Review Summary: Following a six year hiatus from the metal scene, Wolves in the Throne Room release an enticing new album that reinforces their unique brand of Cascadian black metal.
Wolves in the Throne Room have always been a polarizing band in the black metal scene. In their inception, the group decided to forego the Satanic lyrics and nefarious image that black metal is so famously associated with in exchange for an adulation of nature. More specifically, the band played a defining role in what has come to be known as Cascadian black metal - an admittedly ambiguous term for bands in the western region of North America who channel the energy of the colossal mountains and exquisite landscape of this area into their music. Love 'em or hate 'em, WITTR have graciously returned to form with their newest album Thrice Woven.
The band's last metal album Celestial Lineage was met with criticism from fans who felt that the Weaver brothers had lost the inspiration that made their earlier albums so distinguished. With ample down time to re-evaluate their goals, the band has atoned themselves by reconnecting with that initial spark. Their epic chord progressions and bristling screams bring to life the soaring mountains and mossy forests that inspire them, painting brisk landscapes through primitive and abrasive art. While used somewhat formulaically, the ambient passages contribute to the overall atmosphere that Wolves' fans have come to love throughout the years. Drummer Nathan Weaver exhibits more variation than before, relying less heavily on blast beats and utilizing beats that allow the music more breathing room.
One of my biggest issues with the album is the production. Every album from Hunters to Lineage was recorded with Randall Dunn at Aleph Studio in Seattle, and each album is drenched heavily with an atmosphere that is reminiscent of the rainy Pacific Northwest. Production value goes a long way in how listeners will perceive the music, and the production value of this album simply falls flat. The band also attempted to substitute the bass guitar with synth bass, and while the keys do add some nice ambiance at times, it creates a sonic gap that leaves both the drums and guitars sounding thin and frail. However, there is a certain clarity in the guitars that I can appreciate in contrast to the murky tone that was sometimes present in their earlier albums.
While Thrice Woven may not be as prodigious as the astronomical album that is Two Hunters, I'm left with a sense of gratification knowing that WITTR still has what it takes to produce quality black metal albums without being repetitive or tiresome. It simultaneously forges it's own path of Cascadian aura while showing reverence for the visions set forth by the second-wave of black metal. Perhaps by improving on the lofty production value and formulaic song structure, the band can continue to inspire listeners with their brand of ethereal metal.
