Jasdevi087
INTERNATIONAL POPSTAR STEVEN WILSON
User

Reviews 50
Approval 95%

Soundoffs 130
News Articles 6
Band Edits + Tags 277
Album Edits 518

Album Ratings 4752
Objectivity 78%

Last Active 12-16-22 8:35 pm
Joined 10-03-13

Review Comments 8,124

 Lists
01.09.24 Jas 2023: Life is just death in drag 09.08.23 4444 ratings: aiming for 55555?
08.28.23 Riget (The Kingdom)08.04.23 Premier League time oh god oh fuck
07.24.23 Barbie07.20.23 FIFA women's world cup thread
07.03.23 Jas' Vinyl Collection - Part the Second06.28.23 Jas' Vinyl Collection - Part the First
06.07.23 Get Jas into Breaks05.15.23 Counterpoint: 1993 tho
04.18.23 Metallica01.03.23 Jas 2022: Games Beyond the Fucking Game
12.21.22 Jas does Tarkovsky12.05.22 The Astonishing Adhesive Power of Srira
09.20.22 Jas does Bong Joon-Ho09.14.22 Need some 2022 4.5s men
09.02.22 2014 went way too hard07.30.22 It is Premier League time my fellers
More »

Jas does Tarkovsky

yeah i got through another one. I know it sounds like I don't, but I do actually really like Tarkovsky generally lol. Like, none of these are worse than a 6. But I think it's probably worth noting that with a director like this whose appeal lies a lot in intangibles, it's much easier to point out the flaws than to exposition about their beauty
7Marc Almond
Orpheus In Exile - The Songs Of Vadim Kozin


7. The Sacrifice

I went into this expecting to quite enjoy it, but it's unfortunately by some margin the most alienating for me when it comes to Tarkovsky's existentialism. This is a film of fleeting moments of brilliance and various instances of that religious incomprehensibility that will forever alienate Tarkovsky's work from me. From reading the booklet that comes with the Curzon Artificial Eye bluray, it sounds like a lot of the ideas which truly could have made this a great film got left in Tarkovsky's journal, he didn't even film them. It's pretty clear as well that his shelved adaptation of Dostoevsky's "The Idiot" made its way into the film's themes, but as Dostoevsky himself felt of his experiment in writing said novel, it seems the idea got away from Tarkovsky also.
6Atrax Morgue
In Search of Death


6. Mirror

I fucking triiiiieeeeed with this movie, I'm so sorry. This movie was sooooo specifically personal to the director and so structurally unconventional that I find almost nothing to pull me into it. The moments where the stand in character for his mother takes centre are fleeting moments of beauty, but are buried by the film's unconventional structure and the esotericism of Tarkovsky's reminiscence. It took me three times to actually get all the way through it and I'm not so sure it felt worth it in the end.
5Windy and Carl
Antarctica (The Bliss Out, Vol. 2)


5. Nostalghia

I personally think this is Tarkovsky's most visually striking film. Despite being a bit of a slog to sit through (admittedly I don't think there's a Tarkovsky film that isn't), I found this film's religious sensibilities a little more palatable and the personal shit a little more easy to connect to as a viewer, especially as it's so easy to trace his expatriation from the soviet union through this film.
4Nick Cave and The Bad Seeds
Nocturama


4. Ivan's Childhood

A fantastically unconventional war film, especially for its time and especially considering it was made in the soviet union.
3Om
Advaitic Songs


3. Stalker

This was one of my covid movies back in 2020. I watched it back to back with The Seventh Seal, needless to say it was a hell of an afternoon. I'm absolutely fascinated with the idea of filming a hard science fiction film almost entirely in a pastoral setting, with very little in the way of special effects or… yeah really any science fiction at all lol. It has the air of creating stories as a kid with your friends with nothing but your imaginations to create the scene.
2Spiritualized
Ladies and Gentlemen We Are Floating in Space


2. Solaris
1Shpongle
Tales of the Inexpressible


1. Andrei Rublev

It's quite a challenge to say what exactly it was that stuck with me so much about Andrei Rublev moreso than any of Tarkovsky's films. Probably sounds kinda weird to put it this way considering its subject matter, but this feels like the only one where my ability to engage with this film emotionally isn't hamstrung by Tarkovsky's religiousity. In any case, it's a fascinating pilgrimage through a brutal period of European history we don't learn much about in the west
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