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Riverside, California, situated on the desert’s edge, is one of the least habitable places on the fringe of the Los Angeles
megalopolis. Perhaps it is appropriate that such a place should have given rise to a number of industrial bands, including Penal
Colony, Hate Dept., and Interzone. It is also where Ryan Gribbin and Roger Jarvis picked up their keyboards and their keen
sense of social consciousness and created Kevorkian Death Cycle.
Originally working as Grid, they began their career as crusaders for the right to die, with their earliest tapes bearing many
songs rallying aroun ...read more
Riverside, California, situated on the desert’s edge, is one of the least habitable places on the fringe of the Los Angeles
megalopolis. Perhaps it is appropriate that such a place should have given rise to a number of industrial bands, including Penal
Colony, Hate Dept., and Interzone. It is also where Ryan Gribbin and Roger Jarvis picked up their keyboards and their keen
sense of social consciousness and created Kevorkian Death Cycle.
Originally working as Grid, they began their career as crusaders for the right to die, with their earliest tapes bearing many
songs rallying around the Kevorkian banner.
Changing their name to Kevorkian Death Cycle (the name is politically motivated — not merely an attempt at shock), the
band released their first full length CD on the now extinct Ras Dva label, Collection for Injection, and began to appear on
numerous compilations. Coupled with nationwide appearances (including a successful 1997 tour with Spahn Ranch and a sold
out appearance at CMJ’s New York City music marathon), the underground community was soon all abuzz about KDC.
Combining social issues with throbbing synthetics and dance floor beats, this duo appealed both to the body and to the mind.
In 1998, Kevorkian Death Cycle signed to Metropolis Records, and issued their sophomore release, Dark Skies, in the fall. Still
keeping with the darker side of industrial, KDC added more beats and electro attacks to their political formula, creating an
astonishing sounding release. The band also had the opportunity to appear in concert with the fathers of the genre, Front
242; and embarked on a nationwide tour, culminating a series of dates with Front Line Assembly.
Kevorkian Death Cycle released their third CD in 1999 entitled A+O(M), and embarked on a two month tour of North America,
loosely called the “Free Jack” tour - Jack as in Dr. Jack Kevorkian. The release explored a more electro side of KDC, and
contained the dance floor favorites “Death To the Flesh”, “Pulse”, and a cover of Frankie Goes to Hollywood’s “Relax”.
The highly sought after debut, Collection For Injection was re-issued in 2000, and a re-mix single of “Relax” featuring mixes
by KDC, Assemblage23, and Nikki Shifter, as well as a new version of “Kill For Christ” from the debut was released in 2001.
Source: www.last.fm/music/Kevorkian+Death+Cycle « hide |
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