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Bobby Liebling & PENTAGRAM have been churning out widely admired hard rock / doom metal for over four decades. Within itsfirst, this D.C. band is largely regarded as pioneering not one but two sub-genres of hard rock. At the onset of the 1970’s,they helped procreate a behemoth called, “Heavy Metal.” Nine years on, they’d be planting the dark seed of what would growto be known as “Doom.” 2011 marks the 40th Anniversary of this American treasure and see the release of their new album,Last Rites, on Metal Blade Records.

When asked about his old band’s beginnings, more

Bobby Liebling & PENTAGRAM have been churning out widely admired hard rock / doom metal for over four decades. Within itsfirst, this D.C. band is largely regarded as pioneering not one but two sub-genres of hard rock. At the onset of the 1970’s,they helped procreate a behemoth called, “Heavy Metal.” Nine years on, they’d be planting the dark seed of what would growto be known as “Doom.” 2011 marks the 40th Anniversary of this American treasure and see the release of their new album,Last Rites, on Metal Blade Records.

When asked about his old band’s beginnings, co-founder and drummer Geof O’Keefe recalls, “It was 40 yrs ago in the fall of1971. I’m not sure if it was literally Halloween night but it was at least pretty close. I was sitting around with Bobby Liebling,my best friend from school. We were bemoaning our own bands, Shades of Darkness and Space Meat. We were also talkingabout how Blue Cheer had lost both their fire and guitarist Leigh Stephens. Cream had disbanded, and Hendrix had been deada year.” That night an idea that could change hard rock history dawned on them. They should join forces start a new groupplaying all original music influenced by the heavier bands they both loved! Out of love and frustration, PENTAGRAM was born.

Enter 1981. Joe Hasselvander, who joined the lineup in ’78, was dating a girl who had told him about her 18 yr old brotherVictor back in TN. Victor Griffin was a young, heavy guitarist already recording his own music under the name of Death Row.On a family visit, Hasselvander traveled to Knoxville to see if this fresh-out-of-high-school musician lived up to his reputation.“Back then Victor Griffin and Lee Abney, his bass player at the time, were already playing the Death Row material,”remembers Hasselvander. “Griffin had the songs and I was blown away by his playing. He had a sound that was a lot deeperthan what Venom was doing and it was heavier and more Sabbath-y than what Witchfinder General was doing. In fact, Ithought that it was better than Sabbath. He was Blue Cheer mixed with Black Sabbath!.

Shortly before this period, while in high school, is where Griffin perfected the sound invention of “Drop B tuning.”Of thetechnique, Griffin says, “I had been messing around with a drop D tuning which was also uncommon at the time. I had beenplaying around with it and dropping it lower and discovered something when I got to B. If you play a fifth chord on the toptwo strings, it makes this octave. Now you have those seven-string guitars with the low B right on there. For the timethough, I don’t know of anyone who had done that.” Little did he know at the time that he’d influence thousands of players inthe future.

The band would coincidentally get signed to an unrelated label entitled Pentagram Records in 1985. Death Row recorded ademo in 1981, which was paid for by Hasselvander. The following year, Liebling would pay for another. Three years later,these two demos would be put together to form the self-titled PENTAGRAM album. Merely days before the deal with the labelwas inked, Liebling had convinced Griffin that PENTAGRAM was a better moniker since it was already well known in the area.Fifteen years into his career Bobby Liebling and PENTAGRAM would finally release their debut album; a record which nineteenyears later would be inducted into Decibel Magazine’s “Hall of Fame!” Sadly, Hasselvander was once again unhappy andrestless. Before the debut’s release and just after the second record was finished being recorded, he again parted ways andjoined N.W.O.B.H.M. / pre-thrash luminaries, Raven. Stuart Rose soon joined Liebling, Griffin and Swaney as the bandcontinued down its path to the top.

The guys played as many headlining gigs in the area as they could and opened for nearly every major label metal band whotoured through the DC area. Crowning this era was an infamous gig at the defunct yet historic CBGBs in NYC. As a result ofthese performances and unique, stellar songs, a new deal with international indie label Napalm was on the table. The secondalbum, Day of Reckoning finally hit the streets in 1987.

The same demons still haunted Liebling and his band however. This coupled with virtually no label support the group was soondriven back into the grave. It wasn’t until 1994 when the band would come back together and record for Peaceville records.Hasselvander jumped back on board. He, Liebling, Griffin and Swaney dug down deep into the vaults and pulled out a few oldLiebling classics as well as the usual heavies Griffin had become known for. Be Forewarned came out to more fanfare thanever, even though that still kept them well beneath the mainstream. What PENTAGRAM started to realize, however, is thatthey had influenced a handful of heavy bands who, like them, sacrificed speed for weight of the riff. Doom metal was in fullswing with every one of its bands, Trouble, Candlemass, Cathedral, and so on, sighting PENTAGRAM, along with BlackSabbath, as their main influences. At this time, Peaceville also obtained the rights to the band’s first two albums and re. released them to young doomsters hungry for the original recipe. It seemed that finally, PENTAGRAM would get its due.Regrouped and re-charged these D.C. doom godfathers gave it another go. Unfortunately, once again, Hasselvander wasonce again fed-up with the madness and returned solely to Raven. Swaney soon too would become disheartened with thelack of tours, label support and usual rigors of a band living the “rock n roll lifestyle.” He also soon departed the band for asecond time. Despite all this, Liebling and Griffin forged ahead and recruited local drummer Gary Isom and Griffin’s nephew,Greg Turley on bass. Stardom was still far, far away however and within a few short years, PENTAGRAM and mainman Lieblingonce again tittered over an open grave.

Fast forward to 1998…Hasselvander had rejoined the band and in 2001 PENTAGRAM released Sub-Basement and First DazeHere, a collection of Liebling’s best recorded 70’s songs. As quoted by Liebling, “This album finally gave me the growth steps Ineeded to take in order to find a wider audience.” More rock and hard rock than doom, the soulful songs reached acrossmultiple sub-genres of metal and rock and roll. Accolades of these uncovered songs started pouring in from famous andinfamous musicians alike as it went on to sell well over 10,000 copies. Covers would appear from respected contemporariessuch as Hank III, Witchcraft and The Dead Weather. People such as Liam Gallagher from Oasis sited Liebling’s 1972 song, “BeForewarned” in his top five songs of all time. Finally, was the genius of Bobby Liebling and PENTAGRAM becoming known bythe mainstream.

Empowered by the recent accolades, Liebling put together a few different line-ups in hopes of playing out live again.Unfortunately, this was not to be the case. Several, now infamous, false starts went down. One of these would happen in2001 at a doom fest in the DC area. After waiting over an hour to show up, Hasselvander, now on guitar, started the setwithout him. The band played nearly their entire set before Liebling showed up during the last song. An upset Hasselvanderkicked Liebling in the shin and finished the song behind his amps. Another such event was at the Black Cat in DC in 2005.Liebling was indeed at the club on time but so was his drug dealer. He overdosed backstage and had to be revived by theparamedics. Friends dragged him up onto the stage where he collapsed on the drum riser during the first song. He died twiceon the way to the hospital but luckily ended up pulling through. Right around this time, 914 Pictures (“The Art of the Steal”,“Rock School”) started working on a documentary on Liebling’s life. A labor of love, the film company worked slowly on theproject in their spare time.

Another four years would go by as Liebling struggled against his demons. In his heart, he still wanted to create music.Encouraged by his friends and management, he got a band together again in early 2009. Focused and determined, once againthe man was ready to show ‘em how! Gary Isom (Spirit Caravan) joined back up on drums; Mark Ammen (Unorthodox) handledthe bass while Liebling’s self-described “secret weapon,” Russ Strahan, burned bright on guitar. A triumphant come back showwas booked at the historic Webster Hall in NYC. It sold out as people traveled from around the world to show support.Highlighting songs from PENTAGRAM’s career, the gig went down in a blaze of glory. 914 Pictures was there capturing all theglory of the madman back at the mic in this historic setting. The performance proved why this band was worthy of mentioningin between Black Sabbath and Judas Priest as innovators of heavy metal.

Things never came easy for Liebling though. They say that it is at these times of deep darkness that the light ends up shiningthrough the clouds brighter than ever. Liebling reached out to Griffin who at the time was fronting Death Row alongsideHasselvander and Swaney. Missing his old band mate and mentor, and seeing how hard he was trying to fly straight, Griffinagreed to a small run of US dates in the spring of 2010. Joining them once again was Isom and Griffin’s nephew andPENTAGRAM alumni, Turley. The gigs were a welcomed success and peaked on the main stage of the Maryland Death Fest infront of hundreds of eager fans. The gig was stellar and captured on film by a five camera crew. This show and tour wassuch a hit that the band again started plodding another attempt at finally making it.

In the fall of 2010, a 3 album deal with the historic metal label, Metal Blade Records was announced! "Last Rites", the albumLiebling had been dreaming of for ages was announced for release in the spring of 2011. Also penned for release was a DVDentitled "When the Screams Come" featuring the entire set at 2010’s Maryland Death Fest! To top it all off, a handful of 40thAnniversary parties were scheduled across the US and Europe through 2011.

Bobby Lieblings hard struggle of making "Last Rites" and getting sober, was shown in the documentary "Last Days Here" from 2011.

PENTAGRAM has proved time and time again that giving up is not an option. With the strongest lineup yet, a clean and soberLiebling, and 12 new tracks of pure classic metal coming to fans via "Last Rites", PENTAGRAM are poised to conquer themasses and claim their rightful throne atop the metal mountain. « hide

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