Paula Cole
This Fire


4.0
excellent

Review

by Jom STAFF
December 15th, 2006 | 8 replies | 13,090 views


Release Date: 1996 | Tracklist

Review Summary: Massachusetts singer-songwriter Paula Cole delivers a haunting, addictive performance on her sophomore album, with Cole's unapologetic nature being a real highlight.

Massachusetts singer-songwriter Paula Cole delivers a haunting, addictive performance on her sophomore album, This Fire. The album gets its haunting vibe from Cole's unapologetic introspection she displays on each track, while the addictive nature comes from the instrumentation employed. To compare to similar artists, Cole can be as angry as Alanis Morissette, as wispy as Fiona Apple, as innocent as Jewel, and as smitten as Sarah McLachlan, but definitely presents herself in her music in a stunningly unique fashion. Essentially, This Fire represents Cole's coming out and into her own - her debut album basically went unacknowledged by many - and the results are splendid.

This Fire is supported by three singles - Where Have All the Cowboys Gone?, I Don't Want to Wait, and Me, with the former two receiving major airplay - that are absolutely essential listening. Cole was nominated for a Grammy in 1998, thanks in part to these three hits. Where Have All the Cowboys Gone? is one of the more upbeat numbers found on This Fire, with lush acoustic guitars strumming to a basic high-hat/snare combination with Cole's doo-doodoo-doo vocal ad-libbing starting the track wonderfully. In the prechoruses and choruses, her sung vocals are extremely fragile and elegant, but in the bridge she becomes much more assertive, especially when she sings, "I am wearing my new dress tonight, but you don't, but you don't even notice me - say goodbyes." Her allusions and references to integral cowboy figures, such as asking where her Lone Ranger or John Wayne are, add to the mystique of the track, and her ad-libbed outro is one of the most special aspects of the track. Along with the subtle ironies she disperses throughout, it comes as no surprise that the song was such a success in the late '90s. Meanwhile, album closer I Don't Want to Wait is another assuredly-familiar track, serving as the theme song to Dawson's Creek and receiving tremendous exposure elsewhere. The track is arguably Cole's best vocal performance on This Fire, with her arpeggiated chords and soft acoustic passages complementing her well. "You're wearing your anguish again; believe me, I know the feeling: it sucks you into the jaws of anger," she sings, before finishing her thought with, So you look at me a little more deeply - all we have is this very moment - and I don't want to do what his father, and his father, and his father did, I wanna be here now" with resolute, resounding vocals that soar above the instrumentation.

Fortunately, those three tracks are not the only standout tracks that Cole's defiant soul-searching percolates through. Peter Gabriel, who worked with Cole in the past, is a guest artist on Hush, Hush, Hush. Behind somber piano and funereal flute, Cole's lines of "All your life you kept it hidden inside; now when you step, you stumble, you die" are forlorn, yet gripping. The introduction of a sweeping orchestral arrangement follows Gabriel's vocal introduction, adding a sepulchral dimension to the beautiful track. Hush, Hush, Hush is stripped down - it's just the two vocalists, her piano, and the strings - but it is nevertheless one of the most radiant tracks. One other track that must be mentioned is This Fire's opener, Tiger, in which Cole asserts her tough-girl attitude, but also expresses her femininity. Musically, the track is backed by a looped high-hat and snare beat, with palpable keyboards to support Cole's antagonized, turbulent vocals.

Tiger is seemingly a coming-of-age tale in four minutes: a girl coming into her own as a woman, who is no longer shy and introverted but expressive and outspoken: "I'm so tired of being shy, I'm not that girl anymore, I'm not that straight 'A' anymore," she begins in one of the song's verses, finishing with "Now I wanna sit with my legs wide open and laugh so loud that the whole damn restaurant will turn and look at me: 'Look at the tiger jumping out of her mouth." Cole's aggressive nature carries over beyond the chorus and into the other verses with unrelenting fire: "No more sex-starved teachers trying to touch my ass; I can finally be a teenager at age 26. Go to Hell lions, tigers and bears, I'm not afraid of you anymore - my fear tore apart like fifty balloons and I'm thrown around the room like party confetti now." If one is looking for a single passage where Cole's unapologetic, recalcitrant self-examining takes centerstage on the album, it can obviously be found in Tiger. Cole's defiance turns to that inexplicable coming-of-age confidence - she masterfully weaves her tale of anxiety and timidity to a new story: one of assuredness and security.

In short, This Fire is Cole's shining moment, where she unabashedly sings of her vulnerabilities and sorrows with a remarkable passion and fury. Tiger is a remarkable track in which Cole confidently, unashamedly shares the transformation of a girl growing up and declaring her tenacity, which would likely delight Lillith Fair concert-goers. The album's hits - Where Have All the Cowboys Gone?, I Don't Want to Wait, and Me - are also essential listening, as well as the somber Hush, Hush, Hush, featuring Peter Gabriel, who clearly has inspired Cole on her sophomore album, and also the at-times intense Throwing Stones. Cole's sweeping keyboards and acoustic guitar parts are executed well, and her backing band is steady in support for the passionate Cole. In the end, This Fire is an excellent listen that clearly showcases Cole's growth as a singer/songwriter.

B+

Jom recommends:

Where Have All the Cowboys Gone?
I Don't Want to Wait
Tiger



Recent reviews by this author
More Than Life What's Left Of MeSonata Arctica Pariah's Child
Hagana One YearSunn O))) and Ulver Terrestrials
Jimmy Eat World DamageThe Red Paintings The Revolution is Never Coming
user ratings (13)
Chart.
3.9
excellent

Comments:Add a Comment 
metallicaman8
December 15th 2006



4677 Comments


Nice review. No real interest in the band/album.

Neoteric
December 15th 2006



3243 Comments


Nice review. No real interest in the band/album.


JohnXDoesn't
December 15th 2006



1247 Comments


nice review. partial interest in band/album

morrissey
Moderator
December 23rd 2006



1688 Comments


crap review. Despite it's massive overexpose in Dawson's Creek reruns from here until the expiration of syndication rights, "I Don't Wanna Wait" is chill. And it sounds like there is better stuff on the album. Will try to check out since I like crap like Alanis.

random
June 30th 2011



2243 Comments


This shows up in bargain bins/thrift stores so often.

Curse.
Contributing Reviewer
August 28th 2012



7762 Comments

Album Rating: 4.0

some of the songs on this are so fucking good

Digging: The Menzingers - Rented World

oltnabrick
March 31st 2013



29282 Comments


where have all the cowboys gone?


awoooooo

Digging: Ben Frost - A U R O R A

pedro70512
April 25th 2013



1854 Comments

Album Rating: 4.0

I used to love Throwing Stones. Good to see this getting a plus review.



You have to be logged in to post a comment. Login | Create a Profile





FAQ // STAFF & CONTRIBUTORS // SITE FORUM // CONTACT US

Bands: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z


Site Copyright 2005-2013 Sputnikmusic.com
All Album Reviews Displayed With Permission of Authors | Privacy Policy