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Last Active 12-28-22 7:12 pm
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| | Blazin's Top 40 Albums of 2021 | | 40 |  | Kauan
Ice Fleet
8/10: It's not Sorni Nai, but this is yet another stellar post-rock release from Kauan. Where else can I start other than the melodies? These keyboard and guitar passages are some of the most gorgeous I've heard in 2021. It's not without the production, though, as its rather faded direction on this album is excellently done. I also enjoyed how the vocals were used and the band's great attention to detail regarding this album's flow and pacing. These guys simply don't disappoint.
"Siellä hymy taas; Valaisee kasvoja" (There's a smile again; Illuminates the face) | | 39 |  | Bo Burnham
Inside (The Songs)
8/10: I watched the special and relistened to the songs afterwards and I didn't laugh very much. But it was still great! The comedy in both the songs and the special doesn't have a major focus on in-your-face wordplay, slapstick, one-liners, or other things you might would expect in a popular comedy piece. Instead, there's a lot of situational comedy, black comedy, and meta-commentary that comes with Bo Burnham's personal experiences and his own view on the world. So not much of what Burnham's saying here that's gut-bustingly funny, but what comes at that expense is an intriguing personal commentary on his current life and the world at large told in a fittingly comedic tone. The songs themselves and their compositions aren't too dense or anything, but many of them, of course, contain great songwriting and have wonderful lyrics. This is a very, very nicely done project and please check out the Netflix special if you haven't already.
"We were overdue, but it'll be over soon; you wait." | | 38 |  | Tribulation
Where the Gloom Becomes Sound
8/10: Tribulation continues to be one of the best bands in today's goth-metal scene with yet another excellent release. The production and riffs don't disappoint, and the songwriting's just as good as it was before. Even if it's not quite as adventurous as something like Down Below, it's certainly an album worth checking out. Any fans of this style of metal should have a good time here.
"Embrace me; shroud me in your sweet forgiving sleep; oblivious about yesteryear." | | 37 |  | Pupil Slicer
Mirrors
8/10: Now, now, I know what you're thinking, "Yet another below-average TDEP/Converge acolyte project that returns zero songwriting value whatsoever?" Ironically, this band goes by a name that fits right in with many of the mathcore bottom feeders of the last five years. Fortunately, I'm here to tell you that Pupil Slicer is a rare case. These guys are freaking awesome. Other than maybe two songs on here do they ever sell out to the mosh pit. The pacing and production are sublime as the instrumental diversity is shockingly high and the band has an unflinching, defined identity. The mathcore ancestors would be proud of this one.
"I'll crush you because you won't, you can't, carve wounds upon my skin" | | 36 |  | Parannoul / Asian Glow / sonhos tomam conta
Downfall of the Neon Youth
8/10: Parannoul owned shoegaze in 2021 with their second fantastic LP. Parannoul brought some friends along this time with the inclusion of three tracks performed by Asian Glow and another three performed by blackgaze group sonhos tomam conta. As this format is rather unusual to take on for collaborations on an LP, a worry I had going into this was that it was going to sound too much like a compilation rather than a proper LP. It turns out that I was wrong as this record flows so smoothly that I sometimes couldn't tell which band was playing certain songs before I had looked it up. Parannoul simply outclasses the other two in songwriting, performance, and production value, but it didn't go without making cuts like "Colors" and "Insomnia" some of their best work yet.
"나의 색 나의 형태 모든게 부서져가" (My color, my shape, everything is falling apart) | | 35 |  | Stortregn
Impermanence
8/10: Ah, every year it seems like we only get one truly great album with melodic death metal roots (Black Crown Initiate in 2020, Abigail Williams in 2019, Augury in 2018, etc.) and Christmas came really early this year. These guys have a fantastic style, even if they don't tend to stray very far from it often. It's blazingly fast, intense, and, fittingly enough, cosmic.
"As witnesses of the carnage done in your honor, the boundless void will stop quivеring" | | 34 |  | Cryptosis
Bionic Swarm
8/10: Now this is how you do thrash metal in 2021. Cryptosis masterfully balances consistency with diversity from track to track; all of the main songs are confidently rooted in a core thrash metal sound while individual tracks integrate elements of either progressive metal, heavy metal, or even symphonic metal. All of these blends succeed tremendously in keeping that core thrash sound refreshed throughout the entire record. This far exceeded my expectations for an album in this vein.
"The empire draws near, diverting my restless imprisonment of pain." | | 33 |  | James McMurtry
The Horses and the Hounds
8/10: What a wonderful surprise this was! The highlights of this album remind me of peak Jason Isbell with its often exceptional songwriting and nearly perfect incorporation of a melancholic country atmosphere. This singer-songwriter record packs plenty of punch in its production, too, and is not afraid to amp up the guitars and their crunches wherever they need be. Witty commentary, keen storytelling, and an artful representation of country-rock and americana are on excellent display here.
"Take a death grip on some part of me; keep me from drifting far out to sea, or I'll be lost out there." | | 32 |  | Swallow the Sun
Moonflowers
8/10: This is a chef's kiss of gothic doom goodness. Not only is the production on here excellent, but the atmosphere set up by the vocal performances, the band, and the backing orchestra is just pristine. Swallow the Sun also show a clear understanding of how to pace their songs. Harsher moments almost never feel too rushed surrounding the slow-burning doom sections. Captivating, gloomy melodies are abound in this one.
"Lay your eyes upon me and find this pain, this grave where I hide, and lift me back to you." | | 31 |  | Motorpsycho
Kingdom of Oblivion
8/10: Motorpsycho, arguably the most consistent band today, drops a new album that throws back their sound to the pre-Here Be Monsters days. With that direction shift they also show that they can still perform at as high of a level as they did before. It's a wonderful mixture of their signature progressive rock sound with stoner rock and even some doom metal, Black Sabbath esque production and guitar work. Their folkier, shorter cuts are also great, but what else can I even say. There's not much these guys can't do at this point.
"Your avarice destroyed your sphere and there's no room for you out here" | | 30 |  | CHVRCHES
Screen Violence
8/10: Given the group's material right before this, I came into this expecting tacky writing with potentially bad music to pair. I was very wrong. This is one of the best pop records of the year and it's an album that often brilliantly mixes manipulated production and acoustic instrumentation. It's a combination that causes a shocking emotional resonance in a lot of the tracks here, especially when aided by some catchy, gorgeous melodies. It may not be the most consistent record ever, but this is exactly what I've been looking for in modern synthpop.
"I wasn't dead when they found me, watch as they pull me down" | | 29 |  | Nick Cave and Warren Ellis
Carnage
8/10: Nick Cave has quietly become one of the most, if not the most, consistently masterful songwriters of the last decade. This debut collaboration stand-alone is no exception as it seamlessly mixes beautiful production and Cave's signature thoughtful commentary.
"You are languid and lovely and lazy, and what doesn't kill you just makes you crazier." | | 28 |  | Magdalena Bay
Mercurial World
8/10: The indie-pop scene has had a stellar year. Spellling, CHVRCHES, Porter Robinson, and Lil Ugly Mane are a few of many pop (or close-to-pop) acts that came out with great material this year. Magdalena Bay can be added to that pile and the hype surrounding their new project is absolutely warranted. The textures combining older, 80's era synthpop features with modern bubblegum pop traits are extremely well-produced and are practically bursting with flavor. Mica's vocal work really elevates the lush, sometimes sensual atmosphere to unexpected levels of sugary goodness. This thing's like an aphrodisiac for Millenials, so pick this up if you haven't heard it already.
"I'll throw it away for a glimmer of something I could try to believe." | | 27 |  | Aquilus
Bellum I
8/10: Unless I'm missing something with the album title, I'm really hoping we get a Bellum II because this was just glorious. All of the sprawling black metal songs are pretty mind-blowing. It's like a requiem to the apocalypse with the record's classical epicness and the growls of impending doom. The purely classical pieces surrounding the black metal material are wonderful compositionally and as tonesetters. I do wish the length of some of these tracks were shortened and I probably would have preferred a metal finisher despite the excellent individual quality of the closer. This still stands out as a belated highlight of 2021 metal releases.
"She softly sings through my empty cage returning footsteps, just a deception of the rain" | | 26 |  | Bruno Pernadas
Private Reasons
8/10: Even on my very last leg for 2021 reviews, the underground pop scene just had to throw in one more banger of a record to make my year-end list. The one word I'd absolutely use to describe this is "ambitious". Bruno Pernadas, a composer on top of being a songwriter and pop artist, has a firm grasp on how to use the seemingly millions of compositional ideas he has to expand a light and catchy pop core. There are sounds of soul, jazz, funk, psychedelia, electronic, jam rock, and much more all gelled together in a wonderful record. The greater side of this ambition is still the biggest strength of this album, and it brands an effective reminder after I missed out on the guy even after his breakout 2016 project.
"Bookshelf on the rail falling out of love; sliding to the downfall, I'm so sorry" | | 25 |  | Mastodon
Hushed and Grim
8/10: Oh, what a relief. I was not a big fan of their first two singles, so I was figuring we were about to get something about the same quality as everything past Crack the Skye. I'm so glad to say that this is better than all of those. Yeah, there's a couple of tracks that could've been B-sides instead, but the vast majority of this is a compilation of the current-era Mastodon's best qualities. It kicks off on a spectacular stretch of tracks in its first act while changing up stylistic focus in its second (the alt-metal-ish part) and third (most progressive) acts. Their writing has a surprisingly strong focus, too, with a little goth(?) influence in their subject matter, providing a worthwhile challenge for the band to compose around. I think this paid off tremendously.
"Justifying all your control, I cease to mourn what never could be." | | 24 |  | Lil Ugly Mane
Volcanic Bird Enemy and the Voiced Concern
8/10: It seems that Lil Ugly Mane veers in artistic directions that fit his charisma better with every release, and I think he finally struck gold with this new album. No offense to Travis, but between his delivery, lyrics, and production, this record portrays existential stagnation with a gut-wrenching effect. There's something about the way Travis' dreary voice blends with the nostalgic instrumentation, which hardly misses a point in past culture where current nostalgia resides. You have some 80's glam rock-inspired stuff here, grunge guitars there, 2000's video-game OST-sounding samples there, and loads of static (someone liked The Caretaker). It's a uniquely emotional experience, whether you're vibing or, well, dying inside.
"Will you kiss their hands and lay back down and die in a city you've never been?" | | 23 |  | Parannoul
To See the Next Part of the Dream
8/10: I had decent expectations for this, but even they were surpassed handily after a few listens. This album has a ridiculously strong run up to "Extra Story" showcasing this enthralling live production with its instruments and compositions that often build superbly into their climaxes. I would argue the first five tracks of this record rival Sweet Trip's A Tiny House... as the best five-track stretch of the year. The vocalist is admittedly not asked to do too much here, but the way he's integrated into the amateurish live feel of the production molds his style into the music excellently. The album's biggest issue is that it doesn't have a very strong finish as it attempts more acoustic guitar foundations that aren't written quite as well as earlier material. The hype was very much worth the extra slot on the schedule.
"언젠가는 잘될꺼야 언젠가는 빛날꺼야" (It's gonna be okay someday. You're gonna shine someday.) | | 22 |  | Floating Points, Pharoah Sanders & The LSO
Promises
8/10: Even before this record blew up in popularity, I thought Floating Points' previous album, Crush, was one of the most forward-thinking and introspective electronic records I had heard in a while. Promises only boosts my confidence on what the guy can do. The performances from everyone here are emotionally captivating and balanced out so well. It takes insane guts to keep one melody going for an entire album and attempt to write around that melody with consistent success, but these guys have done so excellently.
[instrumental] | | 21 |  | Sweet Trip
A Tiny House, In Secret Speeches, Polar Equals
8/10: Here you have Sweet Trip just casually picking up their legacy where they left off almost 12 years ago. Let's just get it out of the way, this thing rules. Hell, I'd even say it's as good as V:D:C. I just wanna know what dimensional plane they travelled to create the first five tracks, which is easily one of the most orgasmic stretches I've heard in a long time. Despite some repetitive structuring, the other two acts on the album have all decent-to-great tracks. This is still an essential Summer listen and a worthy addition to Sweet Trip's catalogue.
"Hand in hand, electrified, and I will love you" | | 20 |  | The Physics House Band
Incident on 3rd
8.5/10: This album is an incredible jazz fusion project that mixes post-rock and progressive rock in ways you wouldn't find in other jazz fusion projects. The chemistry between the band members is fantastic despite the album being recorded in a way where each member is individually prominent performance-wise. This album's excellent production value brings the punches necessary for maximal impact from the compositions. I also think it's structurally creative as reflective, emotional pockets are left to shine on songs like "Swansong" and "Melting Through Midtown". It may be too riff-centric for some people or too one-note for song ideas, but when they're as well-written as they are here, you can hardly go wrong.
[instrumental] | | 19 |  | Hail the Sun
New Age Filth
8.5/10: Easily their best record since Wake, Hail the Sun have a swancore record to beat for years to come. At a short and sweet 34 minutes, this album feels like it has so much to peel back and pick apart. Its songwriting perfectly walks the fine line between obnoxiously edgy and cliched within both its lyrics and its instrumentals. It's just track after track after track of bangers that the band's peers in the swancore scene could only ever dream of achieving. I think Donovan Melero and his crew are almost singlehandedly shaping this genre into something special; now we just have to hope others follow in their footsteps.
"I've said it all along: If you love me, then love me to death" | | 18 |  | Dvne
Etemen Ænka
8.5/10: After a great start with their last record, Dvne are already standing out as sludge metal connoisseurs and have heavily exceeded my expectations. This sounds like the righteous firstborn of ISIS and Baroness. The production is outstanding, the excellent pacing makes the album fly by, and the songwriting's constantly subtle shifting is always fun to hear, even if you can generally expect what will come after certain moments. I really, really loved this.
"Wretched, cabled, and sure, divine myths endure" | | 17 |  | Der Weg Einer Freiheit
Noktvrn
8.5/10: Black metal and death metal have each had a rough 2021, so to finally hear an album in either genre that could compete among the best of the year was an exciting discovery. I already enjoyed Finisterre, but this brings Der Weg’s atmosphere game to new heights. This album's not afraid to let an idea take its time to brew and hypnotize, and that's especially respectable when the songwriting capabilities are there to back it up as is the case on this record. The band's performances are also stellar, especially the vocalist (People say shrieking doesn't require vocal chops?). This rips hard.
"Light's flooding my flesh so deep until every scar of life will be cleansed" | | 16 |  | Parcels
Day/Night
8.5/10: I was pretty blown away by this. For a band that's on just their second LP, there are so many intricacies in the compositions, especially in a genre that's long past its heyday. Not only do the instrumentals have a bajillion carefully spread-out layers to them, but it's also very catchy with melodies fittingly in the realm of Talking Heads, The Blue Nile, or any of its sophisti-pop influences. Day/Night wonderfully pulls off its concept in the contrast of day and night themes while tying them into interpersonal experiences and perspectives. Given the sheer length and dedication to its concept, it's quite obvious that a ton of passion went into this project. So, please check this out and spread the good word because if this isn't "good", then I don't know what is.
"Our aimless inner child, soft and taintless, wild" | | 15 |  | Little Simz
Sometimes I Might Be Introvert
8.5/10: It's about time Little Simz broke out into the type of mass appeal she deserved. While I loved the comparatively homegrown and humble vibe of Grey Area, the lush and orchestral SIMBI has worked out just as well for her in my eyes. The production on this is consistently fantastic, successfully selling its "modern rap opera" sound I can see it going for. More often than not the marriage of bluntness in the lyrics and the instrumental’s careful artsy approach heavily works out to the record's benefit. I'll confirm that the insanely high praise is well-earned here.
"Angel said, 'Don't let ego be a disturbance'; inner demon said, 'Motherfucker, you earned this'" | | 14 |  | Wheel (FIN)
Resident Human
8.5/10: Wheel is making an extremely strong case to be put in a league with the likes of prog rock/metal line treaders The Ocean, Elder, and Karnivool with just their second album. They've already seemed to master the use of impactful textures and proper pacing, which is even more impressive given the challenging scope of this album's track-by-track structure. Resident Human reminds me of a proggier, more modern version of the great The Crash of '47 by Atomship, and it might just be as good, both in talent and songwriting.
"Under this sanguine sky, one fleeting glimpse of the divine; for you and I, nothing lasts forever" | | 13 |  | Thy Catafalque
Vadak
8.5/10: I had pretty high expectations for this new project considering he came off of a stretch of back-to-back-to-back fantastic records, but I was also worried that this might be a bit of a rush job as this album comes just a year and a half after Naiv. However, what we got was something transcendental even for Thy Catafalque standards. There aren't any duds or even mids in this tracklist. None. Zero. Even the nu-jazz track and the closing ballad bang just as hard as the album's core material. Also, for an album that it's doing almost every metal crossover imaginable, it's got excellent flow and pacing, helped by occasional multi-minute breaks in some of the song outros. I'd honestly recommend this to anybody; it's an all-you-can-eat buffet, and I love every bit of it.
"Szaladj, szarvas. Ködvilág ez, álomerdő. A valóban nincs varázs, nincsen, csak sorvadás" (Run, deer. It's a foggy world, a dream forest. There really is no magic, no, just atrophy) | | 12 |  | Lingua Ignota
SINNER GET READY
8.5/10: I've been on this artist's heels since her 2017 debut. While that album was really good, her core sound had a truly excellent stride on Caligula, an album with loads of rich compositions, avant-garde chaos, and impassioned vocal performances. This anticipated new record somehow turns up the ante on all fronts. However, it's in a somewhat unexpected manner; Lingua Ignota's holding back on her harsh vocals this time around, often exchanging the pure vitriol of her previous work into emotional frailty and ritualistic pleading. It results in a record even more damning and heartbroken. Kristen Hayter once again improves on her sound one of the rightful faces of the modern neoclassical darkwave movement.
"Glorious Father, intercede for me. If I cannot hide from you, neither can he" | | 11 |  | The World Is a Beautiful Place...
Illusory Walls
Surprisingly, this is my introduction to The World is a Beautiful Place..., but now I'm mentally demanded to go through their other material. Illusory Walls should be recognized as an example of how modern indie rock can genuinely push conventional boundaries. It's got a ton of compositional prowess with its intriguing passage transitions, impressive technicality, and a significant knack for weighing the genre influence balance. A spectacular example of the last point can be seen in pop punk-esque "Queen Sophie for President" right into a prog-heavy sound on the next song, all while making the track-to-track flow seamless. This is also a strong album lyrically featuring plenty of memorable lines and songs that are powerfully written from a thematic and storytelling standpoint. This is a simply a must-listen.
"And if it still survives, just burn the whole house down; it won't burn with the oven off" | | 10 |  | Porter Robinson
Nurture
8.5/10: Starting off 2021, becoming a member of the Church of Porter Robinson was not something I had in mind at all, but here we are. Where do I even begin with this one? The beautiful vocal blemishes, the wonderful production, the smartly written, life-affirming lyrics; it's all just so damn good. The singles leading up to this had me more hyped for this than I would've ever thought. While the "hits" are where the album shines brightest, the more experimental deep cuts are no joke either and they play around with Robinson's sound excellently. This is seriously one of the best pop/electronica albums I've heard in a long time and many of these songs will be in my head all throughout this year.
"How do you do music? Well, it's easy. You just face your fears and you become your hеroes. I don't understand why you're frеaking out" | | 9 |  | Injury Reserve
By The Time I Get To Phoenix
8.5/10: Talking about this record in any critical manner is tough considering the context. Despite this, its respect to that context in Groggs' passing might be its greatest strength. Many of his verses on here are noticeably personal in ways that are clearly significant to him and allowing that intimacy to become such a core part of the songwriting was just perfect. How they built around that intimacy in the production resulted in one of the most unique hip-hop albums of recent years, maybe ever. If this truly becomes a pioneer for a future "post-rap" scene, it's done a spectacular job to set that sound up. If this is truly Injury Reserve's swansong after Groggs, I can't see it being more honorable than this.
"Knees hurt me when I grow, and that's a tough pill to swallow because I'm not gettin' taller." | | 8 |  | BRUIT
The Machine Is Burning...
9/10: By their debut album, BRUIT have already become worthy children of Godspeed You! Black Emperor. Both in their ability to make magnificent music and to forge an identity of their own. Nearly every track here is a masterful work of art as BRUIT show willingness to greatly diversify their sound. It's a post-rock sound flavored with nu-jazz, ambient, classical, folk, and even electronica. Outstanding stuff.
Spoken Word Excerpt; "On peut très bien s’apercevoir qu’une société pourrait être construite sans compétition." (We can very well see that a society can be constructed without competition) | | 7 |  | squid
Bright Green Field
9/10: I mean... this album has "Narrator" on it. Not much else needs to be said, but the rest of the album is almost just as excellent and understanding in its experimental post-punk treks.
"I'll play my part" | | 6 |  | Sufjan Stevens and Angelo De Augustine
A Beginner's Mind
9/10: A Beginner's Mind is a masterclass of a veteran artist capitalizing on his strengths: stellar melodies, insightful and witty lyrics, and a magnificent sense of lushness. This is essentially a return to the dense themes of the human mind exploration displayed on Illinois while featuring his strongest presence of traditional indie folk music since Seven Swans. Maybe I'm getting too sentimental for my age, but this marriage is about as sonically and emotionally captivating as it could possibly be on here. Let's not forget to grant Angelo De Augustine credit because his role in making this album gel as well as it does is likely as significant as Sufjan's given that he's tagged for nearly everything Sufjan did. Even if that requires Sufjan to sacrifice the quirkiness that often went with his solo works, the pair's proficiency in this style of music easily makes that sacrifice worthwhile.
"You were running unashamed, and yours is mine and all remains as nothing ever stays the same" | | 5 |  | Spellling
The Turning Wheel
9/10: Call me a Fantano drone or whatever, but this is indeed one of the best albums of the year. The instrumental diversity on this album is utterly insane and nearly all of it is, of course, immaculately produced. The vocals are an acquired taste and I think there are a couple of vocal performances here where I would have preferred a slightly different tonal approach, but on most songs they're pure magic, perfectly fitting with its wonderous and masterfully written lyrics. This is an album that could seriously go toe-to-toe with the best works of art pop giants like Bjork or Kate Bush. Simply astonishing.
"And I’m not afraid of how lonely it's going to be. If I change my mind, I’ll go walking outside, just to see how the law is in place still" | | 4 |  | Kayo Dot
Moss Grew on the Swords and Plowshares Alike
9/10: Toby, you madman. Is magnificence really that easy for you?
"She listens to the sweet song of Rivers, naked with the stars rising up to embrace her. She bleeds upon a stone and laughs" | | 3 |  | The Armed
Ultrapop
9/10: This is probably the best thing I could've asked from The Armed. Their last record showed so much potential with the outfit's songwriting talents and they are certainly put on full display. There's hardly a miss here; the album's structured splendidly and everyone in the band's at the top of their game. I understand most of the controversy comes from Kurt Ballou's warped production job, but I think that's a lot of what gives this album its impact and flavor. Overall, this is one of the most appropriate projects made today with its defiant and abrasive approach to pop rock.
"Shame for the day, she eats her dreams. Always, she has to; always an actor" | | 2 |  | Godspeed You! Black Emperor
G_d's Pee AT STATE'S END!
9.5/10: What a stunning return to form from an all-time great. Just about everything on this album works at a monumental level. It's almost like a reinvention of my favorite work by them, F#A#∞. The grainy, isolated guitars and the droning sounds of industrialization give the Great Depression, 1930's atmosphere I loved so much on that album. It's pulled off magnificently with nearly flawless pacing and a sense of subtle imagination.
Spoken Word Excerpt: "I know when I was just a boy, some stuff started and the government came in, killed a couple, and the rest of 'em pissed themselves, went to the house, and that was it." | | 1 |  | Black Midi
Cavalcade
9.5/10: black midi, man... I just don't have the right words. This is the second legitimate masterpiece in a row from a band whose members are around the same age as I am. It's not even playing it safe or going down a similar avenue their last record did. Cavalcade's core sound plays with an almost entirely different genre compared to Schlagenheim. black midi has about one more album before I write them in as one of a handful of all-time favorite acts. Being on the verge of maintaining a legacy with the likes of Porcupine Tree, Pink Floyd, Tool, GY!BE, etc. after only 4 years of existence is nothing short of mind-blowing. My accolades are all yours, fellas.
"Stood up, shot between the eyes. It's just consolation, slowly, slowly..." | |
Mythodea
01.18.22 | Blazingly good list, I'm gonna read it later! Great job! | BlazinBlitzer
01.18.22 | Thank you, Myth! And thanks bunches for the feature! | Mythodea
01.18.22 | I can see Isis in Dvne, but Baroness? The Ocean more likely. Totally agree with you on the new Lingua Ignota, and loved the lyric you chose.
Spelling's album seems highly promising, as I love both Bjork and Kate Bush. If you haven't, check out Midnight Sister, you'll find some Kate Bush meets The Beatles songwriting on there.
| Veldin
01.20.22 | Excellent list, mate! Love your top 10 and appreciate the write ups. | BlazinBlitzer
01.20.22 | Thank you, Veldin! Congrats on your marriage! |
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