| | | Ratings (7) |
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| 2.5 average | Gene Gol-Jonsson CONTRIBUTOR | July 8th 23 |
La Femme's mix of Spanish balladry and synthpop has resulted in an awkward and unnecessarily long affair, where songs do not quite flow into each other and the shifts in styles can be quite jarring.
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| 2.5 average | ajcollins15 | November 10th 22 |
The French-based band looks to take influences from a culturally different area in Latin music and sometimes this record can be good but in other ways, it can be a mess. The album is more of a potpourri of styles and it?s tough to see the overall direction the band wanted this to sound like.
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| 3.5 great | Erwann S. STAFF | November 8th 22 |
Ain't La Femme, they La Mujer now. This twist towards Spanish music was kinda unexpected, but it's mostly well-done, and still La Femme: Teatro Lucido features their brand of sugar pop made of various influences, and while some tunes are perfect at showing a Spanish La Femme, some are a tad too cliche, like the pasodoble (basically martial Spanish music) Maialen or with the filtered vocals on the title track. It thus ain't perfect (but Hannah Montana already told us nobody was), but it nevertheless establishes La Femme as one of the most daring modern pop bands.
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| 2.5 average | Risodo | January 3rd 24 |
| 3.0 good | arf | November 9th 22 |
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