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| 3.2 good | Erwann S. STAFF | November 11th 19 |
Two surprises here: it's the most introspective L'Empereur has ever been, and I don't think Le Desanusseur has ever had such nice beats. He also managed to feature trendy artists (Katerine, Romeo Elvis) which will allow him to get more streams than he usually does. The main problem is, like always, his lack of variety: yeah we know he can pull off some dirty multi-syllabics, but it does get tiring after almost 15 years of doing it. The album art is fucking hilarious too, thank you L'Aigle de Carthage.
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