| Dream Theater Live at the Marquee |
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 | Tracklist: 1. Metropolis
2. Fortune in Lies
3. Bombay Vindaloo
4. Surrounded
5. Another Hand - the Killing Hand
6. Pull me Under
Release Date: 1993 | |
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2 of 2 thought this review was well written
Metropolis begins with great energy and real passion. Anyone already familiar with Dream Theater would probably be familiar with this set-opener. They won't be disappointed either. The performance is flawless, even for such a complex and fast tempo piece. The bass solo is stunning, and the intensity of their performance is very impressive.
Before I continue, I would like to say a bit about the band up until this point. Dream Theater debuted in 1989 with When Dream and Day Unite and followed up with Images and Words, an album that secured them a stable fanbase and turned them into a more or less renowned band back in the States.
But in Europe, they were suffering from a lack of radio exposure and played in venues and to fans as if they were about to debut again. At the Marquee in London, however, they had recorded their first live album to a host of loyal yet relatively small audience.
As the set progresses, A Fortune of Lies began swiftly after the opener ended. The crowds were worked up enough for drummer Mike Portnoy to turn heads with Petrucci's heavy riffs collaborating smoothly. The quality of the recording is both clear and sublime. Of course, if Dream Theater never sat well with you, your patience may have already slipped. Bombay Vindaloo would be another example of shred meets keyboard, and is what I can define as another fans-only track that would be far from making any others new fans. Although musically, Kevin Moore does a great job against Petrucci's virtuoso attacks in what could be mistaken for a tribute to Highway Star's monumental ending.
Another track from Images and Words has vocalist James LaBrie dominating the next 6 minutes for a contrast in sound. Less than two minutes in, John Petrucci enters and until the crescendo after 5 minutes of dynamic playing from all corners, the piano line plays again with James singing the last lyrics.
Perhaps not as powerful as the previous songs, Another Hand - the Killing Hand play a lot of high register notes and an uplifting song. It's a great song, yet a little lacklustre in comparison to other songs. This is a shame, considering the great musicianship and miraculous turn to a quieter passage. An enjoyable song and wonderful on paper, yet lacking in real vehemence.
To finish the set, James LaBrie tells the audience "you might have heard this song, once or twice maybe. It was our first single and our first video… Pull Me Under." It begins atmospherically and digresses into a fuller, heavier song featuring rapid percussion, excellent lead work and very notable singing. As it steadily builds up, it cuts to an abrupt ending, leaving the fans one or two more seconds to keep cheering.
Stated fans will at the very least need to listen to a few songs from Dream Theater's Marquee performance. Anyone still in-conversant to them however, should probably try Images and Words before deciding on any live performance, be it Live at the Marquee or Live at Budokan.
Best Tracks: Metropolis, Fortune in Lies, Pull me Under.
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Good review. I know Dream Theater make long songs but come on, they should have more than 6 tracks. Edit to save you some face, I see you've fixed it.This Message Edited On 09.06.05
| | | Yeah, thanks for telling me about that.
| | | Album Rating: 4
Not enough tracks on this live album. Still good though, good vocals from Labrie.
4/5
| | | Album Rating: 4
They needed way more tracks. But Labries singing is mint, ive never heard him sing better.
| | | LaBrie is just fantastic, it's true, but 6 tracks for a Dream Theater live album? When they would later do a 3 hour set plus an encore? Ummm, just doesn't do it for me. The crowd can't have been too happy either.
Digging: Steven Wilson - Insurgentes
| | | Album Rating: 3
Mm, Vindaloo.
| | | he hits high F sharp on Metropolis. I disagree Killing Hand is badass man. His vocals beath the blue dump out of Charlies. Not to dis Charlie, i feel he was a kileler vocal; to. hell liten to tha new albums from his solo band Dominci. Killer stiz
Digging: Between The Buried And Me - The Great Misdirect
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