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Luke Vibert devoted his project Wagon Christ to the ambient side of the trip-hop equation with Phat Lab Nightmare (1994)and especially with
the celestial trance of Throbbing Pouch (1995), exuding abandon and fatalism. Massive sampling oforchestral sounds gave Tally Ho! (1998) an
almost symphonic grandeur.
In 1994 Vibert’s talent was featured on a series of recordings: the EP Sunset Boulevard (Rising High, 1994), the album PhatLab Nightmare
(Rising High, 1994), with the ever more psychological Mahadelic and Aerhaart, and the EP At Atmos (RisingHigh, 1994), that moved towards a
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Luke Vibert devoted his project Wagon Christ to the ambient side of the trip-hop equation with Phat Lab Nightmare (1994)and especially with
the celestial trance of Throbbing Pouch (1995), exuding abandon and fatalism. Massive sampling oforchestral sounds gave Tally Ho! (1998) an
almost symphonic grandeur.
In 1994 Vibert’s talent was featured on a series of recordings: the EP Sunset Boulevard (Rising High, 1994), the album PhatLab Nightmare
(Rising High, 1994), with the ever more psychological Mahadelic and Aerhaart, and the EP At Atmos (RisingHigh, 1994), that moved towards a
more percussive approach with the likes of Inside Out and Hasjit. These recordings wereinfluential in redefining the standard for ambient rave
music.
Like many of his contemporaries, Vibert has released under a wide number of aliases, including Amen Andrews, Spac HandLuke, Plug, Kerrier
District and The Ace of Clubs, as well as the aforementioned Wagon Christ. « hide |
Similar Bands: Wagon Christ, Plug, Ceephax Acid Crew, AFX, u-Ziq Contributors: Relinquished, Shuyin, DJD1ed, Sniff,
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