While definitely artsy shmartsy for the sake of it, Take Me to the Land of Hell is chock full of moments which are surprisingly listenable. Given the nature of Yoko God No's work and the bad publicity the woman herself has gotten, I was almost certain that heinously disliking this album was one of various logical explanations. "Tabetai" and "Hawk's Call" are rather pointless, though, and if it weren't for the guests who appear throughout the record, Take Me to the Land of Hell would've been a miserable trip through La La Land.
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