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Atari's Top 7 of 2017

There was a lot of great music in 2017. So much so, that many of my favorite albums after my top 5 or so feel rather interchangeable. So I figured I'd highlight just over a handful of albums that really made a stronger personal impression on me than the rest.
7Max Richter
Three Worlds: Music from Woolf Works


The beautiful thing about this album is it really does feel like three albums wrapped into one: each section possessing its own unique heartbeat. Based on Virginia Woolf novels, it requires no prior knowledge of the books for interpretation. Across three very different acts, the music does all the talking for us - from the serene opening tracks to a jarring midsection, and an expansive and experimental closer. Whether you're completely unfamiliar with Richter's extensive list of works or you're an avid fan, "Three Worlds" has a little something for everyone.
6Langhorne Slim
Lost At Last, Vol 1


It probably shouldn’t surprise me this placed so high on my list. After all, this has a sound very reminiscent to The Byrds, which are one of my all-time favorite 60s bands. With breezy vocal harmonies, it’s full of variety and feels completely nostalgic without feeling forced.
5The Mountain Goats
Goths


I liked “Beat the Champ”. It was a fun Mountain Goats album, but I surely didn’t love it. When I heard John Darnielle was switching the theme from wrestling to gothic culture for his latest album, I wasn’t sure what to make of it. Right off the bat, though, “Goths” blows its predecessor out of the water. With no guitars to speak of on the album, Darnielle’s songwriting is more focused, and the whole thing is gorgeously orchestrated. Upbeat horns and jazzy sections are glittered throughout the surprisingly bright album: probably the exact opposite of what a typical goth would listen to. It’s satirical, full of life, and surprisingly accessible for a Mountain Goats album.
4Nadia Reid
Preservation


It might not have made my AOTY, but “Richard” is still my absolute favorite track of 2017. Everything about it is just stunning; from the lyrics to Reid’s soaring delivery. The entire album is quite minimalistic and gentle at times, and something about it had me returning to it repeatedly throughout the year. Between this and her debut album, she’s cemented her place as one of my favorite artists.
3Charlotte Gainsbourg
Rest


Talk about a last-minute surprise. A few weeks ago, I hadn’t even heard this album, but I honestly considered it for my #1 spot. It’s purely intoxicating: a concoction of indie-pop that consists of a French-English vocal trade-off and is full of variety. “Deadly Valentine” has a dance-inducing, electronic backbone, while the title track feels like an unconventional piano-centric lullaby. Although her sound is quite unique, her ability to remain constantly alluring while mixing these different styles and moods makes “Rest” one of the year’s strongest addictions.
2Falls of Rauros
Vigilance Perennial


Hands down my metal AOTY. I was already in love with Falls of Rauros and this surpassed “The Light That Dwells in Rotten Wood” as not only my favorite FoR, but one of my favorite metal albums in general. I already gushed about this enough in my review, so I’ll keep this brief. “Vigilance Perennial” requires patience – with elegant buildups and gorgeously serene moments – but it’s worth it. For fans of folky, post-rock infused black metal, it doesn’t get much more rewarding than this.
1Phoebe Bridgers
Stranger In The Alps


In a year where indie-folk and pop has really stood out to me, this one takes the cake as the most personally affecting. Although at times it’s rather gloomy (“Funeral”, “Smoke Signals”), songs like the upbeat “Georgia” and the pop-heavy “Motion Sickness” give it a sense of balance and keep it from feeling too depressing. Simply a killer debut with hints of Elliott Smith glittered throughout.
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