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Reviews 170 Soundoffs 167 News Articles 23 Band Edits + Tags 272 Album Edits 1,063
Album Ratings 548 Objectivity 66%
Last Active 01-01-70 12:00 am Joined 01-01-70
Review Comments 32,020
| Defrosted's AOTY 1990
You thought the madness was over and done with!? 90s tuesdays has brought me a lot of good times this year. I was 13 at the time these albums were released, so enjoy the adventures of prepubescent Dewi as he struggles to shed off his hair metal habits in order to get down wih the grunge and goth ladies. | 100 | | Biohazard Biohazard
Release date: June 30th
Label: Maze
Genre: Hardcore
Man, Biohazard were whack as fuck back in the day. Truth is they went on to release hardcore cornerstones like "State of the World Order" and "Urban Discipline", but their beginnings were rough, rough, rough. The band's debut stands on some strong albeit unmemorable riffs, but the cream of the crop is the gang rap, which has aged very, very badly. Being one of the protozoos of the nu-metal genre is enough to understand the amount of garbage that Biohazard helped to create. Truly, toxic residue. | 99 | | Cradle of Thorns Remember It Day
Release date: January?
Label: Triple X
Genre: Gothic Rock / Darkwave
Cradle of Thorns were an obscure gothic rock outfit from California that peaked with this "Remember it Day", which granted them a pass to open for a plethora of important names like Rob Zombie, Korn and... Sugar Ray (?¿) After extensive touring and 3 albums they changed their name to Videodrone and got lost in the pile of new bands of the new millenia. They are far from being the best that the genre has to offer, but if you crave some Sisters of Mercy, less inspired Fields of Nephilim this would do the trick. | 98 | | Extreme Extreme II: Pornograffitti
Release date: July
Label: A&M
Genre: Hard Rock with... funk
Extreme are probably one of the most annoying bands I've ever had the unpleasant luck to cross paths with. They really thought they were breaking ground combining funk beats with heavy riffs, I mean, "Get the Funk Out"... (facepalm) Not even Nuno Bettencourt's flourishing guitar technique could save this pretentious piece of shit from becoming an absolutely insufferable band. Or that's what I thought! Until one day, young dewi met this really hot chick, aaah young love my friends. At the time I could play stupid "More than Words" and sing it with a decent american accent, which granted me access to the heavenly doors of human pleasure at a tender age. I didn't lose my virginity, that's a story for another day, but I did touch a boob. | 97 | | Bruce Dickinson Tattooed Millionaire
Release date: May 8th
Label: Columbia / EMI
Genre: Hard rock
Bruce Dickinson is like a father to me so it pains me what I'm about to write, but I have to admit that this album is not very good. In the same year Iron Maiden presented "No Prayer for the Dying" as the follow up to my all time favorite "Seventh Son...", Bruce added some salt in the wound with this, his first solo album. Aided by who would become Maiden's third guitarist, Janick Gers, Bruce produced a blatant rip-off of AC/DC, Van Halen and god knows what else, breaking his voice in the process and leaving behind a very forgettable effort only saved by the fact that I hate Extreme's guts and that's why it's placed only one spot above them. | 96 | | Baton Rouge (US) Shake Your Soul
Release date: May 8th
Label: Columbia / EMI
Genre: Hard rock
Before Nirvana slayed hair metal, or so do the legends tell, (I think the genre just imploded) a good chunk of US bands spawned during the final years of the 80s, trying to get on the last wagon of a train that for many was already long gone. Such is the case of Lousiana's Baton Rouge, the home of prolific vocalist Kelly Keeling. In spite of being pretty decent musicians and having a few strong singles like opener "Doctor" and "Walks like a Woman", the band didn't reach the heights of other contemporaries like, for example, Winger or Slaughter. Kelly Keeling was an amazing singer, a cross between Kip Winger and David Coverdale, and later he went on to work with artists like Yngwie Malmsteen or John Norum, joining the ranks of Blue Murder or even touring with the Trans-Siberian Orchestra, but Baton Rouge ended being just a blurry memory. | 95 | | Sacred Reich The American Way
Release date: February 16th
Label: Holiday
Genre: Thrash metal
In the shadow of the "Big 4" and in the same year than 3 of them released seldom albums, the thrashers from Arizona released their second album. "The American Way" didn't have the historical weight of "Rust in Peace", "Seasons in the Abyss" or "Persistence of Time", but it did its own thing and that's all Sacred Reich aimed for. Sacred Reich's sophomore is a fun album, with plenty of riffage and great production values, closer to the ranks of Anthrax and groove metal if anything, and far from the speedy thrash made by their brethren in the Bay Area. A decent album, definitely worth checking. | 94 | | Tigertailz Beserk
Release date: November
Label: Music for Nations
Genre: Sleaze metal
Several things were wrong with Tigertailz. First of all , they weren't American, they were British, where the glam metal wave wasn't as strong as in the US' west coast. Second of all, their second album, "Bezerk", was published way too late, where the movement was already dying out. I'm actually surprised they managed to tank through with some more albums, but then again, we still have Steel Panther. The boyz had so much libido that I don't know how Pepsi Tate and co. found the time to actually write songs. That cover haunted me whan I was young. I remember seeing on a Metal Hammer issue and always wondered how would it sound. I actually managed to avoid it until I checked it last month. With a bit more of preparation, the Tailz' would have indeed been at the tail of this list. | 93 | | Winter Into Darkness
Release date: Summer (I'm not kidding)
Label: Future Shock
Genre: Doom
A lot of people is used nowadays to sit through an hour of funeral doom ala Bell Witch or Primitive Man without blinking. That wasn't the case in 1990. In the year of transitions, where hard rock, thrash, hardcore, pop and many other genres were starting to branch out into a myriad of sub-genres, some bands started playing around with extremes. Winter played extremely slow for the time, that was their goal, to be the slowest band in the planet. "Into Darkness" was released through the defunct label Future Shock and the band disbanded a year after. 2 years later, Nuclear Blast recovered the recordings plus their 89' demo and re-released everything. Nowadays, "Into Darkness" has served as an inspiration to many great names in extreme metal, and listening to the album will leave no doubt of the impact it had on the bands that came after the NY doom masters. | 92 | | Obituary Cause of Death
Release date: September 19th
Label: Roadracer
Genre: Death Metal
Floridian death metal in all its glory. James Murphy (ex-Cancer) had just left Death to join the Tampa crew. Together they forged a monster of an album. John Tardy's growls are among my favorite of the genre, and in spite of the homogenic nature of "Cause of Death" (once you heard one track you heard them all), this is a solid album. Thinking positively, if you like one song, you'll like the rest too! | 91 | | Warrant Cherry Pie
Release date: September 10th
Label: Columbia / CBS
Genre: Hard Rock
Forver cursed with the joke track Jani Lane had to write to content some label executives that weren't happy with the lack of singles on the album. "Uncle Tom's Cabin" was supposed to be the title track and theme of the album, and what a different story that would have been. But the late 80s were insatiable, and cocaine was expensive, hence "Cherry Pie" came to be, along with one of the most infamously horrible videoclips of the so-called hair metal era. | 90 | | BUCK-TICK Aku no Hana
Release date: February 1st
Label: Invitation
Genre: Visual K
Every weeb aspiring to have a smidgen of self respect needs to be familiar with Buck-Tick. Now I'm not the biggest fan of the Visual-K pioneers, but I've learned to grant them a well deserved praise. Their dark cabaret inspired rock has influenced countless Japanese bands, and their influence is well felt in top sellers acts of the country. "The Flower of Evil" is the 5th release of their fruitful career and one I wasn't familiar with. I still have mixed feelings about it, but songs like "Love Me" are really good and the album has been growing on me lately. I do love a good show, so a band with the kind of theatrics of Buck-Tick is always bound to tear through my prejudices at some point. | 89 | | Kronos Quartet Black Angels
Release date: June 29th
Label: Elektra Nonesuch
Genre: Modern Classic
Björk's version of "Hyperballad", performed with Kronos Quartet and included in her album of self-covers "Telegram" was my entry to the work of this string quartet from San Francisco. Since then, I've heard many of their collaborations with other artists, but never tackled a work of their own, well, almost of their own. "Black Angels" was composed by George Crumb in 1970 inspired, or maybe troubled, by the Vietnam war. As such, this is an unnerving record, specifically on its first minutes. There is beauty to be found, but "Black Angels" revels in its avant-garde nature, which Kronos Quartet represent with vivid detail. "Spem in Alium" is fantastic, and the second movement "Quartet No.8" is the most forgiving part of the album, but the self titled piece is quite a torment to sit through. | 88 | | Paradise Lost Lost Paradise
Release date: February 5th
Label: Peaceville
Genre: Doom
Before redefining (or even creating) the foundations for doom metal, The 5-piece from Halifax had a very humble start in the form of "Lost Paradise". John Milton's favorite doom band barely keep up with each other on this album. There's a severe lack of musicianship and the production is a mess but you know what? This album is otherwise an amazing piece of work. Nick Holmes sounds viciously evil, the snare hits like a mace to the stomach, the guitars, weaving those malicious note transitions over and over create a sense of despair while flies come out of your mo... Ok, yeah you got it. Great debut. | 87 | | The Afghan Whigs Up In It
Release date: April
Label: Sub Pop
Genre: Grunge? Alt Rock? Both? None?
The gradual change from dudes that looked like chicks to dudes that looked like didn't have a shower in a month had a few bands to blame. Mudhoney, Melvins, and many other. The Afghan Whigs were among them, practicing a brand of alternative rock that veered away from the hard rock of old that wasn't willing to die out. Dulli's lyricism and delivery wasn't like nothing his contemporaries were doing but the Whigs would still take a few albums to consolidate their identity. | 86 | | Mazzy Star She Hangs Brightly
Release date: May 21
Label: Capitol / Rough Trade
Genre: Dream pop
See that stair in the cover? It leads nowhere, more or less like this album. Just kidding; Mazzy Star, the prodigal sons of dream pop did build a base for basically every budgie-core band today but may a lightning strike me down from the sky and cleave me in two if this album, their snazzy debut, doesn't mask a what is just a more than decent folk country rock band, elevated by the media in favor of that charming creature that is Hope Sandoval. The girl's voice is incredibly alluring, specially in songs like "Ghost Highway", which is, in my most unfunded suspicion, the secret wet dream of David Lynch. | 85 | | AC/DC The Razors Edge
Release date: September 21st
Label: Atco
Genre: Good question, actually...
You can never get rid of AC/DC, they are immortal, omnipresent, and even 2020 has seen them return in full display with an impossible line-up. 1990 wasn't an exception. "Thunderstruck" was everywhere at the time, everybody knows that. What is surprising though, is that the first half is among the best material done during the Brian Johnson area, with a frenetic "Fire Your Guns", a super sticky "Moneytalks" and a very dark (for AC/DC standards) title track. Unfortunately, the rest of the album, as in many AC/DC releases, is filler after filler, only enjoyable by die-hard fans of the Aussies, with maybe the exception of "Are You Ready", which is good fun too. | 84 | | Fleetwood Mac Behind the Mask
Release date: April 10th
Label: Warner
Genre: Pop
First of, all who are these people in the cover? Who is Billy Burnette? Rick Vito? Where's Lindsey!? Mick... Mick!! What's going on!!!? Not even the shadow of Stevie Nicks (yep, she's actually here) could make sense out of this release. If I close my eyes and tell myself this is not Fleetwood Mac, but a cover band called Mickwood Flat I can actually enjoy some of the stuff here. And I say "enjoy" in the most shallow meaning of the word. "Behind the Mask" is not a terrible album per se, but one would expect much more from the band that made "Rumours". | 83 | | The Breeders POD
Release date: May 28th
Label: 4AD / Rough Trade
Genre: Slowcore / Albinicore
On paper, the project of Pixies' Kim Deal and Throwing Muses' Tanya Donelly should have been a dream come true for any grunge aficionado, more knowing that Steve Albini was behind the controls for this "Pod". I mean, a couple of tracks in and it doesn't get more Albini than this. The album has its moments, but is also quite tepid, at least musically. Nevertheless, and as everything that Kim Deal touches, the sound of The Breeders is strangely enticing, with special mention to the lyrics and Kim's delivery, which were pretty corrosive for the time. Not an album I have kept on rotation during the year though. | 82 | | Cannibal Corpse Eaten Back to Life
Release date: August 17th
Label: Metal Blade
Genre: Death metal
I don't wanna know what goes through Corpsegrinder's head when thinking about those track titles. The Florida squad's debut didn't immediately position them at the top of the genre. The story of Cannibal Corpse has been a case of persistence and longetivity. "Eaten Back to Life" wasn't a showcase of originality when it was unleashed; riffs were taken from Slayer and grinded through the vile growls of Mr. Barnes, which were imported from, you could say...Morbid Angel, for example. Still, the good thing with CC is that you know exactly what to expect, and this debut is no different. | 81 | | Sodom Better Off Dead
Release date: October 1st
Label: Steamhammer
Genre: Thrash metal
Sodom's follow up to their most succesful output "Agent Orange" just a year after didn't manage to shake the ground as much as its predecessor. It's plain to see why. "Better Off Dead" is a bit all over the place, with the Germans fired up on their usual and most welcomed speedy thrash in shots like "Shellfire Defense" and "Capture the Flag" , or letting their inherent obsession with Motörhead show in "Turn Your Head Around". Finally, let's not forget that (pretty awesome btw) cover of Thin Lizzy's "Cold Sweat". Might be too much variety for the average Sodom fan, but I felt it was good to have those light humoured tracks in between. I still gotta check the new one. | 80 | | Bjork and Trio Gudmundar Ingolfssonar Gling Glo
Release date: October
Label: Smekkleysa / One Little Indian
Genre: Jazz
Oh sweet soul Bjork, what did you get yourself into this time. Three years before the Icelandic queen broke our hearts with that sugar-coated candy overload called "Debut", and after a dubiously true debut in the 70s by her younger self, Bjork teamed up with a jazz trio to deliver this "Gling-Gló", which is... well a jazz album where Bjork sings like she would sing in any other of her albums. Bjork's not the type that would adapt to the musical environment around her, instead she makes the environment adapt to her, In this case, Bjork's performance here is as good as you would expect, but you could have deleted her tracks and the album wouldn't suffer much either. A few songs is the right amount of this, a full album is straight up indigestion. | 79 | | Pretty Maids Jump the Gun
Release date: April
Label: Columbia / CBS
Genre: Hard Rock
"Future World" was one of my favorite hard rock and heavy metal albums of the 80s but for some reason I hadn't checked this follow up. Well I know why though. Highschool happened, Nirvana happened, Metallica released the black album and I entered a whirlwind of identity confusion that only got aggravated with my first LSD trips a few years later. When it came the time to check it, during spring this year, I had very different ears, so it was nothing like that first time I heard "Future World". Who knows, back then, an album produced by Roger Glover, with the same space metal aesthetic... maybe the Danes would have had the same kind of impact. | 78 | | Sanctuary Into the Mirror Black
Release date: February 27th
Label: Epic
Genre: Power Metal
Warrel Dane (RIP) will be remembered for two things: His truly amazing hair and Nevermore. Before the latter, he fronted Sanctuary, a power metal outfit from Seattle (Washington) that served as the base for the succesful Nevermore just a year after this album. Legends say that the reason Dane left to form Nevermore was because Epic, their record label, kindly suggested they'd adapt their metal style to the grunge wave that was storming the country. I really can't say how that was supposed to work (lol!) Dave Mustaine was a big fan of them, to the point he produced their debut and helped them sign to Epic, which I guess they would regret later. The album is a metal treasure. | 77 | | Heart Brigade
Release date: March
Label: Capitol
Genre: Hard Rock / AOR
I'm pretty sure you remember that video of that chick driving at night that happens to pick up this very handsome, blue-eyed chap hitchhiking in the middle of nowhere, as rains pours down. Well, nothing short of homicide would normally come out of this situation but the happy couple ride into a motel and bang like there's no tomorrow. The man's sperm is worth of study because one shot is all he needs to have the girl present him a baby on a second random meeting, a baby carrying his same blue-lightning eyes. But here's the twist: the girl was married to another poor soul with a floppy trigger and so she just happens to ride around at night looking to get impregnated by the first stranger she can find. Great story, and one hell of a song. I don't remember the rest of the album. Oh yeah, "Estranged" is good too. | 76 | | Forbidden Twisted into Form
Release date: March 30th
Label: Combat
Genre: Thrash metal
Hailing from the infamous Bay Area, that San Francisco bastion which is home for some of the most important thrash metal bands in history, Forbidden were dead set in making something different from their peers from the moment they got together. Their brand of trash has strong influences of crossover and heavy metal, partly because of Russ Anderson's high pitch vocals. Rob Flynn of Machine Head fame was in this band during his high school years although he quit before the recording of this album. Drummer god Paul Bostaph, of Slayer, does play in this album and it's easy to hear how the man was destined for great things. Highly technical thrash, a mix between Watchtower and Death Angel, and the band's most interesting release. | 75 | | Winger In The Heart Of The Young
Release date: July
Label: Atlantic
Genre: Hard Rock
I should have put this on the list's tail cause this album is just so wrong, man. Hearing Kip Winger singing about 17 year olds haven't aged really well. "Seventeen" belongs to Winger's debut though, but as you would expect, Kip's libido didn't get any better and he displays it generously all across Winger's sophomore work with his usual pervert-approved lyricism. There's a reason I got this album here though, and that is basically "Miles Away". It's a soft spot, one of those songs linked to a time almost by accident that never fails to make me all teary and stupid. The albums includes some other really interesting tracks too, like "Rainbow in the Rose", which shows what Kip and co. are able to achieve when they focus, instead of writing songs like "Little Dirty Blonde", dick in hand. After all, they had the great Reb Beach on their ranks. | 74 | | Deicide Deicide
Release date: June 25th
Label: Roadracer
Genre: Death Metal
Deicide terrified me when I was a young mutton. The music, their imagery, it was terrifying. My family wasn't particularly catholic, although I was grown up in a Christian environment ,so seeing this gentlemen singing about communing with Satan, etc, wasn't something I felt particularly allured to. But it's 2020, and I'm hungry for knowledge, so I step into Deicide's debut expecting the holy grail of death metal. Turns out, it really wasn't. I admit that hearing Benton growl like a fucking demon is still upsetting, to say the least, and the album does its job in the riff department, but I believe this year had better options for death metal (or maybe I'm just still spooked, which is fairly possible). | 73 | | Vaya Con Dios Night Owls
Release date: April 25th
Label: Ariola
Genre: Jazz... pop?
Drop me in the streets of Brussels, drunk like a sailor about to hit the local pub for a last shot of Jenever. This album takes you places ladies and gentlemen. The voice of Dani Klein is an ethanol lullaby to my ears, for some reason, this album makes me want to drink and dance like a retired ballerina on a cabaret strip club. Arwwwwwrrrrrrrrrwwwrrr pirates!! | 72 | | The Obsessed The Obsessed
Release date: April
Label: Hellhound
Genre: Doom... Stoner?
If you have ever seen good ol' Wino speak on an interview you have noticed that he speaks unbelievably fast, which goes straight against the totality of the bands he has played in: Saint Vitus, Shrinebuilder, The Hidden Hand... The man even made an acoustic rendition album two members of Neurosis! Well, The Obsessed here were playing a particular brand of doom, not so slow, heavy and gritty as bands like Winter, or My Dying Bride, but more in the vein of Black Sabbath or what some bands like Pallbearer are doing nowadays. The Obsessed's debut is very hard to describe, more even considering the look they sold in the cover. | 71 | | Fugazi Repeater
Release date: March 20th
Label: Dischord
Genre: Post Hardcore / Punk
Of the million times I've been told to check Fugazi on this God-forsaken site, this year I actually went ahead and checked them, for real! Turns out, this is a great album, folks. Born from the ashes of Minor Threat, the legends from Washington DC have remained faithful to their cred and never signed for the big bucks. Highly critical and politically flammable, Fugazi's brand of softened hardcore must have been quite revealing at the time, when every farmer's son dreamt of leaving the crops for the big city, signing for a major label and living the dream of Sunset Strip. Fugazi showed you could do all that yourself and still have time to go back home to take care of the crops, all while doing amazing music and moshing, and having heaps of fun. | 70 | | His Name Is Alive Livonia
Release date: June 25th
Label: 4AD
Genre: Experimental Dream Pop
I guess if you combine the words 90s and dream pop on a google search, results will vary from Cocteau Twins to Mazzy Star, and after going to page 10, something that literally no one does, His Name is Alive will probably pop up. Or maybe it's just me being really ill informed, but I swear I've never heard of these guys before. There's not much I can say about them, they are from Michigan (or were?), and they are amazing. First tracks sound like some neoclassical gothic thingy, which then devolves into glory chants through noise and samples, while an acoustic tune finds its way to you. There's a lot of stuff that reminds me to the latest Eartheater (although might just be intoxication since I reviewed it not long ago), due to that mix of noise samples and acoustics and the voice of Lovetta Pippen (I think is her) dominating the album. Good find. | 69 | | GWAR Scumdogs of the Universe
Release date: May 31st
Label: Metal Blade
Genre: Punk metal thrash whatever
I remember this VHS tape I had when I was a kid. It was volume 2 I think from the Hard'n'Heavy vid magazine series, lots of rad stuff there, you can check some on YT. There was this life footage of GWAR which was absolutely fucking wild, the usual Oderus Urungus peeing on the crowd, moshing, enslavement on stage, viscera, all that stuff. They were playing this really cool song that went something like "gwar gwar gwar gwar" followed by a guitar solo... Well, the thing is, I thought it would be here but it's not, and that's extremely disappointing. This album is good fun though, nothing mind blowing, since it lacks the stage madness obviously, but it's good fun. | 68 | | Everything But the Girl The Language of Life
Release date: July 31st
Label: Atlantic / Blanco y Negro
Genre: Pop
You can't really find any caveat in anything that features Tracey Thorn's voice, her singing is just out of this world, effortless and beautiful. This is not my favorite album from them, and I went in just knowing "Driving" and nothing else. Maybe too silly jazzy compared to their 80s stuff (nothing tops "Each and Everyone"), but it's a good chill time. | 67 | | Yngwie Malmsteen Eclipse
Release date: April 11th
Label: Polydor
Genre: Hard Rock
Might not win the prize for best human being of the planet, not even best guitarist (yes yes, guitar hero, blah blah), but one thing is true, Yngwie knows how to write good tunes. I used to have a casette of "Trial By Fire: Live at Leningrade" and my God, what a collection of classics. This was released later. With Joe Lynn Turner gone I wasn't too sure about this and my hunch was partly correct. Göran Edman is a good vocalist, although he sounds like the average hard rock singer from the 70s, correct but colorless. Same goes for the songs in the album, nothing reaches the heights of "Queen in Love" or "You don't remember...", or my all time favorite "Heaven Tonight". | 66 | | Doro Doro
Release date: May
Label: Vertigo
Genre: Hard Rock
Big fan of Warlock here. Got "Burning the Witch" when I was little so Doro Pesch's voice has always been a memory implanted in my subconscious. I never followed her solo career, apart from "Force Majeure" which is an incredible album, so coming to this self titled was a bit of a gamble. There's some good stuff, like the opener, plus some embarrassing attempts of trying to reproduce the success of "All we are", and even some stuff that sounds like she's totally out of her element, but still... it's Doro! | 65 | | Riot The Privilege of Power
Release date: February 28th
Label: Epic / CBS
Genre: Heavy metal
With horns!! Riot's follow up to the all time classic "Thundersteel" sees the band led by Mark Reale experimenting with a wind section, surprisingly long interludes and less inspired stuff that the one included in what still is their best album. Some good speedy stuff, what Riot makes best, in tracks like the closer which is amazing, but not the Riot of the previous album. I mean, I have shared manly tears to "Bloodstreets". That didn't happen here. Plus... horns! No seal, either :/ | 64 | | Prong Beg to Differ
Release date: March
Label: Epic
Genre: Thrash / crossover
Like only Prong can do. You basically Prong or you don't. I can't say I feel like jamming their brand of mechanical thrash with that great dose of humour, but I always come back to it in small bursts. They are one hell of an underrated band, that's for sure, because the stuff in "Beg to Differ" was pretty unique for the time, and not even today there are many bands like them. Also, if you disagree park will haunt your shoutbox. You've been warned. | 63 | | Hellwitch Syzygial Miscreancy
Release date: December
Label: Wild Rags
Genre: Thrash
In their biography it is stated they toured a total of 4 nights in Texas. I guess that gives an idea of the magnitude of their work. It's a shame though, cause the trio excels in what they do. Thrash with blast beats and really crazy vocals. Really wild beats for 1990 and a record that probably deserves more that what it got. | 62 | | Psychotic Waltz A Social Grace
Release date: November 26th
Label: Rising Sun
Genre: Progressive Metal
You all have been fanboying about their 2020 release but I took a step beyond boys and girls, and I did it for the team. I traveled back in time to the Waltz's first album only to find that hell, they played even better then than now! The stuff in "A Social Grace" makes my head spin, really, there's so much I can take of this in one sitting, it's almost hallucinogetic stuff. Overwhelming technicality and musicianship. | 61 | | Secrecy Art In Motion
Release date: December
Label: Noise
Genre: Heavy Metal
Treading a thin line between power and thrash metal, the German outfit were one special case. They were like the pretty boys of a style used to spike covered beer chuggers. The voice of Peter Dartin is an acquired taste but he had a great sense for melodies. That combined with some really inspired riffs make this "Art in Motion", the first of only 2 albums, a very special release. Shame they didn't last long. | 60 | | Love Club Lime Twigs and Treachery
Release date: Sometime... in 1990
Label: MCA
Genre: Gothic rock
Tremendously underrated gothic outfit that released this album and vanished in the sands of time. Seriously, this is like if Siouxsee and the Banshees and The Cure had a baby and they baptized him in the blood of the 90s. They were from San Francisco, and that's all I know, so if someone from San Francisco is reading this please tell them to call. They forgot to make more albums. | 59 | | Dio Lock up the Wolves
Release date: May 15th
Label: Vertigo / Reprise
Genre: Hard rock
After leaving Black Sabbath a few years before, Ronnie James Dio, the madman goes on solo recruiting an 18 year old guitarist in the skin of Rowan Robertson (and jesus, the kid could play), the very busy Simon Wright (AC/DC) on drums, Great White's Teddy Cook on bass and releases the follow up to the all time classic "Holy Diver". The album is alright, great even if you are a die-hard Dio fan, and tracks like "Wild One" are hot but its length plays against it, with plenty of slow tracks that make it drag a little towards the end. | 58 | | Slaughter (USA) Stick It to Ya
Release date: January 27th
Label: Chrysalis
Genre: Hard rock
Mark Allen Slaughter was one of the few that managed to hop on the hair metal wagon before it derailed and crashed with the release of Nirvana's "Nevermind" in 92. Many blame the Seattle trio for the death of hair metal, but in fact, the movement was already running out of control, after years of debauchery, skidding towards its last days of glory. Slaughter had two real bangers running for them, "Up All Night", which was almost as stupidly effective as Warrant's "Cherry Pie" and the wholesome ballad "Fly to the Angels". Their most obscure songs were quite decent too, with some hiccups, of course. Laurie Ann Carr, the hottie in the cover, is now 54 years old, and after having a role in Full House, they put her back in the wheel, where she remains up to this day. | 57 | | Atrocity Hallucinations
Release date: October 15th
Label: Nuclear Blast
Genre: Death Metal
"Hallucinations" has aged incredibly well. The debut of the tech death squad is honestly impressive, a very agressive form of death metal that goes beyond what bands like Death were doing on the same year, while sounding more refined than the stuff coming from Florida. | 56 | | Cinderella Heartbreak Station
Release date: November 20th
Label: Mercury / Vertigo
Genre: Hard rock / Blues rock
The evolution of Cinderella from being the absolute princesses of the hard rock machinery to become one of the most respected bands of the genre is an interesting matter of facts. After a very succesful debut with "Night Songs" and a round-up with its follow up "Long Cold Winter", the four-piece led by Tom Keifer enters the new decade with class. "Heartbreak Station" goes light on the glam and heavy on the blues, with Keifer playing anything with strings, from guitar to mandoline, to dobro and lap steel. Cinderella's also one of the few bands of this kind to include horns succesfully, which gives their work a whole new dimension. | 55 | | The Sundays Reading, Writing and Arithmetic
Release date: January 15th
Label: Rough Trade
Genre: Pop
The opener "Skin and Bones" clicked with me instantly the first time I heard this album. That playful drum pattern, those simple guitar notes and Harriet Wheeler's highly intoxicating voice... Aaaah so good. The rest of the songs took a while to stick but at one point you realize this is really a brilliant record. They have a couple more albums, so I'm looking forward to jam when the time is right. | 54 | | Neurosis The Word as Law
Release date: August 25th
Label: Lookout
Genre: Post hardcore
Aaah humble beginnings. Even one of the best bands of the planet had rough edges . "The Word as Law" is a very aggressive, twisted and raw slab of corrupted hardcore, where the bass of Dave Edwardson feels like is gonna whip your ears through your headphones, not to mention his monstruous growls. Scott Kelly and Steve Von Till already show what they are a capable of, both on vocals and guitars, while Jason Roeder is unleashed here. A massive improvement over "Pain of Mind" and a huge step towards the album that really started to shape their sound, "Souls at Zero". | 53 | | Vangelis The City
Release date: December 7th
Label: Eastwest / Atlantic
Genre: Ambient
Evangelos Odysseas Papathanassiou had nothing to prove after giving voice to the world of Blade Runner. When going into "The City" I knew it was not gonna top said soundtrack, but I was surprised of the ability this man has to create vivid worlds, or more specifically urban soundscapes out of nothing. "The City" is an immersive listen, and the perfect warm-up for the hundreds of hours I'm about to clock in Cyberpunk 2077 as soon as my neck leaves the office today. | 52 | | Ozric Tentacles Erpland
Release date: June 25th
Label: Dovetail
Genre: Progressive rock
"Erpland" is the ultimate space rock jam of 1990. Sometimes I feel like these Glastonbury hippies have been trapped in a loophole for years just jamming it out, condemned to do it eternally. It doesn't matter which album you pick from Ozric, you'll feel you just opened the same door again and again, which is good if you actually love them. They are one of the few bands in the UK psyche rock scene that managed to traverse the 80s almost unscathed and that is worth the praise. | 51 | | African Head Charge Songs of Praise
Release date: Depends...
Label: On-U
Genre: Dub
I love albums that bring me close to cultures I'm not familiar with. The project of UK producer Adrian Sherwood and African music guru Junior Moses, along a plethora of African musicians and conspirators all over the world is a good example. I can't say I'm the biggest fan of dub music, but this album is such a trip. A psychedelic voyage through the secret beats of the southern continent that even today feels ageless. | 50 | | Mark Lanegan The Winding Sheet
Release date: May 1st
Label: Sub Pop
Genre: Singer songwriter
After a succesful run with the mythical Screaming Trees, Lanegan debuted with "The Winding Sheet", a superb collection of moody acoustic tracks that included "Where did you sleep last night", which Nirvana popularized in their emblematic MTV Unplugged performance. This stuff is one of the best things Mark has ever done, and God knows he has done a LOT. Well, that is until that track with Cult of Luna is released next year, which then will be the best thing he has ever done. Don't miss on this one. | 49 | | Slayer Seasons in the Abyss
Release date: October 9th
Label: Def American
Genre: Thrash metal
For many, the last of the good stuff. Slayer had no rival during the 80s, but come the new decade and fatigue starts to show. We are talking about years after "Seasons in the Abyss" though, this album is far from being affected by lack of heaviness, although there's a noticeable drop in ideas throughout the record. "War Ensemble" and the title track are the clear highlights, with the rest being good ol' fast chunk chunk Slayer. It never gets old. | 48 | | Stryper Against the Law
Release date: August 21st
Label: Enigma
Genre: Hard rock
At one point in their career, the Sweet bros ran out of demons and heretics to hunt. Their Christian metal axe was put to rest, and so were the yellow and black costumes. Now in Clark Kent mode, the 4-piece looked to have a break in the agonizing hard rock market with "Against the Law". They had it all to succeed: great musicians, good songs, and the eccentric voice of Michael Sweet but somehow not many Stryper fans were pleased with the change. | 47 | | A Tribe Called Quest People's Instinctive Travels & The Paths of Rhythm
Release date: April 17th
Label: Jive
Genre: Hip Hop
Only 2 hip hop albums made it to the list, and the reason is not a lack of material during 1990, but my lack of familiarity with rap in general. I love this one mostly because of the jazzy beats, and I've jammed it mostly in the background during house chores and cooking sessions. | 46 | | Nick Cave and The Bad Seeds The Good Son
Release date: April 16th
Label: Mute
Genre: Singer songwriter
I arrived to Nick Cave pretty late, it was actually when I joined the site, back in 2016. He had just released "Skeleton Tree" which is an album I still hold dear since it taught me to be open minded with artists I didn't know or styles I wasn't comfortable with. "The Good Son" has a different vibe that everything Cave has done past "Skeleton Tree", and even if the titles suggest another heart wrenching release from the pale rider, I found this record to be much more joyful and uplifting than his recent works. | 45 | | Rorschach Remain Sedate
Release date:
Label: Vermiform
Genre: Post hardcore / Powerviolence
Cheers to park, who introduced me to these guys. I reviewed it but let his words carry this one: "this album is like if one of those post apocalyptic dudes from a voivod album cover walked up to you dragging behind him a lead pipe with rail spikes through it in each hand and outta nowhere just fucking clapped your head between em
again and again
until you started shitting and cumming all over the place" | 44 | | Sonic Youth Goo
Release date: June 26th
Label: DGC
Genre: Noise rock
Feels strange to say I hadn't listened to Sonic Youth until very recently. You ask why? Look at how many hair metal and thrash albums are on this list and you will know why. A recent discussion about this being their best or not prompted a heated discussion in the album thread, where I was surprised to be the only one sporting a 4. I guess I have a long way to go with these guys. That been said, Kim's singing here is what captivated me since the first time I played it. That, and the opener. | 43 | | Death Spiritual Healing
Release date: March 13th
Label: Combat / Under One Flag
Genre: Death metal (no shit)
I think I said somewhere before that some other band was doing better than these guys... Nah, for get about it, Death actually live up to their name. This is James Murphy's last release before he went on to join Obituary for "Cause of Death" on the very same year. I've read somewhere that the band toured Europe without Chuck, who didn't want to do the tour. They just went and played with another singer. Upon their return, Bill Andrews and Terry Butler were fired from the band to no one's surprise. | 42 | | Public Enemy Fear of a Black Planet
Release date: April 10th
Label: Def Jam
Genre: Hip Hop
And the second of hip hop albums of this list. This is just irresistible. It's impossible to not bob your head to tracks like "Power to the People" or "Welcome to the Terrordome". The beats and samplings on this record are the work of a genius. Incredibly fun album from head to tail. | 41 | | Love/Hate Blackout In The Red Room
Release date: February 22nd
Label: Columbia
Genre: Sleaze metal
Another band who found their mojo too late, at the turn of the new decade. Love / Hate blew up the crowd with the title track and the single "Why do you think they call it dope", sporting a crushing sound that no other band had in their league. This is the band you would go to see when Guns'n'Roses tickets were sold out. They were obliterated by the grunge wave in no time, but this album still remains as one of the most interesting releases that the sleaze branch had to offer. | 40 | | Testament Souls of Black
Release date: September 24th
Label: Atlantic
Genre: Thrash metal
Talking about "Souls of Black" for me it's talking about "The Legacy". Not only is the thrash ballad one my favorite Testament track, it's also the only Testament track until this year I realized I had never heard the rest of the album. It's obviously good, as Testament has always been considered the 5th of the 4 big names of thrash metal (the 4th for many I believe). | 39 | | Enigma MCMXC a.D.
Release date: December
Label: Charisma
Genre: New Age
The ultimate AMSR experience before it was thing. The German producer will take you on a spiritual trip where Gregorian chants mingle with Indian rituals over a house beat. Some say he was ahead of his time, some say he was misunderstood, some slept to it forever and never got to have an opinion, but the truth is, this is one of the most relaxing albums of the 90s. Trance chill out beats perfect for studying or doing work. | 38 | | Mother Love Bone Apple
Release date: July 19th
Label: Polydor
Genre: Grunge
The bridge between the hard rock era that dominated the 80s and those new disheveled musicians doing wonders with three chords had a harbinger in Mother Love Bone. The band that brought the hard rock sound and infused it with the new sound coming from Seattle was unfortunately short-lived, due to Wood's tragic death just before the release of the album. Two members of MLB would go on to form Pearl Jam, so all was not lost in the end. "Shangri-La" is nothing short of amazing. | 37 | | Judas priest Painkiller
Release date: September 3rd
Label: Columbia / CBS
Genre: Heavy Metal
I remember being in love with that cover artwork and that killing opening monster that is the title track in my younger days. Scott Travis from Racer X brought the double kick to the band, which at the time was honestly mind boggling. Halford also left after this one to form Fight, killing the band for almost six years until they found a replacement in Ripper Owens. The album got grammy nominations and ultimately was snubbed by, obviously, freaking Metallica doing a cover. | 36 | | Lynch Mob Wicked Sensation
Release date: October 3rd
Label: Elektra
Genre: Hard rock
Fans of Dokken hadn't seen much action at the turn of the decade. That's until George Lynch formed his own version of the band with unknown superstar Oni Logan on vocals to deliver one of the most rattling hard rock albums of the year. "Wicked Sensation" is as corny as you would expect from that cover but it features Lynch at his best, while presenting a solid collection of tracks with little filler. | 35 | | Anthrax Persistence of Time
Release date: August 21st
Label: Island
Genre: Thrash metal
The forever underrated Anthrax were still going strong towards the new decade. "Persistance of Time" features some of the best material of the band in songs like "Blood" or "In My World", while featuring a killing cover of Joe Jackon's "Got the Time". The only problem with Anthrax's fifth long play is how dense the first half is, with several tracks clocking at 7 minutes and a total runtime of little over an hour. And I just remembered I had this t-shirt at some point. | 34 | | Blind Guardian Tales from the Twilight World
Release date: October 3rd
Label: No Remorse / Virgin
Genre: Speed metal
Probably the most influential speed metal band of all times. Even if this is not their first album I always considered it to be their real true first release. I am not a fan of the symphonic approach they took in later albums, but I love the rawness and speed of every track contained in this record. | 33 | | Iron Maiden No Prayer for the Dying
Release date: October 1st
Label: EMI
Genre: Heavy metal
I always wondered what the hell happened after Iron Maiden released "Seventh Son..." How can you go from releasing a heavy metal masterpiece like that, to drying up all the magic and myth surrounding their music in favour of a video featuring Bruce Dickinson jumping on a flower field, Steve Harris playing football and Nicko McBrain driving a tractor. What went wrong? What did we do to deserve this? All in all, in recent listens I have come to the realization that this album is not so bad. I hated it for a long time, but if you manage to focus while keeping in mind the sound of the previous album, sometimes it aligns to a point where it makes, more or less, sense. | 32 | | Entombed Left Hand Path
Release date: June 4th
Label: Earache / Combat
Genre: Death metal
This is an album that have remained unchecked for a long time for no logical reason, so I was really looking forward to give it a spin. It didn't disappoint. The HM-2 worship started right here, with those guitars downtuned to hell. The album has tanked so well through time that it actually made to the soundtrack of GTAIV. The song was "Drowned". | 31 | | Vixen Rev It Up
Release date: April 1st
Label: EMI
Genre: Hard rock
Vixen deserves a special mention for being one of the few "girls bands" that made it big during the 80s. Furthermore, they managed to embrace the new decade with much more class and sound than many of the other bands still struggling to catch up with the new era. Vixen had amazing songs to back them up: "How Much Love" and "Streets in Paradise" are among the best hard rock tracks of 1990 without a doubt. | 30 | | Poison Idea Feel the Darkness
Release date: Some time, some time
Label: American Leather
Genre: Hardcore punk
Late entry to the ranking, destroyed some poor hair metal band that probably no one has ever heard of. Cheers to widowslaugh for introducing me to this record. This shit is corrosive, heavy, fun, it's the perfect hardcore punk album. Turns out I already knew "The Badge" since Pantera covered it for The Crow's soundtrack. The cover was pretty great but when I heard the original... Ooook, so this is the real deal! | 29 | | Firehouse Firehouse
Release date: August 21st
Label: Epic
Genre: Hard rock
Should Firehouse had published their fierce debut a few ayears before and they would have enjoyed success for a longer time than they did. "All She Wrote" and "Overnight Sensation" are among the best hard rock tunes of the 90s, but what really boosted their popularity was the ballad "Love of a Lifetime", which I honestly don't enjoy much. CJ Snare's hyper nasal pitch could take a while to adjust to, but his vocal melodies are glue to the ears. | 28 | | Carnage Dark Recollections
Release date: March 12th
Label: Necrosis
Genre: Death metal
Before Entombed took credit for the buzzsaw sound, a certainly young Michael Ammott in Sweden was already experimenting with this sound. Carnage was a one off that later evolved to Dismember, while Ammott would go on to join bands like Carcass, and Spiritual Beggas many years later, while also being a founding member of Arch Enemy. "Dark Recollections" could have been released yesterday and you wouldn't notice. Cavernous death metal that is hard to believe it came out in 1990. | 27 | | Ur Kaos A Terrible Beauty is Born
Release date: March, I think
Label: Bauta
Genre: Avant-rock
Definitely the most obscure release of the year is this Swedish trio's third release. Imagine a less abrassive version of Daughters' latest album, a bleak, crunching take on post punk with mechanical beats and an asphyxiating atmosphere. I was surprised to see these guys have like 66 listeners on lastfm and there is almost no trace of them. | 26 | | House of Lords Sahara
Release date: August 21st
Label: RCA
Genre: Hard rock
The project of keyboard overlord Gregg Giuffria really started to shine when vocalist James Christian entered the fold. "Sahara" is a brilliant hard rock album with small dosis of prog and a fading eastern influence in the title track. It also contains a couple of covers, with "Can't Find My Way Home", originally from English supergroup Blind Faith, being the one that hit the charts. The production value of this thing is incredible. Having Gene Simmons listed as executive producer and names like Ron Keel or White Lion's Mike Tramp as background vocalists. Stellar album. | 25 | | The Sisters of Mercy Vision Thing
Release date: October 22nd
Label: Elektra
Genre: Gothic rock
I haven't got into the Sisters until very recently. "More" was the only song I had heard from them until this year. It was through the music video feuturing masked ladies singing a gospel chant on top of a gothic rock riff. The video is mesmerizing, and so is the song. I'm not gonna lie though, seeing recent live versions of the song, with a bald Andrew Eldritch struggling to get the words out has been quite depressing, but at least I am glad the rest of the album is as good as the one song I had heard of them. | 24 | | Bathory Hammerheart
Release date: April 16th
Label: Noise
Genre: Viking metal
Very different from the 80s Bathory I had heard. This album is a time machine. The production by Börje Forsberg (aka Boss, aka the father of Quorthon) wouldn't help them to win a Grammy, but it's s so harsh and sharp that it feels like nordic blizzard cutting through your face. From the moment ""Shores in Flames" starts, I feel like sitting on a drakkar sharping my axe and getting ready to pillage the burning village in front of me. Lovely album. | 23 | | Napalm Death Harmony Corruption
Release date: July
Label: Earache
Genre: Death metal
For me the real sound of Napalm Death starts here. If the Bay Area in San Francisco was churning out one great thrash metal band after the other, the same was going down in Tampa (Florida) with the death metal scene. Barney Greenway has moved from Benediction to join the ranks and his contribution is ket to the band's sound moving forward. Also, it's no surprise that the album features likes of Glen Benton from Deicide and John Tardy from Obituary on guest vocals. | 22 | | Black Sabbath Tyr
Release date: August 31st
Label: I.R.S.
Genre: Heavy metal
Not much of Black Sabbath is left in 1990. Tony Iommy keeps the band alive with superstars of the business like Cozy Powell (Jeff Beck, Blue Murder, Spirit) and Neil Murray (Colisseum II, Whitesnake) and hires an unknown Tony Martin to fill in the shoes of Ronnie James Dio. For many, this album was a disaster, not worth of the Black Sabbath name, but I don't agree. Tony Martin was an incredible vocalist, and even if the nordic theme of "Tyr" is a bit weird for Black Sabbath, you gotta think that it's 20 years since "Paranoid" and there's absolutely no reason for Tony Iommi to keep writing the same dark, heavy riffs over and over. Instead, you get a great heavy metal album, with stellar production that shows the outstanding musicianship of each of the members involved. | 21 | | Poison Flesh & Blood
Release date: June 21st
Label: Capitol
Genre: Hard rock / Blues rock
Yes, Poison. I'm as surprised as you are. In 1990, Brett Michaels and co. had toned down the make-up considerably and focused on writing good music. Yes, really good music indeed. "Flesh and Blood" pours out banger after banger, with excellencies like "Ride the Wind", "Valley of Lost Souls", "Unskinny Bop" or "Ball and Chain" to certify it. Poison showed they were more than a pool party act, and the new decade embraced them with grace. | 20 | | Alice in Chains Facelift
Release date: August 21st
Label: Columbia / CBS
Genre: Grunge
The birth of the legend. One of the most important names of the grunge tsunami foudn their way to the major leagues through a labyrinth of demo tales going around and phone calls between label executives, but eventually got the gig. Great timing for drummer Sean Kinney to record the whole album with a broken hand. Eventually, the album exploded and Alice in Chains began her road to stardom, way ahead of Nirvana who were still learning to play their instruments, just a few blocks away. | 19 | | Ride Nowhere
Release date: October
Label: Sire
Genre: Shoegaze
Ride passed through me during the 90s, never got a chance to get acquainted with them until this year. This album blew my mind from the moment that elastic bass line of "Seagull" starts, then the drum beat falls on it, reverse guitar melodies, distortion, twin vocals... aaaah shoegaze heaven, my dears. "Nowhere" is one those albums hyped on this site that deserves every bit of hype. | 18 | | Jane's Addiction Ritual De Lo Habitual
Release date: August 21st
Label: Warner
Genre: Alt rock / Psychedelic / Surf / Tacos
Juana's Adicción had nothing to worry about at the turn of the decade. Under the wing of Warner, they could have released a turd that the big bucks would come throught their contract. But they didn't, they actually wrote a hell of a record. How many covers have you heard of "Stop"? Exactly, none (or at least not a decent one). Jane's Addiction were their own thing, nothing could match the voice of Perry Farrell. But that's not all, the madmen actually went ahead and wrote stuff like "Three Days", clocking in 10 glorious minutes. In fact the whole second half is a trip under the waves, in contrast with the direct feel of the first half. A classic. | 17 | | Primus Frizzle Fry
Release date: May
Label: Caroline
Genre: Primus
It's hard to think of "Frizzle Fry" as Primus' debut cause the band is virtually flawless. Les Claypool's bass play twisted the minds of critics and fans all alike, combined with the musical prowess of Larry La Londe and Tim Alexander, the only two musicians that could keep up with Claypool's music eccentricities. | 16 | | Dead Can Dance Aion
Release date: June 11
Label: 4AD
Genre: Neoclassical
It's 1990 and the duo formed by Lisa Gerrard and Brendan Perry has dried out the well of love but still manage to release one more fantastic entry in their catalogue. Their 5th album delves even deeper into middle age music of the XIV and XV centuries, sticking as always to the darker side. | 15 | | Morbid Saint Spectrum of Death
Release date: September 2
Label: Avanzada Metalica
Genre: Thrash metal
One of the mysteries of the 90s, Morbid Saint's "Spectrum of Death". The band shots one of the most brutal thrash metal albums of the decade and then vanishes like nothing has ever happened. This record was released by a small Mexican label and re-released later by Grind Core two years later. Since then, it has seen countless re-releases by Century Media, etc. Their second album was distributed to "fans only" on cassette format (lol wut). It seems they reunited in 2009 but I have no idea if they are the same people that recorded this one. | 14 | | Clannad Anam
Release date: January
Label: RCA
Genre: New Age
I reviewed this back when I though I could review an album a day (ha!). So click on the thumbnail if you wanna read it. | 13 | | Pantera Cowboys from Hell
Release date: July 24th
Label: Atco
Genre: Thrash me...?
The messiahs of thrash for some, just a bunch of hillbillies from Texas for others, the truth is that at the time, there was nothing like "Cowboys from Hell". I was there folks, I remember hearing "Primal Concrete Sledge" and feel my head spinning with the record. Not to mention the arrow to the heart that is "Cemetery Gates", easily one of my favorite songs from ALL TIME. | 12 | | Suicidal Tendencies Lights...Camera...Revolution
Release date: July 3
Label: Epic
Genre: Crossover
I am not ashamed to admit that when I was 13 I used to air guitar a lot. Whenever I felt I just couldn't put in my head a single word more from the text book, I would abandon myself to rock'n'roll, kick the chair and air guitar that shit. The bed was my stage, the wall my audience and my mum the security guard that opened the door to find her son jumping on the bed like a fucking idiot. This album saw a lot of that, so all hail Rocky George. | 11 | | Killing Joke Extremities, Dirt & Various Repressed Emotions
Release date: Ummmm
Label: Noise
Genre: Post Punk? Industrial?
They blew my mind during my 1980 run with their incredible debut and they did it again 10 years later with this... very long title album. I can't talk much about because I got to it pretty late in the year and I wish I would have had more time with it before doing this list but Killing Joke's discography is proving to be pretty fruitful. | 10 | | Naked City Naked City
Release date: February
Label: Elektra Nonesuch
Genre: Avant-garde / Jazz
Johnnybro recently wrote a better blurb that whatever I can come up with after a 10 hour work shift and a toothache. You all know the album, you all know the man. There's nothing else to be said. | 9 | | Heroes del Silencio Senderos de Traicion
Release date: May
Label: Emi / Odeon
Genre: Gothic rock
Easily, the best Spanish rock band in history. After a breath taking debut, Héroes returns only two years later with one their best releases. "Senderos de Traición" is a gothic rock gem, limited by Enrique Bunbury's choice of singing in his mother tongue. It's a shame because Bunbury's lyricism is out of this world, same goes for Juan Valdivia delayed and echoed guitar arpeggios. In fact, this is a really powerful album with very scarce distortion. It's absolutely magical, and I thoroughly recommend it. | 8 | | Cocteau Twins Heaven or Las Vegas
Release date: September 3rd
Label: 4AD
Genre: New wave
Bro, what the fuck are Cocteau Twins saying? The meme accurately represents "Heaven or Las Vegas" in all its magnificence. The hungover of dream pop after a decade of new wave debauchery and excess. Liz Fraser could be singing in Esperanto about anthropological theories and we would all dance the same. | 7 | | Death Angel Act III
Release date: April 10th
Label: Geffen
Genre: Thrash metal
"Act III" might not be the best thrash metal release of the year. Many purists will get on my back for having this on top 10, but I basically grew up with this album. I still shiver when I listen to "A Room with a View" and I still go haywire when I jam "The Organization", or "Disturbing the Peace", or "Seemingly Endless Time". This is the pandora box of ultra-speedy riffs, with an Andrew Galeon on drums that is on fire, and Mark Osegueda making the best out of his particular voice tone. | 6 | | Fields of the Nephilim Elizium
Release date: September 24th
Label: Beggars Banquet
Genre: Gothic Rock
Two gothic rock albums on the top ten, huh? This year I started to understand where my age is taking me. Fields of Nephilim was my favorite discovery this year. Only one spin was what I needed to acknowledge how brilliant this band is. | 5 | | Angelo Badalamenti Twin Peaks
Release date: August 31st
Label: Warner
Genre: Soundtrack
Probably Rowbro could write a better blurb than me, so I'm just gonna quote that time el_newg quoted on the album thread that vid of good ol' Angelo explaining how he wrote Laura's theme with Lynch at his side. To understand this soundtrack, you gotta first, watch the damn show, and second, watch that video. | 4 | | Depeche mode Violator
Release date: March 19th
Label: Mute / Sire
Genre: Synthpop
Recent hall of famers, Depeche Mode are another band I came to know pretty late. I was familiar at the time with "Enjoy the Silence", but for hard rock obsessed young dewi, Depeche Mode were a mystery, an inexplicable stream of dark energy that was felt but somehow rejected by my simple mind. Aging sucks, but at least it helps you to appreciate all the things you missed for the most stupid reasons on your younger days, and this album is a good example. | 3 | | megadeth Rust in Peace
Release date: September 21st
Label: Capitol
Genre: Thrash metal
And here comes the hot zone. I could basically interchange the three positions with any of the following albums. I loved them all, and they were played to exhaustion during the 90s. I saw Marty Friedman the other day on Japanese national TV, as a judge for a karaoke contest. He was speaking fluent Japanese and was judging the skills of a highschool student singing some Namie Amuro song, and it just felt like crossing to the other side but... yeah. Great album. | 2 | | Queensryche Empire
Release date: September 4th
Label: EMI
Genre: Hard rock
From the 80s, the 5-piece from Seattle had an amazing progression throughout the 80s, from being a carbon copy of Iron Maiden, to creating an all time classic of progressive metal like "Operation: Mindcrime" to evolving their sound into this hybrid of AOR and prog metal. Featuring one of the most corny lyricists of all time, and also one of the most gifted voices of the 90s, Mr. Geoff Tate's performance on this album is just unbelievable. I had the pleasure to see them live some 12 years ago. Hearing"Jet City Woman", "Empire" and "Silent Lucidity" live is an experience I will never forget. I was also going through a break up, but that's a story for another list. | 1 | | King diamond The Eye
Release date: October 30th
Label: Roadrunner
Genre: Heavy metal
The king, the man the LEGEND. I would gladly call this my AOTY, with the permission of "Rusted in Peace" and "Empire", why not? After all, I do believe this is the album I've played more back in the day, countless air guitar sessions, highschool commutes, clandestine metal parties where we all had that first puff, that first sip, while the king was telling us the story of a nun being driven to madness by a malefic priest and a cursed amulet. Damn, 1990 was a good time. | |
Dewinged
12.07.20 | Do you think I will make it to 3 more AOTY lists after this one before Dec. 31st?
LET'S FIND OUT | Divaman
12.07.20 | OK, so here are the 1990 albums I rated on Sputnik. Looks like more compilation albums than anything else.
The Alarm - Standards 4.0
Peter Gabriel - Shaking The Tree 4.0
Lush - Gala 3.5
Madonna - The Immaculate Collection 4.0
Elton John - To Be Continued... 3.5
Simon and Garfunkel - Greatest Hits 3.5
Various Artists - A Very Special Christmas 3.5
The Cure - Mixed Up 4.0
The Fixx - React 4.0
Morrissey - Bona Drag 4.0
AC/DC - The Razors Edge 3.0
Cocteau Twins - Heaven or Las Vegas 3.5
Angelo Badalamenti - Twin Peaks 3.5
Rush - Chronicles 4.5
Soul Asylum - And the Horse They Rode In On 3.0
Alice in Chains - Facelift 3.0
Depeche Mode - Violator 3.5
Concrete Blonde - Bloodletting 4.0
The Bangles - Greatest Hits 3.5
Enigma - MCMXC a.D. 4.5
Fleetwood Mac - Behind the Mask 2.5
The Sundays - Reading, Writing and Arithmetic 3.0
Sinead O'Connor - I Do Not Want What I Haven't Got 2.5
James Galway - The Enchanted Forest - Melodies of Japan 3.5
Midnight Oil - Blue Sky Mining 3.5
They Might Be Giants - Flood 4.0
Ravi Shankar and Philip Glass - Passages 2.5
Revolting Cocks - Beers, Steers + Queers 3.0
Supertramp - The Very Best of Supertramp 3.0
The Go-Go's - Greatest Hits 3.5
The Waitresses - The Best of The Waitresses 3.0
Slim Whitman - Una Paloma Blanca: The Best of Slim Whitman 3.0
Renaissance Tales of 1001 Nights Volume 2 - 4.0
Renaissance Tales of 1001 Nights Volume 1 - 4.0 | naughtcturnal
12.07.20 | Totally agree about Lost Paradise. Album doesnt get enough love. Album is awesome despite its blatant flaws | Dewinged
12.07.20 | Wow yeah lots of comps Diva, also some surprisingly low ratings, like Badalamenti's or Cocteau twins'! The only one I checked and purposedly left out was that They Might Be Giants album, it was just alright for me. | Dewinged
12.07.20 | Agree naught, Paradise Lost's debut is a bit of a mess, but it also kept calling me back for some reason. | Divaman
12.07.20 | See, I don't think of a 3.5 as a low rating, though. It equals "great". | Dewinged
12.07.20 | That's also very true. | widowslaugh123
12.07.20 | Whoa shit just got weird | porcupinetheater
12.07.20 | Fuck yes, another year with a sweet Killing Joke record m/ | Dewinged
12.07.20 | widows you have no idea, @porc You know it ;) | Dewinged
12.07.20 | ooops mistakenly positioned Fugazi on 85, was meant to be higher, fixed | widowslaugh123
12.07.20 | *wipes sweat off forehead* | JohnnyoftheWell
12.07.20 | this decade is maybe the best decade if you ignore the notbest stuff, and my hopes are h i g h for the rest of the list | Dewinged
12.07.20 | Shouldn't be Johnny, my teens were a really hard time, something I have tried to mend during this year, checking the unchecked classics, but the old habits still found their way to this list, and dare I say, completely took hold of me. | Trifolium
12.07.20 | My year. 90s forever. | Dewinged
12.07.20 | ready to have your hopes crushed and buried under a pile of hair metal Trifo? | Divaman
12.07.20 | Cinderella, here we come! :) | porcupinetheater
12.07.20 | With all this hair metal/grunge talk, Mother Love Bone better be 1 just for centering that Venn Diagram lol | Dewinged
12.07.20 | You are both on point. | dedex
12.07.20 | woop woop m/
nice to see 93 here! lotsa good stuff that came out that year, hyped to see the rest | Dewinged
12.07.20 | I apologize in advance of what's coming. | Uzumaki
12.07.20 | Commenting to keep up with this beautiful progression | MyFriendMetatron
12.07.20 | This list is giving me flashbacks to the year I went from an awkward and quiet kid about to transition into highschool. Ugly phase. Lots of anxiety just thinking about it. | Trifolium
12.07.20 | If it is by your hand: of course Dewi! With gratitude! | ReturnToRock
12.07.20 | Hell yeah. The first year I was actually alive for!
Good year, too. Although I have to say, Razors is way too low. I really don't get why people say the second half is all filler. There is filler, but at least 2-3 good songs as well.
Also Dewi-San, are you putting Firehouse S/T on this list?
PS I almost got the placeholder album off eBay. | Dewinged
12.07.20 | Of course Firehouse s/t is on here lol
That's funny Meta, we should be the same age then | MyFriendMetatron
12.07.20 | Yeah I guess so. 45 this year. 5 years and then I guess I'm truly middle-aged? Middle-aged with the emotional awareness of a 10 year old. | ReturnToRock
12.07.20 | Hmm Firehouse S/T over Razors Edge?
I think I'll respectfully disagree. Both great albums though.
(Also yeah, with you being a hair metal fan I figured it'd be on here. Same with Heartbreak Station, though I'd put that below both Firehouse and AC/DC. AND, holy shit, Flesh and Blood by Poison is this year as well?! What a year for hard rock!( | Pangea
12.07.20 | Great list again dewi. So, looking at my ratings, apparently i have only listened to 2 1990 albums. oops | ReturnToRock
12.07.20 | Y'know Dewi...we could almost say that this list of yours is...
DIRTY!
ROTTEN!
FILTHY!
STINKING! | Dewinged
12.07.20 | Haha this list is my cherry 🥧 | dedex
12.07.20 | hey Dewi your phone trolled you with the list title | Dewinged
12.07.20 | Nah it's my 90s evolved self, I wonder what form would be my 2000 one | dedex
12.07.20 | oh cool then, waiting for the 2000 Dewi | Dewinged
12.09.20 | Updated! | Divaman
12.09.20 | Winger - the band that Beavis and Butt-head killed. | Dewinged
12.09.20 | lol oh yeah they got hit hard by them, poor Stuart | JohnnyoftheWell
12.09.20 | wrong Fugazi alb but gud cheque | Dewinged
12.09.20 | did they have another one released in 1990!? | JohnnyoftheWell
12.09.20 | every fugazi album came out in 1990 and anyone who tells you otherwise has never checked them | Dewinged
12.09.20 | Johnny why do you play with my feelings? :( | JohnnyoftheWell
12.09.20 | because i keep waiting for them to play back duh
be my feedbacker | Dewinged
12.09.20 | Johnny I'm married | JohnnyoftheWell
12.09.20 | no riffs! only feedback! | Dewinged
12.09.20 | Ok then, *zips down*
Updated, almost 50% down, god, this one is taking a really long time... | dedex
12.09.20 | Doro 🤟 | porcupinetheater
12.09.20 | Woah, that Love Club record sounds sweet. Pour out for the one-and-doners who know that time opens all scabs | Dewinged
12.09.20 | Love Club is a good time man, also that His Name is Alive record which should be higher smh | ReturnToRock
12.09.20 | #77: 'Great story, and one hell of a song. I don't remember the rest of the album.'
That's because the album stops being memorable after track 2. | widowslaugh123
12.09.20 | Checked 60. Really good stuff. I like all the varied instrumentation and the singer got that dramatic desperate siousxie vibe hard | Divaman
12.09.20 | To quote Beavis and Butt-head once again, "Gwar!" | combustion07
12.09.20 | Damn man you were born in 77? I kinda envy you for that. I feel like that era would've been awesome to grow up in. Some good albums here for sure | Dewinged
12.10.20 | "That's because the album stops being memorable after track 2." Hey Estranged it's pretty good too!
@Widows siouxsee worship but hell, it's good
@Comb yeah man, it was/is a sweet time | Dewinged
12.10.20 | Ok! Updated! Now we are at 50%! I'm running out of fuel with these blurbs. This and the 2000 list have a lot of gaps. | widowslaugh123
12.10.20 | Check poison idea-feel the darkness
Came out in 1990. Didn’t see it in your ratings maybe it could magically somehow find its way in the second half... | Dewinged
12.10.20 | Just looking at the cover I remember that album. I haven't heard it, jamming it right now! | Divaman
12.10.20 | Whoops! There's Cinderella. | SandwichBubble
12.10.20 | Waaaaaay too many good albums missing.
Hoping the top 50 will rectify this.
many thanks, jack defrosted | Dewinged
12.10.20 | Tell me 5 Sandbitch, I'll tell you if they are in or not | Dewinged
12.10.20 | Also pls notice this is Jack Defrosted's favorites / checked albums of 1990, not meant to be THE BEST albums of 1990. I guess we have the rankings for that. | SandwichBubble
12.10.20 | Sun City Girls - Torch of the Mystics
Naked City - Naked City
Public Enemy - Fear of a Black Planet
The Legendary Pink Dots - Crushed Velvet Apocalypse
Pale Saints - The Comforts of Madness
On second thought, this year was shit. Carry on, stay frosty. | Dewinged
12.10.20 | 2 out of 5, with one being up high.
Your knowledge never fails to impress me Mr. Bubble. Gonna peep the other 3 out of curiosity. | Divaman
12.10.20 | Curious to see how high you have the Enigma LP. And also the Concrete Blonde. | Dewinged
12.10.20 | Con... concrete blonde? | SandwichBubble
12.10.20 | Sandwich "2 out of 5" Bubble, alright alright alright
I'm gonna guess it's public enemy and naked city, but don't tell me just yet. I'll wait. | Dewinged
12.10.20 | Damn! | Dewinged
12.10.20 | Btw Widows, this Poison Idea album is insane. I will have to delete some hair metal to include it dammit. It doesn't have a review wtf... | porcupinetheater
12.10.20 | That Legendary Pink Dots record is grand, good pick Wandsich.
In other news, just jammed the Skullflower record Xaman for the first time, look at the release date, whaddayaknow. 1990.
Of the Winged, you've officially molded my self-conscious with these damned lists, merci | Divaman
12.10.20 | Um ... so no Concrete Blonde, then? | Dewinged
12.10.20 | i checked the Pink Dots and the other two, Sun City which I didnt like, and Pink Dots/Pale Saints which sound like something I'd dig if I had given it time, but time is a currency I don't have, so onwards we go!
I also checked Concrete Blonde Diva, mixed feelings, first track, hated it, second track, umm this is actually ok, third track, oh this is really cool! | Dewinged
12.10.20 | And where I did I hear that name... (Skullflower)? My memory rings quietly... | SandwichBubble
12.10.20 | "Sun City which I didnt like"
Imma so sad. Thatsa so sad.
I listed it first for a reason 😢 | JohnnyoftheWell
12.10.20 | what brand of jazzy is the EBTG song? am guessing twee, compared to Eden's starchy acrid stuff? | Dewinged
12.10.20 | You mean the album Johnny? Like poppy jazzy, like a christmas song without the tree.
Sacktwitch I know! Sorry man, I have to stay true to young Dewi, and he tells me he wouldn't have listened to Sun City in 1990. | JohnnyoftheWell
12.10.20 | Sorry, album yes lol am in midafternoon work slump territory. Need to check their early-mid stuff more | Dewinged
12.10.20 | I feel you, same here, counting the minutes to bolt out.
I have gaps in their discog too, but I remember liking a lot Amplified Heart back in the day. | aydross121
12.10.20 | A social grace! | evilford
12.10.20 | Good stuff so far! | Dewinged
12.11.20 | (Hopefully) the best is yet to come! | Divaman
12.11.20 | Like Enigma! | MyFriendMetatron
12.11.20 | God I have bad memories of a mushroom experience where I took a heroic dose. I had a college friend thought Enigma would help me relax or some such. All it did was make me want to put my head through a wall and wonder why the fuck I was friends with this guy.
I really don't like Enigma now. I really don't like that I was exposed to that when I should have just been screaming through the cosmos and not feeling leashed to the ground by that abominable noise. | Divaman
12.11.20 | Yeah, that sounds like a less than ideal time to introduce someone to Enigma. | MyFriendMetatron
12.11.20 | Yeah it's too bad. I think I would have enjoyed them if it weren't for that experience. Maybe I'll give them a roll in the future, I mean it's been 25 years. Holy fuck, it's been 25 years.
I think I'm going to go stare in the mirror for awhile instead. | Dewinged
12.12.20 | My exposition to Enigma was through countless radio airplays, so it's sort of I like it even if I didn't choose to. | Dewinged
12.14.20 | Here's 10 more, I really wanna finish this today... but cyberpunk... | MyFriendMetatron
12.14.20 | Cyberpunk. I binged over the weekend. First time in a long time where I just looked at my wife and told her she was on her own for the weekend. I've just been doing sidequests and gigs. Haven't even gotten through the first act. | Divaman
12.14.20 | My son was playing all weekend as well. In fact, I think he's still up from last night playing it. Must be pretty addictive, huh? | MyFriendMetatron
12.14.20 | Outside of the complaints it has a good sense of atmosphere, story from what I've played is enjoyable, and the gameplay is good. Gameplay is opening up more as I've played longer.
Addictive I guess might be a good word for it. Especially if you are a completionist. There's a lot to explore. | porcupinetheater
12.14.20 | Checked out that 1990s Cookies record out of curiosity, good lord couldn't make it past the first couple minutes. That thing is a bloody crime | Dewinged
12.15.20 | What? it's my AOTY!
Added 10 more, I can't believe I still have 30 to go lol | evilford
12.15.20 | Lol. Keep plugging away man, good shit
Also I sincerely hope obliveon is in top 30! Lul | evilford
12.15.20 | Also 43 killz agreed | Dewinged
12.15.20 | dude Ford, I totally missed Obliveon on my year run, so it won't be on the list. I will jam it though m/ | evilford
12.15.20 | Aw shoot haha. Ok no bigs, but I bet you'll love it, it's definitely my favorite thrash album and it's not close.
But yea regardless this list is gr8 keep going | Divaman
12.15.20 | Ah, there's my Enigma. | Dewinged
12.15.20 | I revisited it yesterday actually, still holds up pretty nicely. | Ebola
12.15.20 | great list but needs more bad religion - against the grain | Dewinged
12.15.20 | Another one I missed, although I've never been a great fan of Bad Religion, Ebola, sorry | Dewinged
12.16.20 | Only top 20 left! I'm a bit behind schedule, but I think I can still pull it off. | Dewinged
12.16.20 | I know, the anticipation for the top 10 is killing you, don't worry, I'll get on it tomorrow. Now, it's beer time! | porcupinetheater
12.16.20 | Yes, lots of hopeful high placers showed up in this here update! 16 + 11 < 3
Also hope that air guitaring isn't totally past tense. A truly timeless hobby | Dewinged
12.16.20 | I still honor the noble art of air guitar. That and masturbation never get old.
Well there it is. Top 10! I'm done, off to the 2000s! | porcupinetheater
12.16.20 | Never gets old 'cause you always get hold (I'm so so sorry)
What a swell, quality, idiosyncratic top 10. Can't thank you enough for doing these, Dewinged. These weeks really drag proper on, and genuinely look forward to these updates | Dewinged
12.16.20 | That fills me with love and strength for the other 300 blurbs I still gotta write ;) thanks porcupine | porcupinetheater
12.16.20 | As long as one of those 300 is 2000's Broadcast record!!!
It's not my favorite of the year but it's *fresh* | Dewinged
12.16.20 | Don't know it but it's good timing, tell me more! | porcupinetheater
12.16.20 | Ooh, baby, beautiful minimalist... dream pop? I guess? It's got texture, it's got emotion, it's got all time song Come On Lets Go. Butt weight! There's more! If you call now, we'll throw in their equally quietly beautiful and beautifully quiet 2005 record, Tender Buttons! | Uzumaki
12.16.20 | Nice job, Dewi! This has been a blast (so far!) to follow along with! | Dewinged
12.16.20 | Oh dude 2005 it's a long way from now. Is that Broadcast record the name of the band? I'll investigate.
Thanks Uzu! Glad to know someone is looking forward to these! | ReturnToRock
12.16.20 | Ah, THERE Firehouse are. Though I'd probably swap their position around with Flesh & Blood's, personally. Also, we're going to have to agree to disagree about 'Love of a Lifetime' - that is a Top 3 80s power ballad for me. Also the soundtrack to a txt-mance back in high school...but I liked it even before then.
10-year-old me, though, was all about ROCK ON THE RADIOOOO! | Dewinged
12.16.20 | Yeah I never got the fuzz about Love of a Lifetime. Overnight Sensation and All she wrote... That's another league. I left out a Killer Dwarfs album I hold dear but absolutely no one would care about it so kept it to myself lol | widowslaugh123
12.16.20 | Man it’s so cool to see 30 so high. That album fucks each song is a banger | ReturnToRock
12.16.20 | My top 5 songs from Firehouse S/T:
1. Love of a Lifetime
2. Shake and Tumble
3. Rock On The Radio
4. Lovers Lane
5. Any of the other songs could fit on here because damn that's a strong album! | Dewinged
12.16.20 | Cheers widows, it would probably be higher if I had more time with it. | evilford
12.16.20 | Im sure the high school student that Marty Friedman was judging sounded better than Dave Mustaine | Dewinged
12.16.20 | She was pretty good ngl, wish she had sang Eye of the Tornado though | BallsToTheWall
12.16.20 | Amazing list my dude. | evilford
12.16.20 | Ha yeah. I've just always hated his voice. Rip is a 4.5 despite megadave vox | evilford
12.16.20 | But yeah great list! | Divaman
12.16.20 | Not really a great year, imo | Dewinged
12.16.20 | What would be the best year of the 90s decade, Diva? | aydross121
12.16.20 | That Fields of Nephilim is so good. Great list, can't say I expected 1. | Divaman
12.16.20 | Offhand, I'd say either '91 or '97. It wasn't my favorite decade, though. | Dewinged
12.16.20 | Choosing a favorite decade is indeed difficult. Of my experience this year, I enjoyed, from most to least: 80s, 90s, 10s, 70s, 00s
I doubted to include 1960 this year, cause release dates are all over the place and there's not as much material or variety as other decades (loads of jazz), so I may do a special run of the 60s after all this is done, things get really interesting during the later half. | Divaman
12.17.20 | It's pretty age related. For me, it would be '70s, '80s, '60s to be sure. All of the other decades had their moments, but that's about it. | Dewinged
12.17.20 | Understandable Diva, memories are powerful judges. I grew up in the 80s, so that's where the good stuff is for me. The 90s were my teens so it was a very confusing period lol | Divaman
12.17.20 | 1991 had Nirvana's Nevermind, plus REM's Out of Time. It also had the Chili Peppers' Blood Sugar Sex Magik, Pearl Jam's Ten and Enya's Shepherd's Moon. For me, that's about as good as the nineties gets. | Egarran
12.17.20 | What an awesome year. The only '90 album I have that's not on this list is Danzig II: Lucifuge. | Dewinged
12.17.20 | I think Mother is all I heard from Danzig | Egarran
12.17.20 | Check it out, there are some definite hits on it. | dedex
12.17.20 | I'm happy to see 4 and 5 so high | Dewinged
12.18.20 | Absolute classics dexbro |
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