey chants incomprehensible lyrics in the background. Panda's cathartic improvisational percussion compliments perfectly the tranquility of the drones. Dispersed throughout the background of "Ahh Good Country" are the sounds of chanting children (Avey and Panda?), further expanding on the childlike eerieness found in the preceding track.

Few moments on this album disappoint, but these moments do exist. The Hollinndagain version of "Lablakely Dress" is about a hundred times better. The robotic vibrato effect on Avey's vocals works nicely with the style of the album and doesn't annoy too much, but the song fails to reach any sort of climax the way it does on Hollinndagain. However, seeing as the live album came out after Danse Manatee, the comparison should only be made to recommend Hollinndagain rather than criticize Danse Manatee.

On their debut Spirit They're Gone, Spirit They've Vanished, Animal Collective show us they can make pop songs and bury them under fancy waves of static, but on the misunderstood follow-up Danse Manatee they move past that gimmick. In the summer between these two albums, something happened to Animal Collective that made them want to experiment more; something happened that also made them acquire their signature Animal sound. Danse Manatee is a dense and ambitious album not to be taken lightly; it demands several listens before it can be appreciated fully. It may not be for everyone, but such challenging music tends to be the kind that rewards listeners more in the long run.



Recent reviews by this author
U.S. Maple Acre ThrillsPanda Bear Person Pitch
Ricardo Villalobos AlcachofaSun City Girls Torch of the Mystics
Bubblegum Octopus The Album Formerly Known As Black Dice Beaches and Canyons
user ratings (231)
Chart.
2.6
average
other reviews of this album
iluvtweepop (2.5)
A lesson on the importance of quality control, in album form...

Alex Robertson STAFF (2)
And I didn't even like their first album that much....


Comments:Add a Comment 
exitsense
August 8th 2010



390 Comments

Album Rating: 3.5

Comment Not Complete

Digging: Palmistry - Free Indeed

barns
August 29th 2010



79 Comments

Album Rating: 3.5

Holiday listening for me this year was this, Campfire Songs, and Animal Crack Box.

"It may not be for everyone, but such challenging music tends to be the kind that rewards listeners more in the long run."

Sure, but it's hard to tell the difference between being challenged by something and simply banging your head against a brick wall.

merriweather
October 14th 2010



619 Comments

Album Rating: 3.5

I quite agree with this review (:

crank
October 16th 2010



332 Comments


I actually enjoy this but I can't quite put my finger on it as to why I enjoy it.

robertsona
Staff Reviewer
October 16th 2010



15002 Comments


people make good cases for this album and for a while i thought i "got it" but i think it was just placebo lol

the shitty flat production is what really gets me--though the high frequency noises do too

merriweather
October 16th 2010



619 Comments

Album Rating: 3.5

idk saying the production here sucks that's like saying a lo-fi album's production sucks.

and idk I got used to the high frequency noises, even though they bothered me at first.

robertsona
Staff Reviewer
October 16th 2010



15002 Comments


"idk saying the production here sucks that's like saying a lo-fi album's production sucks."

actually its more like saying the production here sucks

couldwinarabbit
January 10th 2011



6996 Comments


album rules

couldwinarabbit
January 10th 2011



6996 Comments


most people say this is there worst. I can see why people wouldn't like it but ya this is in top 8 for me (AC is like the only band where that is still saying a lot)

qwe3
January 10th 2011



21355 Comments

Album Rating: 1.0

albums a fucking joke

couldwinarabbit
January 10th 2011



6996 Comments


^point proven. People with good taste who hate it.

isenriver
August 22nd 2011



3 Comments

Album Rating: 4.0

I love Danse Manatee, Animal collective bring a certain charm to all their albums and this is no different. It might not be for everyone but I can't understand how someone can like Here Comes The Indian and not like Danse.

robertsona
Staff Reviewer
August 22nd 2011



15002 Comments


really bad

struth
October 1st 2011



435 Comments


essplode is one of their best songs.

CharizardOysterSauce
October 8th 2011



10 Comments


i love this album, very dark, and the childish playful parts give the whole, life, while still having a dead feeling to it, its like your stuck in limbo, or in a drugged haze

struth
October 23rd 2011



435 Comments


http://www.youtube.com/watch?v=KGIsIlL07Kg Would've loved to see AnCo during this era.

alexdub
September 7th 2012



3 Comments

Album Rating: 4.0

Great review

skeames1214
September 13th 2012



2713 Comments

Album Rating: 4.5

I've tried so hard to appreciate this. My teeth are ground down to the gums, and all I can feel honest about saying is that there are a couple decent songs on this album.

How Spirit They're Gone became this, I'll never know.

Ethics
September 24th 2012



4112 Comments

Album Rating: 5.0 | Sound Off

5x better than Centipede Hz.
This shit rules, great review.

cinaedus
September 24th 2012



26447 Comments

Album Rating: 3.0

neck

Digging: The Suicide Machines - Destruction By Definition



You have to be logged in to post a comment. Login | Create a Profile





FAQ // STAFF & CONTRIBUTORS // SITE FORUM // CONTACT US

Bands: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z


Site Copyright 2005-2014 Sputnikmusic.com
All Album Reviews Displayed With Permission of Authors | Privacy Policy