Justin King and the Apologies
Justin King and the Apologies


3.5
great

Review

by Jordan Smith USER (16 Reviews)
November 11th, 2007 | 6 replies


Release Date: 2007 | Tracklist

Review Summary: Justin King gets a few friends together and takes his music into a completely direction. The result is one of the best Radio Pop releases of the last few years.

It’s strange, but for some reason I’ve always really wanted to like Justin King. Before I ever really heard his music, I felt predisposed to enjoying him. He just sort of had that “X” factor, that cool and relaxed presence reminiscent of someone like, say, Ben Folds. And that is exactly what I expected upon first hearing him, a charming guitar Ben Folds, a guy that would make catchy rock tunes with a hint of technicality and a strong sense of melody. So, with a desire to quench my thirst for radio Pop, I went out and bought his solo release Le Bleu.

What I actually got was a far cry from any kind of Ben Folds or John Mayer clone.

For nineteen tracks, I listened to King tap, rip, pluck, and beat his way through some of the most catchy and intricate acoustic instrumentals I’d ever heard. Superb melodies that incorporated elements of Jazz, Celtic, Folk, and Flamenco; all centered around his complex tapping technique. I was hooked on Le Bleu for a good three months, and it established Justin King as one of the most interesting and varied modern guitarists in my mind.

So naturally, when I heard that he was getting a full band together, I was intrigued to say the least. As interesting as he was on his own, with a band he would surely push his creativity to a new limit. And with a second guitarist? He would be able to take his technical tapping approach to new levels. Adding an entire roster of musicians would no doubt result in Justin King’s most technical, progressive, and individual release yet, right?

Wrong. In fact, I don’t think my expectations for any record have ever been proved more wrong than in the case of Justin King and the Apologies. The new record is not the progressive, acoustic tapping opus that I had predicted. It’s not some innovative venture into Jazz improvisation. It’s not a modern take on Celtic Folk music, infused with Marimba percussion. When I finally picked it up and hit play, it surprised me more than any of the aforementioned efforts could have. I never could have suspected the direction he would choose to go in. It is, well, at it’s core; Radio Rock.

However, if Justin King and the Apologies is another piece of food in the great buffet that is Mainstream Radio, it as got to be the grand ***ing roast. Because despite it’s inevitable cliches, and despite it’s slight lack of variety, it is by no means a step backwards for Mr. King and Co. Incorporating elements of Indie, Pop, and a bit of the guitar work that got him thus far, his newest release attempts to appeal to old and new fans. He succeeds in retaining the individuality that made his previous efforts so effective, and he attempts to bring his unique approach to songwriting and guitar playing into a mainstream setting. And he succeeds, for the most part.

The most immediate departures from everything that made Justin King, well, Justin King, are obvious. The guitar takes a backseat to the vocals and songwriting for most the record, rarely indulging in the technical outbursts of fleet fingered tapping that we have come to identify him with. In place of these guitar heroics, we have Justin King’s vocals. Thankfully, he has a gorgeous voice and a very, very keen sense of melody. Just about every song is simply infectious, with his beautiful voice guiding the songs. The lyrics are by no means poetic, however they are far superior to 95% of everything else one could find on the radio. He makes strong use of imagery, and the lyrics usually complement the music well, in that they are very positive. All in all, this is a very positive and feel good record, of which the vocals are a great reflection.

Of course, strong vocals aren’t really enough to individualize any band that plays Pop Rock. As far as instrumentals go, the entire band works together perfectly. Predictably, King plays acoustic for most the record, however the driving rhythm section and lead electric guitar add a whole new dimension to his music. The instrumentation is anything but standard, imposing unique chord voices and some really melodic beautiful passages that perfectly complement the vocal melodies. The entire album is full of Highligts, moments where everything just clicks perfectly to make some amazing songs, but a few stand out more than others. Bailing The Titanic takes the spotlight of Justin King for awhile, and gives the other guitarist some time to shine. Some shimmering lead work guides the song, and the entire band eventually hit’s a driving climax, with layers of delayed guitar exploding back into the chorus. Missing Something is one of the best songs on the CD, and is probably the best representation of King crossing old and new styles. The beauty is in the subtle intricacies, quaint harmonics that run throughout the verses and some background horns. At around forty seconds, one of the CD’s best melodies comes in, and in the last remaining minute of the song King explodes in with the tapping work that I have come to love so much. It is particularly effective, especially since his more complex work is such a rarity on this self titled release. Finally, Change is the perfect radio pop song. It doesn’t hook the listener, it pretty much harpoons them with a brilliant verse and chorus, as well as some of the CD‘s best lyrics. Plus it’s got some more of that wonderful tapping work.

Sure, Justin King falls a little short in some places. Despite much of the instrumentation being very different, the whole album feels a bit too similar. King absolutely croons, however it is all the same wonderful croon, and there isn’t much variation. It’s a straightforward, shameless, Pop Rock release. However, it is largely because it is Pop Rock that it is so effective. Justin King doesn’t try to be Dave Matthews. He doesn’t try to be John Mayer. He doesn’t try to be(thank God) Jason Mraz. Rather, this CD sounds like Justin King playing some music that he loves to write, listen to, and play. And as a result, it is honest. It is charming. It is distinctive and individualistic. It is Justin King and the Apologies being Justin King and the Apologies. It is some of the best Mainstream Rock I have heard in a long, long time. Perfectly executed, this is the kind of music that is just a joy to listen to. It’s hard to really explain the music, because it is fairly standard mainstream, just done really, really well and with a few outside influences brought in. And in the case of Justin King, that is enough to solidify this as a superb release.



Recent reviews by this author
Comadre A Wolf TicketKimya Dawson Remember That I Love You
Snowblood Being And BecomingGirl Talk Night Ripper
By The End Of Tonight/Tera Melos Complex Full of PhantomsEt Tu Brute Demo EP
user ratings (3)
Chart.
4.5
superb

Comments:Add a Comment 
StreetlightRock
Emeritus
November 11th 2007


3781 Comments


This sounds interesting, i lovedlovedloved Le Bleu, but from the streamed songs i've heard on the website this does, like you said, sound completely and totally different. Great review as well, ill probably pick this up.

JordanS
November 11th 2007


319 Comments

Album Rating: 4.0

If you like some Pop or Rock, you should at least midly enjoy this. Justin has a great voice, and he implements a bit of his more complex guitar work. I have really been enjoying this though, not quite to the extent of Le Bleu, but they are both very, very different.

StreetlightRock
Emeritus
November 11th 2007


3781 Comments


I do I do, which is why I'm excited. You should try to pick up his self-titled solo album (which is damn near impossible, but...), its got this one track, Something About Angels, which he actually sings on, and he's still got some of the great guitar work which Le Blue does. The rest of the tracks there great instrumentals as well.

JordanS
November 11th 2007


319 Comments

Album Rating: 4.0

Cool, I'll try and go find it on slsk. It's good to see someone else who like some Justin King.

Off this whole CD, I think my favorite song is probably Missing Something.

Tyler
Emeritus
November 12th 2007


7926 Comments


I think this album would be cool to hear, yeah. As much as I like Justin King slapping and tapping on his guitar, it gets old pretty fast.

instantradical
August 23rd 2011


214 Comments


Nice review. I was going to write one for this album, but you've pretty much covered it. I like Justin's solo acoustic music but think his band stuff is much better. I'm very sad he's moved away from rock into pseudo-electronic plindy-dink stuff that's not very interesting... when he's making music at all, which is rare these days. Also, the adolescent, atheistic lyrical bent of his recent music is pretty grating. But on this record they got everything right. I'm not sure I'd call it radio rock, it's accessible but nowhere near the sort of thing that would be a commercial success.

That's King's problem though, it's like he doesn't realize indie rock exists and instead of working in that scene he wanted mainstream success that never came. The record deal with Epic was a disaster and clearly led to stress that broke up the band not long after this record came out. If he'd signed with an indie label like Sub Pop or Polyvinyl or something, I expect the band would have been much better off. Now he's been pretty much forgotten, and it's really sad.



You have to be logged in to post a comment. Login | Create a Profile





FAQ // STAFF & CONTRIBUTORS // SITE FORUM // CONTACT US

Bands: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z


Site Copyright 2005-2014 Sputnikmusic.com
All Album Reviews Displayed With Permission of Authors | Privacy Policy