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Contributor
Reviews 62
Soundoffs 137
Album Ratings 2548
Objectivity 87%
Last Active 01-10-23 9:12 am
Joined 12-29-11
Review Comments 9,754
| Musings on the Sput 60's chart
Recently, I encountered a comment from a sput user that made me think. The comment was along the lines of "I don't listen to much 60's music, music only got good in the 70's". This made me want to check out the sput 60's charts for some reason. This list will be my random thoughts on random albums as I listen to all the non-jazz records I'm interested in trying out. So far most of the stuff I've listened to seems pretty late 60's - does sput agree with the original hypothesis? Hmmmm.... | | 1 |  | The Doors
The Doors
2.5
Credit where credit is due, this has two absolute monster songs as bookends. It's what happens in the middle which bothers me. I've heard this album about 50 times hanging out with friends around a fire, but I can never remember the rest of the album except 'Light my fire' and 'Alabama Song'. I don't really like 'Light my fire', it's got that rhyming fire with fire thing going on. Listening more closely, 'The Crystal Ship' is interesting I suppose. Your appreciation of this will depend on how much you like LOTS of organ, and whether you dig Jim's low energy bluesman vibe. Frankly, I think he's a bonehead. | | 2 |  | Taj Mahal
Taj Mahal
4.0
Speaking of bluesmen, Taj Mahal is a bluesman. This album is crisp, warm, and damn does Taj sounds excited. Sure enough it's a really good blues debut. Makes me want to wear a vest and drink a Coke out of a glass bottle. It makes me want to invest in a rocking chair, a hat with a stripey hatband, and a property which faces a swampy green river. It's that good. | | 3 |  | Bob Dylan
The Times They Are A-Changin'
3.0
To this day I'm not really sure how I feel about Bob Dylan. Everytime I feel like writing him off I remember he wrote 'Like a rolling stone'. His earlier records have an alluring rawness, but they also seem stuck in a pattern. Bob sings it like he means it on this one. Later career Bob sounded like he looked, all hidden behind sunglasses. There's an abstraction and distance I can't get around. Yet he always pulls some great tracks off, amidst all the rote blues, folk and Big Listing Energy songs. This is ok but I wouldn't return to it beyond the opener and the big title track. | | 4 |  | Aretha Franklin
I Never Loved A Man The Way I Love You
5.0
This sounds amazing. Aretha Franklin kills 'Respect', no other version comes close. There's something about her voice and the Muscle Shoals band that pretty much sounds as definitive as it gets. Listening to this washes away that spotty 80's career and those oft wasted guest appearances. Even the ever so slightly corny tracks sound perfect. Pure bliss, never oversings, doesn't need to, bow down to Aretha in her prime. Sput got this one so so right. | | 5 |  | Jefferson Airplane
Surrealistic Pillow
2.0
I don't really understand this album. If I was in this band I would have voted to let Grace Slick sing lead on everything. Her songs are also the only ones here that have any personality, dated and of their time as they may be. Her dramatic style is contrasted with lots of janky folk rock that seems redundant when compared to the Byrds. If you must, listen to the original tracklist and spare yourself the watered down yet indulgent blues stuff on the 2003 reissue. I did not realise those songs were not canon, and wasted about 15 minutes. | | 6 |  | Donovan
Mellow Yellow
3.0
Did Right Said Fred rip off the title track? This reminds me a bit of Marc Bolan if he had no appeal. During the third song he does this strange pronunciation thing which doesn't work, snatching defeat from the jaws of victory. Honestly, how anyone thought this guy was the British answer to Bob Dylan is beyond me (although the closer is a bit like bad Dylan tbf). As a whole this is ok but it sounds dangerously close to comedy music, and Mellow Yellow is a terrible album title. Boxed in by certain parameters, despite probably widening those parameters at the time. | | 7 |  | Crosby, Stills, Nash and Young
Crosby, Stills & Nash
5.0
I've always liked CSN but I had no idea how much I would love this album; I've been overplaying it something awful. They are one of those rare acts in which the blend becomes a completely new voice, but as a group, they have all the nuance and expressiveness of a single vocalist. They're like a hivemind still capable of individual emotions. There's great variety on this; and a density to the instrumentation while still that clear shape I always enjoy (Stills truly is a remarkable player). The record is all the more miraculous for being a debut. This fills my jaded heart with golden light. 'You don't have to cry' is impossibly beautiful. | | 8 |  | Nick Drake
Five Leaves Left
3.0
I hate to admit it because this guy should be my bag, but I don't get much from this. Every now and then I fire up one of his records to see if it will click for me, but it never does. A bit blank affect for me, but beautiful guitar work. | | 9 |  | Janis Joplin
I Got Dem Ol' Kozmic Blues Again Mama!
2.5
I've never enjoyed Janis Joplin. This started off better than I expected, but as it progressed, I got that same oversinging hangover I always get from JJ. That version of 'To Love Somebody' sums up why I don't dig this, it's like smothering a lavender macaron in hot sauce. The band sounds good though. Another awful album title (yes I know the album title doesn't really matter). | | 10 |  | Captain Beefheart and His Magic Band
Safe As Milk
3.5
Probably not what someone would expect from the Captain if you've read all the stories but not listened to anything by him. This feels like a pretty straight up blues record, but there are touches of his weirdness everywhere. It definitely crops up in that playing with the lyrics to find certain word shapes which gel together. More unconventional than it appears at first, and a whole lot of fun. | | 11 |  | Sly and The Family Stone
Stand!
3.5
Never really been too into funk, but I get the appeal and this also throws in two tracks with a bit more of a straight soul leaning to soften the landing - the opener switches from uplifting to sweaty workout lickety-split, and it's great. Did not know 'Everyday People' popularised the expression 'different strokes for different folks'. Album is very warm sounding, it's a piledriver but also has this reassuring softer element that gives it more dimension. Genuine anger mixed with hope. I got a little bored with the indulgent 'Sex Machine' and it makes up a fourth of the record, but some interesting stuff does happen around the 8 minute mark. Wrestling a bit with the score, probably a 4, but anyway, it's good. | | 12 |  | Townes Van Zandt
Townes Van Zandt
4.0
I think my 90's attuned tastes are looking for more to happen in the songs, but if I relax, this does remind of when I was a kid and my folks would take us for hikes in places like Skeleton Gorge after it rained. The rocks would become slick and almost soft to the touch, and the dormant streams reawakened by the downpour were as cold as glass covered in veins of morning ice. When you cupped your hands to drink from them, the water was just pure sensation and clarity, but there was always a faint aftertaste of silt. That's what this sounds like to me. | | 13 |  | Muddy Waters
Folk Singer
4.0
If you like the sound of handling and the mechanics of playing an acoustic instrument, but you want an exceptional, clear studio level performance, then I guess you'd struggle to complain about this this. If you conceptualise the vocal on this like a hollow chrome pipe, then you somehow get the smooth shiny exterior AND all the rough or worn patches hidden inside the tube in one go. Muddy croaks with menace, slinks in fear, hums with hymnal grace, and bellows like a man in abject pain. | | 14 |  | Small Faces
There Are But Four Small Faces
3.5
I was dreading this as I hate 'Ogden's Nut Gone Flake'. Suprisingly, this is just a pleasant bunch of pop rockers with that slight druggy vibe. 'Itchycoo Park' is apparently a bit of a trailblazer being one of the first songs to use flanging. Not sure if it really adds anything, but it's a good tune. Marriott is one of the those singers who can sound pleasant and raspy at will, and the band bounces along merrily. I can't say I find it a classic, but I never really feel the need to skip anything. Fun fun fun! | | 15 |  | The Velvet Underground
White Light/White Heat
3.5
A record I'm more familiar with. I feel like this is something made by a bunch of smart guys to see how far they can push things in 1968. It's certainly amusing the first time round, 'The Gift' being a good example. When your main goal is subversion and experimentation, you're accepting that it's not always going to land with everyone (you probably want that), so I don't feel bad about not loving all of this. I'll be honest, it's a record I'm glad exists, but not one I return to - it's a bit like a bad joke in places. Also, I hate Cale's vocals, and while I'm not against some rough, "happy accident" production, some of the tracks are a little too shabby. | | 16 |  | Sam Cooke
Night Beat
5.0
I feel conflicted about Sam Cooke's legacy - what can I really say about the sordid and confusing details of his death? Some artists are easy to write off, Sam Cooke's work is not. Taken only on the merits of the songs and performances, Night Beat is a triumph. Sam would make my top 10 greatest vocalists in popular music, and this is his best. No sugary strings or dud songs, just pure talent. If only life and history were this simple. | | 17 |  | Phil Ochs
Pleasures of the Harbor
3.0
Literate, with various backing styles, including some light jazzy piano, dixieland, and folk. I wouldn't say this is bad, but I found parts of it very repetitive unless you can block out the vocal. Not exactly that 60's listing energy, but in the same ballpark. Just a personal preference, but I found the humour and satire less appealing than someone like, say, Randy Newman. Did bump it on my third listen as there's definitely quality here and I get why it occupies a sweet spot in many hearts. | | 18 |  | The Jimi Hendrix Experience
Axis: Bold as Love
3.5
One would think that this would be the Jimi record that appeals most to me - shorter tracks that stick more to structure. Jimi was focusing on being a songwriter here and I would normally welcome that, but somehow it doesn't catch fire. However, the classics on here are still excellent - 'Little wing', 'Spanish Castle Magic' and 'Castles Made Of Sand' are essential cuts. I might be underselling this, as it's still an enjoyable record that showcases the range of the band. | | 19 |  | Love
Forever Changes
3.5
The lyrical content can be very rhyme-y, and some of it does sound a little like typical 60's nonsense. But the album flows well and has some great passages. I like the little stabs of lead guitar at times, the trumpets, etc. - it has a tastefulness mixed with a relaxed joie de vivre. No showboating here, it's all about cohesion. | | 20 |  | The Beach Boys
Pet Sounds
3.0
Ok, so this was one I was dreading to write about. I know this album means an awful lot to people, but I've never connected with it. I will concede that 'Wouldn't It Be Nice' and 'God Only Knows' are superb tracks. The rest of the songs always feel somewhat... unfinished and alien? Which is crazy as I'm sure every inch of this records has been examined by its maker. I'll be honest, I enjoy some of the Beach Boy's commercial hits more than these songs - I don't know if Brian's sources of inspiration and the way they manifest makes me unable to approach this album, although I have enjoyed plenty of music that stems from a different world view. When I listen to Pet Sounds, I get the impression that there's some heartfelt soul searching being mixed with some weird competitive drive that isn't symbiotic with the themes. Anyway, it deserves respect, but I don't love it. | | 21 |  | Chuck Berry
St. Louis to Liverpool
3.5
Bouncy, energetic and designed to capitalise on prevailing conditions. It's not profound but you can tell, that this was a fun record for the monsieur and mademoiselle. I find it hard to imagine anyone who digs rock and roll not at least liking this record to some degree, unless you take into account the more unsavoury aspects of Chuck's life. | | 22 |  | Simon and Garfunkel
Parsley, Sage, Rosemary and Thyme
3.5
I have a soft spot for S&G, as they're one of my dad's favourites, and they are one of the acts he likes that I could appreciate (unlike say, Uriah Heep). The classics are classics - 'Homeward Bound', 'For Emily, Whenever I May Find Her', 'Scarborough Fair' and 'Feeling Groovy'. I feel Paul got better at translating his poetic notions into effortless songs, some of this feels laboured ('The Dangling Conversation' springs to mind). This is a borderline album, with some of the tracks feeling weak. 'Flowers Never Bend With The Rainfall' and 'A Poem On The Underground Wall' just push it over the line. | | 23 |  | The Byrds
Younger Than Yesterday
4.5
Biggest problem with this is getting past the first song, I just want to put it on endless repeat (picture fogza awkwardly snapping his fingers and striding around with the opener in his mind). This has one or two things I don't love (the "alien" voices at the end of 'CTA - 102', 'Mind Gardens'), but really that's quibbling, it's just a superb pop rock album. Inventive, accessible, fun, beautiful, varied. Such a shame the Byrds were relegated to underground obscurity 😜 (that one is for Eg). | | 24 |  | Otis Redding
Otis Blue: Otis Redding Sings Soul
4.0
Otis Redding is incredible. The reason for the score is essentially that, as with many artists of the day, he's covering tracks that I've heard other versions of, and some of those I see as definitive. Also, maybe the horns are a little more florid than I prefer (still great). Otis shreds though, I'm glad we also have his take on some of these, 'Down In The Valley' in particular. Opener is a gem amongst his compositions. It's still marvelous, I mean it is Otis Redding. | | 25 |  | Marvin Gaye
In the Groove
4.0
I feel a pang of sadness when I listen to this. The rise of Motown was obviously important for soul; a developing slick sophistication and more pop appeal would eventually grow into new branches of the genre. But it did signal a shift away from the slightly more raw early soul sound which I love so much. Can't stop progress I guess, so why fight it. Marvin sounds fantastic and this record is a joyous, well-crafted set of tunes, including the classic 'Heard It Through The Grapevine'. | | 26 |  | Howlin Wolf
Howlin' Wolf
4.0
Howlin' Wolf was scary. This compilation of mostly Willie Dixon covers will rattle the windows in their frames, and make you check under your bed for intruders. One would not say that the artist who recorded these songs was fiscally responsible. But he was, to an unusual degree. Dichotomy, man. Listen to this, it's a blessing. | |
parksungjoon
06.22.22 | featured to bait people or what | Trifolium
06.22.22 | Nice idea foggy!! | ArsMoriendi
06.22.22 | Mellow Yellow is fantastic and the Doors debut is quite good too wtf
Museum is legit one of my favorite songs ever, maybe would make a top 50? | ArsMoriendi
06.22.22 | You’re prob correct about Grace being the best part of Surrealistic Pillow by far though. Most of the other tracks are meh | fogza
06.22.22 | "featured to bait people or what"
no one would ever try to bait anyone with one of my lists | parksungjoon
06.22.22 | prob like half of these are capital offenses | RadioSuicide
06.22.22 | i mean i kinda get the initial hypothesis if the only genres that appeal to you are punk and metal. I will say the 50s and 60s were a goldmine for trve country music, but there isn't a ton of love for that type of stuff here | Cimnele
06.22.22 | sometimes feel like 60s music is one sacred cow after another, i cant stand the doors in particular | Ryus
06.22.22 | the doors are mediocre agreed | fogza
06.22.22 | "i mean i kinda get the initial hypothesis if the only genres that appeal to you are punk and metal."
fair enough, just found it an interesting comment. it lead me to becoming aware that i know lots of 60's music as songs but not really too much of it in album form, so it's been good to force me to try and get a feel for what people put out as a collection of work | fogza
06.22.22 | also always nice to discover a gem like (for me) CSN's debut or that '67 Byrds album. | protokute
06.22.22 | Ok, Grace Slick is indeed amazing, but Today, Comin' Back To Me, How Do You Feel and D.C.B.A-25 are also some of my favorite tunes from the 60s
I find Doors' debut to be a lot of fun, but as for their other albums, there are only some songs here and there that I really dig | protokute
06.22.22 | Also, fogza, you will be very much rewarded if you're interested on digging deeper in 60s music | Gnocchi
06.22.22 | No park, i featured it because I wanted to. | Koris
06.22.22 | Never understood the appeal of The Doors tbh | ArsMoriendi
06.23.22 | Best Doors is Strange Days and it’s not even close
| Hyperion1001
06.23.22 | silver apples is the best 60’s album | rabidfish
06.23.22 | nick drake is Pink Moon >>>>> the others | parksungjoon
06.23.22 | this thread makes me want to leave and never come back | Hyperion1001
06.23.22 | hey that’s what I say every time I look in the mirror | parksungjoon
06.23.22 | true
good shout for silver apples at least | foxblood
06.23.22 | >sput 60's charts
looking to sput for charts on anything except for metal/rock subgenres is a complete waste of time, the database on this site is ass and very few people add albums from before the 90's. just use RYM for that. | Trebor.
06.23.22 | The further back you go if you don't like jazz you're fucked | parksungjoon
06.23.22 | >if you don't like jazz you're fucked
this but in a different sense than the one you meant ;] | Demon of the Fall
06.23.22 | good idea, kicking it off with your opinion on #1 makes me wanna say poor execution though
and yeah I'm intrigued as to what you will think of Silver Apples (presuming that's on the charts somewhere... probably not actually) | parksungjoon
06.23.22 | its not rock or one of like 5 chosen jazz artists so of course not :^) | Josh D.
06.23.22 | Here to join the "The Doors suck" chorus. | fogza
06.23.22 | "good idea, kicking it off with your opinion on #1 makes me wanna say poor execution though"
because of the nature of the opinion, or the (dis)order of the list? | Egarran
06.23.22 | You ungrateful whippersnapper. Not to be dramatic, but no music would exist today without that Doors debut.
Also Crown of Creation is a better Jefferson Airplane album. | fogza
06.23.22 | Of course eg would post my favourite comment lol | Josh D.
06.23.22 | You could just have Dion and The Zombies and it would be a better list. | Sinternet
06.23.22 | some horrendous takes here | Kompys2000
06.23.22 | Excluding jazz from this was a bad decision and you should feel bad about it BUT always welcome to see Aretha being rightly recognized as one of the GOATs | fogza
06.23.22 | "Excluding jazz from this was a bad decision and you should feel bad about it"
i'm already getting some heat for mildly negative takes, i am wise enough to know when to avoid being stabbed by pitchforks | Kompys2000
06.23.22 | Talk ur shit tho king Jefferson Airplane has had it too good for too long | Kompys2000
06.23.22 | Janis too tbh srynotsry | WeepingBanana
06.23.22 | 60s ruled but unfortunately chuds like the doors and Bob Dylan get all the credit
Check the byrds | Egarran
06.23.22 | a real underground sensation those byrds | fogza
06.27.22 | Kind of a sad update. Sometimes you wish you didn't read the bio. | ArsMoriendi
06.27.22 | Now that your WL/WH review is up, I think I hate this list | fogza
06.27.22 | Can't win 'em all | Egarran
06.27.22 | You can't spell harsh without ars
as they say | fogza
06.27.22 | As my pappy was fond of saying
Those who like to dish it
Requite large salad spoons | JohnnyoftheWell
06.27.22 | "I feel like this is something made by a bunch of smart guys to see how far they can push things in 1968"
everything insufferable about TVU fandom in one sentence i love this. continue deconstructing the 60s i hate it | ArsMoriendi
06.28.22 | I love WL/WH because it’s quirky, loud, and gay tbh | WeepingBanana
06.28.22 | Check Index, The Godz, The Monks, The Outsiders, David Peel, and early Love albums for some good “proto” punk stuff | WeepingBanana
06.28.22 | Also Los Saicos | WeepingBanana
06.28.22 | Which is not to say that TVU isn’t good protopunk but I was just trying to avoid obvious stuff lest I get eviscerated by Egarran | Egarran
06.28.22 | ugh protopunk
I dislike all VU equally | WeepingBanana
06.28.22 | That’s fucked up bro | sonictheplumber
06.28.22 | yeah i have noticed as time goes on and the userbase gets younger (or rather the avg age stays the same but its people born in 2004 instead of 1994 like when i joined) that 60s shit doesnt really get much love here. i do vastly prefer the self-indulgence of the 70s but the 60s had plenty of essentials
it is interesting that, much like people born around me cant relate to 50s music, the kids of today cant relate to the 60s. makes me wonder if the children of the zoomers and zillennials wont be able to relate to the 70s, led zep and black sabbath might become as antiquated and dismissed as elvis, especially likely considering politics plays a bigger role in young people's enjoyment of music nowadays | sonictheplumber
06.28.22 | then kids born in like 2029 will be treating slayer like its buddy holly. the recent nu-metal resurgence and the reevaluation of shit i hate like 2000s pop punk and hot topic music, it seems likely that the kids of tomorrow will end up looking at those bands as "classic rock" and dismissing stuff like rush, judas priest, the music i grew up listening to | sonictheplumber
06.28.22 | but then again regardless of politics stuff like the beatles and led zeppelin has such an iconic and timeless image to it that its possible there will always be kids checking that music out or at least buying the t-shirts
ive also noticed younger music listeners dont really seem to dig into hip hop anymore, they dig death grips, kendrick, etc but their idea of "classic oldies" is like, 8 mile era eminem. i think as politics frames peoples music tastes more and more, combined with the natural rebellion of not wanting to listen to the music your parents may have enjoyed, stuff like dr dre, nas, wu tang, etc will be written off as sexist grandpa music | sonictheplumber
06.28.22 | of course im also just talking out my ass a bit cause im bored and on a big dose of kratom and theres no customers at the head shop today | WeepingBanana
06.28.22 | Idk it’s hard to say if it works that linearly. I feel like the 60s more than any other time was when the line between pop music and art music was blurred. Lots of 60s pop is abrasive and subversive, intentionally too, not just cause their equipment was shittier. You kinda get that in the 90s too when there was kind of a burgeoning sense of wastoid optimism, Kurt made the Beatles cool again, etc, but it seems that came to a screeching halt in the Bush era. Which feels paradoxical since didn’t Vietnam + a new gear of media exposure to it spark a lot of aesthetics, hippy and otherwise, that we associate with the 60s? I guess by the 00s that spirit was so thoroughly co-opted and corporatized that it was just impossible to fully recreate that, so we all just said fuck it, it’s the 80s again. Idk I’m just spitballing, I probably sound stupid right now. I’m also not saying art music is better than pop music or anything. At this point in my life I appreciate both more or less equally | fogza
06.28.22 | " I guess by the 00s that spirit was so thoroughly co-opted and corporatized that it was just impossible to fully recreate that, so we all just said fuck it, it’s the 80s again."
LoL that actually makes sense early 2000's was basically a giant frat party | sonictheplumber
06.28.22 | ya its like how people in 2016 were saying trump was gonna inspire all these new punk rock bands and no one gave a shit cause its like, whats the point of a punk band gettin together just to turn colbert and bill maher's monologues into songs? we're placated with phones and shit, no need to write punk | WeepingBanana
06.28.22 | I mean there’s still lots of great punk being made today but it feels pretty much on its own set course | sonictheplumber
06.28.22 | yeah this was gen Xers who dont listen to punk rock who were saying all this shit. like there are people who legitimately believe american idiot was the last "punk" album | sonictheplumber
06.28.22 | then again i personally dont listen to pretty much any punk rock after the mid-late 80s :D | WeepingBanana
06.28.22 | Check Tower 7 | dakotadsmith
07.04.22 | I mean if it's not ur thing fair enough but you're not doing anybody else but yourself a favor by exploring the 60s; no amount of said exploration is too much. If there ever was a definitive time of the Western world changing, re-evaluating the status quo and making social change, forward-thinking strides in art and entertainment, new art-forms and expansions on older templates that forever redefine the way we look at art itself, the sixties were it. | dakotadsmith
07.04.22 | Just from 69 alone I have like 20 9/10's or higher; Happy Sad, Abbey Road, Gal Costa, Scott 4, Hot Buttered Soul, In the Court of the Crimson King, The Meters, Uncle Meat, Let it Bleed, Everybody Knows This Is Nowhere, etc. It's rightfully considered one of the best years in music ever, so I'd say just keep exploring cuz you're bound to find gems you like | rabidfish
07.04.22 | 20 kinda crumbles under the weight of the "music for the woke anti-beatles crowd" niche it got pushed into. Beatles are good, Beach Boys are good. Move on. | protokute
07.04.22 | okay i'll just ignore this list from now on | ArsMoriendi
07.04.22 | Fogza please stop it’s just making me sad now | fogza
07.05.22 | Lmao now you know how I feel about some of your more brutal takes | Trifolium
07.05.22 | Poor Janis 😔
Hi foggy! | fogza
07.05.22 | Hi trif! | Trifolium
07.05.22 | Overall, what is your idea of the 60s? | fogza
07.05.22 | Interesting question, I don't know if I could ever understand the era properly. Awkward, exuberant development and growth. I've always felt, listening to 60's songs with my dad, that some it was all a bit silly. There's all this leftover naivety, all this burgeoning drug culture, and then the hangover beat and literary folk influence (I definitely think there's a certain kind 60's/70's song vibe of listing stuff awkwardly and it sounds sort of profound, even if it isn't). It's sort of exciting but also a bit hard to swallow at times? I'm also aware of how massively the blues hung over everything, like lots of acts were including rote blues songs on their albums whether it suited them or not. I mean it still looms over popular music today but it seems a bit less directly obvious? | fogza
07.05.22 | So far not too many surprises really. Probably the only one was I never used to think of CSN as a game changer band, but they were. | Trifolium
07.05.22 | Nice! Are you going to do other decades too?
Will check that CSN one, haven't heard it yet (I think? Perhaps vicariously because my dad loves them... I often go 'oooh, so this is THAT album!' when I check older records because of him playing them all the time when I was a kid.) | Trifolium
07.05.22 | I can say "I don't listen to much 70s music, music only got good in the 80s" if needed. | fogza
07.05.22 | hahahaha trif no I don't think so, this isn't going all that well from a reception point of view, and listening to some of these more than once is a bit demanding. I was also just intrigued by that original comment so this was more of a response to it. All the 60's soul is a treat though.
Yeah, the CSN, that was a find for me, really appeals to my sensibilities. | Trifolium
07.05.22 | 🤭
RE the Soul: true, and the jazz of course. And I totally get it, seems like quite the undertaking!
| protokute
07.05.22 | okay, you redeemed yourself just a bit with that byrds rating | fogza
07.05.22 | 🕺 | Egarran
07.05.22 | Good to see they are getting recognition at last.
(thx for the shoutout ❤) | Pangea
07.05.22 | Love this list foggy! | Demon of the Fall
07.05.22 | This list is notable, for sure | fogza
07.05.22 | gotta love the CC crew | WeepingBanana
07.05.22 | I’d def recommend checking some earlier Love albums. More raw and punk | Trifolium
07.05.22 | Yipppeeeeeee go the CC crew 😍💪🏼🤸🏻♂️🌈🥰💕✨💚💫 | fogza
07.05.22 | "I’d def recommend checking some earlier Love albums. More raw and punk"
Interesting, wouldn't have expected that, will give it a go if I remember | protokute
07.05.22 | Love's debut and Da Capo are amazing! | WeepingBanana
07.06.22 | 7 And 7 Is is a top all time track for me |
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