Yuli
Julianna Reed
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Last Active 03-19-22 9:25 pm
Joined 12-06-09

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06.17.14 Year 2014.5 in Omaha 03.19.14 Off To Nyc Soon
01.03.14 Omaha's Jan. 2014 Jams12.23.13 Omaha's 2013
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07.03.13 1q8406.27.13 Dat Feel
05.19.13 Who Wants To Be Buddies05.10.13 My Favorites From 2013
05.04.13 Weird Electronic Recs04.10.13 Promoting My New Band, Etc.
03.17.13 Driving To Savannah Tomorrow02.11.13 Dexter Seasons Ranked
01.09.13 How Happy Are You?12.31.12 20th B-day / 2012's 20 Tastiest!
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Sput-drummers

Where are the drummers of Sputnik? I just got done playing my set after awhile at school, and it was the greatest feeling. Fellow drummers, post your biggest influences behind the set, and songs that you enjoy playing the most. Also, how would you describe your style overall? The albums I'm listing here are some that have influenced my playing the most.
1The Dillinger Escape Plan
Option Paralysis


Rudiments, rudiments, rudiments. I always avoided them when I was younger because I didn't see the practicality in them, but through bands like Dillinger I've come to see how helpful it truly can be for your hands to be as speedy as possible. Because of these guys, my playing has become a lot more chaotic, and I've started utilizing interesting snare / China cymbal combinations that make me happy.
2The Mars Volta
The Bedlam in Goliath


This is less about the drumming of the Mars Volta as it is about that of Thomas Pridgen - he's become my biggest influence, and the jams that he comes up with on this album are just fucking insane. Playing along to Aberinkula, Goliath, or Ilyena are pretty much the greatest way to spend my weekends. Pridgen taught me about how to add groove to really strange time signatures, and cool ways to transition between them. The man also taught me to smile and scream when I drum.
3This Town Needs Guns
Animals


This album's just ethereal in multiple ways, but perhaps the most tangible way that this is evident is through the incredible sense of musicianship all throughout. However, as amazing as the guitarist is at his craft the drummer's work is what stays with me after the last notes ring out. He's made me strive for a more jazz-influenced style of playing, aim for utilizing my toms in more innovative manners, and desire to throw in random beats at the end of a musical phrase. It's so much more fun that way.
4Between the Buried and Me
The Great Misdirect


Say what you will, you naysayers. After all, that's what that word implies in the first place. However, Blake Richardson's drumming on this album in particular is refreshing, because we're able to see BTBAM visiting very progressive routes from a different angle and Blake's the most blatant example of this. Compare his work in Colors (great, but a bit redundant overall) to, for instance, the last third of Disease, or the elegance of Mirrors, and it's astonishing to consider how creative he's become. Richardson's taught me that every piece of your kit can certainly be used to its maximum potential, because it's fairly common for him to do things with drums I just don't even know how to approach, and it's like a free drum lesson every time I pop this one in.
5A Lot Like Birds
Conversation Piece


Nope, don't know his name at all, and when I talked to him at the ALLB concert he honestly seemed a little douchey, but this dude's got some style in his drumming. From the basest of beats (Abbr.) to the more sinister ones (Vanity's Fair), this guy's always having a blast behind the kit while he incorporates pretty damn complex stuff into his beats. He also shows great restraint when necessary, making transitions just as calm or unnerving as they're meant to be.
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