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Howard Shore
The Fellowship of the Ring


5.0
classic

Review

by Epilogue USER (33 Reviews)
July 5th, 2007 | 12 replies


Release Date: 2001 | Tracklist


The Lord of the Rings: The Fellowship of the Ring

After watching all three LotR movies, I strived to have more, something, anything. It was around the time of Christmas when I got all three soundtracks. Nedless to say, I was satisfied. Enriching, entrancing, even scary at some points, all add up to this beautiful work of art composed, directed, and orchestrated by Howard Shore. At one hour, eleven minutes and twenty-four seconds, this is a journey, a journey through timeless music.

Although much of it is present on this LP, Howard doesn’t prefine himself to use just a stringed orchestra, he embodies operatic vocals, most of which are women to provide a pure, honest harmonies. These are given upon the listener when the Fellowship meets the Elves; since the Elves are the most purest, honest thing in Middle-earth, this was a wise decision and executed with the utmost precision. He also acquired himself brass instruments when needed, to pull out a sense of forcefulness and that extra ‘oomph’ to make the sound more powerful. A bass drum is also present to provide a deep, heavy sound to acquire push and adds huge sonic waves when needed.

This album can widely be accepted and enjoyed by almost all sophisticated music fans alike because of all the emotions it portrays. It can seamlessly go from happy, upbeat, and joyful, to becoming a Lucifer, that is, becoming evil and dark (‘The Black Rider’), to making you feel brave and strong, as if you are one with the story (‘The Breaking of the Fellowship)’. But that’s just it, you don’t have to get into a Lord of the Rings mood to listen to this. If anything, it pulls you in, and makes you want to become part of the story, the tones, instruments, and the way its played out ingeniously by Shore, it’s an incredible feeling. Howard also has a thing for details, if you are watching the movie while listening, you will feel the mood, the atmosphere of that particular scene.

Take ‘The Bridge of Khazad Dum. Here at the beginning the Fellowship is at one of its major places, Moria. They are all brave and mostly sure of themselves, so, accordingly, the song is upbeat, for it assures the listener that they are in no great danger. As the song progresses, we as listeners are intent on finding how this will turn out, different measures of notes wave on by, showing the characteristics of bravery by a heavy emphasis on staccato brass and operatic vocals, adding dynamics, mostly fortissimo notes, on the music. A fire and shadow demon, a Balrog, is now present in the film, and to protect the Fellowship and allow it to continue passing safely, Gandalf must defeat it. This is near the four-minute mark, and the atmosphere of the record is heavy and menacing, for the quarrel between the Balrog and Gandalf is going bad. Then, at four minutes and thirty-seven seconds, all goes quiet, because Gandalf is now just dangling by the fingertips of an edge…then he drops. Somber, high pitched, and crescendos notes are introduced, because Gandalf was a major role model, friend, and leader not only to the Fellowship, but to much of Middle-earth.

Enya also makes appearances on the record, on The Council Of Elrond and May it Be. She must be mentioned, because she adds such a blissful beauty around the songs, and can really make a mark on you. While she didn’t compose on …Elrond, she did on the latter. Its’ a kind of epilogue, a very calm, relaxed, and soothing track, her vocals are so distinct and quiet, really beautiful. Only a kind of woodwind, a select few stringed instruments, and her vocals are present, all legato, smooth, and entrancing. Then the hobbit theme takes over, which adds a different direction for the ending of the record, but not awkward.

While most of the songs are short here, it doesn’t matter, because each song provides depth, atmosphere, and emotion through every second. Howard’s use of dynamics and theory are varied with such high-performance techniques and different instruments all add up to define this wonderful work of music. I feel only a five can do this record justice, it doesn’t have not a single flaw, the sheer beauty and uniqueness of it can make anyone fall in love with this if they give it a try.



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user ratings (288)
4.5
superb
other reviews of this album
upagainstthewall (4.5)
Shore dismisses any doubt once held in his writing with his score for the first chapter of the Lord ...

TheFuriousTypist (5)
...



Comments:Add a Comment 
Epilogue
July 6th 2007


1817 Comments

Album Rating: 4.0

Its a little short, I most likely will be adding on it tomorrow or so.

Aficionado
July 6th 2007


1027 Comments


The first paragraph puts me off a bit...otherwise a good job at describing the sounds.

Altmer
July 6th 2007


5711 Comments


i've read the books, the hobbit, the silmarillion and more stuff.

And I still don't own this CD.

Heard one or two songs though, seen the movie: the music is amazing.

Oddsen
July 6th 2007


1127 Comments


This CD rules. I can't decide if this is better than the 3rd or not

711
July 6th 2007


1340 Comments


The Hobbit > Lord Of The Rings imo
Good review.

TheStarclassicTreatment
July 6th 2007


2910 Comments


I agree with 711
And Howard Shore is an outstanding composer, I have most of his work on my iPod (sad, eh?)

Shattered_Future
July 6th 2007


1629 Comments


The orchestra Shore employed also did all the orchestral work on Once by Nightwish.

/interesting tidbit

Anyways, I've never heard the soundtrack, but I remember feeling that the music in the movie was significantly better than a lot of others.

Jawaharal
July 6th 2007


1832 Comments


I can't remember which track it is, but the on that plays when they are walking down the hall of Moria for the first time is really good.

Epilogue
July 6th 2007


1817 Comments

Album Rating: 4.0

I've read the book. It was wonderful. And The Hobbit was good too.


Yes, they are

The third sundtrack is the best, but this is still great.


Absolutley right, Espicially the last two songs

I can't remember which track it is, but the on that plays when they are walking down the hall of Moria for the first time is really good.


Thats the Bridge of Khazad Dum, I think. Im pretty sure though.

And Howard Shore is an outstanding composer, I have most of his work on my iPod (sad, eh?)


No, I wish I had all of his work, I only have all three soundtracks to TLotR...



And I think in the movie the music is an unsung hero, like in the commentary of the Special Editions (I own all three movies, I know...), its not really described as much as it should.This Message Edited On 07.06.07

ninjuice
January 17th 2008


6760 Comments

Album Rating: 5.0

awesome review man. I loved the soundtrack as I was watching this, need to get it.

upagainstthewall
February 11th 2009


839 Comments

Album Rating: 4.5

Howard Shore visited perfection with these soundtracks!



Though i find the Return of the King soundtrack the best, the TT and FotR are still excellent!

The Breaking of the Fellowship is an amazing piece, just awesome.This Message Edited On 04.10.09

Bobek9
January 9th 2010


24 Comments


The LOTR movies would be crap without the Howard Shore's music.


just kidding ;-)

but, really, if it weren't for this music, they wouldn't be as good movies as they are now (and i don't actually praise them so much).

The music is the biggest reason why i managed to watch LOTR trilogy for i think 4 times! O_O
(with a year of rest between :-)



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