John 5 - Songs For Sanity Review

John 5 Songs For Sanity

dig it

full review

Tracklist:
"Songs For Sanity"
1. Damaged
2. Soul Of A Robot
3. Gein With Envy
4. Sin
5. Behind The Nut Love
6. Blues Balls
7. Fiddler's
8. Gods And Monsters
9. 2 Die 4
10. Death Valley
11. Perineum
12. Denouement

Ranking: #60 for 2005

user rating

3.9
excellent

Chart.

other reviews

Matt Conrad (4)
...

related

The Devil Knows My Name

REQUIEM

Vertigo

members also liked

Pink Floyd Dark Side of the Moon
AFI Sing the Sorrow
Incubus Make Yourself
Alexisonfire Crisis
At the Drive-In Relationship of Command
Muse Absolution
The Fall Of Troy Doppelganger
King Crimson In the Court of the Crimson King

4.0
excellent

Siberian Khatru USER (3 Reviews)

2006-06-04 | 19 comments | 1,035 views

5 of 5 thought this review was well written

A good few people know of John 5. He made himself a decent name for his work with Marilyn Manson. After he split with them he basically disappeared off the radar. As I remember it was not so long ago on a boring Saturday afternoon that I found myself at John 5’s website. There was a little box up top that said PLAY so I clicked on it. The following was some of the most amazing music I’ve heard in a while. The entire song was completely instrumental and fully capable of standing on it’s own. I haven’t heard too much instrumental music, but I know this is some of the best. Anyhow, on to the review.

Damaged is the first track off Songs For Sanity and the song I heard on his website. It starts out with heavy power-chords and an absurdly fast lead line. It flows nicely into the verse, which sports a top-notch guitar solo instead of vocals. The chorus is a simple riff played repeatedly over a stellar rhythm line. It’s surprisingly catchy. Damaged gives an excellent first impression. Right of the bat you can tell this guy has some serious skill. 4.5/5

Next up is Soul of a Robot. The guitar intro is again a super heavy metal riff that builds into an equally heavy verse with another ridiculously fast lead line that he taps on the fret board. This song is more driven by the rhythm guitar and has more change ups. After a couple of repetitions of the verse all the instruments drop out and then explode into a vicious guitar solo. There are also some nice effects going out, but this song can get a touch dull without vocals. 4/5

After Soul of a Robot died down I was expecting another heavy metal song. I nearly had a massive coronary failure when I heard a banjo and an acoustic guitar start doing two diddely solos. Gein with Envy is only just two minutes long and doesn’t amount to very much; that said, it’s a refreshing break from the rest of the album. 3/5

Sin takes the album down a darker path. It stars off with an ominous guitar line and an evil throbbing bass track. It then explodes into a fast-paced frenzy of palm-muted power chords. The lead guitar continues to amaze with its rapidly shredded riffs and mighty solos. After a while the song slows down and reverts to the intro for another yet guitar solo. Sin finally closes with a neat outro, but I find that without a definitive solo or chorus it lacks enough structure to be much good. 3.5/5

Behind Nut Love is an odd song. It lasts only one and a half minutes. It’s an interesting acoustic slide song, but like Gein with Envy, it doesn’t amount to more then a relaxing break. 2.5/5

Blues Balls is a stellar song and easily makes up for the three mediocre performances before it. Its verse is a heavy blues influenced riff backed by some nice piano. It follows the same structure as Damaged with guitar solos for verses and a catchy riff for a chorus. The soloing on this track is amazing. John alternates between wiffling up and down the scale and emphasizing individual notes. 4.5/5

Fiddler’s shows more of John’s bluegrass influences, but this time it fits in better and has more substance. The guitar is heavier and more distorted then in Gein with Envy or Behind Nut Love and the song as a whole is longer and more capable of being taken on it’s own. 3.5/5

Next up is John’s nod towards his work with Marilyn Manson. Gods and Monsters has an industrial electric drum beat and some heavy guitar work. After the verse the song explodes into a viciously fast riff followed by a chorus of voices shouting “HEY!" It’s sort of like Antichrist Superstar. The guitar solo is also mighty and makes this one of the better songs of the album. 4/5

2 Die 4 is a sad acoustic ballad style song. The acoustic guitar is very beautiful and is backed up by quiet gunfire in the background. A while in through the bass kicks in and the keyboards come in with some eerie effects. It’s a beautifully sad track. 4/5

Death Valley is a really bizarre song. The intro makes little to no sense and the guitar baffles me. I’m not going into detail on this one. I just skip it. 2/5

Perineum, despite its title, is by far the best song on the album. The verse is heavy and fast paced with some of the best lead guitar work on the album. This track reeks of heavy metal, and the chorus is a magnificent riff. Oh, and just in case anyone thought this guy isn’t for real, Steve Vai does a guest appearance for two guitar solos. That’s right, Steve Vai does a guest appearance. I told you he had skills. This song alone is worth the whole fifteen-dollar cost. 5/5

The album closes with another excellent track. Denouement starts off with an eerie intro that’s very similar to that of Sin. The verse is all right, but the chorus is what makes this song. It’s riff is very grand and epic. It’s a very good note to end the album on. 4/5

Personally I would recommend this album to anyone who likes metal or rock, but that’ s just me. I implore you all not to judge John 5 by his work with Marilyn Manson. In his entire career with Manson he only used a tiny fraction of his talent. This is a great instrumental album and it’s highly underrated. A worthy buy indeed.

Share: Facebook Stumble Digg Twitter Del.icio.us