Tyler Fisher

Reviews 211
Approval 98%

Soundoffs 34
News Articles 60
Band Edits + Tags 42
Album Edits 73

Album Ratings 450
Objectivity 68%

Last Active 09-13-14 9:24 pm
Joined 05-30-05

Forum Posts 2,756
Review Comments 2,806

12.20.10 Tyler's Top 25 Of 201012.04.10 Fp's Top 50 (rough)
03.02.10 February 201001.31.10 January 2010
06.05.09 What's Good10.30.08 Epic
07.24.08 Flawed Sez07.09.08 Flawed Does 2008
04.14.08 2008 Albums You Should Know01.04.08 Hai I'm Electric City
12.24.07 Too Late For The List12.22.07 Flawed's Top 15 Of 2007
11.16.07 Nu-jazz09.09.07 I'm Wearing Sandals
08.21.07 Shred08.15.07 Production
08.05.07 Here, There, And Everywhere07.07.07 Halfway To A Threeway
More »

January 2010

Turns out that most of the albums I have from 2010 are actually February releases, but here's my ranked January list.
Safe in the Steep Cliffs

Never has a trip-hop album sounded so organic. I'm hesitant to even call it trip-hop, as Emancipator records many of his own tracks - guitar, bass, banjo, violin... the list goes on. Yet he adds his own electronic beats, mixing and manipulating the sounds to put all of the gorgeous harmonic and melodic material in that trip-hop aesthetic. Each moment of Safe in the Steep Cliffs is beautiful, and its consistency makes it the best release of January.
2 Slow Six
Tomorrow Becomes You

At a close second, Slow Six release their latest album as a departure from their typically more classical aesthetic. Founder, director, violinist, and electronic manipulator Christopher Tignor decided to strip down the members of Slow Six and cut away some of the string support to make a more experimental rock album, and the results are gorgeous. Tomorrow Becomes You is post rock done by classical musicians, rather than a post rock band attempting classical music. The result is more consistent, flowing, and powerful release.
3Jaga Jazzist
One-Armed Bandit

Five years after the classic What We Must, Jaga Jazzist return with what could be considered a return to their jazzier sound. Rather than progressing logically from What We Must, Jaga moved with a deft sidestep, changing many things about the composition of the album. Most importantly, Lars Horntveth composed every note of the album, leaving little to no room for improvisation. Although that confines their sound, taking away some of the thrill found in the spontaneous discovery of What We Must, Horntveth composes complex, intricate grooves in "Toccata" and "Banafleur Overalt", and One-Armed Bandit is an odyssey unlike any Jaga album before it.
4Vampire Weekend

I never wanted to believe the hype with Vampire Weekend, but Contra is no doubt a solid album. Unafraid to move towards pop music with the auto-tuned "California English" yet still capable of intricate composition with "Diplomat's Son" and "I Think Ur a Contra", Vampire Weekend's versatility is certainly impressive. This band is no joke.
5The American Dollar

Nothing has changed with The American Dollar. It's the same euphoric combination of guitars, synths, live drums, and electronic drums, but the combination is so winning that Atlas is still quite enjoyable.
6 Shining

Shining (not the Swedish band, but the Norwegian band), have never been terribly consistent in their albums, but Blackjazz is certainly their most consistent. The last song on the album is a modernized, metal cover of "21st Century Schizoid Man", but it serves as the entire album's inspiration. Blackjazz attempts to describe the sound of the album, a jazzy version of black metal, and for the most part, it works.
7Four Tet
There Is Love In You

Four Tet's most danceable album, and a collection of pretty good tracks. Aside from the epic, hypnotizing "Love Cry", nothing is terribly amazing, but Four Tet certainly knows his game and does it better than most.
The Colossus

While songs like "Let There Be Horns" and "A Son's Cycle" are brilliant, many of RJD2's latest songs fall flat. If you want something better, try Blue Sky Black Death.
Show/Add Comments (7)


Bands: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Site Copyright 2005-2014 Sputnikmusic.com
All Album Reviews Displayed With Permission of Authors | Privacy Policy