Max Eastley began in the late sixties to investigate the relationship of chance to music. Using kinetic sound machines or the environmental forces of
wind, streams and sea. As a consequence his career opened out into these various branches of creative and philosophical exploration. He has
exhibited his sound installations internationally, and collaborated with a wide range of artists, musicians and filmmakers, including Brian Eno, Peter
Greenaway, Evan Parker, Thomas Köner and Eddie Prévost.