tectactoe
User

Reviews 5
Approval 97%

Soundoffs 61
Album Ratings 5449
Objectivity 88%

Last Active 09-06-22 1:37 pm
Joined 09-24-05

Review Comments 7,289

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10.05.23 šŸ¤  tecā€™s Recs šŸ¤  Q2 + Q3 (2023) 04.06.23 tecā€™s Q1 2023 Report - 7 & Ups
03.07.23 Board Games Iā€™ve Been Enjoying Lately09.23.22 17th Sputversary | Jazz: FREE!
08.25.22 TIER LIST: Miles Davis08.03.22 TIER LIST: John Coltrane
06.27.22 Sput Political Compass Alignment04.14.22 SIGHT & SOUND: Sput Edition
04.11.22 tec's FUGAZI, Ranked12.12.21 tec's 2021 - Top 50 (100)
12.07.21 Sput's Gym/Fitness Thread10.14.21 tecā€™s NEW ORDER, Ranked
10.04.21 16th Sput-versary / Overlooked 80s Gems09.22.21 tec tiers: PIZZA TOPPINGS
07.06.21 tecā€™s HALFWAY Check-in - 202104.13.21 tec's 2021 Q1 - Top 15
04.07.21 tecā€™s KING CRIMSON, Ranked 03.31.21 tecā€™s GODFLESH, Ranked
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tec's FUGAZI, Ranked

A long time favorite of mine, and possibly the most consistently great band that I can call to mind. Not a single blemish in their catalog - not just albums, but down to the damn *songs*. Pioneers of a genre and an era that will never quite be the same. Lots of bands are indebt to the 'gazi.
7Fugazi
Steady Diet of Nothing


Overall Score | 3.41 | šŸŒ•šŸŒ•šŸŒ•šŸŒ—šŸŒ‘

šŸ„‡ Exit Only
šŸ„ˆ Long Division
šŸ„‰ KYEO

Try to imagine, if you will, a world where STEADY DIET OF NOTHING is somehow a bandā€™s ā€œworstā€ album. Seems impossible, dunnit? A testament not only to Fugaziā€™s remarkable consistency, but their generally impeccable quality, too. Every time I relisten to this, Iā€™m always taken aback at how good it is and wonder why I donā€™t rank it higher. (That is, until I relisten to everything else.) I think the ā€œissueā€ here is that it too easily slips between the cracks; with the trailblazing REPEATER on one side and a fully macerated IN ON THE KILLER TAKER on the other, STEADY DIET sometimes feels like little more than a stepping stone for Fugaziā€™s Phase Two. A robust, really good, occasionally *great* stepping stone, but a stepping stone nonetheless. The ā€œleast memorableā€ Fugazi album, too, perhaps for the same reason. But choosing a least favorite Fugazi record is like choosing the worst color M&M candy. šŸ¤·ā€ā™‚ļø
6Fugazi
In on the Kill Taker


Overall Score | 3.70 | šŸŒ•šŸŒ•šŸŒ•šŸŒ—šŸŒ‘

šŸ„‡ Smallpox Champion
šŸ„ˆ Public Witness Program
šŸ„‰ Walkenā€™s Syndrome

As previously mentioned, this has always felt like a glossier, more indulgent version of what Fugazi was trying to achieve with STEADY DIET OF NOTHINGā€”an edgier and noisier permutation of the revolution started by REPEATER, plump and dynamically obese, mostly unforgiving, and occasionally toying with a touch of harmonization, melody, and camaraderie (those hand claps in ā€œPublic Witness Programā€ - oh my!). Itā€™s merely a personal preference that I favor the slightly more dissonant, angular, experimental, and/or somber directions to which theyā€™d carry their next several albums, but thereā€™s hardly anything here I can criticize, other than *maybe* a very, very mild lack of variation, overall, when compared to the rest of their discography. But Iā€™m reaching, of course; this is pleasantly raw and rebellious in all the right ways; angry and invasive but surprisingly approachable, all said.
5Fugazi
Red Medicine


Overall Score | 3.88 | šŸŒ•šŸŒ•šŸŒ•šŸŒ•šŸŒ‘

šŸ„‡ Do You Like Me
šŸ„ˆ Long Distance Runner
šŸ„‰ Birthday Pony

This marks the pointā€”in the context of my list, not chronologicallyā€”where the albums transition from ā€œextremely goodā€ to various shades of unequivocal greatness. (And it only took us three records to get there!) Surely eyebrows will be raised as to why and/or how RED MEDICINE winds up on the bottom rung of this gradient of excellence - it, perhaps more than any other, seems to be the consensus pick for most ubiquitously agreeable and stupendous Fugazi album nowadays - and I can only sheepishly surmise: Itā€™s not that I like this *less*, per se, I just like everything else *more*. Letā€™s be honest, to dissent against RED MEDICINE in any appreciable way is to admit that your favorite flavor of ice cream is vanilla and you refuse to make love with the lights on. Any album that commences with an anthemic squall Ć  la ā€œDo You Like Meā€ is bound to be something special. Anxiety, personified. *Swoooon*
4Fugazi
13 Songs


Overall Score | 3.96 | šŸŒ•šŸŒ•šŸŒ•šŸŒ•šŸŒ‘

šŸ„‡ Waiting Room
šŸ„ˆ Bad Mouth
šŸ„‰ Suggestion

Debated on whether to split my rankings into the self-titled debut EP (which might rank a spot or two higher) and MARGIN WALKER (which might rank a spot or two lower), but it seems this compilation is widely accepted as canon now, so who am I to argue with the status quo? Itā€™s astonishing how quickly these guys hit the ground running. Obviously they all (mostly) have prior musical experience, but the pace and efficiency with which they transitioned from the crude hardcore punk sounds of Minor Threat and Dag Nasty to this now dubbed ā€œpost-hardcoreā€ā€”an infinitely richer, more complex, and (gasp!) strikingly ā€œintelligentā€ manner by which to alleviate and collectively protest against the stresses, corruptions, and malignities of the worldā€”is extraordinary in retrospect, almost unfathomable. They delivered the same raw passion and aggression as their forefathers, but with more sophistication and palatability.
3Fugazi
End Hits


Overall Score | 4.04 | šŸŒ•šŸŒ•šŸŒ•šŸŒ•šŸŒ‘

šŸ„‡ Break
šŸ„ˆ Arpeggiator
šŸ„‰ Foremanā€™s Dog

Have never, will never understand the casual undercurrent of (comparative) disrespect and general oversight this album has slowly accrued, even among the most hardcore of Fugazi fans. Iā€™ve met and chatted with people who believe that THE ARGUMENT was the album that directly followed RED MEDICINE, either completely unaware of END HITSā€™s existence or somehow programmed to repress it from their collective memory henceforth. Shame, because those people typically claim that Fugazi finished their career at their absolute peak but completely fail to see how integral and important END HITS acts as a bridge between the two aforementioned albums. THE ARGUMENT would not exist without END HITS! The term is often too saturated and overused, but I think in the context of Fugaziā€™s discography itā€™s a fair assessment to say that END HITS is their most ā€œexperimentalā€ release. Or, at the very least, their most exploratory.
2Fugazi
Repeater


Overall Score | 4.23 | šŸŒ•šŸŒ•šŸŒ•šŸŒ•šŸŒ‘

šŸ„‡ Repeater
šŸ„ˆ Merchandise
šŸ„‰ Blueprint

My relationship with REPEATER has shifted drastically over the years, unquestionably more so than any other ā€˜gazi record. High school me was unfazed and unimpressed with the albumā€™s trailblazing qualities and unmoored by the seeming lack of what I once considered ā€œmelody.ā€ After having finally grown to appreciate its place in post-hardcore history, I was still somewhat ambivalent toward its place among such an unbelievably stacked discography. But, as is the case with many of the records I now deeply cherish, the ones that take the longest to grow on you are ultimately the ones that sustain their eventually position among the top of the pile. I can only listen to the dicey energy of the title track, the propulsive ethos of ā€œMerchandise,ā€ or the atypically measured and rhythmic beats of ā€œBlueprintā€ and wonder: What the hell was younger-me thinking? Has withstood the test of time with stunning aplomb.
1Fugazi
The Argument


Overall Score | 4.45 | šŸŒ•šŸŒ•šŸŒ•šŸŒ•šŸŒ—

šŸ„‡ Cashout
šŸ„ˆ Strangelight
šŸ„‰ Epic Problem

Used to think my undying love for this album and its consistent spot at the top of my Fugazi winnerā€™s podium was heavily tethered by pure, unabashed nostalgia, as this was the first ā€˜gazi that sunk its teeth deeply into my tender, impressionable skin ca. early high school, when my predilection for angsty and rebellious music was burdened by the desire for structure, melody, some sort of atmospheric and discernible tone. Thing is, I still feel the same about THE ARGUMENTā€™s more digestible and ā€œcommercialā€ sound in the wake of every other Fugazi album hitherto, but I no longer see that assessment as pejorative. On the contrary, itā€™s astounding that the gang managed to embrace a significantly more affable and inclusive dynamic without sacrificing the insubordinate and discontented spirit upon which they were founded. To say nothing of the recordā€™s spellbinding uniformity of quality. All killer, no filler.
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