Smevin Bravis

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Last Active 07-31-10 5:56 pm
Joined 02-06-10

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12.16.13 Dear Sputnik, Give An Up And Coming Hip01.29.13 Songs About Fucking (No, Not the Album)
08.16.10 Less Popular 90s Gems02.08.10 My Top 50 Of 2009

My Top 50 Of 2009

This is my top fifty list for 2009. I must warn you in advance though that it is quite long, and if you really want to sit and read all about what some random guy on the internet thinks about the past year in music when it's such a beautiful day outside, well.. it's your life.

I was pretty excited when I heard about a new R?yksopp album, but I wasn't expecting this. There's a lot of the smooth downtempo you'd expect, but a lot of it is just so damn bouncy and fun! The opening alone is fantastic, and a lot of people criticize Happy Up Here for trying to be another Eple, but if you're going to do that you may as well go ahead and make fun of how similar the choruses in Muse's last two singles sounded, too.
This Is Jizzcore

This is such a furious affair from start to finish. It sounds like it can't decide whether it wants to be pounding industrial, almost danceable dark wave, or psychotic breakcore. Either way, the pummeling beats and clever use of samples make it absolutely hypnotizing.
48Cold Cave
Love Comes Close

A very aptly named band. Right from the getgo, Love Comes Close gives off this incredibly icy and detached aura with its distorted vocals and dark, fuzzy synths. The gloomy hooks can sound very eighties at times, but they never come across as derivative; hell, if the New Order-covering-Goodbye Horses sounding title track manages to not only avoid it, but still sound damn good, that's quite a good sign.
Ambivalence Avenue

Ambivalence Avenue is startlingly inventive. To be honest I was expecting more of a simple, ambient sound on this but what I got was way more intricate and diverse. Some songs are kickback to be sure, but some have a cleverly chopped up, almost folk as idm (got I HATE that title) sound. Very pleasant surprise.

Basically what indie pop would have sounded like in 1983. Though again, like Cold Cave, impressively able to avoid being completely generic, which these days is WAY too easy to do when you mine the eighties for inspiration.

On top of the fact that most of what Pitchfork says is to be taken with a grain of salt, naming your album "Album" isn't going to do much other than make you look either unimaginative or smug. Despite that, this interesting, hook-filled indie/surf rock blend is actually pretty damn good. It's especially good if you're looking for a breakup album you can mope to while bobbing your head.
Arecibo Message

Textbook dubstep. Great, chopped up rhythms and great progressions. Complex, disjointed, and very intriguing.

I seriously can't wait until the next new music genre comes out; since we're at the end of a decade, I can't help but imagine it's a mere couple of years away. I like indie and eighties revival as much as the next guy, but.. I dunno, I'm ready for something new. Which is why artists like Micachu are so great - they toy with the current sound until it resembles not quite new, but close enough to be completely unique. Very quirky stuff.
42Real Estate
Real Estate

Again, surfy sounding indie pop recommended by Pitchfork. But again, it's surprisingly on the money. Nice and spacey sounding without getting overly psychedelic, with great melodies to boot.
Get Color

It's very impressive to think that a noise rock band could yield more good ideas than simply "damn, it's so loud! Isn't this great??" but there's so much more here than that. There are really good melodies here and there, but it's the layering and transitions that really sell it.
Wolfgang Amadeus Phoenix

Narrowly beating out Passion Pit for that whole indie dance thing they've each got going. Both bands put out great albums this year, but Wolfgang Amadeus Phoenix just has more heart to it.
39Zoot Woman
Things Are What They Used to Be

What is this, six years after their last album? Well for better and for worse, it doesn't sound like it. They pick up more or less where they left off and their energy is in tact, but they've got a bit more poppiness to their sound, as well as a few great hard hitting dance numbers that would've been out of place on the first two albums.
38A Place to Bury Strangers
Exploding Head

Maybe not the biggest step forward to follow their debut with, but it's pretty sweet nonetheless. These guys have not only put out some of the loudest shoegaze this side of the early nineties, but harmonies Robert Smith would kill for as well.
37Basement Jaxx

From the Timbaland-sounding opening to the weird flamenco-house end, for as diverse Scars is, it always sounds unified. The production masterfully matches each track's guest vocalist (the album is LOADED with them) with the only real misstep being the uh.. TOTALLY HOT one with Yoko Ono.
Prior to the Fire

Yeah, it's not released in the U.S. until mid to early 2010, but it was released this year, so fuck it. Basically what Wolfmother would sound like with more personality. I mean I'd like to see them make a dorky ode to Robocop sound as good as Priestess did!
35Fuck Buttons
Tarot Sport

How many ten minute long songs do you know where when upon first listen, after not even two minutes you already know you're not going to be bored? And that's just the opener. Like if a post-rock band tried doing trance or something.. just freakin' awesome.
34Bat for Lashes
Two Suns

Intensely seductive. Seriously. With such lush and dark music backing that soft, breathy voice... I mean if you didn't want to bang her by the time you were halfway through this album, well... well.... well YOU HAVE BAD TASTE!
33Boys Noize

After Simian Mobile Disco's good-but-nothing special sophomore effort, I was kinda nervous waiting for the new Boys Noize.. but all concerns were immediately gone. It did exactly what the former failed to do - yeah, to add new layers, but keep that back end strong! And my god, is it strong here. ...and no, I'm not working up to some lame pun about the album's title... I had the POWER to resist! ....oh wait...
32Mos Def
The Ecstatic

Even at its most aggressive, The Ecstatic never sounds anything but smooth and controlled. Clever beats with an even more clever flow over every single one. The guy managed to make a rhyme with Supercalifragilisticexpialidicious, for God's sake! COME ON!
31Junior Boys
Begone Dull Care

Speaking of smooth... damn. Maybe their last one was slightly better, but they're still sooo good at letting their songs breathe (these eight songs still make Begone Dull Care about as long as any twelve song album) without getting too repetitive. As simple as they can get, they're still nice and chill. And make you want to make out with the nearest attractive person.
30Bear in Heaven
Beast Rest Forth Mouth

Yet another band I would have no idea existed without god damn Pitchfork. I was very very surprised with their unabashedly psychedelic sound, but even more so with how little they limit themselves to the tag, opting rather to take the tag with them as they explore different facets of alternative music. Bears in Heaven. Yeah. YOU LIKE THAT?? BEARS.
29The XX

I fell in love with this album immediately, and not just because the desire to sing "come, my lady, come come my lady" when the intro's drums kicks in makes me giggle. The dark atmosphere is so inviting, and not even because of how catchy the songs are, or how sultry the female (now that I think of it, they both are really) vocals are... it's just so well established, and doesn't even overtake any of the songs. It's got such a sexy sound.. in fact, I wonder how many people are fucking with this on right now...
28 Dent May
The Good Feeling Music of Dent May & His Magnifice

This looked like it was going to be about the most pretentious piece of crap I'd ever heard, but probably the first thing I noticed when listening to it was just how startlingly genuine it sounds. There's a cute early-They Might Be Giants feel to it at times (namely with the opening) and it never feels postured throughout. Very inventive backing to him and his..... I'm not calling it a magnificent ukulele, but it is pretty sweet.

Dammit! I was doing so well with avoiding any mainstream artists... and I had to go ahead and put fuckin' EMINEM here. In front of twenty-three totally sweet albums, no less! Well it's here, and it's god damn good, easily his best since The Marshall Mathers LP. I would argue that it's got the best opening of the year with the half funny/half disturbing introductory skit, and he seems the most comfortable he's ever been with making fun of himself, ("oh boohoo! I HAVE A DRUG PROBLEM") which is a must for someone like him. Brilliant rhymes, great beats, and he just flat out sounds more confident than he has in almost a decade.
26Atlas Sound

One of the best examples of the year of psychedelic pop being unexpectedly accessible. It has such a warm, pleasant sound that he even makes an eight minute song seem like a sublime slice of pop that ends too soon. Diz-amn.
25Dinosaur Jr.

It was pretty exciting when they came back a few years ago with their original lineup, but who expected that to only be the beginning? Er... re-beginning? They really feel like they haven't missed a beat since 1990, and yet still sound just as relevant nearly twenty years later. Hell, singers who need to learn how to sing with a pained voice but without sounding like a little bitch could benefit the most from Farm! Lo-fi grunge is here ta STAY, yo.
Blue Record

Bash them as a part of the whole so-called "scene-metal" genre all you want, but there's no denying their raw talent and lack of contrivances. The southern sounding progressive metal sounds great on its own, but when that commanding roar armed with such catchy vocal patterns(yeah, he doesn't even growl! I know, what BULLSHIT) steals the show. And the guitar solos? Forget about it. Game over, man! GAME OVER!

Danceable melancholic electronica? Damn straight. For some reason they pull it off so well that the music (and especially the vocals, when Apparat sings) sounds downright penetrating. Hell, even if the whole album didn't sound great, it boasts Rusty Nails, which is easily one of the best songs of the year.
22Great Lake Swimmers
Lost Channels

"These guys sound like total wimps! You tellin' me they swim in the Great Lakes?? HAH!" ...okay, nobody ever said that. This band is one of the most consistently gorgeous/heartbreaking active bands that I know of; the rich folk sound is powerful enough, but the gentle, yet pained vocals never fail to get to you. Loves it.
21Pearl Jam

I've always been a Pearl Jam fan; even throughout their hazy little experimentation phase, but I'm really glad that's all over. I was blown away by their self titled, but this is even better. It's such a tight and entertaining rock record, but they haven't lost any of their poignancy either. Can you believe they'll be eligible for induction to the Rock & Roll Hall of Fame in another couple of years? Scary...
World Painted Blood

Slayer is another band I've loved for a long long while. I didn't want to admit that after Seasons they'd gotten pretty damn... well, redundant, but I still loved them anyway.. until Christ Illusion came out and I just couldn't take that faceless brutality anymore. So no, I wasn't too excited about this album, but I got it anyway... and my god, I'm glad I did. Finally, a Slayer album with more Jeff Hanneman written tracks!! I mean, not to discredit the writing skills of the man who wrote the poetic line "I'm the one who's gonna rip your fucking face off," (Kerry King), but it's so nice to hear the clever time changes and transitions take over instead of the three or four minutes of them playing as fast as they can. Easily, their best in a long ass while.
19The Prodigy
Invaders Must Die

Alright, I don't care what anybody says, because I seriously do not get why this album has gotten so much disapproval. I mean if I saw a guy in church chomping on an aborted fetus while holding a crack pipe, and a hooker was on her knees blowing him, I'd be like "well that's pretty messed up... but at least you didn't unfairly pan Invaders Must Die." It really blends the few good qualities of Always Outnumbered, Never Outgunned with their early work, which was basically three consecutive masterpieces. What's even better than the fact that it recalls those albums is that it's waayy worth listening unto itself. Aggressive but with strong, strong groove, and it just sounds so fucking fun.

Speaking of electronica follow-ups that have taken forever but proved well worth the wait... this is some flooring progressive house. Intricate, but always with a sick beat to propel it. The hooks are seemingly endless, and the music's power seldom relents, though cleverly sets up for harder hitting tracks fairly often. If you've heard better house music this year... seriously, tell me! Fuck, man... I wanna go raving now.
Crack the Skye

I have to be honest, I flat out didn't like this album the first time I listened to it. As they say though, it's more of a grower than a shower, and it wasn't long before it snared me in with its quick flow and severely complex instrumentation. I don't care how many other douchebags like me are on this bandwagon - you give Crack the Skye a few listens, it will give you some damn-near flawless metal.
Only Built 4 Cuban Linx... Pt II

Speaking of flawless, have you heard the flow on this fucking thing? God damn. It's nonstop, and the beats are maddeningly simple, but equally maddeningly addicting. As the musical goes, who could ask for anything more?
15Dirty Projectors
Bitte Orca

Don't you love how many bands successfully tweaked up their own different brands of strange yet poppy indie? Choppy melodies, fucked up time signatures, mismatched choruses.. the fact that all this works so well is amazing as it is, without the songs themselves being amazing as well.
14The Antlers

Like Bon Iver's from last year, The Antlers' sophomore album has quite the sob story behind it. I imagine next year we'll be treated to another guy isolating himself from the world to write and record an album as well... not that I'd mind, mind you, if it's anywhere near this good. I love how Hospice's heartbreaking theme is left just flimsy enough for personal interpretation, and it's all the more powerful for it. Not to mention the lush feel, intoxicating sounds, and all that other stuff music critics say.
13Manic Street Preachers
Journal for Plague Lovers

Unbelievably rousing. Alternately energetic and moving, Journal for Plague Lovers is about as spot on as post-Blur/Oasis britpop gets. If by the time the third track has come and gone and you haven't moved once... well, you know what they say. Good thinking, because that shit kills.
12Dan Deacon

I think that probably the most impressive thing about Bromst is just how it builds on itself. The whole album flows remarkably, and each song is continually layered over with tons of sounds that should be weird but all somehow fit wonderfully. More than a few of these songs I was too mesmerized on my first listen to formulate an articulate opinion.
11 White Rabbits
It's Frightening

This one I fell in love with right away. In fact, I think it's the highest album I've ranked with the least amount of listening time, but hey - I'M STANDING BY THIS BITCH. From what I understand, Britt Daniel of Spoon produced this, which would help explain the somewhat Spoonish sound, but that's ultimately reductive. It's far better than just something to listen to while waiting for the next Spoon album; every song has such texture to it but with such apparent effortlessness, and it's a shame more run-of-the-mill indie bands don't sound anywhere NEAR this good.
10Camera Obscura
My Maudlin Career

Speaking of ungodly addicting indie pop... man, I could not let this one go for a long, long time. It sounds like it should just be derivative Belle and Sebastian wannabe shit, but.. it's just so well written, and all the elements are so cleverly woven together, it's impossible to hate. Every poppy hook and every kitschy melody against that melancholic backdrop just makes me want to fucking melt. Great fucking album.
9Fever Ray
Fever Ray

I still haven't decided whether or not I like this better than The Knife, but it's always a good sign when a solo project is neck and neck with the original group. Not only is this intricate as shit, but it's overwhelmingly atmospheric - tell me this isn't creepy ass music! I mean don't get me wrong, it's infinitely charming, I love how freakin' dark it is, but... whatever, I don't know what I'm saying.
8Animal Collective
Merriweather Post Pavilion

Yeah, I know... everybody else has already been shitting their pants over this album for nearly the entire year... so I won't get too bad with it. There's just something to be said for something so sophisticated and psychedelic to be so listenable.
7Grizzly Bear

It's kind of funny to envision what is essentially folk music to have so much stuff going on. Everything clicks brilliantly, and does so all throughout the album. This edges out Merriweather Post Pavilion for me simply because it's just so much easier to love, but still rewards repeated listens every bit as much as the former album does.
6Neon Indian
Psychic Chasms

Most placed Memory Tapes higher than Neon Indian, and I can totally understand why. But this album is just so artfully weird, it was irresistible from first listen. It sounds like eighties pop thrown into a blender, then the blender being thrown into a washing machine. Then the washing machine gets hoisted up by a tornado. You get the idea, I mean this shit is just plain WEIRD. But its pop sensibilities are so strong, everything is so catchy.. it's so abstract but so attractive, I'm surprised there aren't more people who love it as much as I do.
5Major Lazer
Guns Dont Kill People... Lazers Do

Listening to this, you wouldn't think a couple of white guys produced it; if ever they were out of their element while putting this together, you'd never know it. This stuff seriously pumps you up. It's got energy and charisma to spare, and is a great introduction to dancehall, a genre I know jack shit about. This shit makes you move, dude.. such a ridiculously fun album. It's really hard for me to imagine any non-uptight people not loving this.
4St. Vincent

I don't think there's a single indie-loving guy who's familiar with St. Vincent and doesn't have a ridiculous crush on her. Um... not me though. Never. And even if I did, her insane creativity would have nothing to do with it. Outstanding melodies with interesting instrumentation... she makes indie sound refreshing again... ahh, I sure am not smitten in the least.
3Depeche Mode
Sounds of the Universe

Yeah, yeah, I love Depeche Mode. I honestly believe that people who put this album down would be praising the shit out of it if it were some newer band and sounded ever so slightly less DM-ish. I'm not going to get into that whole game so many DM fans do, the "BEST ALBUM SINCE VIOLATOR" bullshit (because it really isn't) but my god it's still pretty fucking good. I just think it's so remarkable how after so many years they still turn out consistently good material. Everything about this album, except maybe the dumb title, is absolutely mindblowing.
2 Yeah Yeah Yeahs
It's Blitz!

You know, you hear the singles, and you think "god damn that sounds fucking good!" but you never realize just how consistently jaw dropping this is until you listen to It's Blitz! as a whole. There is not a single weak song in this tight set, and the decision to go electronic this time around was incredibly inspired. I mean, anybody could, but they make it work so so well; energetic, fun, well textured, a total knockout from start to finish.
1The Flaming Lips

Absolutely god damn stunning. Not immediately, though; when I first heard this, I didn't exactly hate it, but I was somewhat disappointed. I still liked it of course, so I kept listening to it... and it didn't just grow on me, it crept under my skin and is still there. My whole idea on why it's called Embryonic is that it is never complete to you when you first hear it, it reveals more and more of itself each time you listen, and it's almost as though the album is in a constant embryonic state in your head. Every single time you listen to it, you catch new things, certain melodies resonate more, and so on and so forth. I really can't praise this album's intricacies enough, I fucking love it. And that is my top album of the year.
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