 | Tracklist: 1. What Whorse You Wrote Id On
2. Anyone Can Have A Good Time
3. I Want The Quiet Moments Of A Party Girl
4. Everyon Is My Friend 5. I Want The Blindingly Cute To Confide In Me
6. For Nate's Brother Whose Name I Can Never Or Can't Remember
7. Life In The Hair Salon - (Themed Bar On The Island)
8. Holy Fucking Ghost
Release Date: 2001 | |
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On 3 Lists
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| Summary: Cap'n Jazz + musical precision + good production - youthful energy = Owls |
Tim Kinsella has spread his chips way too thin.
That being said, he can write songs with the best of them. But then again, perhaps that’s why he has so many god damn bands. His high school project (with drummer brother Mike), a band called Cap’n Jazz, would prove to be a highly influential (if extremely sloppy) platform for the band’s members to splinter apart and make some of the best underground music of the 90’s. Bands like The Promise Ring, Make Believe, American Football, Joan of Arc, Ghosts and Vodka and Owen would probably not be possible if it weren’t for Jazz. And let’s not forget Owls. The band features four, count ‘em, four ex-Cap’n Jazz members, including both Kinsella brothers.
Owls debuted with an 8 track self titled release, produced by Alternative wonder-kind Steve Albini. You wouldn’t be too far off if you had guessed that Owls sounds extremely similar to the band that begat it, but there’s something different in this album. Cap’n Jazz has matured. Or have they? Do mature human beings write songs about having sex with Jesus?
Regardless, Owls certainly is a more refined sound. Tim still yowls his lyrics in that same wonderfully out of tune warble, but this time the band is playing their songs more professionally. All the instruments come in on time, and the production is slick and dense. It’s a change, that’s for certain. Owls is the difference between Pavement’s Slanted and Enchanted and their Crooked Rain. It’s still lo-fi, it’s still indie, but after listening to that last record, this sounds like Classic Rock. Albeit, some good freaking classic rock.
What Whorse You Wrote Id On is the grooviest track Cap’n Jazz never recorded. Sam Zurick’s bouncey bass part gives the song a 60’s reggae vibe, but Kinsella’s Malkmus-esque squawks quickly distance the band from Bob Marley and all them. Oddly enough, his lazy drawl seems to be a perfect fit for the complex guitar ‘n bass interplay going on around it. His repeated usage of the line “Anything I can mistake in the dark for being what I’m looking for is good enough for me” gives the song a distinctly dark feel, while his emotional screams of “Ask the prettiest girl in any small town” stand out as some of the most poignant vocals on the album. It’s no secret that Kinsella is an emotive vocalist, and he proves himself again and again on Owls, going from naïve to tear-jerking in seconds flat.
The other Kinsella brother proves himself on this record as well. Gone are the spastic, off kilter rhythms of Cap’n Jazz. Now Mike exhibits some truly brilliant drumming, recalling jazz greats, as well as arena rock royalty in a series of tom-tom hits. Keep in mind, Owls make fairly complicated music, with loosely free-roaming guitar riffs coming off the upper reaches of the fretboard, and abstract, yet driving bass lines that might not be out of place in Fugazi, so Mike’s drumming not only adds to the confusion, but manages to find way to keep it all semi-controlled. Also: despite all the references to classic rock Owls are hardly “that” either. The s/t is far from a “heavy” affair, in many ways, the whole is less than the sum of its parts. Most of the music borders on Indie Pop, but has a deliciously off-kitler aspect to it, and more emotion that a room full of PMSing teenage girls. When Tim Kinsella sings “and each morning I know I'll be no good come night. And each night I know I'll be no good come morning. There are secrets and there are secrets, screw drivers tucked under the mattress.” You know exactly how it feels, even if you have no idea what he’s talking about. Cryptic brilliance, Kinsella is a god and Owls is his band.
- Joe
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| Recent reviews by this author | | | |
Good review. I liked the stuff I heard on Last.fm. Very good indie. This Message Edited On 05.05.07
| | | Album Rating: 3.5
I'll check this shit out sometime I guess.
Digging: Do Make Say Think - Other Truths | | | I want some Cap'n Jazz or related bands
| | | Album Rating: 4
good review. i've always been interested in cap'n jazz and the likes.
would you mind sending me some sample tracks? ;)
| | | Album Rating: 4
This review keeps on going on and off the front page.
Thanks for the comments guys
| | | The Kinsellas are an interesting pair of guys, although I've always been a bigger fan of Mike's work. I'll look into this some more though. Great review.
| | | Album Rating: 4
I love this CD, it's such a good listen.
Shame they never followed this up.
This Message Edited On 06.30.07
| | | Album Rating: 3.5
ugh, why you gotta bump yourself like that
queeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeer
| | | I like the two tracks I have but I feel a full length of this type material will be too much.
Digging: Brother/Ghost - Black Ice
| | | Album Rating: 4
I like the two tracks I have but I feel a full length of this type material will be too much. yeah, the biggest (only, really) problem here is that the album gets a little tedious in the middle. Really worth the listen though.
What two tracks do you have?
| | | thanks so much for this jungler. it's really good
| | | Album Rating: 4
this is good.
| | | why don't you mention Victor in this review at all?
he is the reason this album is amazing. seriously one of the best guitarists of ever.
Digging: Do Make Say Think - Other Truths
| | | Album Rating: 4.5
i agree, vic is such an inspiration. he just about makes this album.
| | | Album Rating: 4
I didn't know this included a lot of members of Cap'N Jazz. I was just randomly trolling around blogs and found this, it's pretty nice.
Digging: Brain Banger - Yellow Belly | | | really like this :]
Digging: Smog - A River Ain't Too Much Too Love
| | | Does Mike also do backing vocals on this? Because that definitely sounds like him in 'Anyone Can Have A Good Time' when they switch off saying "we fall into patterns quickly".
Digging: William Fitzsimmons - Until When We Are Ghosts
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