| Killswitch Engage Killswitch Engage [II] |
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 | Tracklist: 1. Never Again
2. Starting Over
3. The Forgotten
4. Reckoning
5. The Return
6. A Light In a Darkened World
7. Take Me Away
8. I Would Do Anything
9. Save Me
10. Lost
11. This Is Goodbye
Release Date: 06/30/2009 | |
| | other reviews | Joseph Toeben (4) Brutal, crushing, melodic and just as metal as you ordered your Killswitch.... | peartnoy (3.5) Overly catchy and somewhat repetitive, but still a very pleasant listen.... | when_darkness_falls (3) More of the same from Metalcore icons makes for dull listening....... | Stephen Abootman (2.5) "Killswitch Engage" covers no real new ground in terms of musical progression, with the band seeming... | Thompson D. Gerhart (2.5) A flub, pure and simple. Let's hope Killswitch Engage re-evaluate their "new direction" and choose t... | ZomarK (2.5) Progression? I see no Progression. Sure they are more technical but I was really lookin for them to ... | Oneiron (1.5) Lamb of God isn't the only band into ripping themselves off anymore.... |
On 7 Lists
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| Summary: Killswitch puts on the brakes and stops their descent into self-parody. |
11 of 11 thought this review was well written
Killswitch Engage are a polarizing force in modern metal. On one hand, they were instrumental in the rise of the new wave of American heavy metal, the forefathers of the entirety of modern mainstream metal. On the other hand, they are also one of the foundations of metalcore, the oft-hated subgenre of repetitive screaming and breakdowns, with little talent for songwriting. Where the truth about Killswitch rests is somewhere in the middle. They are not trendsetters anymore, nor do they fit the label of metalcore that has spawned a thousand faceless bands. What Killswitch Engage is, now, is a band trying to figure out what their role is supposed to be.
The days of Killswitch being the innovators of the metal world are gone. Their first two albums were revolutionary, bringing the screaming/singing formula to the mainstream and defining the sound of a genre. When they delivered The End Of Heartache, introducing new singer Howard Jones, the band laid the cornerstone for all that is modern mainstream metal. The album was heavier than anything getting airplay, was technical in the right ways, and featured an outstanding vocal performance from the best singer/screamer in the genre. The album, by virtue of it's sheer weight, the epic scope of the melody, and the tight songwriting of the band, became the Bible by which all that followed was judged.
The band themselves found the album impossible to follow, releasing the uninspired As Daylight Dies, repeating the formula with little of the inspiration. Killswitch still sounded like themselves, but had the energy of a cover band, none of the songs coming across with the same air of aggression. Now, Killswitch is back to take their second stab at recapturing the magic. Their second self-titled record is an improvement over As Daylight Dies, but cannot approach their watershed release.
As a cymbal counts off into the introduction of "Never Again", the first riff highlights the problem that the band has. Nothing that they do now, after inspiring so many followers, sounds as fresh as they did when they broke out. The classic Killswitch formula is present, the muscular riffs and pounding rhythms driving the songs under Howard's multi-faceted vocal approach. Nothing is wrong with this approach, but it is too familiar, down to the very details of the guitar tone. This is all stuff that we've heard before.
The band does little to help themselves overcome this apathy, loading the first half of the album with the faster, quirkier songs. "Starting Over" builds the verses on an Iron Maiden styled gallop, turning back to the band's modern approach in the chorus, starting and stopping to break up the proceedings for no reason other than to be different. "Reckoning" is the first single, a short burst of energy that contains all the band's elements, but fails to put them together. "The Forgotten" tries to be different, building from the dramatic pulse of the intro, falling right back into the cliche.
As the record makes its turn to the second half, the band finds their stride. "The Return" is softer, utilizing clean guitars and a wash of fuzz to underscore the sweeping melody Howard spins, as well as the classic guitar harmony that sits back in the mix. "A Light In A Darkened World" has the strongest hook on the album, a tasty slice of razor-edged pop infiltrating the assault. "Take Me Away" has a Malmsteen-esque shredding riff before turning into a hard rock chorus that feels inspired. "I Would Do Anything" is the heaviest song on the album, but remains melodic with another sweeping chorus. "Save Me" and "Lost" are standard-issue Killswitch tracks, but have solid melodies that elevate the songs beyond pastiche.
Killswitch Engage is a short record, the songs coming and going before their can wear out their welcome, a good idea for a band offering more of the same. There is nothing new to be found on the album, the band sticking to their tried and true formula. Unlike their last album, this effort finds them engaged in the songwriting once again, turning out half of a record that could compete with their earlier highlights. Unfortunately, that amounts to twenty minutes of good music, and after three years, that's not enough. A band with the talent to make a great record cannot throw fill their albums with fluff and maintain their status.
Killswitch Engage is a return to form, and a step up, but it isn't quite enough.
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in the summary it should be "descent." Other than that great review
Digging: Neon Indian - Psychic chasms
| | | Album Rating: 2 | Sound Off
vat
Digging: Gunther - Pleasureman | | | Album Rating: 3
it should also be "put" and "stop"
Digging: Converge - Axe To Fall | | | I haven't heard this, but if they're not doing anything different than I can't see the summary being true. Nice review, though.
Digging: The Shizit - The Shizit
| | | tiight.
Digging: Munn - Selbstmordwald
| | | Album Rating: 2
Meh, this does nothing for me
Digging: Neurosis - Times of Grace | | | Album Rating: 2.5
Definitely not better than ADD - this is the similar but inferior sequel.
Digging: Dropkick Murphys - Blackout | | | Album Rating: 2.5
so boring this album..
Digging: Between The Buried And Me - The Silent Circus | | | Still swimming in a sea of mediocrity
Digging: Dream Theater - Black Clouds and Silver Linings
| | | After the first album, I see no more hope for this band in terms of releasing real good music.
Digging: Say Anything - Say Anything
| | | Album Rating: 2.5
Wait, what? Alive or Just Breathing owns, and is easily their best.
| | | Album Rating: 1.5
Yeah, no. teoh easily beats aojb.
Digging: Isis - Oceanic | | | I mean, that the first album was the only decent one, after that, what I've listen from the rest, I have no hope for smthng better.
| | | Album Rating: 1.5
teoh owned in every way imaginable. Bigger production, better singing/screaming, better songwriting, more quality songs, and moar killer riffage. i suppose it's just a matter of preference because i see it no other fucking way.
| | | Album Rating: 2.5
First five songs off of AOJB >>>> each of the other four albums
| | | Album Rating: 2
More like the first twelve songs
| | | Album Rating: 2.5
Yeah but imo those are the best ones.
| | | Album Rating: 3
Being a fan of Killswitch, I enjoyed this album all the way through. I don't think its nearly as strong or good as AOJB or TEOH but it's still solid, good stuff from them. Howard's vocals got a bit heavier IMO. Good Review.
Digging: Fear Factory - Obsolete | | | Alive Or Just Breathing is their best.
Digging: Tool - Aenima
| | | Album Rating: 2
All I can say is at least they're trying.
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