Helmet
Meantime


4.5
superb

Review

by USER (41 Reviews)
May 17th, 2008 | 49 replies | 9,930 views


Release Date: 1992 | Tracklist

Review Summary: Meantime will remain as a hallmark for rock music to come, and for that, it will forever remain a success

5 of 5 thought this review was well written

In such a turbulent time as 1991 was for the music industry, seemingly it felt like a transition period for music in general. A variety of sounds were emerging during this time; shoegaze and grunge included. So it would be strange that a band hailing from the slummy and dark nether regions of the New York music scene would seemingly combine these two sounds with a subtlety, not taking steps into either genres or making it seem so on the surface. During those days, it seemed that the music industry was head on its heels to capture the angsty nature of Nirvana’s music and market it. Thus, in this story enters Helmet; an ideal candidate to market - or so it seemed. So when these major labels were 'head on their heels' to sign the act. In hindsight it almost seems like the labels got more than what they bargained for. Finally in 1991, Interscope crowned the new knights and so it goes. So from this success, the record biz was adamant for the real success and seemingly under the radar of industry stalwarts, Helmet was one step away from setting music on fire and changing it.

Unsurprisingly, as the story often goes, these starking expectations were never met. Meantime ultimately was the peak of Helmet’s success as a band, however; both musically and commercially. Meantime, even after 15 years remains as a marvel of precisely channeled aggression and a marvel for rock music; a showcase of a band who knew how to add just the right amount of artistic merit to their shellacking and pioneering agro-rock sound. Meantime could easily be the soundtrack to the mind of a maniacal patient bent on destruction and other happy things; a patient with the right amount of brains and intelligence. Hamilton maintains an uncontrollable vitriol and aggression before he steps up to the mike and while his voice might not transcend a bark or a simple yelp, it gels to the music almost seamlessly. Hamilton and Peter Mengede’s guitars pummel and bark with an irresistible stop-n-go rhythm (an approach they’d eventually pioneer) while bassist Henry Bogdan and drummer John Stanier do a convincing integration of the wall of noise unleashed by Hamilton. The masterfulness of Meantime is the band’s ability to control this unrelenting aggression; a calculated bombardment to the ears that is as unpredictable as it is cathartic. Helmet know exactly when to reserve the next raging riff so as to achieve the right amount of satisfaction and energy; to guide the listener on a wave of pummeling rhythms that are as calculated as they are vehement.

Helmet took the blueprint of noise legendaries Sonic Youth and Fugazi, and incorporated the vehemence of hardcore with the backbeat of metal; a result of both marginalized mediums congealing into a definitive sound. Title track “In the Meantime” is a case in point to the sound Helmet attempts to create here. Raging out of the gate like an epileptic race horse, it pummels through with repetitive rhythms, almost creating cacophony, and cools down for a silence until the main riff comes into the fold, making “In the Meantime” one of the best songs on here. “Ironhead” epitomizes the ideal Helmet stop-n-go rhythm, making it an ideal candidate for head banging. “Give it” is a sinister piece that features Hamilton’s amplified drone that sounds of the agony muddled by a bad day. With all of the noise and clutter Meantime makes, certain songs include silence into the framework. “Turned Out” exhibits this perfectly where the vehement swirl of the guitars parts for an instant to reveal a benign pause, and an identifiable and suspenseful silence; then the guitars roar out of the speakers, rising to a climactic peak until a row of syncopated rhythms follow.

For all its straight-forward execution, Meantime provides influences from other disparate genres including the left-field Industrial and Noise Rock. Exciting sonic textures and rhythms propel the music with melody being dumped out of the maniacal patient's trajectory and left to live another day. Contrary to this, however, “Unsung” is perhaps the most tuneful song on this otherwise anguished and melodically-shunned album. “Unsung” perhaps marked one of the best moments for a band that often was content with unleashing as much of a shellacking and to simply ignore the backbone of melody and song-writing. “Unsung” truly is the band at its most focused, alternating from memorable verse chorus melodies that almost hint at ‘catchiness’. However, it must be noted that Helmet isn't unleashing its destruction; the song chooses to emphasize the lyrical content and to keep the music as a tightly controlled reservation of noise. Blueprints and innovations as these didn't garner the right amount of admiration as it deserved - despite the overt innovation to guitar heavy rock. The outcome to Meantime’s success is ironic to what the prevalent mood suggests - the fear of loneliness and 'dying unsung'.

With this exceeded expectation, Meantime marked the height of Helmet’s popularity. The sad truth being that no one else caught on to this new sound, Helmet was left in the shadows of obscurity; a fate often met by great bands. Perhaps it was the band’s certain lack of ‘image’, looking the part of a high-SAT scoring bunch of kids rather than real rock stars. I’m sure Page Hamilton wouldn’t have anything to do with this, but it’s a sad fact. Certainly, Meantime will remain as a hallmark for rock music to come, and for that, it will forever remain a success.



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user ratings (433)
Chart.
4.1
excellent
other reviews of this album
HSThomas (4.5)
Unsung....

supraman_2 (5)
...


Comments:Add a Comment 
Two-Headed Boy
April 1st 2008



4527 Comments


melody being dumped out of the band’s speeding car and left for dead by the roadside.

Ha, great line.
Excellent work as usual, I think you sent me a song by these guys. I'll look for it and see what's up.

Zebra
Moderator
April 1st 2008



2647 Comments

Album Rating: 2.5

I really wanted to like this but instead I find it painfully average. This review makes Helmet seem like a heavy band, but I feel like they have kind of a soft sound compared to most metal that came out during the early 90's.

Fort23
April 1st 2008



2475 Comments


I think I'll like this judging from your review and all.

Wizard
April 1st 2008



19296 Comments

Album Rating: 4.0

The sad truth being that no one else caught on to this new sound, Helmet was left in the shadows of obscurity;

Sometimes this can be a good thing for a band with an original sound like this. I hate oversaturation of a great sound.

I remember a while back, I was asking if you were going to write some more Helmet reviews (I believe it was your Betty review). Excellent follow up! I really enjoy the way your word your ideas together. Plus you have good taste in music. I'm glad I'm not the only one around here who still appreciates Helmet.


Digging: Downer - Downer

Sound
April 1st 2008



3888 Comments

Album Rating: 4.0

[quote=]The sad truth being that no one else caught on to this new sound, Helmet was left in the shadows of obscurity[/quote]
Still think Helmet has gained new fans (of this album particularly) over time, if anything they should've with 'Unsung' on GTA San Andreas (me included :D)

Great review btw :thumb: I like how you mention the tracks 'In the Meantime', 'Turned Out' and 'Unsung' as these are probably my favorites on the album.


This Message Edited On 04.01.08

Lunarfall
April 1st 2008



3179 Comments


The sad truth being that no one else caught on to this new sound,
That's because the sound sucks balls. Helmet is painfully boring.

StrizzMatik
April 1st 2008



3182 Comments

Album Rating: 4.5

F*cking awesome album, hands-down. One of the biggest influences in the nu-metal genre, which isn't so great unless you count Deftones.

Aficionado
April 1st 2008



1027 Comments

Album Rating: 4.5

Zebra's wrong again lol

TheGreatD17
April 2nd 2008



1141 Comments

Album Rating: 4.0

nevermindThis Message Edited On 04.02.08

Wizard
April 2nd 2008



19296 Comments

Album Rating: 4.0

That's because the sound sucks balls. Helmet is painfully boring.

Dude, I can pretty much guarantee that there are 10 bands you listen to that would say "Helmet had a profound impact on their music"! At least show some respect. I can see why these guys would be boring to you.

PayneTiger777
April 2nd 2008



4388 Comments


Hmmm, sounds promising. I might check them out.

Wizard
April 3rd 2008



19296 Comments

Album Rating: 4.0

I just gave this another listen today and its still really solid. I wish Helmet would still release quality like this. Monochrome was a little stale.

NortherlyNanook
April 5th 2008



1285 Comments


Yeah, this album is pretty awesome. "In the Meantime" is a crazy intro.

FenderUsa
May 8th 2008



582 Comments


I might get this album, i've only heard "Unsung" heard it on San Andreas haha, but its awesome i like their style also the singer kinda reminds me of ozzy's voice

Wizard
May 8th 2008



19296 Comments

Album Rating: 4.0

Unsung is probably the lightest song on this record hahaha. Their best record to date IMO.

JAV
June 1st 2008



1923 Comments

Album Rating: 4.5

Such a great record.
So influential as well.

NodScene23
July 12th 2009



264 Comments

Album Rating: 4.0

Really enjoying this album right now.

Wizard
July 12th 2009



19296 Comments

Album Rating: 4.0

If you like this, you would enjoy all of their albums.

Athom
Staff Reviewer
July 12th 2009



17204 Comments


crazy good shit right hur.

Wizard
July 12th 2009



19296 Comments

Album Rating: 4.0

Even though alot of people consider this Hamilton's best, I prefer Aftertaste to this.



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