After the acclaimed release of Lunik on cult german noise/industrial label Adnoiseam in 2001, reclusive composer James Huggett, gathered his forces and returning to the isolation of the studio again to begin a much more ambitious piece of work: a modern day doom laden progressive epic that would represent everything he had strived and sacrificed for. Ending a five-year hiatus of playing guitar, his new songs began to form around a core of thick, gritty bass guitar and martial programmed acoustic drums. .. A conversation with fellow British improvisational musician and composer Martin Archer sp ...read more
After the acclaimed release of Lunik on cult german noise/industrial label Adnoiseam in 2001, reclusive composer James Huggett, gathered his forces and returning to the isolation of the studio again to begin a much more ambitious piece of work: a modern day doom laden progressive epic that would represent everything he had strived and sacrificed for. Ending a five-year hiatus of playing guitar, his new songs began to form around a core of thick, gritty bass guitar and martial programmed acoustic drums. .. A conversation with fellow British improvisational musician and composer Martin Archer sparked sparked a highly productive collaboration that led to the landmark Combat Astronomy album 'The Dematerialised Passenger', released in 2005. This album has received wide ranging critical acclaim from influential titles including avant-garde periodical The Wire for its single minded and multi-dimensional modern progressive fusion of metal, free-jazz and ambient noise into a compelling and unique whole. « hide
