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| MUSIC: tec's Top 100 Songs of 2019
Yes, I occasionally listen to music, too. Here are my picks for Top 100 tracks of 2019 (not just âsingles,â but any track from any album released in 2019 is eligible). Limit is one track per release, singles notwithstanding (unless said single was later released on a full-length LP). Iâm going to release it over the course of FOUR DAYS - revealing 25 new choices each day. (So thisâll be filled out by Thursday.) Let me know where I fucked up, please! Tried to be as comprehensive as possible while also staying true to my gut feeling and my last.fm data, which is indisputable at this point.
Since Sput does not carry a full database of Singles, any cases where a song was not subsequently released on an EP or LP, I will chose a random album and denote that the song was released as a single in 2019. | 100 | | Lambchop This (is what I wanted to tell you)
>> "CROSSWORDS, OR WHAT THIS SAYS ABOUT YOU"
Haven't been too big on previous Lambchop releases - e.g. the slowcare musings of IS A WOMAN or the drawn-out alt-country vibes of DAMAGED (though I do enjoy NIXON) - but this new quasi-electronica vibe is thrilling, if somewhat strange after being so used to Wagner's usual acoustic crooning. I don't know if I could listen to this album (or even this song) ad infinitum, but it's the first time I've found myself actively returning to a Lambchop track. | 99 | | Deerhunter Why Hasn't Everything Already Disappeared?
>> âWHAT HAPPENS TO PEOPLE?â
Have gotten slight KAPUTT vibes from this albumâthis song in particularâbut with a more minimalistic, pared-down atmosphere, resulting in a lovely track thatâs not quite as transformative as e.g. âChinatown,â but is sufficiently catchy in its own, half-empty ballroom kinda way. | 98 | | JPEGMAFIA All My Heroes Are Cornballs
>> âJESUS FORGIVE ME, I AM A THOTâ
My overall feeling of ALL MY HEROES ARE CORNBALLS is more disappointment than elation, especially given the hype surrounding its release. Itâs more of a sketchbook than a fully realized piece of work (and some will argue thatâs precisely *the point*), but regardless: I always find myself coming back to this track. Short, simple, sweet, and just raunchy enough to scare your grandparents. | 97 | | Lucy Dacus 2019
>> âFOOLâS GOLDâ (released on Fool's Gold Single)
Generally averse to these readymade, quasi-acoustic, indie-singer/songwriter trappings, and Dacusâs voice even carries a lot of the same intonations weâve been conditioned to expect from this sub-subgenre. But fuck it, this is doing *something* right; something different enough that it tickles the boundaries of what I despite but never, ever crosses over. When that âHeâll blame the alcoholâ hits, I fully submit. | 96 | | Matt Maltese Krystal
>> âTOKYOâ
KRYSTAL was another album that I enjoyed well enough when I first heard it but felt very homogenous in retrospect. Rarely do I revisit it in whole. Actually, rarely do I revisit it aside from âTokyoââfunny, because itâs not like this track is drastically different than the rest, but the melody and the dual-layered vocal track strikes precisely the right nerve, and is the only song to have left a lasting impression. (And when that guitar interlude hits alongside the ride cymbal - swoon.) | 95 | | Jenny Hval The Practice of Love
>> âASHES TO ASHESâ
Thereâs something about Jenny Hvalâs voice I find actively off-putting, preventing me from really falling in love with anything sheâs ever done, capping my interest at âtolerance.â Especially when she started doing more spoken word stuff with this recent outing. âAshes to Ashes,â however, finds her at her most confident and compelling (and thus least annoying). Shame, this song deserved a better album surrounding it. | 94 | | Liturgy H.A.Q.Q.
>> âGOD OF LOVEâ
Liturgy drama and genre-transcending wankery aside, H.A.Q.Q. quickly became one of my favorite metal releases of the year in all its burst beat, glitch-wave, ivory-tickling glory. Hard to pick a favorite from itâitâs an album that works infinitely better as a complete piece of workâbut I think this is most representative of what youâre getting yourself into. | 93 | | Julia Jacklin Crushing
>> âDONâT KNOW HOW TO KEEP LOVING YOUâ
I deflected on this album for a long time, and still never totally came around to it, despite holding a soft spot for both âHead Aloneâ and âPressure to Party.â A month or so ago, Iâd have contemplated which of those songs to add to this list. But âDonât Know How to Keep Loving Youâ has recently been growing in my estimation, opting for a softer, less-abrasive surface texture. The mellowness feels earnest; another showcase of lovely restraint. | 92 | | Tennis Yours Conditionally
>> âRUNNERâ (released on Runner Single)
Lovely dream pop jam. This is what Beach House might sound like if they did cocaine and had a female singer. Wait, what? Beach House *does* have a female singer?? [Checks notecard.] UhâŚwell, you know what I mean. This single was released too lateâI wanna jam this in the warm goddamn weather. Looks like Iâm gonna have to wait âtil next year to make that dream a reality. | 91 | | Matana Roberts COIN COIN Chapter Four: Memphis
>> âRAISE YOURSELF UPâ
Love this album, had a difficult time selecting a song to include on this list, and almost omitted it completely. Itâs not merely beneficial but basically required that you listen to the album in its totality, otherwise you dilute its power and its overall effect. In the end, I decided to include âRaise Yourself Up,â though, because itâs not only the most accessible track, but the one that functions best independently. Seriously, thoughâyou shouldnât listen to it out of context too often. | 90 | | Hayden Thorpe Diviner
>> âANYWHENâ
Something about that opening piano lick and the way it sounds like you can hear fleshy fingers mashing into the keys and the padded hammers gently striking the strings inside the body. Not big on Hayden Thorpe, admittedly, but the genteel affection of this track is undeniable, and I could listen to it on repeat for eternity. Probably. | 89 | | Aaron West and The Roaring Twenties Routine Maintenance
>> âJUST SIGN THE PAPERSâ
Even as a fan of The Wonder Years, Dan Campbellâs solo project(s) have typically struck me as over-exerted and unnecessary adjuncts to something far more capable and compelling. His latest Aaron West album was fine, nothing spectacular (par for the course, I guess), but this track immediately stood out to me as the cornerstone, the piece de resistance, and might be one of the most heartbreaking, legitimately emotional things heâs written, full stop. | 88 | | Sego Sego Sucks
>> âANVIL HANDSâ
Sego picks up where Beck (shouldâve) left off, for better or for worse (sometimes both), and I almost included âNeon Me Outâ in this space because I think it embodies that notion perfectly. But âAnvil Handsâ is the superior song. With an opening lyric as cryptic yet commiserative as âslide down the razorblade into a sea of lemonade,â I mean, how could I *not* choose it? | 87 | | La Dispute Panorama
>> âANXIETY PANORAMAâ
This brand of post-hardcore, heavily modulated, spoken-word-evolving-into-screaming is normally not my thing at all, but I find myself returning to La Disputeâs latest album often enough to question what exactly theyâre doing differently to sidestep my knee-jerk repulsion. Tough choice between this and âFulton Street I,â but something about this one never gets old to me. | 86 | | Common Holly When I say to you Black Lightning
>> âCRAZY OKâ
This is as subversively twee as things can get before I retract and hurl, and while the opening melody is charming enough in a short-set-acoustic-act-at-a-rundown-VFW-hall kinda way, the unexpected eruption of amplification and distortion just past the halfway mark is precisely the jolt of energy necessary to catapult the track from âJust OKâ to âCrazy OK.â | 85 | | Vivian Girls Memory
>> âIâM FAR AWAYâ
Itâs likeâŚwhat if Sonic Youth and Joy Division fused together and produced music that was actually enjoyable? (Please donât hate me, disciples of eitherâIâm simply not a fan.) Not quite post-punk, not quite shoegaze, not quite dream pop, not quite indie rock, and often these genre dodgers are capable of scratching itches you didnât even know existed. | 84 | | Strand of Oaks Eraserland
>> âWEIRD WAYSâ
My heartland rock experience is depressingly limited, so Iâm not going to pretend thereâs anything I can accurately compare this to without sounding like a grade-A plebeian. But Showalterâs voice is uncanny, his melody classic, his rhythm familiar, and the retrograde quality that some might look down upon is exactly what I love about it. Itâs a contemporary song that reminds me why I still listen to Bruce Springsteen and Neil Young and Tom Petty. | 83 | | Avey Tare Cows On Hourglass Pond
>> âK.C. YOURSâ
âK.C. Yoursâ might be my favorite track among all of the Animal Collective side and solo projects, and the one that most reminds me of Animal Collectiveâs heyday. Not to say that a bandâs membersâ solo projects should resemble the tree from which they branchedâquite the contraryâbut Animal Collectiveâs golden years were so goddamn good that Iâll unabashedly gobble up anything thatâs even vaguely reminiscent. | 82 | | Beach Bunny Prom Queen
>> âDREAM BOYâ (released on Dream Boy Single)
The latest addition to the list, and a song that took all of ten seconds to adequately grown on me. Made me think of Jetty Bones when I first heard it, but thereâs more confidence here, a robustness that Jetty just doesnât have. Cautiously optimistic of Beach Bunnyâs upcoming album. If this is any indication, they can sure write a catchy pop hit. An album full of âem might get a bit enervating, though. Weâll see. | 81 | | Faye Webster Atlanta Millionaires Club
>> âRIGHT SIDE OF MY NECKâ
Baffles me that âJonnyâ and âKingstonâ have become this albumâs ubiquitous highlights. Theyâre fine, and perhaps if you tend toward the slower, more subdued side of modern alt-country thatâs an understandable stance. But âRight Side of My Neckâ is a perfect genre blender, and evidence that you really only need one great hook on repeat to craft an exquisite and eminently listenable song. | 80 | | Tindersticks No Treasure but Hope
>> âPINKY IN THE DAYLIGHTâ
I have trouble with TindersticksâI often fall in love with their melody, their atmosphere, and their composition, only to wince at Stuart Staplesâs blubbering vocals. This finds him at his most tolerableâdare I say actively enjoyableâand the soundscape is pristine. Transforms me on a gondola in the middle of Italy, people playing music from balconies of nearby flats. Why canât I enjoy other Tindersticks tracks this much, goddamnit? | 79 | | The Appleseed Cast The Fleeting Light of Impermanence
>> âCHAOTIC WAVESâ
The track most reminiscent of their turn-of-the-century masterpiece, MARE VITALIS. Having leapt somewhat headfirst into their post-rock influences, their latest album finds them return to their Midwest emo roots just enough to be noticeable, but not so much that you can call it a regression. (TWO CONVERSATIONS was close, I guess.) Stunning opener from an album that I honestly didnât expect much out of. Shame on me, thoughâThe Appleseed Cast rarely disappoints. | 78 | | Lightning Bolt Sonic Citadel
>> âBLOW TO THE HEADâ
When I listen to any track from SONIC CITADEL (or any individual track from any Lightning Bolt album, for that matter), I wonder why my rating isnât higher? When I listen to all the tracks in succession, though, I remember why. Thereâs a highly wearisome quality to their gritty noise-rock that makes most albums fizzle out shortly after the halfway point for me. But parsed piece by piece, Iâm always mightily impressed. This song e.g. is incredible. If it were to be the last track on the album instead of the first, however, Iâm not sure Iâd feel the same way. | 77 | | Injury Reserve Injury Reserve
>> âRAP SONG TUTORIALâ
Probably not the âbestâ song on Injury Reserveâs self-titled LP (okay, *definitely* not the best)âthatâd be âJailbreak the Tesla.â I love the conceit, though, even if itâs nothing more than a silly little gimmick. Itâs neat, itâs unique, and once the song comes to fruition, itâs actually damn good. Makes me wish it were longer, but maybe that would threaten to destroy some of the magic. | 76 | | Charli XCX Charli
>> âOFFICIALâ
Canât stand this album, canât stand Charli XCX, think âGoneâ and â1999â are two of the worst songs ever created (the latter of which was essentially on repeat at my local gym for the better part of a yearâŚmaybe thatâs why). But I canât deny the masterful simplicity of âOfficialââthe *only* song to remind with me after my one and only listen of Charliâs latest album. No coincidence that this finds her at her least forcefully edgy. | 75 | | Nick Cave and The Bad Seeds Ghosteen
>> âBRIGHT HORSESâ
Found myself less enamored with Nick Caveâs latest album than mostâunlike much of his previous work, listening to GHOSTEEN start-to-finish feels strangelyâŚdaunting (?). Paradoxically, itâs great in piecemeal, though, and while the closer, âHollywood,â is the albumâs greatest achievement, âBright Horsesâ is the track I keep on spinning. Those opening four chords are enough to send me into a frisson frenzy. | 74 | | Jungstotter Love Is
>> âLOVE ISâ
Not the kind of chamber pop I typically clamor for, though thereâs a specific restraint to much of LOVE IS that makes it more approachable, more digestible, and more down-to-earth than many of its eloquent and overly grandiose contemporaries. When those female vocals join in for the chorus of âLove Is,â my heart melts. | 73 | | Oso Oso Basking in the glow
>> âTHE VIEWâ
So good that it ensures youâll find the rest of BASKING IN THE GLOW disappointing in comparison; thatâs the inevitable death knell of putting your best song first (or second, behind the âintroâ). Nothing fancy here, and it doesnât even stray far from your typical indie pop-punk formulaic song structure, but the familiarity is warm, the melody is catchy, the chorus is anthematic, and Iâve never made it through the entire track without singing along at some point. | 72 | | Weeping Sores False Confession
>> âSCARS WHISPERING SECRET TONGUESâ
A significantly undervalued and strangely unnoticed metal release of 2019; perhaps with a name like Weeping Sores, people have trouble taking you seriously? The blend of atmospheric, trudging doom elements and shapeshifting death metal time signatures alongside an onslaught of dissonant orchestration is unlike any other metal album Iâve heard this year. And while the shtick doesnât *quite* sustain for the entire duration, it succeeds more often than not: Hereâs Exhibit A. | 71 | | American Football American Football (LP3)
>> âSILHOUETTESâ
No, American Football will never again capture the magic of their late-90s counterparts, theyâll never craft another album as perfect as LP1, and theyâll never write a song as immaculate as âNever Meant.â Those are facts. But comparing everything new they create to their maiden release is narrow-sighted at best and naively counterproductive at worst. LP3 presented a more confident fusion of their atmospheric sensibilities with the pop intonations they accrued during LP2 and the result is quite good. âSilhouettesâ is the highlight. | 70 | | Mount Eerie Lost Wisdom, Pt. 2
>> âWIDOWSâ
In its entirety, LOST WISDOM PT. 2 is simply too much disheartening slowcore to inhale in a single sitting; not without merit, but also not something I find particularly enjoyable or even beneficial. Among the lethargic pickings sits âWidows,â a breath of unbelievably fresh air, a resuscitative joltâitâs still loaded with crushingly depressing lyrics, but thereâs finally a worthy tone to go along with it. | 69 | | Chat Pile Remove Your Skin Please
>> âDALLAS BELTWAYâ
Who the fuck are these guys? This is like some three-headed, monstrous amalgam of Daughters, Joy Division, and pre-reunion Swans. I also hear a bit of Lightning Bolt, Sonic Youth, and Have a Nice Life. And, despite these influences, worn somewhat proudly on the sleeve of this energetic EP, it feels shockingly singular. The most terrifying four-track release of 2019, without a doubt; excited to see what these guys come up with next. | 68 | | Cigarettes After Sex Cry
>> âHEAVENLYâ
After falling heading over heals for Cigarettes After Sexâs self-titled 2017 release, my initial reaction to their follow up, CRY, was crushing disappointment. Not to say itâs *bad*âitâs not. But it feels like nothing more than a collection of self-conscious b-sides and cutting room sinew leftover from its far-superior predecessor. âHeavenlyâ is the one song that could (and would) fit snuggly into the CIGARETTES AFTER SEX tracklist with no issue. Just above every other song would threaten to be a notable low-point. | 67 | | Orville Peck Pony
>> âDEAD OF NIGHTâ
Took me a while to listen to thisâI put off the album for a long while on the basis that [1] Iâm not a huge alt-country fan, and [2] the cover is ridiculous. Imagine my shock (and regret, for having waiting so long) when I finally fire it up and almost immediately get chills down my spine, the chorusâs overstretched âseeeeeeeâ sending me into a metaphysical orgasm. | 66 | | The Soft Cavalry The Soft Cavalry
>> âBULLETPROOFâ
Dream pop without the dream. SoâŚjust pop? No, not really. (What Iâm trying to say: this embodies âpopâ in a way thatâs both unique and evasive. Itâs not exactly what I think of when I hear the term âdream popâ, but itâs not just generic âpopâ, either, so clearly theyâve found the line and straddled it admirably.) Anyway, this song wonât make you float or drift among the clouds or lose you in a wall of sound, but sometimes thatâs perfectly OK, because it slaps regardless. | 65 | | Schammasch Hearts of No Light
>> âEGO SUM OMEGAâ
Iâve tried several times to parse what exactly it is about HEARTS OF NO LIGHT that keeps drawing me back more than almost any other metal release this year (save for a few) and usually come up empty handed. Black, semi-melodic, avant-garde, heavy, quasi-ritualisticâitâs all those things, and somehow the resulting cocktail is headier and more intoxicating that I couldâve imagined. âEgo Sum Omegaâ is the centerpiece. | 64 | | Laura Stevenson The Big Freeze
>> âLIVING ROOM, NYâ
Didnât care for this album and donât much care for Laura Stevenson on the whole, if Iâm being honest. Something about her voice lacks conviction and when she sings, all I get is a decent-sounding but largely artificial collection of wannabe heartfelt ballads. âLiving Room, NYâ is the one exception, and of the other nine tracks on THE BIG FREEZE had even half the confidence of this one track, itâd be 2019âs masterpiece without a doubt. | 63 | | Thom Yorke Anima
>> âDAWN CHORUSâ
Briefly thought about being a somewhat subversive prick and going with âTwistâ as my ANIMA pick, but alas, I cannot allow my penchant for singularity to trump what I know in my heart to be true, and that means recognizing âDawn Chorusâ as truly the best song on ANIMA, and possibly the greatest release of Thom Yorkeâs entire solo career. | 62 | | Chelsea Wolfe Birth of Violence
>> âTHE MOTHER ROADâ
Admittedly, I love the more doom/industrial influences Wolfe showed on HISS SPUN and was a bit salty when she returned to her more subdued, gothic-rock roots with BIRTH OF VIOLENCE. But successive spins have allowed the album to really grow on me and blossom in its own way; something I appreciate just the same, but for different reasons. Had a hard time choosing between, like, four tracks here, which is a good sign. âThe Mother Roadâ is lights out, though. | 61 | | clairo Immunity
>> âBAGSâ
I liked IMMUNITY well enoughâgave it a 3.0 and would occasionally revisit some tracks from it here and there. Though âBagsâ always struck me as head and shoulders above the rest, and I was legitimately excited to add it to my Top 100 Tracks of 2019 list, thinking Iâd picked a lovely pop dark horse. But mulling over a few online publications and their lists, Iâm noticing that âBagsâ appears on almost all of them, sometimes even in the Top 10. So there goes that. Anyway, itâs a damn fine song. | 60 | | Destroyer Have We Met
>> âCRIMSON TIDEâ (released on Crimson Tide Single)
I tend to be very hit-or-miss with Destroyer, and while I love KAPUTT as much as the next audiophile, almost every other album has tracks I love and tracks I hate. If âCrimson Tideâ is any indication of the type of music and songwriting heâll be filling his new album with, however, consider me optimistic. This is the most reminiscent of KAPUTT that heâs been sinceâŚwell, KAPUTT. Maybe I should stop living in the past, but fuck itâwould anybody really be opposed to a KAPUTT PART II? | 59 | | Wilco Ode to Joy
>> âLOVE IS EVERYWHERE (BEWARE)â
Sure, ODE TO JOY is no YANKEE HOTEL FOXTROT, but what is? Shocked to see how this has been casually written off as trifling and inconsequential by so many people, Wilco diehards included. Itâs an immensely honest and heartfelt album, and it lacks the standout punches of previous Wilco releases, maybe, but every track works so cohesively toward the whole that itâd be difficult to consider that an actual fault. | 58 | | Sharon Van Etten Remind Me Tomorrow
>> âSEVENTEENâ
Another lauded pop release of 2019 that was entertaining to listen to but evaporated from my mind mere moments after the final song concluded. And like other albums of that ilk (see also: Clairoâs IMMUNITY), thereâs usually one song that wades casually atop the rest, worthy of future playlists and repeats while the rest of the album gets tucked away into the annuls of obscurity forever. On REMIND ME TOMORROW, that song is âSeventeen.â | 57 | | Perfume Genius No Shape
>> âPOP SONGâ (released on Pop Song Single)
Call it whatever you wantâart pop, ambient pop, dream pop, neo-psychedelia. Either way, itâs fucking gorgeous, itâs lush, itâs soft, itâs warm, itâs something Iâd like to wrap around myself on those cold winter mornings when you wake up and somehow the covers are all on the floor and the thermostat is set way too low because youâre broke and trying to consciously save energy (and money). Beautiful. | 56 | | Flying Lotus Flamagra
>> âBLACK BALLOONS REPRISEâ
I just love everything about thisâthe beat, the flows, the lyrics, twinkling wind chimes that occasionally peak in the background, the piercing violins, even the slightly choral refrain during the chorus. Still havenât made it through Flying Lotusâs album in its entirety; the few songs Iâve heard outside of this have been disappointing. But make no mistake, this is a fantastic hip hop single. | 55 | | Mortiferum Disgorged From Psychotic Depths
>> âARCHAIC VISION OF DESPAIRâ
DISGORGED FROM PSYCHOTIC DEPTHS quickly became one of my favorite releases of the year, embodying the slow, methodic trepidation of traditional doom metal and incising it with excerpts of quick, tightly-paced death metal blast beats and tempo variations. Itâs at once looming and manic, but it always carries with it a sense of heft and dread, as any good doom metal album should. Opening track is the best (by a nose), and my favorite part comes during the final thirty seconds, when that double-time ride cymbal comes clanking in. | 54 | | Radiohead MINIDISCS [HACKED]
>> âILL WINDâ (released on Ill Wind Single)
Very lounge act-y, and the next closest thing theyâve created to a potential James Bond theme song behind, obviously, âSpectre.â (Yes, this is significantly more suited to a Bond film than âMan of War,â to my mind.) If I had to place this on an existing Radiohead albumâŚI donât think I could. I hear snippets of almost everything from OK COMPUTER to A MOON SHAPED POOL and trust me when I say thatâs assuredly a good thing. A great thing, even. | 53 | | Alex Cameron Miami Memory
>> âDIVORCEâ
Never has marital separation and the dissolution of a holy union seemed so carefree and uplifting. I jestâCameronâs outlook on the subject is no so much âhappyâ is it is âoptimistic,â smugly so, trying to make the best of a bad situation by showing unconcern and disaffection. I get it. As heartbreaking as it is, itâs impossible not to belt along with him: âI got friends in Kansas City with a motherfuckinâ futon couch if thatâs how you wanna play it!â | 52 | | Tomb Mold Planetary Clairvoyance
>> âBEG FOR LIFEâ
Took me two spins to fully appreciate PLANETARY CLAIRVOYANCEâdunno why my initial listen didnât impress me much, but the subsequent one (and each one thereafter) has blown me away. Sludgy and doomy and just a *tiny bit* spacey, never dampening its edge but also never afraid to take the occasional atmospheric detour, either. I dunno, maybe itâs a right place, right time type of deal, but this is creeping up my list of favorite metal releases for the year. Opening track is a stunner. | 51 | | Tyler, the Creator IGOR
>> âEARFQUAKEâ
I was initially upset that IGOR wasnât anything like FLOWER BOY, but when I relisten to tracks like âEARFQUAKEâ or âNEW MAGIC WANDâ or âA BOY IS A GUN,â etc., that disappointment quickly turns to gratitude. Iâve grown to love the more R&B, contemporary synth-soul (or whatever you wanna call it) approach. We have plenty of West Coast hip hop to keep us busy. We donât have too many IGORs, though. | 50 | | Denzel Curry Zuu
>> âRICKYâ
I only have the capacity to truly enjoy one Southern/trap hip hop record every year, and this year that honor goes to Curryâs ZUU. Really, this spot couldâve gone to any of the other first four tracksââZUU,â âWISH,â âBIRDZ.â This seems to be the consensus pick, though, and Iâm inclined to agree, if only slightly: It absolutely thrums. The pulse is through the roof, energetic as hell, and catchy in that way that even on your first-ever listen, youâll be singing the chorus by the end. | 49 | | Lana Del Rey Norman Fucking Rockwell!
>> âVENICE BITCHâ
Iâm firmly in the optimistic middle-ground re Lanaâs latest album: I donât hate it (at all), but I also donât think itâs an unequivocal pop masterpiece. I think itâs really, really good. Occasionally great. âVenice Bitchâ is one example of its occasional greatness. A somewhat recursive, sprawling, self-deprecating ballad that just wafts by and lingers forever in the best way possible. When those Pink Floyd synths come in, I lose it. | 48 | | FKA Twigs Magdalene
>> âSAD DAYâ
Why is âcellophaneâ getting all the love? As ambivalent as I was toward MAGDALENE, this track is undeniable fire, some ethereal blend of synth-pop, glitch-pop, art-pop, andâŚspacey slowcore? I dunno. Hard to define, but not anywhere as self-conscious or elaborately strained as nearly every other track on the album. Sometimes simplicity is what hits the spot, ya know? | 47 | | Copeland Blushing
>> âLAY HEREâ
Iâve been a very armâs-length âfanâ of Copeland since BENEATH THE MEDICINE TREE, casually cherry-picking a few favorites from each album to carry with me evermore, usually leaving the rest behind to wisp away in the deepest pockets of my memory. Iâll likely continue that relationship with BLUSHINGâeasily their most ambition album to date, but one that still doesnât send me into a euphoric frenzy of emotional release (like it should). This track, however, will remain in my personal rotation forever. | 46 | | Cult of Luna A Dawn to Fear
>> âLAY YOUR HEAD TO RESTâ
You were expecting âLights on the Hillâ or âThe Silent Man.â Maybe even âNightwalkersâ or âThe Fall.â Anything but this, though, right? I get the strange impression that this is the albumâs weak spot for a majority of people, especially diehard Cult of Luna fans. (Is that true?) Dunno what to say, but this song just makes me wanna fucking jam. The marching drum beat, the sludgy guitars draped atop it, the stilted bursts of screamingânot quite as atmospheric as the rest of A DAWN TO FEAR, but with post-metal tendencies this deliciousâŚwho cares? | 45 | | The Harmaleighs She Won't Make Sense
>> âSORRY, IâM BUSYâ
Part of me loved SHE WONâT MAKE SENSE when it first came out, and yet each time I listen to it, it seems to grow off me just a *little* more. I fear that one day Iâll have no feelings for it anymore, but âSorry, Iâm Busyâ is one track whose staying power hasnât waned a bit, still as catchy and poppy and casually harmonious as the first time I heard it; the whispering repetition of the chorus after the bridge gives me full body chills every time. | 44 | | Ceres We Are A Team
>> âCOLLARBONE, 2011â
Tough choice between this and âMarriageââthe one-two punch to open up WE ARE A TEAM is simply fantastic, and Iâd venture to say that even if mashed-up indie-rock/Midwest emo-pop isnât normally part of your listening repertoire, you can find something to love (or, at the very least, enjoy) between the duo. While âMarriageâ is more heartfelt and striking and emotional, âCollarbone, 2011â is infectious beyond measure, a much more delectable quality when making a single-track mixtape. | 43 | | Strange Ranger Remembering the Rockets
>> âLEONAâ
I was lucky enough to be recommended this fantastic album by a friend with whom I typically discuss movies. And thank god, because Iâd have never heard of it otherwise. A bit of dream pop, a bit of indie rock, a hint of gaze, a dash of jangle, a skosh of emoâtons of familiar touchpoints, but able to blend them into an identity of its own. âLeonaâ is probably the best and most comprehensive summation of what the record has to offer. If you donât dig this, donât bother with the rest of it. (But thereâs no way you wonât dig this.) | 42 | | PUP Morbid Stuff
>> âMORBID STUFFâ
Itâs possible that I overrated MORBID STUFF after falling into a cyclic slump of crappy pop-punk recommendations, coupled with my indifference toward PUPâs previous release, THE DREAM IS OVER (which most people seem to prefer???). But every time I toss it on with the intention of listening to a song or two, I end up listening to the whole damn thing. Couldâve picked nearly any song from it, honestly, but the opener is perfectâshort, sweet, energetic, and oddly funny: âI was bored as fuck / sitting around and thinking all this morbid stuff / like if anyone Iâve slept with is dead.â | 41 | | Palehound Black Friday
>> âAARONâ
I heard both âAaronâ and âKillerââtwo songs I absolutely adoreâentirely out of context, which lead to utter disenchantment upon finally spinning BLACK FRIDAY and finding that no other song was even half as great as those two. (Many of them leaning toward actively grating, if anything.) But fuck itâIâm thankful for âKillerâ (which could almost be swapped in for this at a momentâs notice) and âAaron,â their echoey, hum-drum vibe, and the aching falsetto that traverses them. | 40 | | Caroline Polachek Pang
>> âDOORâ
As you can see, this list is full of albums to which my overall feelings are totally lukewarm aside from a clear standout that sweeps me elegantly off my feet and carries me over the threshold with confidence and glee. PANG was remarkably fine and nothing more. I wish I could tell you I enjoyed every track on it as much as I enjoy âDoor,â but thatâs simply not the case. This is a contemporary art-indie electropop triumph, and that chorusâwhich is little more than the word âdoorâ repeated in excess under heavy intonationâwill haunt my dreams for eternity. In a good way. | 39 | | Chromatics Closer to Grey
>> âON THE WALLâ
The hardest decision of this entire list mightâve been whether to include âOn the Wallâ or âYouâre No Goodâ as my CLOSER TO GREY pick. Two amazing synth/dream-pop tracks that succeed for two completely different reasons. I went with the former, not because I am a faux-arty wanker who prefers longer tracks, but the ambient qualities are astounding, mesmerizing, and when the droning drops out in the last two minutes and regains steam under a slightly new, softer melody, it drives me wild. | 38 | | Jay Som Anak Ko
>> âSUPERBIKEâ
Thereâs something about the way Duterte sings âsomebody tell meeeeeeâ during the first two verses that makes me melt in such a way that the rest of the song could suck ass and Iâd still love it anyway, solely based on that one miniscule detail. Fortunately, the rest of the song doesnât suck. At all. Lovely dreamy/jangle melodies cascaded front-to-back and supplemented with an awesome back-end guitar solo. The kind that warrants momentary catharsis. What a track. | 37 | | Michael Kiwanuka Kiwanuka
>> âHEROâ
Jesus Christ, this is so fucking nasty, so fucking groovy, so slick, sleek, cool, leathery, buttery, silkyâwhatever other succulent adjectives you can think of. I wanna pull it toward me and take a bite out of it. That flanged, high-neck guitar riff tickles me pink, and Kiwankuaâs soulful repetition of, âam I hero, am I a hero now?â is something I could listen to on repeat for days. Maybe months. | 36 | | Freddie Gibbs and Madlib Bandana
>> âCATARACTSâ
Iâm one of the (few) weirdos who thinks PIĂATA is merely âokayâ and severely overrated, so I was pleasantly surprised by BANDANA (and yes, I think itâs superior in just about every way). Lots of tracks to pick from here, but I think âCataractsâ has the smoothest beat, the best flow, and the chorus thatâs easiest to latch onto. If I didnât know any better, you could convince me that this was from the early 00s. Not sure if thatâs a good thing or notâŚbut I think it is? | 35 | | Nilufer Yanya Miss Universe
>> âHEAVYWEIGHT CHAMPION OF THE YEARâ
I just love love love the build-up of this entire song. It teems with untapped energy, right from the beginning, that staccato chord picking and stilted singing/moaning merely a harbinger of whatâs to come. The song ramps up and cool down several times before finally exploding with just under a minute left - full drums, amplified guitars, backing vocals, synthesizers - and that final fifty-some seconds is pure, unfiltered bliss. Even once it settles down again to close things out. | 34 | | Have a Nice Life Sea of Worry
>> âTRESSPASSERS Wâ
Apparently Fantano just gave this album a 3/10âis he fucking nuts? Yeah, itâs no DEATHCONSCIOUSNESS, and it lacks the industrial experimentalism of THE UNNATURAL WORLDâŚbut âstraightforwardâ Have a Nice Life (which is the best way I can describe SEA OF WORRY in laymanâs terms) is still pretty fucking good, and âTrespassers Wâ is an amazing example of that. Almost post-punk, somewhat gazey, with a lingering post-rock tendency behind it; I get a hint of R.E.M., too, mostly in the vocal delivery and the unraveling of the âchoruses.â I dunno. I love this album and I love this track. (âDracula Bellsâ and âScience Beatâ would probably be my next picks.) | 33 | | Big Thief U.F.O.F.
>> âCONTACTâ
I had to choose âContactâ because it was the exact moment I fell in love with Big Thief. U.F.O.F. was the first album Iâd heard from them. I remember the dayâit was, like, 90° outside, I was taking my son for a walk in his stroller around the neighborhood listening to music, and I decided to give U.F.O.F. a shot after it appeared on RYMâs top 2019 charts. I was already jiving heavily with the slow neo-psychedelia of the opening stanzas, but when Lenkerâs nerve-shredding scream pierced through toward the end, I was sold on these guys completely. | 32 | | Angel Olsen All Mirrors
>> âLARKâ
Problematic for the fact that âLarkâ is far superior to every other track on ALL MIRRORSâand yes, I realize how many people here will vehemently disagree with that assessmentâsuch that Iâm never able to make it past the opener. I just press âprevious trackâ and end up listening to âLarkâ six or seven times before moving on to something else. (No, ALL MIRRORS isnât bad, Iâm being a bit hyperbolic here, but seriously, this track is a godsend among a slew of rather average indie/art pop tracks.) | 31 | | Purple Mountains Purple Mountains
>> âTHATâS JUST THE WAY THAT I FEELâ
It wasnât until my third (?) listen of PURPLE MOUNTAINS that it finally grabbed meâI mean *really* grabbed meâBermanâs shaky vocals turning into tender confessionals and scattered poeticism across a landscape of mellow barre chords and soft hi-hat taps. The lyricism is too good to ignore, and in retrospect of the subsequent tragedy, almost frighteningly foretelling: âWhen I try to drown my thoughts in gin, I find my worst ideas know how to swim.â | 30 | | Jai Paul Leak 04-13 (Bait Ones)
>> âSTR8 OUTTA MUMBAIâ
I found the odd (re?)-release of BAIT ONES mostly just annoying, and the unfinished, unpolished tone of the âalbumâ not endearing but silly. Itâs not, however, without its share of hidden gems, the brightest of which is âStr8 Outta Mumbaiââsomething about those opening lap drums, staggered beat, and steely synthesizer tosses me into throes of passion, and itâs like the rest of the world ceases to exist for three minutes as Iâm trapped in Jai Paulâs wonky, mamborific, chillwave wall of sound. And those âooo-oo-oo-oo-oohsâ, dear lord help me! | 29 | | Black Country, New Road Sunglasses
>> âSUNGLASSESâ
Dunno what else to say about this nearly-nine-minute behemoth other thanâ*it fucking rules*. Hints of post-punk, trembling verses, almost approaching no wave at some points, then thereâs a strangely melodic streamline of trumpets at one point, the lyrics are tragic and hilarious and intelligent and they traverse from spoken word to borderline yelping (and the trumpets follow suit, descending into a blaring wall of noise). By the time the second verse hits, it sounds like a completely different song. Plainly, simply, goddamn awesome. | 28 | | Jamila Woods Legacy! Legacy!
>> âGIOVANNIâ
The confidence and undeterred power in Jamila Woodsâs voice is unmistakable, and something gives me the feeling itâs not simply âfor show.â After listening to LEGACY! LEGACY! I was left with the impression that sheâs someone you absolutely donât wanna fuck with. But sheâs capable of veering toward her softer, somewhat sentimental, down-to-earth side on a whimââGIOVANNIâ is perhaps the best balance of those two modes. Softness and badassery all rolled into one. The beat is simply unctuous, too. | 27 | | Lingua Ignota Caligula
>> âFRANGRANT IS MY MANY FLOWERâD CROWNâ
From what might be the most divisive album of 2019, I chose those this five-minute piano/vocal duet over any of the steamrolling rage-fests because I think it most adequately captures the teeter between beauty and malformity that exists within the entirety of CALIGULA. Ostensibly elegant but lyrically grotesque, it creates a squirmy juxtaposition between allure and repulsionâone of the things I found so arresting about the album when I first heard it. | 26 | | Vampire Weekend Father Of The Bride
>> âUNBEARABLY WHITEâ
To say FATHER OF THE BRIDE was disappointing would be an understatement (depending somewhat on how you felt about Vampire Weekendâs previous releases, I guess): Strangely conventional, overlong, and mostly boring, almost dipping into a strange form of self-parody. But, if nothing else, it gave us âUnbearably White,â easily one of the best songs theyâve conjured up, and for that silver lining we should be at least partially grateful. Nearly an hour of mediocrity for five minutes of blissânot the best efficiency, but sometimes themâs the breaks. | 25 | | Mgla Age of Excuse
>> âAGE OF EXCUSE IIIâ
The first black metal album I feel in love with this year, and it shouldnât have come as a surpriseâMgla is nothing if not consistent. So consistent, in fact, that several long-time listeners claim AGE OF EXCUSE to be a rehash of EXERCISES IN FUTILITY, but I have no such complaints. They have a formula that works, they have a very specific sound theyâve garnered and honed, and they operate slyly within the parameters of âblack metal,â but theyâre so goddamn good at it that the thought of full-blown deviation is scary. I dunno, Iâm not even a huge metal-head and I can effortlessly tell the tracks on this apart from any previous Mgla album. âIIIâ is the best of the bunch here, but they all slap. Hard. | 24 | | The Comet Is Coming Trust in the Lifeforce of Deep Mystery
>> âBIRTH OF CREATIONâ
I love the contemporary 2001: A Space Odyssey aesthetic that these guys have erected, and to say the music is befitting of their galactic pretense would be underselling it. I knew what this album was gonna sound like before I ever listened to it, and yes it is every bit as lovely as I imagined in my head. Part psychedelic, part spiritual, part electronic, and jazzy beyond all measure, the ambience constructed in âBirth of Creationâ is nothing short of amazing. I lose myself in this track every time it comes on. | 23 | | Mannequin Pussy Patience
>> âDRUNK IIâ
Hesitant to listen to this for a while because of the groan-worthy, edge-core name. But I made that same mistake with Cigarettes After Sex, who released one of 2017âs best albumsâŚso Iâm glad I eventually gave PATIENCE a shot, because *wow*. Takes the sensibilities of emo records and lyrics and tosses them into a whirlwind of harsh indie rock, wonderfully gruffy belts of angst and pain, and just the slightest undercurrent of melody to tie everything together. Itâs the kind of album thatâs catchy without being *ostensibly* catchyâŚIf that makes sense. âDrunk IIâ is the clear winner, but it really does work better in the context of the whole album. Give it a shot. | 22 | | Danny Brown uknowhatimsayinÂż
>> âDIRTY LAUNDRYâ
After blowing minds with the unconventional experiment called ATROCITY EXHIBITION, Danny dialed it back in 2019 and gave us something a bit more orthodox and traditional, which many have cited as âuninspiredâ and âboring.â Easy now. While itâs not as avant-garde as its predecessor, with chops like Danny it neednât be. The man proves that even as heâs rapidly approaching his forties, heâs capable of giving us the best of both hip-hop worlds: The Cubism and The Conservativism. And as long as he isnât gumming up the works with tailormade radio hits (which heâs not), Iâm fine with whatever he gives us. | 21 | | Durand Jones and The Indications American Love Call
>> âMORNING IN AMERICAâ
Lost count of the number of times this comes up on shuffle and I end up hitting âprevious trackâ four or five times after it ends before going on about my day. It might be the biggest earworm of everything on this list. My wife hates when I blast Spotify in the house and is often willing to badmouth music just to make a point. This came on the other day andâafter she initially complainedâshe was humming the chorus aloud, hours later as we were eating dinner. After hearing it once. This is contemporary Chicago soul at its finest. Look out for that bluesy, crunch-filled guitar solo at the end - *swoon*. | 20 | | Bon Iver i,i
>> âNAEEMâ
It wouldnât be a total stretch to say Iâm more appreciative of Vernonâs exploratory tendencies than truly enamored with them, but both 22, A MILLION and I,I have steadily grown on me since their respective releases, and now a handful of cutsâlike âNaeemââIâd rank right alongside the best of FOR EMMA or his self-titled release. This is an instant grabber, right from the opening piano phrase, almost choral, very spiritualâVernon yelling âIâm having a bad baaaaad tokeâ might be my single favorite moment in Bon Iverâs discography. The gradual crescendo sneaks up on you until youâre weeping nearly four minutes later. | 19 | | The National I Am Easy to Find
>> âQUIET LIGHTâ
I donât remotely think I AM EASY TO FIND is the steamy chunk of shit that many others do, but itâs my least favorite since SAD SONGS at leastânot for lack of quality, but The National have trended toward a very safe homogeneity that, when coupled with the unnecessary interludes and comparatively long runtime, makes the album drag quite a bit. Itâs still enjoyable, but it operated better as a random collection of songs than a cohesive entity. All that said, âQuiet Lightâ is mesmerizing, and one of the two tracks that feels very reminiscent of the splendid transitional period between TROUBLE WILL FIND ME and SLEEP WELL BEAST. Absolutely sublime. (The other track is âRylan.â) | 18 | | Epic Beard Men This Was Supposed To Be Fun
>> âHOURS & MINUTESâ
What a goddamn fun song this is. (No coincidence, then, that the album is titled THIS WAS SUPPOSED TO BE FUN, eh?) Killer bass line, slick beat, well-timed flows, and something about both B. Dolan and Sage Francisâs voices sound like melted butter to my ears. When that trumpet like joins in during the first verse, I can feel my slacks get tighter. Could just as easily included âPistol Daveâ or âShin Splitsâ or several others hereâthis whole album is a good time, and the high energy weaves through every single track. | 17 | | Big Thief Two Hands
>> âSHOULDERSâ
I know what youâre thinkingââNot âNotâ?â Correct. This is indeed not âNot,â not to say Iâm not in love with âNot,â but âNotâ is certainly not my favorite track on Big Thiefâs second stellar 2019 album. (The superior one, at that.) âShouldersâ may not be as epic and downright gritty as âNot,â but itâs not without its roughened edgeâthe way Lenker yowls that second chorus - ââŚand the blood of the man whoâs killing our mother with his hands is in me! Itâs in me, in my veins.â - will haunt my dreams (and possibly nightmares) as long as Iâm alive. The somewhat upbeat melody juxtaposed with dark subject matter makes for a highball of arresting uncertainty. Absolutely stunning track. | 16 | | Kai Whiston No World As Good As Mine
>> âII - BEAUTIFUL LOSERSâ
Take this as my personal recommendation for Kai Whistonâs NO WORLD AS GOOD AS MINEâan album I hate recommending to people at whimsy because when rebutted with âwhat kind of music is it?â I have no idea how to respond. Electronica? UK bass? Part dub, part experimental art rock? Deconstructed club? Symphonic ambient? Post-rock? A Long Island iced tea of all that (and then some), itâs difficult to pick a single track because the record functions so marvelously as a singularity, but I keep coming back to âBeautiful Losers,â for that beautiful opening melody and the way it transforms into something completely different (but equally harmonicâŚand melancholic) just past the halfway mark. | 15 | | Vukari Aevum
>> âABRASIVE HALLUCINATIONS (REALITY HEMORRHAGING)â
If youâve wandered into just about any Sputnik topic Iâve been a part of, thereâs a good chance youâve seen me not-so-casually recommend Vukariâs AEVUM to someone who wasnât even asking, simply because I think itâs the best metal release of 2019 and, as much as I love SUNBATHER, takes its weakest parts and smooths them over with a piece of sandpaper, a splash of blast beats, and an overarching thread of doom. As with any great album, all the songs could be considered a standout, but I always lean toward the openerâit serves as a comprehensive summation of what awaits, complete with manic, pulsating blast beats; clean, down-tempo guitar sustains; and a whole lot of growling. | 14 | | Quelle Chris Guns
>> âOBAMACAREâ
Exquisite from all angles. The trickling piano melody, the occasional xylophone, the slow and method beat, and Chrisâs devil-may-care style of rapping. (Am I the only one catching hardcore Mobb Deep vibes from this?) Lyrically clever without sacrificing flow or song structure, GUNS took me by surprise and immediately launched Quelle Chris to the top of my hypothetical âartists to look out forâ list. Favorite wordplay: âHo-shit insured, sucker-proof, no deductible / Good neighbors with state pharmaceuticals by the bucketloads.â Fuuuuuuck me. | 13 | | Swans Leaving Meaning
>> âTHE HANGING MANâ
Swansâs latest was met with a ton of deference and ambivalence, not just from the people whoâve always hated Swans and their most recent formula for post-rock, drone-esque, thirty-some minute jam sessions, but even long-time fansâŚwho *love* those post-rock, drone-esque, thirty-some minute jam sessions. But this is a band thatâs known for molting and starting anew. Going into this free of any expectation yields a much more rewarding experience: One full of ethereal tones and almost angelic posturing, lacking the crescendos of THE SEER and TO BE KIND but supplementing with layers upon layers of timbers and textures and nooks and little pockets of harmony. Itâs the most laid-back Swans album since maybe LOVE OF LIFE, but whyâs that a bad thing? âThe Hanging Manâ is a personal favorite, but âPhantom Limbâ and âSunfuckerâ are essentially swappable. | 12 | | Blood Incantation Hidden History of the Human Race
>> âGIZA POWER PLANTâ
And hereâs my favorite metal track of 2019. After not adhering to STARSPAWN the way Iâd hoped, I was cautious of the huge hype cloud surrounding HIDDEN HISTORY which, after waiting until the official release to spin, far surpassed any subconscious expectations I mightâve had. The albumâs under forty minutes long and should be inhaled all at once for the best possible experience, *but* this list of mine would be incomplete without âGiza Power Plant.â Traditionally gruff and grimy death metal with massive kick drums, reverberated growling, tasty riffing, pinched harmonics, a thudding bass line, and a face-melting guitar solo - all within the first ninety seconds. From there, weâre treated to a neo-psychedelic, outer-spacey interlude that could very well be the catchiest phrase to come out of a metal song in the past few years. This song is a journey. Approach it as such. | 11 | | Hatchie Keepsake
>> âWITHOUT A BLUSHâ
KEEPSAKE fucked me up. It was like this delicious menage a trois of Cocteau Twins, Ride, and Mazzy Star that added just a dash of Carly Rae Jepsenâs retro-pop sensibility. A deliriously catchy anthology of dreamy pop that was neither cloying nor abrasive, balancing the walls of sound and its audible harmonies with max adroitness. Iâve often said that the run of four tracks to open the record is one of the best in recent memoryâany of those songs couldâve earned this spot, but âWithout a Blushâ has proven to be the most timeless selection, and the most agreeable juggling act between the mĂŠlange of influences happening. That chorus is fucking incredible. | 10 | | Yeule Serotonin II
>> âPRETTY BONESâ
The most blissfully celestial track of the year; glitchy, poppy, dreamy, and even euphoric, just enough sugar to register as delicate sweetness without diving into full-blown saccharinity. This song is like walking through a gossamer of cotton candy clouds with fragile forest animals gently nibbling at your ankles. There are nights when I just want to listen to this on repeat and stare up at the sky. A transportive soundscape for the mind, an abstract ticket into the beautiful unknown. If I loved every song on SEROTONIN II as much as I love âPretty Bones,â Iâd be my album of the decade, unquestionably. | 9 | | clipping. There Existed an Addiction to Blood
>> âLA MALA ORDINAâ
My favorite hip hop track of the year, from what could very well be my favorite hip hop album of the year. My attraction to this conceptual, borderline-horrorcore rap album was nearly instinctual, and of all its slimy greatness, âLa mala ordinaâ remains the song most capable of giving me goose bumps at a momentâs notice. Just that opening stanza makes my skin crawl: âThe bags on the table ainât for weight, they for body parts / Victim skin stretched across the wall, call it body art / Bodies for the pile, bring âem out stacked on a dolly cart / Anyone out there ainât on drugs yet, they should probably start.â The way it descends into a grueling onslaught of harsh noise is *chefâs kiss* - a perfect end to this haunted house. | 8 | | Taylor Swift Lover
>> âCORNELIA STREETâ
Deserving of a spot in the Top 10 because [1] outside of 1989 and about half of RED, Iâm not a huge T-Swift fan, and [2] this is the greatest piece of music sheâs ever written and likely the greatest thing sheâll *ever* write. It knocked me out from that floaty, opening tremolo and made me melt into a pile of mush during the falsetto-driven chorus. Not sure why Taylor feels it necessary to put up this affront of unforeseen badassery and whatnot; when she embraces her soft side and indulges in her tender-hearted sensibilities, she crafts pop masterpieces like this. Knowing she has the ability to make something *this good* makes everything else sheâs done retroactively disappointing to some degree. | 7 | | Black Midi Schlagenheim
>> â953â
Barely had time to catch my breath when I first spun this absolute beast of an album back toward the beginning of the year and â953â pushed me over a cliff without warning. As some others might tell you, SCHLAGENHEIM never approaches the undeterred greatness of its opening track for the rest of its duration (it comes close, though, with both âbmbmbmâ and âDucterâ), but thereâs almost an albumâs worth of tempos, colors, tones, cadences, measures, and rhythms crammed into this one song. Initially wasnât a huge fan of the vocal approach, but it has won me over with time. Now I kind of adore the sub-David Byrne style of heavily intoned, slightly off-tune, nasally hum-singing. | 6 | | Carly Rae Jepsen Dedicated
>> âREAL LOVEâ
I love DEDICATION as much as the next guy, but letâs face itâItâs no Eâ˘MOâ˘TION, and we might never get something of such pristine caliber from Jepsen ever again. (Nearly flawless pop masterpieces donât happen all too often.) But there was always one track on DEDICATED that I thought could sit among Eâ˘MOâ˘TIONâs tracklist without feeling even slightly out of place. âReal Loveâ has everything that made Jepsenâs previous album a candy-coated work of art, and Iâd sound like a moron if I tried to describe the sense of catharsis that washes over me when the horns start blaring with the chorus alongside her request for âreal real real LOVE!â Iâm unabashedly a fanatic for this track, and itâs further proof that CRJ is the contemporary queen of pop. (Bjork notwithstandingâŚher rein is over, anyway.) | 5 | | Fire! Orchestra Arrival
>> âSILVER TREESâ
Iâve got Dewi to thank for introducing me to this masterpiece, based solely on his enthusiastic review. Didnât know what I was getting myself into when I first fired up ARRIVAL, but I had no idea itâd be this post-rock, jazz fusion work of art. I couldâve picked any song here, reallyâthe album is my only 5.0 of the year and I have trouble identifying anything here as a flaw. But âSilver Treesâ is probably the most accurate âmission statementâ, opening with a bit of free jazz noodling, transitioning toward a slow post-rock atmosphere, and eventually collapsing into a cacophonous brigade of instruments and shrieks. Think if AMNESIAC made love with LAUGHING STOCKâŚ.and had two female singers. | 4 | | Great Grandpa Four of Arrows
>> âMONO NO AWAREâ
A good indication of how awesome this album is: It has been out for only about two months now, and itâs already claimed the top spot on my yearly last.fm albums list. And it will likely remain there for quite some time, because I simply cannot stop listening to this amazing record. Unbelievably solid blend of uplifting emo (yes), indie rock, noisy dream pop, and even alt-country. Iâm not sure Iâve ever skipped a track on this album, honestlyâeven the soft piano interlude, âEndling,â is a gorgeous palate cleanser. But âMono no Awareâ has my heartâthe chorus is the most infectious thing Iâve heard all year, and the ending is so tender that it almost brings me to tears. | 3 | | Two People First Body
>> âIâM TIED, TO YOUâ
Another Dewi recommendation (maybe I should just run through his 5.0âs someday) that completely bowled me over. Some blend of slowcore, trip hop, house, and dream pop. Thereâs so much soothing texture to this album that you can almost taste it. Ballsy to open up your experimental, inaugural album with a seven-minute crawl, but holy fuckâthe aura that surrounds it is breathtaking, absolutely impeccable. From those opening synths, to the noodling sax, to the hushed vocals, Iâm not sure I can name a more hypnotic track of the entire decade. If I could take a bath in any one song, itâd most definitely be this one. | 2 | | (Sandy) Alex G House Of Sugar
>> âHOPEâ
Among the sprawling, erratic HOUSE OF SUGAR, the song that continues to knock my teeth out is perhaps the simplest of them allâopening with a simple acoustic guitar lick, joined shortly thereafter by Alexâs whimpering vocals, a clanking drum set, and a blaring synth; an ode to a lost friend, the poignancy of the song didnât hit me until the ninth or tenth listen, and now itâs difficult to listen to without sinking into a state of forlorn reflection. But as depressing as that sounds, the best songs are the ones that evoke the most emotion, and âHopeâ does that in spades. Canât fault the folks who prefer âGretelâ - that song is also fantastic - but âHopeâ tears me to shreds in the best of ways. | 1 | | Weyes Blood Titanic Rising
>> âMOVIESâ
Nothing I can possibly write would do this song a modicum of justice. Just listen to it. Easily, easily, eeeeasily the best song of the year, and one of the best songs of the decade, and, fuck itâprobably one of my favorite songs of all time. Baroque, aqueous, lush, warm, soothing, ethereal, bittersweet, delicate, powerfulâall those vague adjectives cobbled together donât describe a tenth of what I feel when I listen to this song. This is precisely what I want from music; this makes me ache in ways I canât verbalize, yet it comforts me at the same time. Makes the rest of the songs on this list seem underwhelming, honestly. It is *that* good, and then some. | |
tectactoe
12.09.19 | Gonna try a thing here. Top 100 songs from 2019. Released over the course of four days, revealing 25 new songs each day (this'll be done by Thursday).
Songs that aren't in the Sputnik database because they have only been released as a single are represented by a random EP or LP from the same artist.
Let's discuss! Tell me where I fucked up! | tectactoe
12.09.19 | Also if a mod could Feature this for me I would appreciate it. I haven't had a goddamn featured list since July and that's really starting to bruise my credibility (not to mention ego).
:o) | Ryus
12.09.19 | gone is amazing bruh
| luci
12.09.19 | Golden Chords is a 2016 song | Atari
12.09.19 | featured to boost your ego
looking forward to seeing the rest of your choices ;) | tectactoe
12.09.19 | 'gone is amazing bruh'
I dunno, maybe I've just heard it too much (without necessarily trying to) to really love it. It's better than '1999' at the very least. But 'Official' is the crown jewel of that album imo.
'Golden Chords is a 2016 song'
Well that's what I get for trusting RYM. It's listed as a 2019 Single over there, which is what I first heard, which eventually lead me to 'Sleep Cycle', and I guess I've always just assumed it was a '19 release since then. Never noticed until now that 'Sleep Cycle' was released in 2016, wowza. Upon further inspection, it looks like the '19 release of 'Golden Chords' on RYM is for a music video release? Hm, weird. I did have a few choices that were omitted, so when tomorrow's update comes, I will likely remove that, bump everything up one spot, and sub in a new #100. My penance for not being thorough.
'featured to boost your ego'
Danke, danke! | tectactoe
12.09.19 | Okay never mind. My anxiety couldn't let such a bone-headed error persist, so I removed the Deakin track, scooted everything up one, and added one of the last-to-be-cut tracks at the 100 spot.
(Thanks for pointing out my error, Luci.) | luci
12.09.19 | RYM has weird rules for singles, they have American Football's "Never Meant" as 2014 and a few Beatles/Pink Floyd singles as 2019. Glad more people are discovering Deakin though, that song in particular is a gem. | tectactoe
12.09.19 | Yeah, that's strange, especially given how stringent they are over other, less critical matters like exact song runtimes and whatnot.
Indeed, as I mentioned before I deleted the entry, I prefer SLEEP CYCLE to COWS ON HOURGLASS POND, so I'm excited to see what Deakin cooks up next. Grateful to have stumbled upon him, even if by accident three years after the fact :) | tectactoe
12.09.19 | Edit: Looks like RYM goes by physical release date of said single, whether or not the song(s) on it were previously ever recorded, so long as that exact single had not also previously existed....I think.
The comment page on 'Never Meant' is 70% people arguing that it should be 1999, and a select few saying that 2014 is "technically" correct. Which, I guess it is....but also meaningless and misleading imo. | tectactoe
12.10.19 | Added the next 25 tracks - complete through #51. | Rowan5215
12.10.19 | Seventeen and Black Balloons Reprise will be in mine too (hell Seventeen is a decade contender). different picks for IGOR and AF3, but good to see em here | tectactoe
12.10.19 | Interested to see what else would be on this theoretical list :) | tectactoe
12.10.19 | (most interested in your AF3 pick... if not "Silhouettes," it's gotta be "Uncomfortably Numb," right? those are the two clear standouts for me, though I think all the songs are worthy to some degree.) | DoofDoof
12.10.19 | Some nice picks...some accompanying comments that make me want to nuke your account
So a fun list | tectactoe
12.10.19 | Only thing I can specifically think of that might rustle your jimmies is the Cigarettes After Sex comment (I'm still somewhat shocked you've taken so kindly to 'Cry', but alas). Curious (and anxious) to know what else perturbed you :) | tectactoe
12.10.19 | Oh, and probably this? Haha:
'only to wince at Stuart Staplesâs blubbering vocals.'
I'll have you know, though, that Lambchop wasn't on the inaugural list until luci pointed out that my Deakin single was actually a 2016 single and I'm an idiot. That opened up one more spot which was going to either Lambchop or Collider, and I was like, "You know what, Doof will appreciate this" and went with 'Chop. | DoofDoof
12.10.19 | I appreciate that - even if itâs sort of damning living legends with faint praise you brute | tectactoe
12.10.19 | For what it's worth, I love 'Nixon' even if 'Is a Woman' and 'Damaged' are totally not my cup of tea. | tectactoe
12.10.19 | (and I prefer This to both of âem) | tectactoe
12.11.19 | Next 25 added, complete through #26.
Will either finish the Top 25 tomorrow or maybe even later today, depending on how much I can get done. | JohnnyoftheWell
12.11.19 | Really enjoy these writeups, awesome work
"Please donât hate me, disciples of eitherâIâm simply not a fan"
You get a free pass just this once ;] | Demon of the Fall
12.11.19 | I haven't read through this (yet), but this is already superior to Doof's due to the placeholder choice, fitting. | tectactoe
12.11.19 | 'Really enjoy these writeups, awesome work'
Danke - hoping when the final 25 get posted it'll entice a bit more discourse, haha.
'You get a free pass just this once ;]'
Whew. *wipes forehead* For what it's worth, I try to re-listen to UNKNOWN PLEASURES and CLOSER like, twice a year in hopes that they'll finally "click" with me...Just hasn't happened yet. Sonic Youth, on the other hand....I've made my peace with the fact that I will never see the appeal. :'(
'I haven't read through this (yet), but this is already superior to Doof's the placeholder choice, fitting.'
*chef's kiss* | JohnnyoftheWell
12.11.19 | Gud Charli pick and PUP lyric yes yes
"get the strange impression that this is the albumâs weak spot for a majority of people, especially diehard Cult of Luna fans. (Is that true?) "
Yes but good on you for clicking with it | JohnnyoftheWell
12.11.19 | I'm in a similar ballpark with JD tbh, need to go back to Closer again soon. As for SY, hmm. Well... ;] | Demon of the Fall
12.11.19 | 'Lay Your Head to Rest' was indeed an oddball choice. | tectactoe
12.11.19 | 'Gud Charli pick and PUP lyric yes yes'
Was almost debating on 'Kids' or even 'Blood Mary, Kate and Ashley' but the opener is what originally hooked me onto the album, so that's what I went with. Though I love the line "Are you real or fake? Do you prefer Ashley or Mary Kate? And who let you out of your grave? Can anyone see this or am I just tripping?"
''Lay Your Head to Rest' was indeed an oddball choice.'
Something about that marching drum beat right at the outset just gets me. And the way the bass/guitars ebb in and out. After my first listen of A DAWN TO FEAR, that was the one track that really stood out to me and continues to be my "go to." | EasterInTheBatcave
12.11.19 | Good list so far | tectactoe
12.11.19 | Danke! :o) | tectactoe
12.11.19 | Also yes I am counting Jai Paul's album as 2019, even though it was "leaked" in 2013 or whatever, because this is technically the """official""" release.
(At least it's not as messy as the Brand New demo/leak bullshit.) | tectactoe
12.11.19 | Okay fuck it - finished early, list updated and complete!
Let me know what you think about this exercise in futility. I hope I didn't disappoint too much! | JohnnyoftheWell
12.11.19 | Correct Big Thief (Two Hands), CRJ and Taylor picks, and I guess pretty much any song from Arrival cuts it here! Pretty Bones is a cool choice from Serotonin II, really like that one's placement in the tracklist | Rowan5215
12.11.19 | agreed that the juxtaposition of Shoulders lullaby melody with those lyrics is absolutely bone-chilling. also "anybody out there ain't on drugs yet they should probably start" best line delivery OTY | tectactoe
12.11.19 | Woo! Glad I'm not completely alone with the TWO HANDS pick. It seems like every single list I saw online was going for 'Not' - understandable, but 'Shoulders' just wrecks me.
Johnny what would your SEROTONIN II pick be?
Rowan I agree, that entire first stanza might be my verse OTY honestly. Slays. And with the skeletal beat behind it.... whoof. | luci
12.11.19 | "Problematic for the fact that âLarkâ is far superior to every other track on ALL MIRRORS"
THANK YOU. will read the rest but had to shout this | luci
12.11.19 | interesting t swift and carly picks. not what i would choose but respekt | JohnnyoftheWell
12.11.19 | Not got the single factor doing hard, but Shoulders cuts so deep. I remember skimming the lyrics between my first and second listen (with a vaguely favourable first impression) and feeling completely thrown by it
Serotonin II is such an 'album' album that it's hard to say, but An Angel Held Me Like A Child, Pocky Boy or Poison Arrow would probs be my top tier (come to think of it, it's such a tier album - imma bump the thread ;]) | tectactoe
12.12.19 | Haha makes sense, and I love those songs too.
Thanks luci - you know I gotta ask tho, what are your DEDICATED and LOVER picks? | JohnnyoftheWell
12.12.19 | If luci's not a Julien fan I'll eat my hat | tectactoe
12.12.19 | Definitely a banger. Also a huge fan of I Want You in My Room and Happy Not Knowing | Dewinged
12.12.19 | Amazing work dude, and great picks. And thanks for the shoutout! Glad you enjoyed those 2 albums as much as I did! | Rowan5215
12.12.19 | don't me wrong Not is still perfect but I'm just very glad to see some love for Shoulders. La Mala would be a fave if the guest features didn't suck so much, as it is Blood of the Fang > | luci
12.12.19 | julien is my fav yep!
i don't rate any lover track that highly, false god i guess? | Rowan5215
12.12.19 | my favourite track on Lover is the one that rips off Weezer's "If You're Wondering if I Want You" note for note. amazing stuff | tectactoe
12.12.19 | Real talk, thoughâPaper Rings is a banger. | Rowan5215
12.12.19 | if I'd never heard the original I'd probably agree but I can't listen to it with a straight face as is. Cruel Summer is my designated banger off that album - that bridge | tectactoe
12.12.19 | Thanks DewiâIâm looking forward to whatever hidden gems youâll uncloak for me in 2020 :]
Cruel Summer is great, too, and I have a soft spot for Death By a Thousand Cuts as well. | tectactoe
12.12.19 | Forgot about London Boy, too. Corny as fuck, but it jams nicely.
ME!, I Forgot That You Existed, and You Need to Calm Down can die in a fire.
| theBoneyKing
12.12.19 | hey this is uh an incredible list, massive props to you sir | tectactoe
12.12.19 | Thanks Boney. I always knew you were a man of exquisite taste. | tectactoe
12.13.19 | Listening through this playlist over and over, I think I may have underrated Divorce. Such a great song. | Winesburgohio
12.13.19 | Movies is so, so gorgeous; i borrowed my brother's record of Titanic Rising and that one got the most "needle-up - move right - replay" rituals but then i forgot about it :( | tectactoe
12.13.19 | If I were inclined to make a list of my favorite songs of all timeâwhich Iâm notâMOVIES would honestly be there somewhere. Probably Top 50, I could safely say. Impeccable song. | SlothcoreSam
12.13.19 | Epic Beard Men, Epic Choice Man,
Number 3 album of the year for me, for a reason. So much fun. Personally I would have Shin Splints> Pistol Dave> You Can't Tell Me Shit> Hours & Minutes. The rest are all great too. | tectactoe
12.13.19 | Yeah, glad I stumbled on that album while it was atop the Sputnik charts for, like, two days. Itâs a ton of fun, definitely a Top 3 hip hop album of the year for me, next to clipping and quelle chris | Rowan5215
12.13.19 | London Boy might be the worst song I heard all year, sorry tec. to give some credit to Calm Down the "ohhh-ohhh" rising pre-chorus bit is cash money, even tho the rest is trash | tectactoe
12.13.19 | How dare you have an opinion different than mine!! đ | tectactoe
12.16.19 | Damn, the new Greet Death album is pretty good, could easily see a track from that sliding into this list somewhere. I knew I should've waited another couple weeks to make it. Goddamnit. | Ryus
12.16.19 | 1 is super underwhelming to me, andromeda is the highlight there imo | tectactoe
12.16.19 | Andromeda and A Lots Gonna Change are both superb as well, Movies is just absolutely transcendental for me. Somethinâ âbout it. | Rowan5215
12.17.19 | Movies is the only song off that alb that's worth a relisten | tectactoe
12.17.19 | 'Movies is the only song off that alb that's worth a relisten'
ez now | DoofDoof
12.17.19 | 'Hope', '953', 'Naeem', 'Ill Wind', 'That's Just the Way that I Feel', 'Divorce'...and 'Crimson Tide'
'Movies' is my third or fourth favourite on that album but it's still a solid pick
Good stuff | tectactoe
12.17.19 | Almost went 'bmbmbm' over '953', solely because it's a more esoteric pick and, funny enough, was one of my least favorite songs off the album after my initial spin; time (and subsequent listens) have allowed it to grow on me exponentially, and now it's absolutely *crucial* to the album imo. However, at the end of the day, I went with '953', not simply because it's more "accessible", but I think it embodies the overall mantra of the entire album a little more closely. (To some degree.) | DoofDoof
12.17.19 | 'Ducter' is my 2nd fave, and then I'm one of the few who really rates 'Western' so that comes third.
'bmbmbm' isn't terrible, not as annoying as I first expected, but it just sounds like one idea done reasonably well. It doesn't help being next to @years Ago' that I actively don't like at all. | tectactoe
12.17.19 | 'Ducter' is also a fine choice. I could really get behind just about any of them except for, as you mention, 'Years Ago'.
Strangely enough, 'Near DT, MI' is the highest rated individual track on RYM, though I'd easily put that in the lower half of the album, possibly even second-to-last, in front of (though a substantial step up from) 'Years Ago'.
It's good, just doesn't carry the same breadth and impact of the rest of the songs here imo. Anyway, fantastic record all around that's grown on me a ton over the year. | BlazinBlitzer
12.26.19 | "bmbmbm" is certainly the grower, but for me I think "953" beat it out in the end. Really any of the first four tracks including bmbmbm are about as spectacular as they come. | tectactoe
12.27.19 | Yeah for sure, Schlagenheim is a Top 10 of the year album for me. So damn good. | JesusCage
01.03.20 | Great collection of songs. Will check some of the ones I don't know.
Shoulders is great but Not is a song for the ages. The first time I heard it was in a concert, and without ever hearing it before it reached to me. | tectactoe
01.03.20 | Thanks man. Can't blame those who prefer 'Not' - it's one hell of a song for sure. |
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