Casual paranoia ("phone's tapped anyway..."), drugs, wage slavery, xenophobia, mass voicelessness, instability of self, the destabilization of American heteronormativity, corruption within the family unit, Christ kitsch, the blues, the scariest false start in popular music, and the profundity of silence, for a start. Highway 61 Revisited has several of these things, but not with the same cohesiveness or sustained intensity. And I wonder what it means that "Live Minus Zero" and "It's All Over Now, Baby Blue" start off with the same chords. |