| Judas Priest Angel of Retribution |
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 | Tracklist:
1. Judas Rising
2. Deal With The Devil
3. Revolution
4. Worth Fighting For
5. Demonizer
6. Wheels Of Fire
7. Angel
8. Hellrider
9. Eulogy
10. Lochness
| Ranking: #175 for 2005 | |
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On 1 Lists
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| Summary: Priest wisely stay on autopilot with their comeback album. |
6 of 6 thought this review was well written
After the very unsuccessful years with Tim Owens, a need for a reunion between the leftover Judas Priest band members and original vocalist Rob Halford was growing ever more desirable for both the band and their fans. Following what had been more than 12 years apart, the Painkiller line-up announced they would be reuniting in July 2003. Owens left amicably and would later join Iced Earth after the departure of their long-time singer Matt Barlow, filling another man’s shoes for the second time. As for Priest, they began working on their comeback album, Angel of Retribution. The album was, unsurprisingly, hugely successful with fans, but also received critical acclaim to a certain degree. It mixed the most memorable styles from their classic era together, and contains many references to their past work, both musically and lyrically.
Angel of Retribution’s Judas Priest was:
- Robert John Arthur Halford ~ Vocals
- Kenneth Downing Jr. ~ Lead Guitar
- Glenn Raymond Tipton ~ Lead Guitar
- Ian Frank Hill ~ Bass Guitar
- Scott Travis ~ Drums
Mixing the best aspects from their classic material could, if done in the right way, result in a fantastic album. Regrettably, the band doesn’t always get it right, but the nods are mostly positive and provide some of AoR’s best moments. With Judas Rising, Priest show that they still know how to open an album with a bang. Fans will obviously recognize the opening theme of Victim of Changes, which started of the classic Sad Wings of Destiny, although it is played in a heavier tune.The potentially goose bump-inducing multi-tracked scream that follows completes what takes the cake for best moment on the album: its intro. This is more a false promise, however, as what follows is clearly Judas Priest on autopilot.
This all doesn’t seem to matter though. Fans will expect nothing else than what is presented on Angel of Retribution, and the band seems to plod through the ten tracks effortlessly, completely aware of being ultimately non-innovative. Understandable, for a comeback album is not one to take risks with.
As far as nods to earlier work are concerned, the aforementioned opener is the strongest reference to Painkiller, heavy-styled and cheesy as it is. Deal With the Devil follows it up in the same way, while also containing that sheer catchiness that made some of Priest’s 80’s releases so great. Wheels of Fire is even more of an 80's reminder. Simple, catchy and cheesy, a formula Priest has proved to work so many times before.
The 70’s are also presented, be it not as much. Demonizer is essentially 80’s in structure, but it solo blatantly mimics the one that made Beyond the Realms of Death so epic. Ballads Worth Fighting For and Angel again show that Priest doesn’t have a knack for the genre, but wouldn’t have misfit on any of their 70’s outputs. While the former is just passable, the latter’s lyrics are so annoying it makes for an immediate skipper.
Tracks where Priest doesn’t copy features from their early work all that much, however, don’t turn out too well. The uninteresting Revolution and unnecessary intro song Eulogy unfortunately make for 2 other unmemorable songs. Loch Ness is an attempt at creating a 13-minute epic a la Rime of the Ancient Mariner, but the chorus is so idiotically cheesy it ruins the potential of the entire song that could have been an excellent closer. These kind of weak moments show that Priest’s comeback album should have been a simple and catchy affair throughout, as its strengths certainly lie in tracks such as Judas Rising, Deal With the Devil, Wheels of Fire, Demonizer and Hellrider, of which especially the last one will make a great live performance with its sing-along potential. Despite containing too many weaker tracks than is likeable, Angel of Retribution’s good moments luckily outshine the bad.
What may be the single best part of the whole album, however, is the band itself. It almost seems as if the members have never been apart. Halford, while having very obviously aged since Painkiller, sounds like he’s having fun and can still create a powerful delivery, in singing as well as in screaming, only to a lesser extent than in ‘90. The rest of the band seem to have been revitalized by his return, as was hoped, and the guitarist tandem plays those old-fashioned riffs and solos again, invoking feelings of nostalgia, instead of the often horribly bland thrashing we had to endure on the two Owens-era albums. The only slight complaint about the playing would be the drumming. Painkiller showed that, for the first time in Priest history, their drummer was to be reckoned with, but since then, Travis hasn’t been quite as powerful. He still does his chops well, mind you, but considering what he can do, his performance is a letdown.
One of the most pleasant surprises of the album has to offer is the production. Never before has it sounded quite so pleasantly clear and heavy at the same time. It completes the experience and leaves the listener with a satisfying product.
Even if unoriginal, Angel of Retribution is in the end a very pleasant comeback album. Nods to the past are mostly obvious, but nostalgia-invoking. The band sounds tight and professional despite their age, and Halford’s return has done Priest quite some good. While listening to this record, we realize that Priest without Halford could never even be Judas Priest at all. Owens did what he could, but the inspiration to write solid material has returned with the real central figure, who never could have been truly replaced by anyone. Everything seemed in place for the perfect comeback, but just a little too many missteps make for a great album instead of a bloody excellent one. It’s still satisfying enough, and the fans surely won’t mind. I wouldn’t recommend Priest’s 15th over any of their classic albums in previous decades, but you won’t regret adding it to your collection.
+ Halford’s return has relit Priest’s inspiration
+ The material is greatly nostalgic
+ Despite their age, the band put down a very solid performance
- Just a little too many disappointing tracks
- Priest clearly will never know how to write a proper ballad
Recommended tracks:
Judas Rising
Deal With the Devil
Hellrider
Wheels of Fire
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| Recent reviews by this author | | | |
Album Rating: 3.5
WHITE BOLT OF LIGHTNING
CAME OUT OF NOWHERE
This would be my 30th review already.
Digging: Dave Matthews Band - Crash | | |
Good review. Painkiller is the only album I like by this band.
Digging: The Shizit - The Shizit
| | | Album Rating: 3.5
I bet you're not the only one.
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I thought some of the early Priest albums were a bit lame at first (in comparison to Painkiller) but then I realised they were the best stuff out back in the 70's.
Great review, really enjoyed it as I know pretty much nothing about this album. If you could change 'non-memorable' to 'unmemorable' and ''90' to '90's' it would be even better.
Digging: Tristania - Widow's Weeds
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Judas Priest - Best band of the 70's???
I think not.
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Loch Ness owns.
Good review.
Digging: Alice Cooper - Trash
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I meant in Hard Rock/Metal, sonic.
| | | Album Rating: 3.5
Thanks OllieS, I fixed those. Except for '90. It referenced to 1990, the year Painkiller was released, not the decade.
| | | Album Rating: 3.5
i dont see the intro to judas rising being similar to victim of changes!
Digging: Metal Church - Metal Church | | | Album Rating: 4 | Sound Off
Oy! Angel's an excellent song!
| | | Album Rating: 3.5
No it's not.
@KILL: You shouldn't try seeing, it doesn't work so well. Try hearing.
| | | Album Rating: 3.5
oh yea ur right, sounds kinda similar
| | | Album Rating: 3.5
It's not exactly the same, ok, but the similarity is obvious. This album was supposedly the second part of Sad Wings.
| | | Album Rating: 3.5
rofl really? doesnt seem like it
| | | Album Rating: 3.5
That's what I thought. I don't see the connection apart from the intro theme.
| | | Album Rating: 4 | Sound Off
Yes it is.
| | | Album Rating: 3.5
Angel won't you set me free
Angel,
Remember how we chased the sun
Then reaching for the stars at night
As our lives had just begun
When I close my eyes
I hear your velvet wings and cry
I'm waiting here with open arms
Oh can't you see
Angel shine your light on me
Such great lyrics, eh? Well, and I also found another connection while looking up those lyrics.
Angel,
Put sad wings around me now
Protect me from this world of sin
So that we can rise again
| | | Album Rating: 4 | Sound Off
Those are good lyrics, it's essentially him looking back on the good times of his life ("Remember how we chased the sun. Then reaching for the stars at night. As our lives had just begun" is pointing out the innocence of being young) as he awaits the angel to take him away from the "world of sin"; it's heart-felt and shines through on a great track. And the "sad wings" part is obviously an intentional throwback to the album, if you think that's bad then you must hate "Eulogy".
| | | Album Rating: 3.5
I just think the lyrics are very cliché. To each his own.
| | | Album Rating: 4
Are we really bashing JP for their lyrics? Ha.
Digging: PainKiller - Execution Ground | | | |
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