No-Man
Together We're Stranger


5.0
classic

Review

by Volk23 USER (7 Reviews)
July 7th, 2010 | 13 replies | 6,417 views


Release Date: 2003 | Tracklist

Review Summary: A departure into sparse, stark ambience, "Together We're Stranger" is a heartbreaking, beautiful record, with Bowness' lyrics and Wilson's musicanship and production arguably at their best.

3 of 3 thought this review was well written

"You and I are something else together."

This line, one of the six of the sparse lyrics that make up the title track of the album, are a great summation of Steven Wilson and Tim Bowness' musical oeuvre; No-Man began in romantic dance-pop, then onto dark trip-hop, then onto beautiful chamber jazz. The two are indeed something else together; they have managed to hop varied genres throughout their career, and yet with each album they produce music that is constantly challenging and wholly unique. Wilson himself has said that "Together We're Stranger," along with "Returning Jesus," is the "quintessential" No-Man record. After listening to the entirety of this melancholy recording, Wilson's estimation is not far off. "Together We're Stranger" is a brilliant record, awash with fantastic lyricism, poignant instrumentation, and outstanding production.

One of the highlights of listening to any No-Man record is the peculiarities of Tim Bowness' lyrics. At first listen, Bowness' lyrics often sound odd, given the strange metaphors and the very specific details he uses to convey the emotions he's expressing. This is particularly evident on this record; the album is full of personal, intimate details that, while clearly very close to Bowness himself, resonate deeply in their meaning. Whether it's the "hollow thump of life that has no taste" ("Things I Want to Tell You") or the "needle [that] pushed the red" ("Back When You Were Beautiful"), Bowness knows exactly how to pinpoint the emotion he is yearning to express. On this album, as Bowness stated in the excellent "Mixtaped" documentary on No-Man, "Together We're Stranger" is about expressing bereavement in its different forms; the album is full of lyrics on the subject of the melancholy of loss, whether it be a lost lover (the heartbreaking "Things I Want to Tell You," "The Break-Up For Real"), a person lost in a city trying to find where to go in life ("All the Blue Changes," "Photographs in Black and White"), or even the loss of a person's beauty ("Back When You Were Beautiful"). And, as usual, Bowness' literate, introspective lyrics are perfectly stated by Bowness' voice, which expresses that perfect sense of yearning unlike any other No-Man record.

While Bowness' lyrics could be released as poems and still remain their poignancy, on this album they are aided by the polymath musician Steven Wilson, who clearly knew exactly how to further convey the bereavement Bowness was seeking to express. The album is devoid of the often lively instrumentation that occupied their past recordings; this is a sparse record with almost no percussion that is heavily dominated by texture and ambience. (The album's desolate artwork, by longtime No-Man collaborator Carl Glover, further supplants the imagery conveyed by the music). Two examples stick out in particular: the title track begins with a quell of harsh noise, which then abruptly ends and is followed by a pastoral, drifting synth, painting a sparse desert of a soundscape. The song also features an anguishing textural guitar solo by No-Man collaborator Michael Bearpark. Then there's "Things I Want to Tell You," perhaps the most emotional No-Man song ever written; the track is driven largely by the same style of synth playing found in the title track, this time accompanied by a sparely picked acoustic guitar, with Wilson hitting high notes on the guitar as Bowness cries out for his lost lover. This is deeply sad music, no doubt, but it is nonetheless beautiful.

While the album retains a consistent theme throughout, No-Man's eclecticism hasn't faded any; take "Back When You Were Beautiful," perhaps Bowness' finest lyric to date:

Friendship comes
But it mostly goes
And you mark your time
With your fading clothes

As the song comes to the close and Bowness sings the song's final lyric, Wilson begins picking on a banjo, not an instrument I would imagine for a song as heartbreaking as this one. In the song, however, it sounds brilliant, like it was meant to be there. No longer the instrument of upbeat, jaunty country jams, the banjo here rings with the sound of nostalgia for the things in us that have faded.

Something is also to be said of the production of the album. Steven Wilson is a man well renowned for his lustrous 5.1 surround sound mixes, and this might be close to, if not his best. The ambient soundscapes of the album blend seamlessly with the other instruments, whether it be organic. The sorrowful mood the album drowns the listener, allowing whoever is experiencing the album to fully experience the somber mood conveyed by each song. Every musical texture created on the album flows beautifully out of the speakers and is an auditory experience like no other.

No-Man have consistently been brilliant, but this album is no doubt their high point. Very little music sounds like this; but even more than that, very little music could convey a message like this album does. "Together We're Stranger" is an album unlike anything in Bowness or Wilson's career; while Wilson would go on to further explore some of the ambience found on this album with his solo outlet Bass Communion, none of that music could ever match the stark, heartbreaking beauty of this record. Wilson and Bowness are indeed something else together, and this album is the greatest testament to that fact.



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user ratings (58)
Chart.
4
excellent
other reviews of this album
the2stranger (4.5)
...


Comments:Add a Comment 
JizzInMyPants
July 8th 2010



2369 Comments


good review dawg pos

Volk23
January 21st 2011



10 Comments

Album Rating: 5.0

I must say, after rereading my review, I find that the similarities to the brilliantly written review in the booklet that
comes with the two disc CD/DVDA reissue of the album are too strong for me to ignore, so I must give credit to the
author of that article as part of inspiration for this review, although I did it inadvertently. I don't have the CD with me,
so I cannot cite the author or source, but know that if you read that particular review that's where I got my inspiration
from.

Note: As of April 28, I have amended the review. The review was written for Mojo magazine, and I do credit the author
for a phenomenal review.

Jarvig
September 1st 2011



168 Comments

Album Rating: 4.5

Wooww, what a good "dreamy" and "atmospheric" album. Its a slow ambient version of Steven Wilson.
What comes to mind is: Moody moments of Porcupine Tree, spacy moments of Pink Floyd without
Gilsmours soaring guitar, dreamy tri-hop, Enigma, some of the songs from Roger Water's Amused to
Death.

You put this album on a good hifi system, turn the level only medium up, close your eyes and
then.......then you just float and dream the rest of the album.

The titletrack is the best but all the rest of the tracks are almost as good.

You want to get high? Then just do this
- Put on Pink Floyd's Live at Pompeii
- Then put on The Doors' The Doors
- Finaly put on No-Man's Together We're Stranger

OmairSh
November 17th 2012



10851 Comments

Album Rating: 4.0

Noice

Digging: Paco de Lucia - El Duende Flamenco

AStableReference
November 17th 2012



1844 Comments


I thought the few songs I've heard from this were interestung, I need to listen to the full thing. (I know I say this too much)

Parts of it seem inspired by Talk Talk and remind me a bit of David Sylvian's solo work.

OmairSh
November 17th 2012



10851 Comments

Album Rating: 4.0

Haha I think you said that to their other album as well :P. I haven't heard Talk but I think Steven's a big fan, so possible influence seepage there.

AStableReference
November 17th 2012



1844 Comments


If you enjoy this you should give Spirit of Eden or Laughing Stock a listen.

OmairSh
November 17th 2012



10851 Comments

Album Rating: 4.0

Aight sure. So much music to listen to

AStableReference
November 17th 2012



1844 Comments


I know, that's why I haven't got around to these No-man albums yet.

puertasmagicas
February 17th 2013



54 Comments

Album Rating: 4.5

Bowness' lyrics are years ahead of Wilson's. And his voice goes incredibly with the music, even if he's not very versatile.

But you failed to mention that All the Blue Changes is the best thing eeeever.

kingsoby1
Emeritus
February 17th 2013



4950 Comments


Not sure how much I like this

OmairSh
February 17th 2013



10851 Comments

Album Rating: 4.0

"All the blue changes" live performance is pretty good. The atmosphere on the title track is
incredible. I think the next albums better though

OmairSh
May 6th 2013



10851 Comments

Album Rating: 4.0

They looved you, when you said that noone should



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