 | Tracklist:
1. Behind The Lines
2. Duchess
3. Guide Vocal
4. Man Of Our Times
5. Misunderstanding
6. Heathaze
7. Turn It On Again
8. Alone Tonight
9. Cul-De-Sac
10. Please Don't Ask
11. Duke's Travels
12. Duke's End
| Ranking: #27 for 1980 | |
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| Summary: The last prog hurrah by Genesis features an excellent array of progressive tracks such as Duke's Travels, Cul-De-Sac, and Heathaze. |
It's 1980, progressive rock as we knew it in the 70s has all but died. It's been a long three years since we last saw Steve Hackett as a member of Genesis, and an even longer five years since Peter Gabriel was in the band. New Wave music is beginning to take over the music industry and we are seeing a strong shift towards pop music in our once beloved progressive rock groups. Genesis would be one of the first to begin this strong movement, shredding their last bit of progressive rock credibility in 1980.
The band:
Phil Collins: Vocals, drums
Tony Banks: Keyboards, synth, 12-string guitar, background vocals
Mike Rutherford: Bass, lead guitar, background vocals
Clearly Genesis has continued slightly further along their pop trail, Phil Collins has just gone through a divorce, and understandably wants to write more personal songs. Although he gets most of the blame for "ruining" Genesis, Tony Banks was still the chief songwriter in the band. Although most diehard fans dismiss this album as pop garbage, it still contains an array of very strong tracks.
Kicking things off is Behind The Lines, a relatively pop-influenced song bar the first minute or so. I was never a big fan of this song due to the upbeat intro with some nice multi-layered keyboards that really got me going, and then I felt suddenly let down when the first verse came in suddenly brought down the pace.
Up next is quite a strong song in Duchess. While there is noting complex at all about this song, it is relatively catchy and for some reason is not considered a garbage track by the diehard Genesis fans. Very nifty chorus and has a nice story to go along with it. Definitely one of the better tracks on the album. Following this is Guide Vocal, which is a very short track consisting of some softer keys and vocals. It is more of a setup to Duke's Travels suite.
Man Of Our Times is a very rock-like track, which sounds quite Arena Rockish, and is still a good song. Although the progressive rock elements are definitely at a minimum, it still serves as a good song thanks to the keyboard work of Tony Banks. This next song is the one that convinced many older Genesis fans that the band was over with, Misunderstanding. Although it is a genuine pop song, I love it. Anyone who is a fan of the earlier solo work of Phil Collins will enjoy this song, as it has the emotional vocals involving his divorce mixed with a good beat and solid instrumentation. While the vocals do take the center stage, the music definitely does not detract from the song.
One of my favorite songs, Heathaze is a strong mixture of prog-rock ballad and the emotional vocals of Phil Collins. He delivers with a very gutsy performance over an extremely atmospheric backing created by the keyboard mastermind, Tony Banks. Mike Rutherford does his contribution with some strong bass work as well. In my opinion, Turn It On Again is a rather forgettable track. It is relatively catchy, but eventually it gets tiresome. Minus the nifty guitar/keyboard line in an odd 13/8 time signature, this a very weak song.
Alone Tonight is another song that I struggled to get in to. I felt like it was a watered down version of Misunderstanding, or as if something was holding Phil Collins back, because he clearly was supposed to be the highlight of this song. But, right after two weak songs is one of the best songs on the album, Cul-De-Sac. With some very clever drumming during the verses, it is set up to be a great track. The entire band delivers, and meshes together very well to form a very balanced track. I highly reccomend for anyone to check this song out, even if you aren't going to buy the album.
Please Don't Ask is another ballad, with often gets forgotten because it is stuck in between the two best songs on the album. While it is not bad, it is just plain not good enough to be remembered.
This is because of the epic Duke's Travels. Easily the best song on the album, this is an eight minute intstrumental suite that showcases the entire bands performing ability on their respective instrumentals. Starting with a very atmospheric and windy intro, it kicks in to a quite aggressive lead keyboard line from Tony Banks, who then proceeds to layer some swift arpeggios over top of it. The song continues to build and then finally picks up the pace when another aggressive keyboard part is tossed in along with a swifter beat from Phil Collins. This part continues to build up until 5:48 when it all unleashes into one of the best musical moments Genesis has ever created. Tony Banks is layering extremely ambient and creative keyboards over a quick Phil Collins beat when Mike Rutherford kicks in with some amazing lead guitar lines that perfectly accent the keyboards behind. Then the song Guide Vocal returns to mind when Phil Collins begins singing those lines over the phenomenal backing behind it. The song eventually starts slowing down and comes to end as it segues right into Duke's End. This song kicks off just like Behind The Lines, and ends just as relaxing as the verse of Behind the Lines to round off a very underrated album.
This would be the last album in which Genesis still had progressive elements in their music, as shown by Duke's Travels and Cul-De-Sac, two songs that could fit in on any 70s era Genesis album. Overall Duke is a very underrated album which often gets ragged on by the older Genesis fans, even though it has its very strong moments. I reccomend it to anyone who has an open mind to 80s influences on their beloved progressive rock.
Genesis
Duke - 1980
3.5/5
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| Recent reviews by this author | | | |
Album Rating: 3.5
well its definitely been a while since i put this review up...
anyone have any thoughts?
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I'm not into Genesis as much as should be. I love Phil Collins with a passion, but unfortunately don't own any Gen records other than the best of.
Review was a pretty good t-by-t :thumb:
Digging: Type O Negative - Dead Again
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Sometimes, tbts can be a little dodgy, but this was quite a good one because it's well written and descriptive
Phil Collins is a little overrated as an artist, but if you listen to the solo stuff, he's better than Gabriel. They were always at their strongest together, unfortunately  This Message Edited On 02.19.07
Digging: Grace Jones - Hurricane
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I heard "Misunderstanding" on the radio today, great song
Digging: Neon Indian - Psychic chasms
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Do you like Phil Collins? I've been a big Genesis fan ever since the release of their 1980 album, Duke. Before that, I really didn't understand any of their work. Too artsy, too intellectual. It was on Duke where Phil Collins' presence became more apparent. I think Invisible Touch was the group's undisputed masterpiece. It's an epic meditation on intangibility. At the same time, it deepens and enriches the meaning of the preceding three albums. Christy, take off your robe. Listen to the brilliant ensemble playing of Banks, Collins and Rutherford. You can practically hear every nuance of every instrument. Sabrina, remove your dress. In terms of lyrical craftsmanship, the sheer songwriting, this album hits a new peak of professionalism. Sabrina, why don't you, uh, dance a little. Take the lyrics to Land of Confusion. In this song, Phil Collins addresses the problems of abusive political authority. In Too Deep is the most moving pop song of the 1980s, about monogamy and commitment. The song is extremely uplifting. Their lyrics are as positive and affirmative as anything I've heard in rock. Christy, get down on your knees so Sabrina can see your asshole. Phil Collins' solo career seems to be more commercial and therefore more satisfying, in a narrower way. Especially songs like In the Air Tonight and Against All Odds. Sabrina, don't just stare at it, eat it. But I also think Phil Collins works best within the confines of the group, than as a solo artist, and I stress the word artist. This is Sussudio, a great, great song, a personal favorite.
Digging: Smog - A River Ain't Too Much Too Love
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i love you forever for posting that gaslight
Digging: Chapter - Two (The Biographer)
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