Baltimore, Maryland’s Greg Malcolm and San Diego, California’s Chad Mossholder comprise a unique musical entity. Twine is the culmination of their extended history, which includes their acclaimed 2002 LP Recorder for France’s Bip-Hop and their distinguished catalogue for Chicago’s Hefty Records and Sweden’s Komplott. Their sound contains a mysterious and unresolved quality, the result of the musical relationship which the group’s two main practitioners share. Making music together from across the country, their collaborations are exercises in postmodern abstraction. Songs become ex ...read more
Baltimore, Maryland’s Greg Malcolm and San Diego, California’s Chad Mossholder comprise a unique musical entity. Twine is the culmination of their extended history, which includes their acclaimed 2002 LP Recorder for France’s Bip-Hop and their distinguished catalogue for Chicago’s Hefty Records and Sweden’s Komplott. Their sound contains a mysterious and unresolved quality, the result of the musical relationship which the group’s two main practitioners share. Making music together from across the country, their collaborations are exercises in postmodern abstraction. Songs become experimentations in the virtual realm, with files bounced back and forth across time zone and singular ideas becoming collaborative.
The Twinesound is a structure meets noise vs. melody sound, always morphing into something new. Glitchy beats collapse into warm swarms of static, long atmospheric drones become abstract soundscapes where cold dark ambience and stark angular structures meet. This is a story of the fuzzy lines that connect and distance humanity, and the spiritual in-between that emerges in the nighttime hours. « hide
