On the surface, this new album from the Portland-based artist, Zelda Trixie Lulamoon, might seem like a niche style of music. The hello pony art style and the cutesy direction may turn people away right away, but something that people need to understand is that what Zelda is presenting on this album is more than just a simple album, it is an accumulation of great direction, artistic vision, and catchy melodies. This whole album is littered with truly breathtaking indietronica ideas and glitchy progressions that come together to give one hell of a fun listen. Really only negative I have is that the closer could be better, which is tough because it is a decent song, but I wish it closed everything out a little better.
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