User
Soundoffs 56 News Articles 4 Band Edits + Tags 3 Album Edits 14
Album Ratings 1372 Objectivity 72%
Last Active 12-15-22 4:17 pm Joined 03-29-13
Review Comments 616
| Film Discussion: Oscars 2018 Predictions
Look, I know the Oscars are in essence inconsequential and really mean nothing, but I don't think that means there still isn't some sort of significance to the award. Obviously, physically receiving the actual statue means fuck all to anything, but being the biggest Awards ceremony the influence is huge, and those who walk away as winners get major recognition for having won. And that alone is enough for me to at least root for my personal picks to win.
Regardless, here are my predictions for what I think will win vs. what I would like to win. I'm only including the big categories here, smaller category predictions will be below in the comments if you're interested/would like to discuss them. All contrasting opinions welcome and feel free to share your own predictions below or comment on mine! List is digs. | 1 | | The Tallest Man on Earth Sometimes The Blues Is Just A Passing Bird
Best Director
Primary prediction: Guillermo Del Toro
Secondary prediction: Christopher Nolan
Who I want to win: Paul Thomas Anderson
Firstly, both Dunkirk and Christopher Nolan are highly overrated and I don't give a shit what you say FIGHT ME. But secondly, this is for sure going to Guillermo, pretty much no arguing that. I would love PTA to get it for his excellent and understated direction in Phantom Thread, but he won't. And neither will Greta Gerwig or Jordan Peele. Despite both doing great jobs, I'm confident the Academy won't award first-time directors. | 2 | | Bright Eyes Cassadaga
Leading Actor
Primary prediction: Gary Oldman
Secondary prediction: Daniel Day-Lewis
Who I want to win: Daniel Kaluuya. Or Daniel Day-Lewis.
Gary Oldman unquestionably has this in the bag. And Darkest Hour is the only nominated movie I haven't seen this year. Don't have much to say..
I would love to see one of the two Daniels take it, obviously Day-Lewis killed it in PT and Kaluuya really proved himself in Get Out. Also yo why is Denzel nominated here though? Wtf. | 3 | | D'Angelo Black Messiah
Leading Actress
Primary prediction: Frances McDormand
Secondary prediction: Saoirse Ronan
Who I want to win: Frances McDormand
I would like to say this is a lock for Frances but I dunno, I feel like the Academy could fuck with us here. And if they choose to it'll undoubtedly be going to either Saoirse Ronan or Sally Hawkins.
Also, fuck Meryl Streep lol. | 4 | | Chance the Rapper Acid Rap
Supporting Actor
Primary prediction: Sam Rockwell
Secondary prediction: Willem Dafoe
Who I want to win: Sam Rockwell
It really is a race between Rockwell and Dafoe here, but I think the former is going to take it. It would be very nice to see Sam Rockwell finally getting the recognition he deserves. | 5 | | '68 Two Parts Viper
Supporting Actress
Primary prediction: Allison Janney
Secondary prediction: Laurie Metcalf
Who I want to win: Lesley Manville
Pretty confident Janney is going to take this, and she does indeed deserve it. It would be cool to see Lesley Manville take it for Phantom Thread, though I know she won't. Sad day. | 6 | | First Aid Kit Ruins
Adapted Screenplay
Primary prediction: James Ivory (Call Me By Your Name)
Secondary prediction: Aaron Sorkin (Molly's Game)
Who I want to win: Aaron Sorkin (Molly's Game)
I think the Academy is going to want to award Call Me By Your Name with something, and I predict they will do it here. Which would be cool to see, but firstly I would prefer it go to Aaron Sorkin, just becaus Aaron Sorkin... who doesn't love the fuck. | 7 | | Streetlight Manifesto The Hands That Thieve
Original Screenplay
Primary prediction: Martin McDonagh (Three Billboards)
Secondary prediction: Jordan Peele (Get Out)
Who I want to win: Martin McDonagh (Three Billboards)
Definitely rooting for 3 Billboards here, though I think Get Out does have very good chances and I would be very content if it won instead. Good category here though.. The Big Sick was good, glad it got a nom. | 8 | | The Dear Hunter Act III: Life and Death
Cinematography
Primary prediction: Roger Deakins (Blade Runner 2049)
Secondary prediction: Hoyte Van Hoytema (Dunkirk)
Who I want to win: Roger Deakins (2049)
DEAKINS! It's his game here, he needs it. How has this motherfucker never won an Oscar? That's even more outrageous to me than the whole Leo thing... | 9 | | Bon Iver Blood Bank
Original Score
Primary prediction: Alexandre Desplat (The Shape of Water)
Secondary prediction: Hans Zimmer (Dunkirk)
Who I want to win: Jonny Greenwood (Phantom Thread) | 10 | | Stevens / Dessner / Muhly / McAlister Planetarium
Original Song
Primary prediction: "Remember Me" - Coco
Who I want to win: "Mystery of Love" - Call Me By Your Name (Sufjan Stevens)
Forever rooting for Sufjan but it'll undoubtedly go to Coco.. :c | |
furpa
02.22.18 | Minor Category Predictions:
Animated Feature - Coco
Sound (both) - Baby Driver
Editing - Baby Driver
Costume - Phantom Thread
Makeup/Hair - Darkest Hour
Production Design - BR 2049
Visual Effects - BR 2049 | Clumseee
02.22.18 | You forgot Best Picture you silly goose. | Papa Universe
02.22.18 | personal hopes (not predictions, mind you):
Picture: The Shape of Water (yeah, seriously) or Three Billboards (yeah, still serious about this). But it will probably go to something banal like Phantom Thread or The Post, cause they are quite safe choices.
Actor: Gary Oldman, just because he is long overdue for it. Day-Lewis and Washington are both your old typical standard choices. Chalamet and Kaluuya are quite surprising to me, although understandible. I don't think either of them gave a groundbreaking performance, but they were great enough to at least get a nodge.
Actress: Frances McDormand and nobody else! (but Margot Robbie was surprisingly good)
Sup. actor: Sam Rockwell, indeed.
Sup. actress: What world do we live in, where Mary J. fucking Blige managed to give the best performance?
Director: Guillermo and Anderson are both at their ace-game here, but Gerwig was a goddamn surprise for me. They might give it to the newcomer, although that might as well ruin her career, essentially (a film equivalent of giving someone a 'Best New Artist' Grammy).
Animated: Loving VIncent, honestly. But I know it will go to fucking Coco. (also, fuck them for nominating Boss Baby, that dumbass fucking sorry excuse for a film)
Screenplay: Three Billboards by Martin McDonagh, cause I don't understand why is the Big Sick on there.
Ad. screenplay: Mudbound or the Disaster Artist. Both great works. I could see them going with Call Me By Your Name, but I personally would prefer those two.
Cinematography: Deakins!
Foreign: Loveless, which is easily one of the best films of the year. Crushing. But The Square was just as noteworthy, even if a little abstract. (but Le Rédoutable should have at least been nominated)
Score: High hopes for either Zimmer for Dunkirk or Greenwood for Phantom Thread. The rest didn't seem as striking to me.
Visuals: either Blade Runner or Star Wars. | luci
02.22.18 | Won't bother watching the Oscars, will probably just be a lovefest for that Shape of Water garbage. | Papa Universe
02.22.18 | you mean! | Kalopsia
02.22.18 | makes an oscars list and forgets the biggest award. what's best picture, ya jabroni? | JeetJeet
02.22.18 | Dont really care who wins I just hope Deakins gets his. Also hoping Dunkirk gets nothing because that shit was garbage. | ramon.
02.22.18 | If Day-Lewis wins, he’d be the first male to win 4 lead Oscars right? Would have no issue with him retiring from acting with another Oscar win tbh.
Also, was Get Out that well received? I’m a bit behind on Oscar news. I recall it being a fun film but it seems like it’s become quite the critical darling. | furpa
02.22.18 | Oh fuck sorry dudes I totally didn't even realize it dipped my best picture thing! Shit day, I wrote a whole big splooge of shit too and it looks like sputnik deleted it as I posted it? I dunno wtf happened. I just tried editing it to add the listing again, but for some reason it won't let me post more than 10 entries, so here we go.
Alas,
BEST PICTURE
Primary: Three Billboards Outside Ebbing, Missouri
Secondary: The Shape of Water
My choice: Three Billboards.
Fight me. | furpa
02.22.18 | @Papa Universe, solid choices, ours line up pretty well. For foreign I'd predict The Square more-so though based on the fact it's just the most mainstream of the foreign flicks and has had some solid reception.
@JeetJeet, yeah Deakins is well overdue an Oscar. Shit is so insane to me that he doesn't have one, fucking frustrating.
@ramon, I believe you're correct. I'dd like to see Day-Lewis win as well. And yeah apparently it was! I dug it, but definitely didn't see it becoming an awards season film at all. Probably because of all the "racial commentary" it hit so big with critics lol. | Divaman
02.23.18 | I actually saw two of the films up for best picture this year (both in the last week), which is unusual. Usually I haven't seen any.
Hoping "The Shape of Water" wins best picture, Gary Oldman wins best actor, Sally Hawkins wins best actress, and Guillermo del Toro wins best director.
Kind if wish I'd seen "Dunkirk" before seeing "Darkest Hour". Would have been a good companion piece.
The real best picture for 2018, though = "Logan". | furpa
02.23.18 | @Divaman, interesting take. Personally, I'm not a superhero guy in the slightest, and I actually did rather enjoy Logan by comparison. But still it didn't do a whole lot for me. I can understand all the hype though and I guess it's cool that it got a nod for writing. | Maco097
02.23.18 | I doubt people will kiss Harvey Weinstein's ass this time like they used to do every year. | KevinKC
02.23.18 | Logan was utter garbage.
Most overrated movie of 2017. Hands down. Grow up people, please.
In order to like Logan, you have to think that being worthless is a quality.
This movie is a 2h hours long gimmick.
If you make a R-Rating movie and it's start with Fuck, boobs and gratuitous violence, you're making a statement on how much you have absolutely nothing to say. And YES you need to have something to say to make a movie.
| Trophycase
02.23.18 | Gross. Three Billboards was just awful.
Nolan isn't overrated, he's like the god damn Beatles of filmmaking, very accessible but still pushing boundaries and makes pretty damn solid films for blockbusters. Not the greatest or most artistic or profound, but still great. Dunkirk was also phenomenal. The extremely minimal script, lack of major protagonist or character focus was a genius way to sort of highlight the overwhelming experience and chaos of the war. Soundtrack complemented the movie incredibly. The sinking ship scene, for example, was terrifying.
The Shape of Water was a well executed love story. The pacing was especially perfect. But it's no best picture, it was missing too many elements to take it to that next level.
Three Billboards was hot garbage... Tonally confused and preachy. The jokes were mediocre and the timing was downright bad in places. It tries to make a statement but is ultimately written by someone who is totally ignorant and the dissonance between actual rural people and the way they were written just destroyed the believability of the film for me, like some sort of uncanny valley of writing. Coen Brothers wannabe without the nihilism and with a random scene with a deer (puke). | furpa
02.23.18 | Lol damn I go to bed and come back and everybody has for some reason gone super hostile.
@Trophycase, I see your point about Chris Nolan, and I do really appreciate his efforts to maintain a level of practicality in shooting and his conviction to shooting on celluloid. That being said I still wouldn't lump him in with the best directors working today. In the case of Dunkirk, I felt the only thing keeping it from another by-the-numbers war film was the execution of it, which I thought the film was far too caught up in to do any justice to the actual story. The performances were fine I suppose? Can't remember anybody being exceptional though. And I thought, in the end, the film didn't really have anything to say. One could argue that was the point, to illustrate the "nihilism of war" or whatever but if we're talking which film is going to take Best Picture my leaning always has to go to the film with a message. Also weren't there like over 300,000 soldiers stranded in the real battle of Dunkirk? That level of sheer scale never once came across to me in the movie...
As for Three Billboards, I think the tone could be potentially confusing based on the near-constant juxtaposing of humour, tragedy, and fucked-up-ness(?) but I don't think McDonagh & Co. were at all unsure of the kind of film they were making. It was message heavy, but I think a lot of people have misinterpreted the message of the film following its release. People try to make it a "commentary on the court of public opinion" and "the media" and racism or "the right vs left" and shit but I'd argue it's actually more a piece about how anger is a necessary emotion and a condemnation of violence. And even then I would say that the messages the film conveys take a back seat to the actual plot, which personally kept me on the edge of my seat the entire run-time. Also where did you get the impression that this movie wasn't nihilistic in nature? | Kalopsia
02.23.18 | "Logan was utter garbage.
Most overrated movie of 2017. Hands down. Grow up people, please.
In order to like Logan, you have to think that being worthless is a quality.
This movie is a 2h hours long gimmick.
If you make a R-Rating movie and it's start with Fuck, boobs and gratuitous violence, you're making a statement on how much you have absolutely nothing to say. And YES you need to have something to say to make a movie."
https://78.media.tumblr.com/168c5f6dfc0c77ba5bed06b504ba82f3/tumblr_inline_p13yrmiQf91s75qen_500.png |
|