Jean-Michel Jarre
Zoolook


4.5
superb

Review

by Final Origin USER (41 Reviews)
January 20th, 2008 | 9 replies


Release Date: 1984 | Tracklist

Review Summary: One of the best electronic composers ever creates a very experimental album, that surpasses expectations with it's ingenious use of complex vocal samples and a very broad soundscape.

I've always regarded Jean Michel Jarre as a composer who is often overlooked; a musician with great talent and a pioneer in electronic/new age music. Oxygene was an album that was the prime example of how electronic music can portray an emotion so deep with its dreamy, euphoric atmosphere. "Oxygene (Part IV)" became one of the best known pieces of electronic music ever with its ever moody and oxymoronic melodies. The album "Equinoxe" was a more cheerful and pleasant experience, reflecting a human's life from day to night, the aura around the album's pace was exciting, reinforcing Jarre's natural ability to create soulful and emotional music that people can relate to.

"Zoolook" is an album that really is different to "Oxygene" and "Equinoxe".A much more experimental sound brings a whole new perspective, making it a very interesting listen. There is extensive use of sampling and there are plenty more vocal work, adding a much more surreal sound, and even the addition of acoustic drums and bass guitar. The album has an impressive back-up crew as well, consisting of Adrian Belew (King Crimson) on guitars and effects and Marcus Miller on bass. There are elements of 'Musique concrete', which is a style of avant-garde music that relies on natural environmental sounds to create music, a complex concept that really brings out the uniqueness of the sound in this album. Another interesting aspect on
"Zoolook" is that the album's vocal work consists of over 20 languages: including Arabic, Japanese, Polish, Tibetan, Eskimo etc. This furthermore extends the surrealness of the album, but adds that interest of how this factor works; and it creates a kind of 'universal' feel, if you know what I mean.

"Ethnicolor 1" is an epic 11-minute song full of variety. The song really creates a layer of a dense atmosphere. The work "Zoo" already comes into play as the sound of elephants wailing are present, but it really portrays a depressing mood as it sounds as if they are in pain. The dramatic synths and eerie vocal work set a more darker tone, making it sound like you are about to crash into a disaster, probably not the best comparison but think of the mood that Sigur Ros creates and add the element of electronic music and you have Ethnicolor 1. 7 minutes in and there is a sudden change of tempo, a more upbeat and sample-heavy experience. The sample work on this song I think is a prime example of how it should be done, every second feels intense and the emotion within is pure. "Diva" resembles the same structure of "Ethnicolor 1" but it is much more surreal in terms of vocal work. The sharp and chilling sound of a last inhaling breath of a dying man creates an uncomfortable feel, along with a seductive woman speaking in tongues makes the tone ambiguous. The sudden change of mood happens again in Diva, a more cheerful sound and there is an "African" influence within this part of the song. The first two songs of "Zoolook" already portrays a strong soundscape, full of versatile sampling and exquisite melodies.

The album becomes more 'radio-friendly' after "Diva", where the next 5 songs add up to nearly the same time length as "Ethnicolor" and "Diva" put together, which presents a more flowing and quick ride through different sounds. The self-titled song carries on the more upbeat mood into a groovy bass-style of music. A typical 80's sound that is affectionate and extremely catchy with clever twists of reversing vocal work whilst dubbing others over it to unite languages. "Woolloomooloo" slows the pace down to a more dreamer and dramatic tone, I think that this song serves as more of a filler for me since there is a significant drop in creativity compared to the previous songs, the sheer repetitiveness is what makes me neglect this. But the pace is quickly recovered on the most famous song on the album "Zoolookologie". The high pitched *uhs* in the vocal work represents the melody and the synths bring the riffs, this unison is outstanding as it creates an undeniably catchy song that will be stuck in your head for ages, funk and new wave are the genres that best describe this song but you have to listen to it to get a real feel of what the song consists of, I'd say its similar to Talking Heads in my opinion. "Blah Blah Kafe" serves the same purpose as "Wolloomooloo" just that it is more weirder in a bad way. Even though it carries on the theme of the album nicely, it just does not catch attention and the annoying random noises in the background cuts the creativity level by a lot, leaving the repetitive beats that hinder the song as well. It is a rather disappointing song to place on an album that had a great allegro before this song, but the way it slows the tempo down emphasises the effect that the last song of the album has, which is "Ethnicolor 2". Acting as a sequel to "Ethnicolor 1", it creates that uneasy mood with mystic vocal work and strange mechanical noises in the background, it feels that we are back in an 'abyss' after journeying through an uplifting middle section of "Zoolook", it is also a very safe closer for the album too as we are left with crowds of people walking and talking casually as if nothing happened.

"Zoolook" is definitely more accessible compared to "Oxygene" and "Equinoxe" since it has a more modern touch, even though it still sounds dated now. The way the album makes such an atmosphere with its sounds is sublime (Ethnicolor 1), not to mention the extremely catchy moments as well (Zoolookologie). Myself, I consider this a masterpiece of Jarre's and it is my personal favourite of his, but "Blah Blah Kafe" and "Wooloomooloo" drag the flow of the album down by a considerable amount. This is a typical showcase of talent shown by Jarre and I consider this potentially influential to those who sample; it is a top class example of how it should be done.

Recommended Songs:

- Ethnicolor 1
- Diva
- Zoolookologie



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user ratings (52)
3.7
great


Comments:Add a Comment 
Aficionado
January 20th 2008


1027 Comments


Jean Michel Jarre is a great composer no doubt and I'm glad somebody reviewed some of his material. My philosophy teacher told me to listen to Oxygene and it's crazy stuff, really repetitive.
Your review is really long and it seems a bit informal in your prose, but your descriptions are accurate enough for me to get an idea of what it is like. Just avoid TBT's even though you have already written 33 reviews.

Bordello
January 20th 2008


14 Comments


and it seems a bit informal in your prose
lol

Final Origin
January 20th 2008


891 Comments

Album Rating: 4.5

It has been a very long time (just about a year) since I've written a review, so my structure and descriptive writing are a bit rusty. I've always written in the style of TBT but I am trying to stray away from it....finding it a bit hard though This Message Edited On 01.20.08

Aficionado
January 20th 2008


1027 Comments


Well if you brush up on your writing then you can easily write an excellent Oxygene review. Just keep working at it, that's what I tell myself.This Message Edited On 01.20.08

y87arrow
September 8th 2018


711 Comments

Album Rating: 4.0

Very good album. I got interested in it because it's released in 1984. That's my favourite year of new wave & synthpop. Ok Zoolook is very different from that but I love electronic sounds from the year 1984.

Also I love that some songs on Zoolook are very ambient-like.

parksungjoon
April 7th 2022


47234 Comments


huh belew was on this

parksungjoon
April 7th 2022


47234 Comments


This album feels like proto-vaporwave. Perhaps the most clearly dated album in his catalogue and yet it somehow sounds relevant today. It's like James Ferraro and OPN teamed up to make a weird-ass dance album. Now, I'm not suggesting either of these guys ripped this off, hell for all I know neither of them know who Jean Michel Jarre even is. But the same ideas these guys made their name on - choppy digital sampling, surreal library music, strangely unhuman vocals - it's all stuff JMJ did 30 years ago, and then, for some reason, never again. Fascinating stuff, truly one of the most unique "progressive electronic" albums out there. I don't know if they've caught up yet.


GhandhiLion
April 7th 2022


17643 Comments


James Ferraro is not the messiah yeah

SomeCallMeTim
August 25th 2022


4090 Comments

Album Rating: 4.0

this one is fucking incredible. Blah Blah Cafe is a real highlight



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