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çíñémá enema 2017

to whet your appetite for my "eagerly awaited" "critic's critic" "absolutely nebbish" music list, which I will lucubrate tonight. this year has been dominated by my exploration in the medium, more so even than ol' homely stand-bys music and (c)lit as the movie theatre became a place of refuge. here are my favourites of the year with corresponding albums attached. also this is on New Zealand release time because we only get movies after they survive a treacherous journey at sea, if they arrive at all.
15ABBA
ABBA Gold


The Trip to Spain - Michael Winterbottom. The ending is, admittedly, not great, but the formula of two basically regular dudes with possible delusions of grandeur and rueful eyes shooting the shit and doing pitch perfect (or not) impressions is eternal. Bless.
14Graham Lambkin and Jason Lescalleet
The Breadwinner


Personal Shopper - Olivier Assayas. In which Olivier assays us with a treatise on loss, love, confusion and the mundanity of the bourgeois, anchored by a deft turn from the much improved Kristen Stewart.
13 Various Artists
Polynesia - The Music of Hawaii - Tahiti - Samoa


One Thousand Ropes - Tusi Tamasese. Never has familiarity with a city been so important. Shot in my beloved and simultaneously loathed Wellington, it takes care only to frame it in low socio-economic areas. All trips to the graveyard, by the CBD, are shot at night, which is all you need to know about how the civil servants and "woke" populace cope with different skin colours in their midst. But the movie doesn't give Samoan culture and its violence off the hook, as so many others would. A powerful, brutally honest look at the cycles of trauma. NZ film of the year.
12 Keiichi Suzuki and Hirokazu Tanaka
Mother OST


mother! - Darren Aronofsky. Biblical references and poetic allusions abound, but what really draws us is when Aronofsky puts down the thinking cap and let's his characters *be* in the midst of the maelstrom. An interesting balance of histrionic performance and cold, precise, almost austere film-making. Good shit.
11Chief Keef
Back From The Dead


The Florida Project - Sean Baker. A woozy, immersive portrait painted in bright, primary colour. While I am sympathetic to the argument that Baker gazes on the marginalised through a fetishized lens -- Ken Loach he is not -- i was more sympathetic to Bria Vinaite's stunning, complex performance, which sold what could easily have tipped into sanctimony or leeriness.
10John Angaiak
I’m Lost In The City


Wind River - Taylor Sheridan. The reason I like this is because Hollywood traditionally, and pointedly, ignores native american struggles under the colonialist superstructure AND mankind's capacity for emotions that are generally frowned upon; rage, avarice, self-loathing, the desire for vengeance, bloodthirst. The movie isn't pleasant but it isn't meant to be.
9AMM
Combine + Laminates + Treatise '84


Toni Erdmann - Maren Ade. Marinade is right as Ade lets this one sit and percolate. Endless, but never gratuitous in its use of time (which is more than i can say, alas, for its use of nudity).
8Laurel Halo
Antenna


The Untamed - Amat Escalante. Spanish lessons; horror lessons; oases of tedium lessons.
7New Vienna String Quartet
Schoenberg: The String Quartets


Europa - Miguel Ángel Pérez Blanco. Spanish lessons; erotica lessons
6Peach Pit
Being So Normal


Lady Bird - Greta Gerwig.
5Sufjan Stevens
Seven Swans


Call Me By Your Name - Luca Guadagnino. About fucking time.
4My Bloody Valentine
Loveless


Loveless - Andrey Zvyagintsev. Misery loves porn.
3Simple Affections
Simple Affections


Brigsby Bear - Dave McCary. Like if the Lonely Island adapted Mysterious Skin. Reader, I wept. Copiously.
2Jeff Mills
Live at the Liquid Room, Tokyo


The Shape of Water - Guillermo Del Toro. Liquid. Get it.
1Angelo Badalamenti
Twin Peaks: Music from the Limited Event Series


Twin Peaks: The Return - David Lynch. Cheating, but nothing affected me as much. I will never stop thinking about it.
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